Attractions à Chiusa

The building consists of lightweight walls, which are lined with rough chestnut wood slats and girded by retaining walls and ceilings made of exposed concrete. The concrete slabs, formed using coarse plywood formwork, were skilfully embedded into the terrain so that the building is harmoniously nestled into the steep slope. The rooms for filling, packaging and maturation are located completely underground, which has an added advantageous cooling effect. The tasting and sales room is glazed floor to ceiling and the chestnut wood battens in front of the window provide a visible filter. Natural materials, such as clay plaster, black plate, slate floor and oiled wood, characterise the room. The sparse furnishings with bar tables and a service line help to keep the focus on the essentials - the wines. Light shines diffusely from above, yet into the room in a targeted manner. From the tasting room, small peepholes offer an insight into the "holy of holies," the vintage cellar. Here the best wines are matured and skilfully presented. The considerate care for the landscape and the selected natural materials also reflect Garlider's philosophy in the production of organic wines.

Tasting sessions in the winery, open Tuesday, Thursday, Saturday from 11am – 3pm. Grape varietals cultivated Sylvaner 20% Sauvignon blanc 5% Grüner Veltliner 15% Gewürztraminer 10% Müller Thurgau 20% Pinto Nero 20% Lagrein 10% Wine range Sylvaner “Sepp´s alte Rebe” Sauvignon Blanc Grüner Veltliner Pinot Nero Gewürztraminer Lagrein Sunhong white Sunhong red

This fortress was built around 1250. After the fire in the year 1671 the lock remained a ruin, until it was bought and rebuilt in the year 1895 by the well-known castle friend Dr. Otto Piper. An inspection is not possible, since the lock is inhabited by a family from Klausen.

The St. Michael’s Church plays a relevant part in contributing to the scenic appearance of the village. The construction is located nearby the main church of Villandro and was dedicated in 1344. Nowadays, the almost quadratic basement of the church acts as a funeral chapel. Sanct Michael, who is the patron saint of the dead, stands sentinel over the cemetery. The cemetery of Villandro represents one of the most beautiful and unusual cemeteries in the region. There are exclusively forged grave crosses and the front side of the grave crosses is averted from the burial grave.

The simple building established 1687 from Giovanni Delai. After a collapse a new consecration took place in 1693 . A splendourful iron lattice separates on the inside the visitor from the sister

After 1200 bishop Konrad von Rodank established a house, in order to be able to offer travelers accommodation and care - therefore the name "Hospital Church". After numerous floodings only and alone the small, round place of worship kept until today.

The City of Artists and Albrecht Dürer
The medieval city, which is surpassed in height by the mighty Sabiona Monastery mountain, proudly calls itself the "City of Dürer." Here, where the city was the scene of intense artistic activity just a hundred years ago, is where Albrecht Dürer stopped during his journey through Italy. He exploited his portrait of the city as a background for an allegorical copper-plate engraving titled "Das Grosse Glück" ("Nemesis").

Today, Klausen is still numbered among the most-beautiful of Italy's ancient cities: Its tower-studded facades, its wide alcove balconies, and the picturesque signs of its old inns and pubs were all that was needed to convince the club "I borghi più belli d'Italia" of its worthiness. And the "Treasure of Loreto" (a singular collection of works of art) in the city museum has got to be seen to be believed.

Holy Cross Curch The continuity of the cult reaches from the early Middle Ages over the Roman and gothical church to the present building, which developed around 1679. The inside surprises by the winding and ceiling paintings, which probably come from a native painter. In the apsis is the cross of the master Leonhard from Brixen.

The church is mentioned for the first time in the year 1208. The today lategothical building was implemented by the master Benedikt Weibhauser from Brixen and inaugurated in the year 1494. On the inside a leaflet explains the building history of the church and the artistic equipement.

The Holy Grave chapel is situated just below the road, which connects Waidbruck to Barbian, just near the Wohlaufhof (farmhouse). The chapel has a very simple baroque altar. This little chapel was probably built during the 17th century in connection with a crusade. This impression is strengthened by three road crosses, which can be found in the surrounding area. In 1701, the chapel underwent a renovation paid for by Mr. Leiter, the post master of Kollmann and was cleaned up again in 1983. Ask for the key from the nearby „Wohlaufhof“, tel. 0471 654 024

Sabiona is the spiritual cradle of the entire Tyrol region and one of its oldest monuments.

Today, the fortress is the site of the enclosed convent of the Benedictine nuns. Some parts of the monument can be visited every day from 8 a.m. to 5 or 6 p.m.

