The Late Gothic parish church St. Lukan with Romanesque Tower is located in San Lugano -Trodena in the Nature Park.
When malaria raged in the swampy Adige Valley in summer, the monks of the Capuchin monastery in Neumarkt moved to the so-called Klösterle in Gschnon, which is 1000 meters above sea level. Today the Klösterle is a self-catering house. In summer, it is used for retreats and spiritual exercises.
In September, the German Capuchin Order invites men up to 50 years of age to come and live in the Klösterle in Gschnon, to be active together in the mountains, to organize everyday life together, to spend time in worship, silence and prayer, and to engage in conversation.
The octagonal construction was built according to a project by Giuseppe Delai between 1729 and 1733, on the site of an older chapel. Matthäus Günther of Augsburg realised both the main altarpiece and the frescoes of the vaulted ceiling, which depict St. Elisabeth and St. George, the protectors of the Teutonic Order. The walls and vaulted ceiling are embellished with the rich and extraordinarily refined stucco decorations by Anton Gigl of Innsbruck. The church can be visited along the H. Multscher and City Museum.
In the centre of Schenna lies the Church Hill, notable for its three churches. Dating from the Carolingian era, the 12th Century St. Martin's Church amidst the cemetery is the oldest of them all. With two naves, each with a rounded apse and two centrally positioned octagonal pillars, it is used as a mortuary chapel. A little to the east of St. Martin's Church lies the 13th Century Church of the Assumption of Mary, the so-called “old parish church”. Completely rebuilt in the 16th Century in its existing Romanesque style, the church hosts religious services for small congregations, as well as functions such as baptisms and weddings. The more recent Schenna neo-Gothic parish church was built between 1914 – 1931, while the adjacent mausoleum was built for Archduke Johann and his consort in the years 1860 – 1869.
It's difficult to find such a beautiful church ensemble as in Vandoies elsewhere.
The Holy Grave chapel is situated just below the road, which connects Waidbruck to Barbian, just near the Wohlaufhof (farmhouse). The chapel has a very simple baroque altar. This little chapel was probably built during the 17th century in connection with a crusade. This impression is strengthened by three road crosses, which can be found in the surrounding area. In 1701, the chapel underwent a renovation paid for by Mr. Leiter, the post master of Kollmann and was cleaned up again in 1983. Ask for the key from the nearby „Wohlaufhof“, tel. 0471 654 024
The St. George church in Graun/Corona stems from the 14th century. The tower is decorated with a newly restored fresco of St. Chritopher.
During the 12th and 13th Centuries, this church was rebuilt in Roman style and again fully redesigned during the 16th Century. Since then, little has been changed. The Baroque high altar with the statues of Saint Franz Xaver and Johann Nepomuk was built around 1730 and redesigned in 1819. Apart from the four altars in the church, there are a number of valuable individual sculptures such as the late-Gothic Saint Sebastian and the Baroque Saint John the Baptist. The cross stations originate from the middle of the 18th Century. During the restoration work carried out in 1975, some beautiful old frescoes were discovered and the statues were skilfully restored. John’s chapel, which was extended toward the South-East, brought to light some very well kept frescoes from the 14th Century. These were found during the renovation work of the 80s. The frescoes show scenes from the legends about John and Pankraz, as well as the wise and the foolish virgins, the evangelists, angel choirs and other pictures of saints. Since the completion of the new parish church in 1931, it has been used for another purpose, rather than its originally intended goal. It has served as a store room and a practice room for the choir. In March 1981, the church was reopened and once more consecrated. Today, it offers a great framework for religious services and devotions in small circles and weddings. Just across the road, in the sexton’s house, there is a marble relief as part of a wall, which shows the coronation of Mary, which was created during the 14th Century.
Holy Cross Curch The continuity of the cult reaches from the early Middle Ages over the Roman and gothical church to the present building, which developed around 1679. The inside surprises by the winding and ceiling paintings, which probably come from a native painter. In the apsis is the cross of the master Leonhard from Brixen.
The Parish Church San Biagio was built in the 11th century in romanic stile. During some conversions till the 16th century it becames a Gothic church. Particularly impressive is the statue of the Merciful Mother inside the church.
