Warto zobaczyć Południowy Tyrol

A church of the village was already mentioned in a document of the 15th century.

The reconstructed building dates back to 1782. The exterior aspect of the building consists of clearly separated architectural parts, while the interior decoration presents a subdivision in pilasters.

Piazza Gries, with the architectural complex of the Abbey of Benedettini di Muri-Gries on the right handside, is right in the middle of the quarter. The monastery, initially hosting Agostinian monks (1406), was damaged by peasant revolts in 1525 and destroyed during the Napoleonic wars. It was suppressed by the Bavarian government in 1807 and donated by the Austrian Emperor to Benedectine Muri Monks (Switzerland) in 1845. The oldest centre is the castle, built by the Morit-Greifenstein Counts in 1200, and whose original 'mastio' (tower) today is the church's bell tower. It hosts one of the heaviest bells in Alto Adige (5,026 kg).

The church has been dedicated to Saint Anthony of Padua and was built aorund 1600 on the same spot where one stood the Wendelstein Castle of the Counts of Tirol. A majestic column by Felice Brusasorci (1600) rises above the main altar, showing an example of mannerism in the Capels of Saint Mary, Saint Sebastian and Saint John in the lateral chapel.

Parish Church with a valuable crucifix by Michael Pacher and an organ, built in 1983 by Mathis, the biggest in South Tyrol.

Holy Mass: Mondays and Fridays at 8:00 a.m.,

Evening Holy Mass: 6:00 p.m.

Sundays and holidays at 9:00 a.m., 11:00 a.m. (in Italian) and at 6:00 p.m.

All Holy Masses are held in German, except where indicated differently.

Previously, this was the most visited chapel in the region. It is only 15 minutes by foot from the village centre, situated above the Nalserbach farmhouse at the road leading to Prissian, which was previously also called the Calvary mountain. In the archives of the Tisens parish church, the Nals river chapel was first mentioned in 1713. However, it is most likely older than this date.

Built 1345 and transformed into the Baroque style in 1675, has an attractive onion shaped dome and interesting coats of arms.

The Dominican order established itself in Bolzano/Bozen in 1272 and built a church with a single nave inside a vast convent which branches off into different chapels, some of which have been lying in ruins, and a beautiful cloister. A part of the ancient structure houses the Music Academy shich, indidentally, Hosts the prestigious international piano competition Ferruccio Busoni. Also present is the Stadtgalerie, an art gallery which holds different exhibitions and other important cultural Events. The church has gothic archways, as well as baroque elements from the 17th and 18th century (such as the altar piece of Guercino to the left of the Major altar, which was bought by the merchants of Bolzano). The church preserves prestigious examples of paintings from Bolzano from the 14th century which can be found on the oriental side of the coister and on the western wall of the Church, but the real artistic jewel of the building is the Chapel of St. John, the Long and narrow side chapel which holds the cycle of frescoes of those painters who took Giotto es their role model, the so called "School of Giotto". Of particular interest are those scenes from the life of St. Nicholas on the last part of the oriental qall, and the fresco of the "Triumph over death " in the firs part of the same wall, the flight from Egypt on the western wall and the torture of St. Bartholomew on the northern wall. The entire chapel, decorated with individual frescoes of various themes, is a splendid example of 14th century art as practised in the Region. In the nearby coister you can also admire some frescoes by Friedrich Pacher which go back as far as 496.

With a height of 86 metres, this church's bell tower is the tallest steeple built of stone in South Tyrol. In the early 20th century the medieval nave made place for the present design by the architect Franz Mayr, though the Gothic chancel har remained with its frescoes. The martyrdom of the curch's patron saints Julitta and Quiricus is depicted in a fresco cycle on the southern wall.

In the 18th century Baroque elements were added. Its windows portray the maid Katharina Lanz, heroine of Spinga/Spinges who stood up to the attack of the French with a pitchfork. The memorial plaque can be found on the southern side of the church

The tower in the Vadena district of Birti is the last remnant of the curacy church of St. Mary Magdalene from the 14th century. It is 24.6 m high and the walls are 70 to 90 cm thick. You can see the bricked-up arched windows on each side, only one is still open and intact. At that time, three bells hung in the tower, two smaller and one large. The brick helmet is damaged at its top, as the wind had thrown the button off the tower in 1743/44. Due to its very unfavourable location on the open valley floor, the Madgalena Church was hit by countless Adige floods. The church was flooded in 1755. The citizens of Vadena therefore thought about moving the church to the castle chapel in the courtyard of Vadena. In 1794, the church had to be abandoned after further numerous floods, because the water exceeded the altar refectory and the death chests floated around like ships. On 2 July 1795, a contract was concluded between the castle chapel owner Menz and the neighbours in Vadena and the castle chapel was designated as the new curacy church. In 1796, the Church of Mary Magdalene was demolished, only the tower still reminds us of the location of the old church. 

The parish church of "Our Lady": the present church was consacrated in 1516.

Starting from the 19th century the interior decoration was adapted to the taste of the age. The exterior is simple. The Gothic altar is a work created by a workshop of the Val Gardena valley, while the lateral altars present a marked style of the Tuscan Gothic.

Old parish church St. Genesius.                                                         

The Chapel "Piceplan" was built in 1887 and is dedicated to the Mother of God.

Twice a year the community pilgrims to the chapel.

This chapel in the hamlet "Rü" was built in 1973 and is dedicated to the Madonna of Lourdes.