Instead, the church of Our Lady is open from the middle of April to the end of octobre every Tuesday  from 2 to 5 p.m. Guidet tours on request. 
Groups of 15 or more persons can reserve a guided tour even outside normal hours. Information in the Tourist Office Klausen, Tel. 0472 847 424

Holy Mass: Sunday at 8:30 clock and Monday – Saturday at 7:15 clock (German)

Another important attraction was not created by builders but by nature: the Barbian waterfalls. The Ganderbach (stream), which is near Kollmann and flows into the Eisack river, which has a length of almost 6 kilometres. At the point of 1,510 metres above sea level, the stream falls over several rock cliffs down into the valley. The lower part of the waterfall with his 85 metres is the highest of the waterfalls at Barbian. From here, you can reach the upper part of the waterfall on a marked, wild and romantic path.

The little church of the saint Mauritius in Sauders is situated to the south of the village centre. The church was mentioned the first time in an official document in 1406. Around 1670 the little church was converted in a baroque style. However, the church and some surrounding houses were burned to ashes by the French in 1793. Nowadays, the painting at the high altar represents the patron saint of the church. The key for a visit can be received at the “Winklerhof – farm”.

The Cantina Valle Isarco was founded in 1961. The simple production hall originally built in 1978 was restructured in 2005 in order to separate the operational functions and to give the building an appropriate new appearance. The new part of the building made of concrete and the remaining structure were brought together by a unifying grey-red plaster shell, which symbolizes the connection to the terroir. Many steel components were given an oxide red shading, a color chosen to make the building look like a stone that has risen up amongst the vineyards. A brick ceiling now covers the barrique cellar, and the walls are covered in clay plaster. The offices and meeting rooms were renovated and refurnished; bright colors now accentuate the rooms. To round this all off, the tasting and sales room was redesigned in 2014, and an educational exhibit on wine was added as well.

In 1726 a little church was dedicated to the miners of the “Pfunderer” mine. However, it was immediately too small so that today’s construction of the Early Baroque with choir and little tower was built in 1736. The secluded little church was expanded in 1934, though plundered and devastated in 1964. Until the First Wold War there had have been a weekly mass, initially Saturdays, since 1840 every Thursday. The cultural and historical altarpiece is a replica, the original altarpiece is located in the parish church to the St. Stephen. It shows the miners at work and around them the saints of the miners. (St. Daniel, evangelist John, Virgin Mother with the baby Jesus and her mother the saint Anne, as well as patron saint of the mines Barbara)

This church in Gufidaun originates from the 15th century. The cultivated vestry, also called Koburger chapel, contains a noteworthy fresco cycle of the Ambrosius Gander from the valley "Jaufental". Holy Mass: Saturday at 18:00 clock and Sunday at 9:00 clock (german)

The parish church exhibits worth seeing works: the high altar from 1884, side altars from 1903, the pulpit from 1867 and the Queen of the Rosary from the Baroque period around 1700. A high artistic value has also the oil painting of Franz Sebald Unterberger which represents the St. Stephen, as well as the glass painting with the subject of the miners of Villandro in 1520.

The Plunacker Archeoparc is one of the most important archaeological sites in the Alps. The settlement remains span from the Mesolithic period to the Neolithic period, from the bronze age to the Roman period. That is a time span of about 7,000 years! The main attractions are certainly the extensive Roman and mediaeval remains of buildings.

It was discovered by chance in 1976 during excavation work, and during the 80s various buildings were gradually uncovered. The Villanders Archeoparc now covers an area of approx. 1,600 m². There is a permanent exhibit next to it with amphoras and many other discoveries.

Guided tours are also possible outside the opening hours.
Further information: Tel. +39 3355474663 or e-mail: mari.erlacher@gmail.com.

The village museum gives you an interesting view of the rural life in South Tyrol. The Gufidaun village museum has three main collections: the everyday rural culture, the crafts and the local art. The museum houses an original "soot kitchen" and various pieces of rural furniture and everyday objects, which are arranged into ensembles. A complete cobbler's workshop provides an insight into the versatility of this old craft. A special feature of the museum is the Telfner corner. The painter Josef Telfner, originally from Meran, lived in Gufidaun for many years. He painted watercolours with various views of the village and portrayed numerous people from Gudon.