It is an insular, flat - roofed, long - standing church with a semicircular apse from 1130. Romanesque and Gothic frescoes lend the interior an extraordinary artistic appearance. The composition of the Romanesque frescoes is interpreted as traditio legis, the Gothic painting shows scenes from the life of Mary and the birth of Jesus
The parish church of Montan/Montagna is dedicated to St. Bartholomew. The majestic façade of the church fits perfectly into the picturesque village-scape. The neo-Romanesque broad front is impressive. The tower, which dates back to the 12th / 13th century, is the oldest part of the church. The church owes its present form to a new building constructed in the 19th century (1875-1881). A special piece of equipment of the parish church is the pulpit, whose openwork sandstone tracery forms the year 1489.
Among the churches in Feldthurns, the parish church "Maria Himmelfahrt" is certainly the oldest. It was built in 1112 as a small, modest chapel and served as a parish church from 1170. The first Romanesque St Mary's Chapel from the 12th century was then extended and rebuilt in the 14th century. It was given its current form - late Gothic - when it was remodelled from 1894 to 1899 according to plans by the architect Weber from Vienna.
Holy mass: Sunday at 09:00, Saturday at 19:00 (winter time), 19:30 (summer time)
The Saint Nicholas church in Penon was first mentioned during the 14th Century. It is worth visiting the sacramental house made of sandstone, which possibly dates from around 1380 - Alto Adige's oldest example carved in stone.
The patrons of the Saubach parish church are St. Ingenuin and St. Albuin. The church was first mentioned in 1398. However, the choice of patrons concludes that the church is much older. Today this olt, gothic church is an attraction for many art lovers. It was built during the 15th Century. The consecration of the altars took place in 1502. When you go inside of the church on the porphyry portal with its pointed arch, you will immediately be impressed by the delicate rips of the net-like vault, the four custom-made windows and the three wing altars. In 1925, a fire did substantial damage the church, but with the help of donations from all around the country, the helmet-like tower and the roof could be renewed. Information about opening times at the Barbiano Tourist Information Office, +39 0471 654411, info@barbian.it
The keys are available in the Tschörlerhof, (+39 0471 654032, in the morning) and in the Gasthof Saubacherhof (+39 0471 654344, in the afternoon,) or by telephone arrangement.
In 1220, the Church of San Giovanni/ St. Johann in Taufers was built as a Romanesque church in the shape of a cross. The fully frescoed groined vault depicts its Byzantine influence. It is worth seeing the Late Romanesque frescoes. Whole sections of the walls of the predecessor church from the 9th century were used to build the church.
Later, the church was used as a hospice church and served as a common room and sleeping place for pilgrims.
The church S. Johann in Taufers is open every day from 9.30 a.m. until 5.00 p.m..
The church from Latzfons was mentioned for the first time in 1153 and is therefore older than the church in Klausen. The tower originates from tha 14th century and the again-gothical mechanism remained unchanged by the change in the year 1999.
The chapel of the dead is situated at an altitude of 2186 metres between the mountain pass of Villandro and Sarentino on the high plateau of the Villandro Alp. The little church has to be renovated constantly due to the unique location. The last renovation was in 1981 by the “shooters of Villandro – Villanderer Schützen”. The crucifixion group inside the chapel is larger than life, for this reason it impresses every visitor. To the chapel of the dead leads a way of the cross which is 4 km long and has 14 stations. Besides, a way of the cross leads from Sarentino to the little church.
The Säben Mountain and its monastery deserve great attention for their archaeology, history, and art.
The artist Sonja Hofer from Klausen describes the fortress above Klausen as follows: "Sublime and striking, yet also slightly cold, the pale, pseudoromantic architecture of the monastery, marked by rigid symmetry, stands out starkly against the sky."
There is much to tell about the historically significant fortress above Klausen: Around the year 1000, the bishop’s seat was moved from Säben to Brixen. Until then, the Holy Cross Church served as the "Cathedral of the Diocese of Sabiona" for nearly 400 years.
The "Holy Mountain" is one of the oldest pilgrimage sites in Tyrol, with the well-known Ladin Cloister first mentioned in 1503. For over 335 years, Benedictine nuns shaped the Holy Mountain before leaving the monastery in November 2021. Since September 7, 2024, a new era has begun under Father Kosmas Thielmann OCist: the Cistercians from Heiligenkreuz Abbey have breathed new life into the monastery. Their goal is to reestablish Säben as a spiritual center and significant pilgrimage destination in South Tyrol.
Daily Mass is celebrated at 11:30 a.m. in the monastery church.
