Warto zobaczyć Południowy Tyrol

Between the Antholz Nieder- und Mittertal stands next to the street the baroque chapel "Sießl". According to an inscription, the chapel Sießl was built in 1820 and renovated in 1886.

The Holy Cross Chapel is a mountain chapel on Resciesa near Laion/Lajen. The little church was built in 1755 and has been preserved until today. The last restoration took place in 2012 by the rifle company Laion and since then the chapel has been protected as an architectural monument. Inside the church there is a large crucifix that dates back to the first half of the 18th century. In summer, the chapel is always open to visitors during the day.

The church has been consecrated in 1434. The west façade shows a little weathered fresco remains, which show the Last Judgement and the Saint Christophorus. The church has a baroque altar. In the altar shrine are sculptures of Saint Mary with the child as well as Barbara (on the left) and Katharina (on the right). Right above is God father with the globe. Worth mentioning is the pretty Gothic net vault with a painted capstone. The right side altar shows holy Antonius of Padua and the left one Maria with the child and the wine patron Saint Urban, who hands the child a grape. Besides that are another two saint shapes, namely Saint Leonhard with the chain and again Saint Urban with the grape.

St. Valentine's Church on the Gentersberg is traditionally regarded as the oldest church in the Val Sarentino/ Sarntal Valley. The little church is famous in particular for its outstanding medieval frescoes.

In 1924 bulit the farmer Josef Pallhuber the "Brugger" chapel next to his house. Until now it is the youngest chapel in the valley.

A peasant chapel is located in Oberrasen near the court Oberstallerhof.

The church was first mentioned in 1418. The actual building was erected beetween 1880-1888 in the Romanesque style.

In Laion village, next to the Maria Einsiedel chapel, there is a wayside shrine that dates back to the 17th century. In the niches of the wayside shrine are representations such as a crucifixion group, two holy warriors, St. John and St. Margaret and the visit of Mary to Elizabeth.

Already in the Bronze Age, there existed a settlement at Abeins/Albes, mentioned in a document for the first time around 960, under the name of Allpines, later Albines. The actual church was built around 1320, at the end of the 15th century it was rebuilt and finally, in 1784, it was changed into Baroque style. It is consecrated to the Saints Hermagoras and Fortunat (painting on the high altar). The side statues date from the first part of the 18th century and represent the St. Albuin and the St. Ingenuin, while the wall- painting on the front and the ceiling fresco on the inside date from the period around 1700. The oldest church of the village is the Margarethen- Church. It has been arched in the late Gothic period, changed into Baroque in the 17th century with remnants of Gothic and Baroque frescoes. Precious Mary- statue of Master Leonhard von Brixen.

The location of the chapel on the highest point of the San Silvestro Valley, has been identified as a prehistoric hillfort. Pre-christian sanctuaries were mostly build in such high located spots. It is therefore possible that also the San Silvestro Chapel was one of the pre-german shepherd's sacred places with a sacrificial altar.

The church is consecrated to St. Petrus and the earliest recorded mention of the building dates back to the start of the 13th century. The ceiling frescoes were painted by Christoph Brandstätter and combine with the interior of the church to produce a remarkable example of a room dating from the late Baroque or Classical period. Open all day long.

These two chapels were build in the 17th century by Georg Paprion, a San Candido/Innichen resident. After his return from a pilgrimage to Jerusalem in 1653 he decided to recreate the Sepulchral Church of Jesus Christ. 20 years before he had already built the first chapel.

opening times:
during the winter season: closed
01.06. - 30.06.2024: SAT - SUN 10 am - 12 pm & 4 pm -6 pm
04.07. - 08.09.2024: THU - SUN 10 am - 12 pm & 4 pm -6 pm
14.09. - 13.10.2024: SAT - SUN 10 am - 12 pm & 4 pm -6 pm

The Santo Sepolcro Church also known as the Church of Calvary, can be reached in about 20 minutes following the forest path that starts from via Santa Geltrude or from the road that goes up from via Piè di Virgolo. A handful of minutes, following the via crucis, and here we are, immersed in the forest. From here you can enjoy a wonderful panoramic view over Bolzano and the Sciliar plateau.

The church, built between 1683 and 1684, has been for centuries a place of pilgrimage. On the right, looking at the entrance of the church, there is a chapel that contains the fountain with Christ. In past times couples used to do small fertility rites to become a child. The elders of Virgolo still remember a popular belief who said that children came into the world under the fountain of the chapel and weren't brought by the stork.

The church has been restored in recent times, but the countless love-graffiti are safe. Pilgrims and lovers engraved the walls of the sepulchre with love messages from the 18th century up to our days and it is a real emotion to read those messages that overlap over the centuries and tell the story of hundreds of people through a heart, a flower, a name, a date or a promise of love.

