Toutes les églises & monastères du Sud-Tyrol

Tils with a late gothic church has been recently elevated to a parish. It is consecrated to St. Vitus, the old saint of the farmers, whose painful martyrdom is represented in the nave.

The Parish church "Maria Himmelfahrt" (Mary´s ascension) by Terlan is a building from the High Gothic Period of the 14th Century. The altar room and the choir chairs are the oldest part of the building.
Catholic services: Sat. 7 pm (every 2nd and 4th saturday of the month) and Sun. 8.45 am (every 1st, 3rd and 5th Sunday of the month) in German and every Sunday 10.15 am in Italian.

The picturesque Castelbello Castle, first mentioned in 1238, was built by the Lords of Montalban. Majestically, it is situated on a cliff on the left bank of the Adige River. Because of its exposed position, the castle had to be protected by strong fortifications, which needed to be remodernized over the years. In 1813 and 1824, the castle was largely destroyed by fire. The Counts of Hendl rebuilt only a small part for residential purposes. At the end of a protracted court process held over decades between Count Siegmund von Hendl and the Republic of Italy for the possession of the castle, eventually a settlement was reached. This allowed the State to acquire the castle. The Castelbello Castle is the cultural center of the village. In addition to permanent exhibitions in Spring and Autumn, alternating art exhibitions take place here.
The building of the chapel followed in the late 13th or early 14th cent. The walls contain a frieze with the Twelve Apostles as well as texts from the Confession of Faith. Because the apostles are turned towards one another in pairs, the quotations are alternately written in plain and inverted script.

Opening times
Guided castle tours from July 5th until September 11 | 10 a.m., 11 a.m. and 2 p.m., 3 p.m.
Closed on Monday
Spring exhibition by Hans Ebensberger from mid April to the begin of June
Autumn exhibition by Bruno Ritter from end of September to end of October

Emma Hellensteiner (23 April 1818 - 9 March 1904)

Emma Hellenstainer was a charismatic host, an excellent cook and a pioneer for tourism in the Alpine region. The “Schwarzer Adler” (Black Eagle), as the Hotel Emma was known then, became known far beyond the country’s borders. Her charm captivated guests from all over the world. Visitors from Germany, Great Britain, Italy - they all came to Villabassa because of the beautiful local landscape, but mainly because of Emma and her engaging personality.

A small late Gothic church dating from approximately 1.500. The church is constructed on a sunny, east-facing mountain slope between the villages of Mauls and Trens, 1.110 m above sea level.

In the eastern part of the Lagundo "Garden Village", bordering the Merano district of Quarazze (Gratsch), lies the Lagundo district Paese (Dorf). The old Sant'Ippolito and Erardo Parish Church is found here. First documented in 1200, the church features three distinct architectural styles - Romanesque, Gothic and Baroque. The church holds many valuable treasures of art, both internally and externally, all of which testify to the turbulent political and cultural history of Tyrol. Between 1618 and 1628 a new Early Baroque nave designed by the architect Francesco Lucchese was added to the parish church. The church is closed because of restoration work.

The San Giuseppe Parish Church is one of the most beautiful and modern churches in the Alps and is a fine example of contemporary architecture. The church was built and designed by the famous architect Dr. Willy Gutweniger between 1966 and 1971. It represents a successful attempt to combine ancient and modern architecture and it is important that visitors allow themselves enough time to understand the rich symbolic language of the building. The church opened on March 13, 1977 in the presence of the Bishop of the Diocese at the time, Dr. Josef Gargitter. Further information and images of the church and its furnishings are available at the vicarage and in the Tourist Association. Guided tours are held every Thursday at 5pm (except when funerals are held), from Easter to All Saints Day (November).
The church is opened daily from 7am to 7pm.

The Magdalena church was built from scratch in 1705, because in 1629 was already built a chapel dedicated to St. Magdalena. The altar dates back to the Renaissance and was probably already in the first chapel.

The Loreto Chapel is located in Kalditsch/Doladizza above Montan/Montagna and is part of the "Rothenhof." It was consecrated on September 22, 1702 by Prince Bishop Michael von Spaur. The church day is celebrated annually at the end of September with a solemn service. The high altarpiece is a magnificent work by the Val di Fiemme-based painter Giuseppe Alberti. The inscription on the church roof, visible from afar, depicts a monogram of the Virgin Mary.

The church of St. Valentin is a late Gothic building and is situated in the centre of Prettau/Predoi. Inside the church there is a special highlight among other sacral artefacts, the altarpiece.

The small church is located on a wooded hillside (at 1,532 m), visible from far away. It is a popular destination for leisurely walks and excursions into nature. The church was first chronicled in 1338. In successive years, it was re-built several times and finally inaugurated by the bishop of Trento in 1698. The neo-Romanesque high altar distinguishes itself through its beautiful baroque statues, and the altar piece is also very attractive.

The church of St. Andreas in Oberrasen was built in the 14th century, consecrated in 1422, expanded in the 17th century and re-arched. In 1959 it was broken off in order to create space for the contemporary, modern style of the church.

