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The Church of St. Nicholas is a late gothic construction presumably dating from around 1500. In 1786 the church was secularised, in line with the reforms instituted by Emperor Joseph II and there are no remaining traces of its original function. In 1984 the church was restored and today it is used to house exhibitions.

In 1815 the present chapel was built and in 1949 the chapel Steinzger was restored.

The parish church of Barbian is consecrated to St. Jacobs the Elder and was first mentioned in 1378. The shapes of the windows of the leaning tower are evidence to an even earlier time. Its octagonal top was added during the 15th Century. During this time, the church was renovated and once more consecrated in 1472. In 1874, the nave was re-designed and received in a new-roman form. The vestry, which serves as choir stalls, is the only part left, to represent the old gothic buildings. On the inside of the church, on the main altar, there is a copy of the famous crucifixion group by Wechselburg, as well as 12 glass windows representing the apostles, a rosette window just above the main entrance and several wooden sculptures from the 16th and 17th Centuries.

Open from 8 a.m. to 7 p.m.
Holy Mass: To Sunday 03/16/2014 at 10.00 clock, alternately at 8:00 clock (german) and Saturday at 19:30 clock (german).

A little further north of piazza Gries stands the old parish church of Gries located in the middle of an antique cemetery. It is a late Gothic building, dating back to the early 1400, and hosts two stunning treasures: the altar of Michael Pacher (1471-75) and the Romanesque wooden crucifix of 1200. The first one is undoubtedly a masterpiece of Gothic art of the wooden altars with casket and hatch remaining today, while the second one, which probably in relation to north French sculpture is believed to be of foreign origin, is considered of great relevance.

The church stands in an area which was inhabited ever since Roman times. It was called "Keller", or "Chellare" (cellar), and later named "Gries", or sand. Until 1908 the wine farm of Bishop of Frisinga in Baviera stood next to the church.

Today's Parish Church in Tscherms/Cermes was consecrated in 1270. The church tower still dates from this period, whilst the church itself was rebuilt in 1928/29 and furnished with altars and murals.

Holy Mass:
Saturday at 18.30 (in summer at 19.00) in german language
Sunday at 9.00 in german language

The first church was dedicated to St. Maria Magdalena and was built in the 12th century. In the 14th century there were structural changes, which served the beautification and were necessary for conservative reasons. The change of the patron of Magdalena to Martin was supposed to have been completed in 1613, from then on, only a church of Saint Martin is mentioned.

The fi rst written testimony of the Holy Cross Parish in Wiesen is dated 1337. The Church is said to have been reconsecrated in 1434. The frescoes on the vaulted ceiling by Josef Renzler, dated 1841, are worthy of note. The first written testimony of the Holy Cross Parish in Wiesen is dated 1337. The Church is said to have been reconsecrated in 1434. Today's construction in granite blocks was built with the supervision of builder Adam Schaiter of Sterzing, who combined late gothic and Renaissance elements. In the XIX century, the Church was nevertheless deprived of the gothic elements. The frescoes on the vaulted ceiling by Josef Renzler, dated 1841, are worthy of note. They depict the adoration of the cross by the Emperor Eraclius and St. Cecilia. The altars date from the XVI century, but were rebuilt in 1824. The alterpieces were also realised by Josef Renzler in 1827. The gothic crucifixion dating from the first half of the XIII century is also very important.

In 1726 a little church was dedicated to the miners of the “Pfunderer” mine. However, it was immediately too small so that today’s construction of the Early Baroque with choir and little tower was built in 1736. The secluded little church was expanded in 1934, though plundered and devastated in 1964. Until the First Wold War there had have been a weekly mass, initially Saturdays, since 1840 every Thursday. The cultural and historical altarpiece is a replica, the original altarpiece is located in the parish church to the St. Stephen. It shows the miners at work and around them the saints of the miners. (St. Daniel, evangelist John, Virgin Mother with the baby Jesus and her mother the saint Anne, as well as patron saint of the mines Barbara)

In the year 1937 the construct of the building began, which should be consecrated to the holy cross. The finished place of worship was consecrated in 1950. The arrangement of the walls reminds of the strict forms of old basilicas. In 1962 the tower received five new bells. In the four large windows the mountain lecture, the sacrament of the baptism, the altar and the marriage and the Eucharistie are represented.

After the tight canyon at the entrance to the valley, the valley widens and you will see the chapel of the village of Monte S. Caterina/Katharinaberg on your right. The chapel is like a signpost for the village. Once upon a time, this rocky hill was crowned with the castle of the „Lords of Schnals“, which gave the valley its name. Not only the inhabitants, but also our guests enjoy life in the village: the mild climate, lots of sun, stillness, wonderful hiking routes with direct access to the Merano High Mountain Trail in the Texelgruppe Nature Park, as well as some picturesque views into the valley and over the mountains.

