Attractions à Chiusa

The chapel of the dead is situated at an altitude of 2186 metres between the mountain pass of Villandro and Sarentino on the high plateau of the Villandro Alp. The little church has to be renovated constantly due to the unique location. The last renovation was in 1981 by the “shooters of Villandro – Villanderer Schützen”. The crucifixion group inside the chapel is larger than life, for this reason it impresses every visitor. To the chapel of the dead leads a way of the cross which is 4 km long and has 14 stations. Besides, a way of the cross leads from Sarentino to the little church.

The lake Totensee, literally "lake of death" is less threatening than its name suggests.

The lake is located in a hollow below the well-known Chapple Totenkirchl. Surrounded by boulders and meadows, it is situated at an altitude of 2200 m. The macabre name comes from the agricultural expression "dead", which can be interpreted as unprofitable.

On the way to Säben is on the way, the St. Anthony Chapel, built in 1670 at the instigation of the telltale Jerome and his wife. The chapel was restored in the Tyrolean commemorative 1984. The altarpiece in the early Baroque high altar dates from Nicholas squint.

Wild stories are around the Radlsee. Is it actually connected underground to Lake Durnholzer and the Mediterranean? Is it really a wheel of devouring and gauntlet-bearing sea:

Brown, marshy ground surrounds the three Schwarzseen (black lakes), which lie below the Toten. All around you can admire the abandoned mines with galleries and slagheaps, and the imposing peak of Villanderer Berg rising into the sky. The single lakes of the black-lakes-formation are called black, white and blue lake.

The church is mentioned for the first time in the year 1208. The today lategothical building was implemented by the master Benedikt Weibhauser from Brixen and inaugurated in the year 1494. On the inside a leaflet explains the building history of the church and the artistic equipement.

The building consists of lightweight walls, which are lined with rough chestnut wood slats and girded by retaining walls and ceilings made of exposed concrete. The concrete slabs, formed using coarse plywood formwork, were skilfully embedded into the terrain so that the building is harmoniously nestled into the steep slope. The rooms for filling, packaging and maturation are located completely underground, which has an added advantageous cooling effect. The tasting and sales room is glazed floor to ceiling and the chestnut wood battens in front of the window provide a visible filter. Natural materials, such as clay plaster, black plate, slate floor and oiled wood, characterise the room. The sparse furnishings with bar tables and a service line help to keep the focus on the essentials - the wines. Light shines diffusely from above, yet into the room in a targeted manner. From the tasting room, small peepholes offer an insight into the "holy of holies," the vintage cellar. Here the best wines are matured and skilfully presented. The considerate care for the landscape and the selected natural materials also reflect Garlider's philosophy in the production of organic wines.

Castel Velthurns is a unique historical building. It was built in 1580 as the summer residence of the prince-bishop of Bressanone, Johann Thomas von Spaur. Its uniqueness lies not so much in its architecture as in its furnishings. The ten rooms are decorated with wood panelling and wall paintings, making Castel Velthurns one of the best preserved Renaissance residences in the Alps. In the past, the residence also housed an aviary and a deer park.

This elegant complex was carefully restored in 1979/83.

The interior of Velthurns Castle reflects the quality of upscale representation of the late 16th century. It is a master example of a well thought-out interior design. In the wall paintings and paneling, the claim of a humanistically influenced variety of themes is visible. Special exhibitions in the Schreiberhaus complement the activities of Velthurns Castle.

In 1978 it became the property of the Province of South Tyrol and was renovated in 1979. On the first floor, the castle houses an archaeological museum with finds from Feldthurns and the central Eisack Valley.

On the ground floor, the castle houses an archaeological museum with finds from Feldthurns and the central Eisack Valley. In addition to the permanent exhibition with finds from Feldthurns, temporary exhibitions are held on a regular basis.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows.

The sun terrace of Velturno has been visited and populated for more than 7000 years. As the excavation of the Tanzgasse showed, the area was of particular significance during the late Copper Age, around the 3rd Millennium BC: the megalithic structure, which formed the central part of this place of worship with its grave mounds, stretches across the visible area of the Archeoparc. The standing stones that were found within this place of worship offer the chance to place the rest of the megalithic findings within the South Tyrol into a monumental context and to interpret their historical significance. The results of the analyses of the often small plant and animal remnants, but also of non-organic matter, open up insights into everyday prehistoric life.

The St. Laurentius church (Gothic with Romanesque nave walls) stands at the heart of the village. It was built between 1286 and 1295 and extended in around 1400. The tower was not built until the 16th century and was not given secure enough foundations – so Feldthurns has its very own "leaning tower"!

The art collection of the Museum of Klausen/Chiusa is located in the former Capuchin monastery. The entire first floor of the museum is dedicated to the famous Treasure of Loreto that forms the most important part of the museum. The Treasure of Loreto goes back to an endowment around 1700 by Queen Maria Anna of Spain (1667-1740) in response to a request by her confessor, Father Gabriel Pontifeser.
Another key aspect of our permanent exhibition is the Klausner Art Colony (1874-1914) with its well-known representative Alexander Koester.
The tour through the museum includes also a visit to the baroque Capuchin church.