This cathedral is dedicated to Saint Nicholas, the patron saint of merchants, entrepreneurs and carters. It stands in what was once the commercial center of the town, where goods coming from north and south were traded. The construction started in 1302 and continued until the middle of the 15th century. It is a large Gothic "hall" church. The south side, facing the main market square, was richly decorated and became the main facade. The Gotic portals are richly decorated, and there is a fine 14th century statue of St. Nicholas and an imposing late 15th century fresco of Saint Christopher on this facade. Masses (in German only) Weekdays: 9:00 a.m. Saturdays: 9:00 a.m. and 6:00 p.m. Sundays: 8:00 a.m., 9:00 a.m., 11:00 a.m. & 7:00 p.m.

The church of St. Mary is built in Gothic style. The Gothic middle relief and the side figures are significant. From the church there starts a path of meditation which leads to the chapel San Pietro in Monte/St. Peter am Kofl.

The church was built during the 12th Century and is the oldest monument in Scena. It was constructed according to the Carolingian measurements, has two naves with one round apses each and two central octagon pillars. Previously, in both apses, there was an altar, one of which was consecrated to Saint Martin. For safety reasons, this late-Gothic altar, originating from the 16th Century, was transferred into the old parish church. After a number of small changes, the church received its current shape in 1922, as the Italian Department for Monuments intended to put an emphasis on the Roman monuments in South Tyrol. Today, the church is used as a commemoration chapel for the dead.

The hospital church was donated by Heinrich von Annenberg. The original gothic construction's consolidation into one building dates back to 1470-1520. The church jewel is the winged altarpiece (1524), a precious work by the swabian master Jörg Lederer. A Heinrich von Annenberg foundation, amalgamated into a unified gothic building (1470-1520). The winged altarpiece by the swabian master Jörg Lederer (1524) bears masterly paintings on the reverse, presumably by Hans-Leonhard Schäuffelin. The white marble gothic portal is a work by Oswald Furter; the fresco cycles (Judgement Day, Works of Charity, The Whitsun Miracles, The Multiplication of Loaves etc.) from the 1st decade of the 17th century are by Adrian Mair, who also was born in Laces. Baroque side altars and organ dating back to 1741.

The curch is open daily from 9 a.m. to 5 p.m (march-november).

The Church of Saints Gotthard and Erardo was built in the 13th century by the Voitsperg next to the ancient preposition and restored in the 14th century. Rebuilt in baroque form by auxiliary bishop Wilhelm von Vintler and consecrated in 1695. Since 1971 it has been used as an evangelical worship.

The Holy Spirit Church is the oldest church of the Ahrntal valley. The church is situated at the furthest reaches of the Ahrntal valley., leaning against a large rock. It was built around 1455, and was enlarged and converted to its current form in the 16th century. The Holy Spirit Church is a sacred place, partly through its history and partly through many pious believers of many generations. It is not known when the first church was built for the many travelers who used in particular the Krimmler Tauern as a passage to get in the Pinzgau and Salzburg. It is sure that cardinal Nikolaus Cusanus of Brixen/Bressanone dedicated the church and the cemetery in 1455.This was necessary for the people who freezed to death passing the Alps or who died in another way, or for the miners of the Prettau/Predoi copper mine. In 1500 the church was extended. In the last 10 years much restauration work has been carried out. Unfortunately, many pieces of art have been removed for security reasons. Even the pilgrimage image was removed for some years, but it returned in 1981 to the church, protected by a safe and underlined in its importance by a corona.

Centuries ago - starting from the "Schliefstein" - a particularly positive energy was found here. That is why the legendary Holy Spirit Church was built. According to the conviction, one could strip away one's sins by walking through the narrow gap between the church and the large "Schliefstein". And so, the place around the church and the stone is still a well-known and popular place of power.

Natz is the original seat of the ancient Natz parish from the Carolingian period. The curch was built in 1208 in the late Gothic style, commissioned by the Prince-Archbishop Konrad and consecrated in honor of St. Philip and St. Walburga. The tower was built from 1,400 granite blocks. The wooden sculptures that decorate the neo-Gothic main altar date back to 1470 and were influenced by the famous Artist Michael Pacher.

test as Kirchlein St. Ottilia wurde im Jahr 1681 im Auftrag von Caspar Perlinger erbaut. Auf einem Großen Votivbild sind Maria mit dem Jesuskind und Perlinger mit seiner Familie dargestellt. Die Kirche ist ein einfacher Bau mit achteckigem Chor und einem Tonnengewölbe.

The church of Saint Nicolaus was build in the 13th century and renewed in the 16. century.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows. Inside the church you can find some informations about the building history and the artistic equipment.

The Capuchin monastery and its small church were built between 1617 and 1620. The church has a simple design in accordance with the style and regulations of the Capuchin Order: simple in terms of furnishings, bare walls, barrel vaults, and a side chapel on the south side. The high altar is dedicated to the Sacred Heart. The pulpit and the side altars are neo-Romanesque and date back to the 19th century. The altar of the side chapel contains a statue of the mother of God with Child from the middle of the 16th century, which is said to have miraculous powers. Between 1999 and 2003, the whole complex was carefully restored. In the little church, this also led to the renewal of the windows and the benches, which – in harmony with the surroundings – are now simple and linear. Thus, the light penetrates through seven beautiful glass panes that seem to communicate with the faithful through their symbolic meaning of colors and number.

