The gothic building Dates back to the befinning of the 15th century and houses the Teutonic order. The elegant building is well worth a visit for ist collection of coats of arms, mortuary shields, tombstones and flags of the members of the order dating back to the 16th and 19th century.
The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower. The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements. In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy). The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower. Height: 37,00 metres Inclination: 1,56 metres
The church dates back to the 12th century, but probably its origins are even more remote. The Romanesque building and the Lombard-style bell tower have been subject to many changes. Inside, there is a unique cycle of frescos in Byzantine style dating from 1200-1220. On the ouside walls there are other, probably late 14th century, frescos. Masses (in Italian): Weekdays: 8:00 a.m
The church of Saint George in St. Georgen originates from the 12th and 13th Centuries. This original round church was previously the fortress chapel of St. Georgen or Alt-Schenna. When lightning struck in 1591 and nearly half of the church was destroyed, the central part of the church was strengthened with an additional pillar. The frescoes from the 14th Century are well restored and represent the martyrdom of Saint George, the Day of Judgement and the legend about Saint Nicolas. The Gothic wing altar shows Saint George on a horse, fighting with the dragon. It is also worth mentioning that there is a rare illustration of Saint Kummernus from the 17th Century. Legend has it that she was a king’s daughter from the Iberian peninsula. She had taken a vow to stay a virgin. However, her father, the king, wanted her to marry. In this difficult situation, she prayed she would grow a beard, so to disguise her face. Her prayer was answered, but her father got her thrown into the dungeon and nailed to a cross. The only remain from the former St. Georgen fortress is the keep, which is known today as the ’Uhlentower’.
The church Saint Martin in Fundres/Pfunders is mentioned for the first time in th year 1397. The contemporary church was built in 1808 - 1810 and contains a bell tower with an imperial roof from the 14th century. The barrel vault is decorated with ancient frescos. Generally speaking a very nice, little church.
The Holy Cross Chapel, built in 1755 in Rasciesa di Fuori (over 2200 m) is also worth a visit. The chapel was restored in summer 2012.
The chapel is located at Resciesa and can only be reached on foot in about 45 minutes, starting from the top station of the Resciesa funicular. It is a flat and easily walkable trail suitable for the whole family.
The church of St. Magdalene was first mentioned in 1394. The present-day late Gothic building dates back to 1492 and the interior is characterised by baroque elements. The paintings by the Ladin artist Johann M. Pescoller in the choir vault from 1928 are well worth seeing.
Important information on arrival:
The access road to the church is closed for cars (gate) and only accessible to residents. It is best to park at the "Putzen" car park shortly after the village St. Magdalena and walk to the church (approx. 30 min.).
The little church of St. Nikolaus in the hamlet of Klerant (850m) dates from the early 15th century and impresses with its rich late gothic frescoes. Besides the depiction of the legends of St. Nicholas, the cycle of the Passion of Christ has been well preserved. The careful decoration of the Salvation Mirror comes from the Brixen school of painting of Master Leonhard (around 1470).
The succursal church of St. Ägidius in Raas is a late-Gothic building, and was completed by the constructor Thomas Maurer in 1532. The neo-Gothic interior mostly dates from around 1880. On the high altar, one can see St. Ägidius, the patron of the church and the protector of viticulture. In Raas, the now rare custom of the bread donation and bread distribution is still practised on the day of the church patron in September.
The foursquare chapel near the court Wirther in Rasun di Sopra dates back to the 16th century.
The parish church of Nova Ponente, a Gothic building dating from the 15th century, has an impressively beautiful sandstone cladding. The inscription in the choir vault gives its date of origin: the cornerstone was laid on 5 July 1455 by Pastor Johannes Steel. Below the inscription is the coat of arms of the Diocese of Trento with the eagle, along with that of the then Bishop Georg Hack with its thin branch, also chosen as the heraldic symbol of the municipality of Nova Ponente.
The building was completed in sections, as suggested by the differences in the foundations and the sandstone cladding. Construction work was not completed until 1498, with the church consecrated on 16 September of the same year. In order to imagine it in its pure and original form, the new sacristy at the northeast corner and the organ loft with its outside staircase must be ignored. The interior of the church was vastly improved by the most recent renovation in the summer of 1975. The two neo-Gothic altars date from 1900, with a new organ installed in 1976.