From the old church from 1332 only the lower part of the tower with its Roman round arch window still remain. The red tower with its imperial roof was built in 1739. The last redesign of the church’s interior during the second half of the 19th century gave the church its New-Roman touch. The artist Karl Hernrici painted an impressive ceiling fresco in 1772.

The sawmill chapel is located at Dobbiaco Nuova/Neutoblach. The chapel is possible to reach by car or by foot. The walking trail can be continued until the Lake of Dobbiaco.  

The chapel was built because of the frequent threat of the Troge stream, the chapel was built in 1903                   

The parish church in Valdaora di Sotto is one of the oldest of the occident. As district from other churches in the surroundings the mother parish church was able to preserve the baroque equipment.

The chapel Saint Cosmas & Damian in Glen/Gleno was built in the 17th century. The architectural character is quite simple, but the chapel contains numerous artworks on the inside. One of the artworks is the votive picture marked with the year "1691." It may indicate the year of construction of the chapel.

Patronal feast: November 25th

The church had a late-Romanesque preceding building, which has now disappeared. The new construction dates back to the 15th century, the choir Fresco (Marientod), to about 1400. Agnes von Werdenberg, the widow of Henry of Rottenburg, donated the fresco to the side altar. The church was built by architects from Como, around 1517.

Source: Parrish office Kaltern

San Nicolo/St. Nikolaus Church | This church dedicated to St. Nicholas in Valdurna, situated at the end of Val Sarentino/Sarntal Valley, dates from the thirteenth century. Particulary noteworthy are its beautiful sixteenth-century fresco cycle depicting the legends of St. Nicholas and St. Vitus and the Passion of Christ. These paintings were only discovered in 1986, when whitewash was removed from the walls: they are among the largest and the finest works of high Gothic art in South Tyrol. | San Nicolo/St. Nikolaus Church in Valdurna/Durnholz

The little Church of St. Martin lies above Lasa on a small morainic hill. The church was documented for the first time in 1323 although its origin most probably precedes that date. The discovery of clay shards and glass dating from the Roman period, in addition to bronze sheets and other prehistoric remnants, would suggest that this once was an ancient settlement and place of worship.

The cathedral of Brixen/Bressanone is one of the most important sacred buildings along the Alpine area. Its origins go back to the year 980 AD. Due to a major fire in the 12th century, it was redesigned in romanesque style with a three-aisled nave and two façade towers. In the 18th century the baroque reconstruction took place, to which the cathedral owes its present appearance. Inside, the baroque idea of triumph was brought to perfection with wonderful ceiling paintings (f.ex. in Paul Troger's Adoration of the Lamb). The cathedral has a valuable interior with 33 different types of marble. The high altar, which was completed by Tehodor Benedetti, is one of the most important baroque altars in Tyrol. In addition, this church was equipped with a magnificent organ.

The churchin S. Maurizio/St. Moritzen was builtin 1512.

The gothic church of Avigna/Afing was approximately built in the 15th century, its patron saint is Saint Nicolò. 

The foursquare chapel near the court Wirther in Rasun di Sopra dates back to the 16th century.

The Rio di Lagundo (Aschbach) district is separated from the rest of the city. It is located on Mount Tramontana (Nörderberg) in Val Venosta (Vinschgau) valley, forming a small enclave between the towns of Parcines (Partschins) and Plaus. Rio Lagundo can be reached by cable car and of course also by car. Particularly worth visiting is the Maria della Neve Church (Our Lady of Snow) and the Santissimo Cuore di Gesù (Sacred Heart of Jesus). The small Maria della Neve Church was built in 1695 and stands on top of a hill. In 1889, a larger church was built and dedicated to the Santissimo Cuore di Gesù (Sacred Heart of Jesus).

this gothic church at an altitude of 2000m, with frescoes from the Merano School of the XV century, is worth a visit. The cycle of frescoes in the vaulted ceiling of the interior is the life of Jesus from birth to resurrection dar. (key at the inn "Rojen") Categories: culture, Sacred art

On the way to Säben is on the way, the St. Anthony Chapel, built in 1670 at the instigation of the telltale Jerome and his wife. The chapel was restored in the Tyrolean commemorative 1984. The altarpiece in the early Baroque high altar dates from Nicholas squint.

A monument of the High Baroque, it is located at the eastern entrance of the old country road in the village center.

The Church of S. Ulrich was built in 1842, at the behest of the then parish priest, Martin Tappeiner and, on the altarpiece, there is an image of the Bishop of St. Ulrich.