 

The Church of San Vigilio, located at 1,780 m above sea level, was first mentioned in the historical record way back in 1278. Masses are held on religious holidays. Contact the Lana Tourist Office for more information. 

The Mount Vigiljoch is a place with almost magical powers, proven not only by its healing mineral springs at Bärenbad. Just like on St. Hypolyt, the natural energy of this place has been felt throughout the ages. Prehistoric places of worship were located here, as the numerous finds of hand-crafted flint stones and hollowed-out bowls made from stone dating from the Bronze Age prove.

St.Vigilius church, built at an altitude of 1793 m above sea level, was most likely constructed on the site of a prehistoric heathen place of worship. Its location makes this church one of the 'highest' in Tyrol.

The church
First documented in the 12th century, the little church of St. Vigilius has always been called 'weather church' by the locals, as it has always been a place of pilgrimage to ask God's protection against bad weather, rain, hail, thunder and lightning. The walls of the long house date back to early Romanesque times. The Gothic choir with its beautiful ribbed vault and the bell tower were added later. Particularly interesting is the high quality fresco cycle in the interior of the church, which dates back to the 14th century, and depicts the twelve apostles and a Calvary group.

Wetterhügel Hill and the church above the Jocher peak have not lost any of their magical appeal through the ages.

Holy Mass

9 June at 9.30 p.m. Sacred Heart Sunday Lighting of the bonfire with devotion to the Sacred Heart - near St. Vigilius Church
26 June at 9.00 a.m. Patrocinium cloister start cable car mountain station, church service, gospels and weather blessing
 In July to the end of August on Sundays at 11.00 a.m. in german language
15 August at 11.00 a.m. Church service with blessing of herbs
6 October at 11.00 a.m. Harvest festival
3 November at 11.00 a.m. Hubertus celebration
25 December at 5.30 pm Christmas mass

There is a special cable car timetable for Sacred Heart Sunday and 25 December. Last journey at 23.30 hrs

The chapel is reminiscent of the famous freedom fighter Peter Sigmayr. The Tharerwirt was shot 1810 from the Frenchmen near the Baumgartner farm.

Das Kreuzkirchl wurde 1692 von Peter Dellai erbaut. Im frühbarocken Zentralbau wurde die
Statue des leidenden Erlösers aufbewahrt. Die Kapelle konnte jedoch nur für kurze Zeit genutzt
werden. Sie fiel in der Zeit von 1780 bis 1790 wie viele weitere Sakralbauten den Reformen
Kaiser Josef II. von Habsburg zum Opfer. Nach 1925 nutzte die Sterzinger Bürgerschaft das Kreuzkirchl als Totenkapelle und während des Zweiten Weltkrieges wurde sie kurzfristig in ein
Lebensmitteldepot umfunktioniert.

The romanic church of Saint Valentine was built between the 12th and 13th century. The development of the church is connected with the ruins of Castle Greifenstein. The tower was built around the 15th century. 

Romanesque St. Michael’s church of the 11th century, Gothic choir loft and the „Weißer Turm“ (White Tower, 72 m) dating from the 15th century, hall church of the late Gothic around 1500, after 1750 redesigned in a baroque manner with frescoes by Josef Hautzinger, Troger’s apprentice from Vienna, altars of the Baroque, Classicism and Romanticism. Famous sculpture of Simon, the „Kreuzträger“.

The church, mentioned as far back as 1332, with its flat ceiling was increased in height in the late Gothic period and lengthened by the chancel with ribbed vaults above short round pillars and pointed corbels. The church was rededicated in 1472. The small tower that was built from hewn stone at the same time as the chancel remained incomplete and was later finished in brick.

In 1900 the church was extensively renovated. There is a large painting on the façade at the top of which the earlier, lower gable can be seen. In addition there is a broad border with small bust portraits in quatrefoils. On the southern side is the sundial which bears the date 1537. Inside there are traces of gilded frescoes from the early 15th century. The winged shrine with ancient sculptures is of the Schnatterpeck school.

St. Rupert’s Church was most recently renovated in 2007/08, and the altar dedication took place on 21st September 2008.

This “new chapel” was opened on November 12th 1510. It is outside the castle and you can reach it through the small inner courtyard by a wooden ladder. In 2000 this area of the castle was fastened and anchored and during these restoration works small colour strokes were discovered. In autumn 2005 an important restoration work was started and, above all, the dry paintings on the eastern wall, the ancient walled altar and, sideways, the apostolic symbols of different ages were discovered. The paintings represent Christ Crucified, on the left Mary and St. George with the dragon. On the right there are St. John the Apostle, St. Blaise (painted as a young martyr with only one candle and not as a Bishop) and St. Florian who is throwing water on a building in a blaze. On the top angles there are the two baronial coats of arms of the Welspergs. The work was painted between 1540 and 1560 at the end of the Gothic Age. The ceiling is more recent and belongs to the Baroque Age.