Of particular note in the church are the four old relief panels on the high altar, showing the Nativity, the Adoration of the Magi, the Presentation at the Temple and the Death of the Virgin. The panels are from a famous large triptych, created around 1420 by the Master Hans von Judenburg for Bolzano’s Parish Church, as was the group of the Visitation on the wall of the choir. The main figures on the high altar – Our Lady of the Rosary and the church’s two patron saints - are beautiful works by the Innsbruck sculptor Dominikus Trenkwalder from around 1900. The relief figures of St. Barbara and St. Catherine as well as the relief panel of the Visitation, also on the choir walls, date back to around 1500. The sandstone pulpit from the early 16th century is held by Karl Atz in his “History of Art from Tyrol and Vorarlberg” to be one of the most beautiful of its kind in the entire land.
Old relief medallions of the mysteries of the rosary are inserted into the neo-Gothic rosary altar; the altarpiece was created by Franz Unterberger. Franz Haider’s beautiful nativity figures can be seen at Christmastime on this altar: his figurines and statues of saints are to be found throughout the Reggelberg area and he was a long-time resident of Monte San Pietro. The bell tower is for the most part much older than the present-day church. It dates back to the Romanesque era; inside can clearly be seen two rows of coupled arched windows that were later walled up. The tower formerly belonged to the old parish church of St. Benedict, documented as early as 1265. Today’s cupola was added in 1793 after lightning badly damaged both the tower and the church roof.
Another special feature of the church is that the pews have brass plaques, some with a rune-like mark next to the occupant’s name. These are the old house and farm marks of Nova Ponente. Each farm would use its mark to identify tools, grain sacks, logs and the like that were offered for sale. Many such marks can also be seen painted with red ochre on the outer walls of the church, now faded on account of the wind and rain. The impressive war memorial (1967) on the northern wall of the cemetery is by the South Tyrolean sculptor Martin Rainer, who was in 1976 awarded the Walther von der Vogelweide prize.
The church in Kematen in Taufers/Caminata di Tures was built on the end of the 13th century.
The church of St. John in Tschötsch (mentioned in 1406) was built from granite blocks of Brixen.On the façade St. Christophan reminds old transitions in the low mountain range. Slight stucco on the inside of the church reveals renovations in the Baroque period, from that time dates also the fresco of the baptism of Christ in the vault (Joseph Anton Zoller, 1763).During the World War, the church withstands some bombs, which were thought for the near bridge of the village of Albeins.
The neo-gothic church of San Genesio/Jenesien was approximately built around the mid 15th century, its patron saints are Saint Genesius, Saint Sylvester and Saint Margareth.
The Meizger-Stöckl, built in 1816, is a Mariahilf chapel in Antholz Niedertal.
The Church of St. Ottilia was built in 1681 at the behest of Casper Perlinger. The Madonna and Baby Jesus can be seen on the large votive table together with Perlinger and his entire family. The church is of simple construction with an octagonal-shaped choir enclosure and barrel vault.
The church was built in the 17th century by Bartlmä von Schöpfer zu Klarenbrunn, the customs official to Archduke Ferdinand on the Gampen and court lawyer in Marling. The altar also dates from the 17th century.
The chapel in Patscheid was probably built in the 17th century. It is a small building with a ridge turret and a bell from 1914. Inside the chapel hangs a panel painted on wood, depicting a picture of Mary with the saints Joseph and Anna.
The church of St. Medardus, also called "Sommadorn" by the natives, was built over a prehistoric holy spring. This spring, which originally flowed underground from the altar through the nave, was damaged by tunnel work for the "Zufritt" reservoir in Val Martello, and in consequence the spring dried up. The apse covered with flagstones is remarkable, as are the romanesque tower with rounded arch frieze and rounded arch window. Over the side portal are remains of a romanesque crucifixion group from the 13th century.
Viewing only possible on request:
+39 339 60 54 660 oder +39 342 87 78 380
The church of apostle Peter is situated on the mountainside, surrounded by farms, trees and meadows.