Already in 1239 was mentioned the consecration of the church. Today's making should have been made, however, in the context of a baroque change in the 18th century. The stout tower with the four-sided pyramid roof is impressive. A broad canopy is located in the main entrance at the west façade. The frescos at this façade show the Saints Johannes, Laurentius, Stephanus and Christophorus and were donated, according to an inscription, from Hans von Freising to Aichach and Dorothea von Freising in 1727. The altar is in a neo-Gothic style. A sculpture , called the "Johannesschüssel", is a copy of a very valuable sculpture from the 14th century. A sculpture of Saint Mary with her child from the master Leonhard of Brixen's school is also deposited in this church.

The St. George church in Graun/Corona stems from the 14th century. The tower is decorated with a newly restored fresco of St. Chritopher.

The chapel in the hamlet Obergoste is located at an altitude of 1328 m.

From the old church from 1332 only the lower part of the tower with its Roman round arch window still remain. The red tower with its imperial roof was built in 1739. The last redesign of the church’s interior during the second half of the 19th century gave the church its New-Roman touch. The artist Karl Hernrici painted an impressive ceiling fresco in 1772.

The new restored chapel “Unsere liebe Frau im Stöckl” was built in the year 1621 and enlarged in the year 1644. It was built totally new in the year 1680.

The Maria Heimsuchung chapel in Brennerbad/Terme di Brennero between the villages of Brenner/Brennero and Gossensass/Colle Isarco was built in the time of the noble tourism around 1900. In this period of time uncountable celebrities found accommodations in the gorgeous Grand Hotel and the village of Brennerbad/Terme di Brennero had also an own train station. However, a first chapel was already consacrated 1680 in honor of the Maria Heimsuchung chapel.

1882 effected the laying of the cornerstone to the chapel of today. Built according to the drafts of the master builder Josef Vonstadl, it was consecrated in 1886.

The Neoromanic building consists of a nave and two side aisles and a round apsis. The first high altar was made by F. Schmalzlaus from St. Ulrich/Ortisei, but it seems that already in the year 1889 the chapel received a new altar, made by the sculptor Stufflesser according to drafts by Johann Maria Reiter.

The two-storey chapel was built by order of the lords and miners of Gossensass/Colle Isarco in a late Gothic style. Adam Scheiter from Sterzing/Vipiteno was engaged as master builder by Lienhard Pfarrkircher. The influence of the Bavarian “Danubian School” is recognizable by the late Gothic altar. The stair was created by the master craftsman Matthias Stöberl of Sterzing/Vipiteno. The basement houses a crypt, which is used as a mortuary chapel.

San Nicolo/St. Nikolaus Church | This church dedicated to St. Nicholas in Valdurna, situated at the end of Val Sarentino/Sarntal Valley, dates from the thirteenth century. Particulary noteworthy are its beautiful sixteenth-century fresco cycle depicting the legends of St. Nicholas and St. Vitus and the Passion of Christ. These paintings were only discovered in 1986, when whitewash was removed from the walls: they are among the largest and the finest works of high Gothic art in South Tyrol. | San Nicolo/St. Nikolaus Church in Valdurna/Durnholz

St. Peter forms an independent parish, Lajen's parish priest, however, looks after the spiritual welfare. Churches, which are dedicated to Saint Petrus usually point to a high age. The parish church in St. Peter documentarily reaches back to 1241. The church was already rebuilt in the 15th century, so nothing more reminds of the originally Romanesque building today. Today's baroque making is even younger, it was consecrated in 1767. In the inside are great ceiling frescos, which were painted from Josef Arnold,who also painted the blanket frescos of the parish church in Lajen. Three paintings are attached to the parapet of the gallery: Peter cures the lame (on the left), Saint Cäcilia (in the middle) and the conversion of Saint Paulus (on the right). The high altar dates from the building time of the church. The painting represents the farewell of Peter and Paulus. The side altars have different saint figures which have been made in the 18th century. The figures at the outside of the pulpit show figures which symbolize the three cardinal virtues (faith, hope and love).

Although the first reference to a church consecrated to St. Magdalena appeared in a letter of indulgence dating to the year 1273, the origins of the chapel would appear to stretch even further back in time. The chapel as we know it today was built around 1480/1481 by the Schneeberg/Monteneve miners. The centrepiece of the chapel is the late-gothic winged altar, created in the workshop of Matheis Stöberl in 1509 and depicting scenes from the life of Saint Magdalena together with a number of other saints considered to be patron saints of miners. The second altar, attributed to artist Hans Harder and dated ca. 1470, is also worthy of note. Other works date back to the late Gothic and Baroque periods. In 2004, the church underwent extensive renovations. The altar and ambo were created by Hartmut Hintner of the Gsies/ Casies Valley in 2005.    