On request visits possible all year round: tel. +39 0472 847 399 or +39 348 7747339 (Otto Schenk)

An alley leads to the church between the Steinbock inn and the village smith. The alley is called “Defregger-alley” due to the fact that the history painter Franz von Defregger (1835-1921) used this idyllic subject as a background for his famous painting “Das letzte Aufgebot – the last array”. This alley, which depicts the ensemble of both churches and the cemetery, was left unchanged in the last 500 years.

Dear Woman Church The building was established by Giacomo Delai between 1652 and 1658. On the inside on can admire the cover paintings of the baroque painter Stefan Kessler, magnificent stucco works of Francesco Carlone and Simon Delai.
This church is open to visiti from july to septembre every tuesday, friday and saturday from 2 to 5 pm. In octobre to mid of novembre is open only on friday and saturday from 2 to 5 pm.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows. Inside the church you can find some informations about the building history and the artistic equipment.

The parish church of Barbian is consecrated to St. Jacobs the Elder and was first mentioned in 1378. The shapes of the windows of the leaning tower are evidence to an even earlier time. Its octagonal top was added during the 15th Century. During this time, the church was renovated and once more consecrated in 1472. In 1874, the nave was re-designed and received in a new-roman form. The vestry, which serves as choir stalls, is the only part left, to represent the old gothic buildings. On the inside of the church, on the main altar, there is a copy of the famous crucifixion group by Wechselburg, as well as 12 glass windows representing the apostles, a rosette window just above the main entrance and several wooden sculptures from the 16th and 17th Centuries.

Open from 8 a.m. to 7 p.m.
Holy Mass: To Sunday 03/16/2014 at 10.00 clock, alternately at 8:00 clock (german) and Saturday at 19:30 clock (german).

The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower. The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements. In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy). The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower. Height: 37,00 metres Inclination: 1,56 metres

Three small churches, the church of Saint Gertraud, Saint Nikolaus and Saint Magdalena, built in the 12th and 15th century in an incredibly beautiful location with a fantastic view over the Isarco Valley. Visitors will be surprised by the level of artistic skill of the late-Gothic frescoes. This location can only be reached on foot over beautiful paths. Ask for the key from the nearby Messner restaurant. Guided tours are available on request, please call +39 0471 650 059. Holy Mass: July and August Sunday at 10:30 clock (german). Open from March to Mid Novembre, winter closed.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows.

The mountain mine in Villanders was one of the most important mining areas in Tyrol during the Middle Ages and is now one of the few mines in South Tyrol that is open to the public as a visitors ‘attraction. Explore the labyrinth of tunnels and immerse yourself in the fascinating mining history of Villanders, which goes back centuries.
The Villanders mine had a total of 16 tunnels covering an area of about 20 km, two-thirds of which were dug by hand and one-third with the use of explosives (black powder).
The extracted materials were: silver, lead (galena), copper and blende. The advancement of a miner, between 8 and 12 m per year, was performed mainly on his knees or supine. At the discovery of a mineral deposit of greater size it was necessary to enlarge the tunnel for the transport of minerals and waste rock. The average life of a miner was between 35 and 40 years.

Opening hours:

TUNNEL ELISABETH
Guided tour
- Tuesday and Thursday at 10:30 a.m. and 2:30 p.m.
- Sunday at 10:30
- Meeting point at the tunnel Elisabeth
- Duration: approx. 1,5 h

ELISABETH AND LORENZ TUNNELS
Guided tours
- in July & August on Wednesdays at 10:30 a.m.
- Meeting point at the tunnel Elisabeth
- Duration: approx. 2,5 h
- In the months of July and August there is also a guidance on Wednesday at 10:30.

More information about the Silver Mine: https://bergwerk.it/

The Holy Trinity Church in Kollmann was previously called the customs chapel and was connected to the customs office by a wooden walkway. The church itself was built around 1588 and nearly destroyed by a fire in 1938. In the meantime, it has been renovated. It is open from 8 a.m. to 7 p.m. Holy Mass: Sunday at 8:30 clock or 10:00 clock (german)

One wrote the year 1494 as the young artist ALBRECHT DÜRER made a stop in Klausen during his Italy journey. Today a beautiful walk leads to these slopes from Klausen. From this promising place the painter drew the city of Klausen. The result of its feather was lost later, but a copper engraving "Das große Glück" ( the great fortune) is delivered: Klausen calls itself also the "Small Dürer Town": Who wants to visit this place, goes today to the "Dürerstein".

The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower.

 

The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements.

In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy).

 

The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower.

Height: 37,00 metres

Inclination: 1,56 metres