Temporary exhibitions

"LA REGIONE FUORI DAI VETRI"
THE TIME COURSES OF ART
The world of work from the perspective of art
Opening: Friday, 22.3.2024
Duration of the exhibition: 23.3. - 17.8.2024

ART THAT WALKS
ART AT EVERY STEP
When craft meets art and vice versa
Opening: Friday, 30.8.2024
Duration of the exhibition: 31.8. - 2.11.2024


More information about the city museum: https://www.museumklausenchiusa.it/en/

The church from Latzfons was mentioned for the first time in 1153 and is therefore older than the church in Klausen. The tower originates from tha 14th century and the again-gothical mechanism remained unchanged by the change in the year 1999.

The first rituals held at this site, where the little church has overlooked its wonderful views since 1743, probably date back to prehistoric times, although we cannot be sure of when exactly it was that people began to discover the unique aura of this place.
One thing is for sure: the road to the Latzfons Cross (2,311m), highest pilgrimage site in South Tyrol and erected on the south face of the Kassian Peak, is the oldest pilgrimage trail in South Tyrol.

The mountain refuge hut, close to the church at an elevation of 2,305m, has provided countless pilgrims and hikers with refuge and sanctuary over the years. Innumerable wonderful tales have been told about this sacred place, such as the legend of the “Black Christ” who, with a nod of his head, decided on the spot where the crucifix should be erected. Prayers sent up from here at the end of the pilgrimage, about an hour’s walk up a fairly steep road from the Klausen hut to the cross, afford protection to one and all, particularly from the wrath of the elements.

The view stretches over to the Langkofel, the Grohmann Peak, the Kesselkogel and the Rosengarten. It is not just the view that makes this place special though, but the atmosphere which pervades the site and can be felt instinctively by all those who come here.

Length: 3,8 km Difficulty: Medium Duration: 1.10 hours ascent. 180 m in altitude Itinerary: From the scrap mill in Schrambach slightly uphill through mixed forest to the Mediterranean Schrambacher Wallserfall back to the starting point. Special round trip for spring and autumn. You can also continue to Loatererhof -Buschenschank - Refreshments (autumn to march).

The parish church of Barbian is consecrated to St. Jacobs the Elder and was first mentioned in 1378. The shapes of the windows of the leaning tower are evidence to an even earlier time. Its octagonal top was added during the 15th Century. During this time, the church was renovated and once more consecrated in 1472. In 1874, the nave was re-designed and received in a new-roman form. The vestry, which serves as choir stalls, is the only part left, to represent the old gothic buildings. On the inside of the church, on the main altar, there is a copy of the famous crucifixion group by Wechselburg, as well as 12 glass windows representing the apostles, a rosette window just above the main entrance and several wooden sculptures from the 16th and 17th Centuries.

Open from 8 a.m. to 7 p.m.
Holy Mass: To Sunday 03/16/2014 at 10.00 clock, alternately at 8:00 clock (german) and Saturday at 19:30 clock (german).

The parish church "zu Maria Himmelfahrt" (of the Assumption of the Virgin Mary) is the oldest: the Chapel of Our Lady, built in 1112, was used as a parish church from 1170. It was rebuilt between 1499 and 1515, but its current style – Late Gothic – dates from its rebuilding between 1894 and 1899 according to plans drawn up by the Viennese architect Weber.

The impressive castle stands above Waidbruck/Ponte Gardena. Interesting interior, patly with original furniture. An exhibition shows the life of Oswald von Wolkenstein

Trostburg is open to the public

from the Thursday before Easter until the end of October. A visit is only possible with a guided tour.  Trostburg is closed on Mondays.

 

Season Start of the tour     Thursday before Eastern until end of June 11 a.m., 2 p.m. and 3 p.m. July and August 11 a.m., 12 a.m., 2 p.m., 3 p.m. and 4 p.m. September until end of October 11 a.m., 2 p.m. and 3 p.m.   The guided visit through the castle takes around 40 – 50 minutes.
For the unguided visit of the exhibition rooms one should plan for approximately 15 minutes, although a stay up to 40 minutes is considered to be very informative and worth it.

The Cantina Valle Isarco was founded in 1961. The simple production hall originally built in 1978 was restructured in 2005 in order to separate the operational functions and to give the building an appropriate new appearance. The new part of the building made of concrete and the remaining structure were brought together by a unifying grey-red plaster shell, which symbolizes the connection to the terroir. Many steel components were given an oxide red shading, a color chosen to make the building look like a stone that has risen up amongst the vineyards. A brick ceiling now covers the barrique cellar, and the walls are covered in clay plaster. The offices and meeting rooms were renovated and refurnished; bright colors now accentuate the rooms. To round this all off, the tasting and sales room was redesigned in 2014, and an educational exhibit on wine was added as well.

Twenty minutes on Feldthurns is free on hilltop of St. George in Schnauders, a beautiful small building of the later Gothic, first attested in the 14th century. Your current form received this church partly in the 16th and partly in the 19th century. Interior and exterior renovated in 2007.