From the beginning of May to the beginning of November, a guided tour in German and Italian takes place in the miners' chapel every Monday from 4.00 pm to 5.00 pm. In July and August, there is also a guided tour every Friday from 10.30 am to 11.30 am.
The guided tour is free of charge. No registration required.

The late Gothic church was mentioned already in 1147 for the first time. According to the legend the church stands on the foundations of a heathen victim place. Today's building was built in the 15th century. Gothic elements of the church are the ogival portals, the rosette window above the main entrance with the Gothic three passports and the dainty net ribbed vaulting inside. The high altar (at 1620) shows Jesus' birth, statues of Peter and Paulus as well as figures from the Life of the Virgin Mary. The painted windows on the left and on the right side of the high altar were donated from Lajen's nobility families in 1905. The remaining fittings are in the neo-Gothic style. The tower of Our Lady's Church is adorned on the northern side and has impressing frescos.

Of demotic power is the church of St. Leonhard. Leonhard, the patron saint of cattle and prisoners, is commemorated by the heavy chain that winds one and a half times around the entire church. Consecrated in 1194, the church was redesigned around 1430 and baroque in the 18th century. The rich ceiling stucco from Franz Singer's workshop (around 1770) is a reminder of the Baroque and the creative joy of master builder Tangl. More recent history is evoked by the frescoes by Toni Kirchmair (around 11920), which interpret St. Leonhard as the patron saint of prisoners and fallen soldiers of the First World War.

The first documentary mention of the St. Cyprian Chapel in Sarnthein / Sarentino Village was in the year 1328. In the middle of the 15th century, the church was rebuilt in the Gothic style. The well-preserved frescoes are a special treat.

The origin of the church surely reaches back much further than the consecration in 1465. In the inside are shown the consecrating document, translated into German, and a detailed list of the restaoration work of 1989.The capstones of the soft net ribbed vaulting represent saint figures and different coats of arms. The painting of the baroque high altar (1733) shows Saint Mary with the child and Saint Jakobus Senior and Saint Jakobus Junior. These two saints are represented, together with Saint Silvester and a Bishop, on both sides of the church one more time. Moreover, a Pieta from the 18th century and a figure of Saint Valentin with a cattle are remarkable (at 1800).

The old Romanesque parish church, of which only very little remains today, got up at the same place as today's building, but it was much smaller and was across the present church building, facing east. In 1714 the tower was placed a Baroque onion. 1842-1845 was built on the site of the old, the new, classicist parish church. The parish church belongs to the biggest columnless church buildings in South Tyrol: She is 40 m long and 15,6 m wide in the ship. For her great she's also called the "cathedral on the mountain". Josef Arnold and his sons painted the blanket areas in 1844. The frescos show conditions of Stephanus and Laurentius' lifes. The altarpiece of the high altar shows Maria with the Jesus and the two deacons Stephanus and Laurentius. On the blanket are four smaller paintings with scenes from the Gospel and the four evangelists.

The church reaches back to the year 1437, but it might be fundamentally older. According to the legend the Church of Saint Bartholomäus is the oldest place of worship on Lajener area. The entrance, the stout tower with the shingle pyramid and the sound windows show obviously Romanesque features. The inside shows fresco remains in different places, in the past, the church was probably colored completely. The altar is kept in the late baroque style and represents Holy Mary with saints. There are the statues of holy Josef and holy Johannes between the columns. The sculptures at the left long house wall (Katharina and Barbara, Bartholomäus and a Bishop) are valuable, too. In addition, are worth mentioning the old baptismal font and the bell from 1580 (next to the altar). Between the church and the Mesnerhaus is a walnut tree, which is a splendid natural monument.

Today's church was built toward the middle of the 15th century after a village fire. The walls of the nave and the shaft of the tower should be considerably older. A gigantic Christophorus fresco which might have arisen at 1500, is on the right next to the portal of the church. On the left and on the right on the lower side of the fresco are Saint Nicholas with the three golden balls and Saint George with a dragon. Saint George is the second patron saint of the church. The church inside surprises with a pointed arch portal, the lancet windows and an impressive net vault. The baroque high altar (1720) shows Saint Silvester, Saint George, Saint Margareth, Saint Valentin and Saint Nicholas, who looks to the Mother of God with the child. The masterpiece of the church is the gothic winged altar (called the "Georgsaltar", 1520) from Artist Andre Haller from Brixen. In the middle of the winged altar is Saint George on the horse, who fights against the Dragon. On the right side Margareth knees in front of a lamp and prays for a good ending of the fight. In the background are represented Saint George's parents and his execution. The wings of the altar show Saint Joachim with a book and Saint Anna together with the Mother of God and the child.