The pilgrimage church Maria am Sand, with its picture of the Virgin Mary possessing miraculous powers who gives the Christ baby a pear, is the old parish church of Milland and goes back to the 14th century. Around the middle of the 15th century, the church was extended with a vault in the nave, a tower as well as a pointed arch-portal and it was changed into Baroque style in the 18th century.
Located on the left bank of the Adige River in the direction of Val Venosta (Vinschgau) valley, there is an accumulation of rubble from Plars. The villages of Plars di Mezzo (Mitterplars) and Plars di Sopra (Oberplars) are found here, as well as the beautiful Late Gothic Church Sant'Ulrico, surrounded by orchards and vineyards. The church was first documented in 1493, although it was most likely built even earlier. At the time, the church belonged to the Bavarian monastery of St. Mang in Füssen. The external frescoes on the southern side of the church are particularly worth visiting.
Set on the left bank of the Passer River, just outside Merano’s historic center, the Hospital Church of the Holy Spirit stands as a quiet monument to medieval compassion and Gothic artistry. Founded in 1271 by Count Meinhard II of Tyrol and his wife Elisabeth of Bavaria, the church – together with the adjoining hospital – once offered shelter and care to the poor, the sick, and passing pilgrims. The original church was destroyed in 1419 by a catastrophic flood caused by the sudden outburst of Kummersee – a mountain lake whose name translates to “Lake of Sorrow”, reflecting the devastation it brought through repeated floods. The lake had formed in 1401 in the upper Passeiertal Valley due to a landslide and triggered eight major floods over the years before it eventually dried up in 1774.
The reconstruction of the Hospital Church was carried out under the rule of Duke Sigismund of Austria, known as "Rich in Coin", and the new building was consecrated in 1483. Today, it ranks among the most important examples of late Gothic architecture in South Tyrol and has been a protected monument since 1949. Architecturally, the church captivates with its rare three-aisled hall design and a decagonal chancel that spans the full width of the building – an architectural feature seldom seen in the region. The main portal is adorned with a tympanum depicting the Holy Trinity, flanked by sculptures of the church’s founders.
Inside, visitors will find a wealth of artistic treasures: a Baroque Pentecost altar by Franz Xaver Pendl, flanked by late Gothic winged reliefs by Jörg Lederer. The Stations of the Cross, executed in the Flemish style, were painted by Benedikt Schinle. On the southern exterior wall, a well-preserved fresco of the Crucifixion by Ambrosius Gander (1450) bears witness to the building’s long-standing devotional role.
More than a sacred space, the Hospital Church is a historical time capsule – offering insight into Merano’s medieval healthcare, the impact of natural disasters, and the resilience of its citizens. It is a must-visit for anyone with an interest in history, art, or architecture.
Masses (in Italian only) Weekdays: 8:30 a.m. Holiday eves: 6:30 p.m. Holidays: 11:00 a.m.
The Marian Sanctuary is located in the village of Senale in the region of Alta Val di Non. Various legends surround this place of pilgrimage, on of the oldest of South Tyrol.
On 1.184 the first stone of the Sanctuary was placed. On 1.432 the church was enlarged, to get the present shape. At the beginning of XIV century the pilgrims flow, decreased, so the convent, attached to the hospice, lost its independence, then to belong to Augustinian order of Gries, Bolzano.
The parish church "Maria Unbefleckte Empfängnis" in Gossensass/Colle Isarco was constructed based on the drafts of Franz de Paula Penz and consacrated in 1754.
The chapel in Pleif is spacious and several benches give way to the faithful. On the walls hangs a simple Way of the Cross and the altarpiece shows the St. Agatha, a work of the Nazarene painter Caspar Jele. On the roof is a small tower with bell attached.
These two chapels were build in the 17th century by Georg Paprion, a San Candido/Innichen resident. After his return from a pilgrimage to Jerusalem in 1653 he decided to recreate the Sepulchral Church of Jesus Christ. 20 years before he had already built the first chapel.
opening times:
during the winter season: closed
01.06. - 30.06.2024: SAT - SUN 10 am - 12 pm & 4 pm -6 pm
04.07. - 08.09.2024: THU - SUN 10 am - 12 pm & 4 pm -6 pm
14.09. - 13.10.2024: SAT - SUN 10 am - 12 pm & 4 pm -6 pm