With support from the Diocese of Bolzano-Bressanone and the local community, the monastery aims to provide a space for prayer and meditation, as well as a place for encounter and exchange. More Cistercian monks are expected to join, strengthening the monastic community and revitalizing Säben's centuries-old tradition.
In November 1809 thousands of soldiers from Napoleon’s army advanced over the Jaufenpass and into the Passeiertal Valley. They were heading for Meran. At St. Leonhard, however, there was a violent confrontation with Passeier insurgents, 22 of whom were killed, while 200 soldiers and 30 officers were reported dead on the French side.
According to subsequent accounts, the dead Frenchmen were buried in an old cemetery – probably a plague cemetery – at the edge of St. Leonhard. In the anniversary year of 1959, 150 years after the rebellion, the local company of marksmen affixed a marble tablet there. The French Embassy to this day sends funds for the maintenance of the cemetery, with the French tricolore flying over the grass.
No trace was found of the dead Frenchmen during an archaeological excavation carried out in 2009. This seemed to confirm earlier doubts about any mass grave containing French soldiers. But in 2013 the French Ministry of Defence arranged for further excavations; these actually found a knife and the remains of bones and articles of clothing, which suggest such a grave.
The St. Valentin church surrounded by meadows and fields, with the Schlern massif in the background, the small church of St. Valentin offers a real idyllic scene. The construction is of great historical and artistic value with precious frescos from the 14th and the 15th century. A peculiarity (among others): the painter has tried to include the local landscape as background in its representation of the three Kings.
This church in Gufidaun originates from the 15th century. The cultivated vestry, also called Koburger chapel, contains a noteworthy fresco cycle of the Ambrosius Gander from the valley "Jaufental". Holy Mass: Saturday at 18:00 clock and Sunday at 9:00 clock (german)
At the top of a little hill you can find the small church of Favogna di Sotto, dedicated to S.Leonardo. It is surrounded by an iron which, according to a old legend, is extended for one link every seven years and when the church is completely enclosed by the chain, the end of the world is near.
The Lodner Chapel is situated at 2,259 metres above sea level near the Lodner refuge hut in the Zieltal valley. On 16 August 1933 the chapel was dedicated by Chaplain Gasser from Partschins/Parcines. Partschins/Parcines Band played at the dedication. Father Schulien, a German missionary from Rome, conducted the mass.
The landlord of the Lodner refuge hut, Toni Raffeiner from Karthaus/Certosa in the Senales valley, built the chapel following plans by the Meran/Merano Architect, Torggler. It is five metres long, three metres wide, five metres high and built completely from stone. On the wooden roof is a small tower containing the bell from the former Oberhauser chapel, which was destroyed by a landslide in 1917. When the doors are closed there is room for 30 people in the Lodner Chapel.
The wood was cut on the Nasereit Alp and carried beam by beam up to the Lodner hut. The boards came from the old Stettiner Hut and had to be carried over the Johannesschartl wind gap. The woodwork was undertaken by master carpenter Josef Hueber from Partschins/Parcines. The statue of St. Joseph on the altar was donated by the priest from Karthaus/Certosa in the Senales valley.
To mark the occasion of the chapel’s dedication, Cardinal Eugenio Pacelli sent a telegram and donated a picture. On 2 March 1939 Cardinal Pacelli became Pope Pius XII.
Every year in August, Partschins/Parcines alpine club, in cooperation with the Ziel Alp Association (Alminteressentschaft Ziel), organises the traditional mass for mountaineers and herdsmen in the Lodner Chapel. In accordance with tradition, Partschins/Parcines Band also plays there.
The "holy ghost church / hospital church" in Sterzing / Vipiteno was built in 1399. In the nave are late Gothik-style frescos (1402) of the Southtyrolien painter Hans von Bruneck, which demonstrate the most important truths of the doctrine. Notable is Holy Sebastian, who was included in the prayer and finally chosen to be patron saint and got his place in the church of "Heiliggeist / Santo Spirito". The wing next to the church of "Heiliggeist" was in the past a hospital and the care applied to palmers and sick and old persons. The importance of this church can also be seen in the emblem of Sterzing the picture under the spread eagle demonstrates a palmer on crutches with a rosary.
The St. James Church is located near the pre-Christian burnt offering site of Tschaufis. The walls of the nave date back to the 12th century and the bell tower was built in Gothic style. The gothic winged altarpiece from 1517 is the most precious piece of the church.
The parish church of Cauria is dedicated to Santa Margherita. It was built in the 13th century and rebuilt in gothic style.