The story of the Benedictine Monastry of Muri Gries Dates back to the 13th Century, commissioned by the Counts of Morit-Greifenstein. It was first inhabitated by Augustinian Monks, then pillaged during farmer's war, destroyed during the Napolenic war and discontinuing during the Bavarian government. The curch ist dedicated to St. Augustin and houses important frescoes by Martin Knoller. Access permitted only to the inner gatter.

Our pastor, Mr. Florian Pitschl, is pleased to meet you for consultation at the parish office.
(Every monday and friday or at an arranged time)

Church near the graveyard. If you like to visit the church, you get the key in the Tourist Office - we need a deposit.

A little further north of piazza Gries stands the old parish church of Gries located in the middle of an antique cemetery. It is a late Gothic building, dating back to the early 1400, and hosts two stunning treasures: the altar of Michael Pacher (1471-75) and the Romanesque wooden crucifix of 1200. The first one is undoubtedly a masterpiece of Gothic art of the wooden altars with casket and hatch remaining today, while the second one, which probably in relation to north French sculpture is believed to be of foreign origin, is considered of great relevance.

The church stands in an area which was inhabited ever since Roman times. It was called "Keller", or "Chellare" (cellar), and later named "Gries", or sand. Until 1908 the wine farm of Bishop of Frisinga in Baviera stood next to the church.

The parish church Saint Catherine of Alexandria, mentioned in 1347 and consecrated in 1452, is the first church of Corvara. In the small church, built in late gothic style, you can admire some admirable works of art.

For example, there are some frescoes and a winged altar dating back to 1520, the only well-preserved winged altar in the Val Badia valley. The altar was realized by the workshop of Ruprecht Potsch and was restored in 1975. The legend tells, that the landscape paintings on the two panels of the altar are by the famous painter Titian, who was probably in Corvara for a short time. Art experts attribute the work to an artist from the so-called Danube School, Albrecht Altdorfer.

Around the church there is, as usual in our alpine area, the town cemetery.

Church of St. Jakob and St. Leonard: the church was first mentioned in a document of the XIV century.

The bell tower is in gothic style while the inside of the church is in rococò style. The interior paintings are the work of M. Günther, executed in 1778, and make this church the most significant rococò monument in Ladinia.

The San Vigilio/St.Vigil church is dedicated to Saint Vigilio and was rebuilt in Rococo style between 1781 and 1782. The frescoes are from Matthäus Günther.

The parish church of St. Magdalena used to be a small chapel that was integrated into a castle. The chapel was built in 1304 and dedicated to St. Mary Loreto. In 1797 the chapel had some modifications, such as the construction of a tower and the extension of the chapel to a church. In 1804 the patronage of the church was transferred to St. Magdalena.

The Franciscan order settles in town in 1221; the present building Dates back to the rist haf of the 14th century, but the original ceiling, flat and with a choir of polygonal shape, has been replaces by a vaulted ceiling from the 15th century. The coister is a beautiful example of gothic art, which replaces the Romanesque style in which the rest of the building was built; there are different frescoes from various periods of time, including some from Giotto's School and some from the 17th and 18th century. The church still preserves an astounding wooden altar by Hans Klocker of Brixen (painted Wood - 1500) which was dedicated to the Nativity Scene. The choir of the church is embellished by the modern glass panels of Widmoser.

The original church of San Leonardo in Bronzolo/Branzoll had become too small and so the new neo-Romanesque parish church was built in 1896. It is a three-aisled basilica with a perforated clerestory, flat ceiling and a bell tower with a pyramid roof. The church was inaugurated in 1897 and dedicated to the Sacred Heart of Jesus.

The St. Oswald Church is situated on 2,365 metres in the hiking and skiing area of Meran 2000.

In 1641, the farmers of Hafling/Avelengo swore to edify Oswald as the patron saint of cattle and grazing, by building a chapel at the foot of the mount Ifinger and processing there on his name-day festival. The old chapel existed for almost 250 years at the original site, until a new building was erected in 1879.

Even today, there is a procession to the chapel every 5th of August, which is St. Oswald’s Day, with an open-air mass and a related church holiday. Many of the devoted from the surrounding area flock up to services at the little mountain church and pray for nice weather and good health for the cattle, for which Oswald serves as patron saint.

This chapel was built in 1993 at a very leisurely place at the feet of the "Sas Dlacia" behind the camping area. It is dedicated to the Madonna of Lourdes.

The donations from visitors have already been used to build a draw well in Africa.

This church in Gufidaun originates from the 15th century. The cultivated vestry, also called Koburger chapel, contains a noteworthy fresco cycle of the Ambrosius Gander from the valley "Jaufental". Holy Mass: Saturday at 18:00 clock and Sunday at 9:00 clock (german)

The chapel was built by the local "Alpini" groups and it is dedicated to their patron saint, St.Maurice. It was inaugurated in Spring 2004. Open from mid of May till mid of October.

One of the oldest and nicest regional churches in Tyrol.

Holy Masses on Sundays at 8:30 a.m.

Special masses are held on all Catholic holidays. The parish church is open daily throughout the year.

It is the Cathedral of the Bolzano Bozen- Bressanone Brixen Diocese. It conceals the remains of an early Christian, Medieval and Romanesque (1180) basilica. A hundred years later works are commenced to build a new imposing building which is completed around 1420 by combining the expertise of workers of Lombardy with the gothic style brought by the Swabian expertise over the decades. The bell tower stand over the square, 65 metres tall, with a spire in openwork in sandstone by the Swabian architect Hans Lutz von Schussenried, who completed it between 1501 and 1519. To see: the cross built in Veronese style, the "Wine door", the Romanesque Portal with porch lions, the rose window, the fresco "Virgin with child" credited to Friedrich Pacher, inside the gothic pulpit, the baroque Chapel of the Three Maries.