Warto zobaczyć Południowy Tyrol

The Romanesque church of St. Jacob on the Langfenn is located on the highest point of the plateau Salten (1525m). It stands on prehistoric ground and could probably tell exciting and captivating stories from the past . On the altar there are St. Jacob, the protector of the hikers, and the two patron saints of pest Rochus and Sebastian.

The Church of Blessed Henry, patron saint of Bolzano/Bozen, is the youngest church in the district of Laives/Leifers. In 1853 donations were collected to make the construction possible. All donors were immortalized on a board in the church. In the church there are three altars, the picture of the high altar shows Blessed Henry. 

The Capuchin monastery and its small church were built between 1617 and 1620. The church has a simple design in accordance with the style and regulations of the Capuchin Order: simple in terms of furnishings, bare walls, barrel vaults, and a side chapel on the south side. The high altar is dedicated to the Sacred Heart. The pulpit and the side altars are neo-Romanesque and date back to the 19th century. The altar of the side chapel contains a statue of the mother of God with Child from the middle of the 16th century, which is said to have miraculous powers. Between 1999 and 2003, the whole complex was carefully restored. In the little church, this also led to the renewal of the windows and the benches, which – in harmony with the surroundings – are now simple and linear. Thus, the light penetrates through seven beautiful glass panes that seem to communicate with the faithful through their symbolic meaning of colors and number.

 

After the tight canyon at the entrance to the valley, the valley widens and you will see the chapel of the village of Monte S. Caterina/Katharinaberg on your right. The chapel is like a signpost for the village. Once upon a time, this rocky hill was crowned with the castle of the „Lords of Schnals“, which gave the valley its name. Not only the inhabitants, but also our guests enjoy life in the village: the mild climate, lots of sun, stillness, wonderful hiking routes with direct access to the Merano High Mountain Trail in the Texelgruppe Nature Park, as well as some picturesque views into the valley and over the mountains.

The Paul Schuster Bild on the only way from Vilpiano to Meltina is located sideways to Salonetto and was built in 1900 as a sign of gratefulness towards the protection of Mary.

The Church of the Assumption is a modest little chapel that was probably built sometime during the 1860's and was refurbished in 1984.

On the way to Säben is on the way, the St. Anthony Chapel, built in 1670 at the instigation of the telltale Jerome and his wife. The chapel was restored in the Tyrolean commemorative 1984. The altarpiece in the early Baroque high altar dates from Nicholas squint.

The church in Freiberg is from the 19th cent. and its neoromanesque altar was installed in 1919. The altar paintin depicts the earthly and heavenly family of Jesus

The Church of S. Ulrich was built in 1842, at the behest of the then parish priest, Martin Tappeiner and, on the altarpiece, there is an image of the Bishop of St. Ulrich.

The parish church "zu Maria Himmelfahrt" (of the Assumption of the Virgin Mary) is the oldest: the Chapel of Our Lady, built in 1112, was used as a parish church from 1170. It was rebuilt between 1499 and 1515, but its current style – Late Gothic – dates from its rebuilding between 1894 and 1899 according to plans drawn up by the Viennese architect Weber.

The neo-gothic church of San Genesio/Jenesien was approximately built around the mid 15th century, its patron saints are Saint Genesius, Saint Sylvester and Saint Margareth. 

The parish church Maria Himmelfahrt in Meltina/Mölten celebrates its patronage on August 15th. Of its original Romanesque structure, only the lower part of the bell tower is left. The church was Gothicised in the 15th century and extended in the Renaissance style in 1651. Particularly impressive are the coronation of Mary on the high altar (late Gothic) and the Gothic predella on the side altar representing the death of Mary (from Michael Pacher's school).

The church from Latzfons was mentioned for the first time in 1153 and is therefore older than the church in Klausen. The tower originates from tha 14th century and the again-gothical mechanism remained unchanged by the change in the year 1999.

The parish Church of the Assumption and the Chapel of St. Michael had to be rebuilt after the fire in 1499 and both were restored in neo-baroque style and consecrated in 1505. Around 1900, there were additional stylistic renovations in the 'Jugendstil' and the 90-meter bell tower is the tallest in the entire Tyrol. The church is open all year. Worship Sat 7 pm, Sun 8.30 am, 10 am, 7 pm

The unique tabernacle is particularly interesting: the Cross is made from a grapevine. The key can be collected at the nearby Gasthof Lamm.

The church from St. Georgen is situated on a very historical plateau close to Versein. Numerous findings from the Bronze Age testify the prehistoric settlement of this beautiful place. The carved Gothic altar is ornamented by the statues of Saint Georg, Saint Oswald and Saint Leonhard.

Both the delightful Baroque-style pilgrimage church, built in 1304 and expanded in 1765, and the nearby cemetery with its artistic graveyard crosses made of copper and bronze by local artists are well worth a visit. The village of Madonna di Senales/Unser Frau celebrated its 700th anniversary as a place of pilgrimage in the year 2004. It is, in fact, one of the oldest pilgrimage centres in the entire Tyrol region.

The neo-Gothic chapel of was founded in 1924 by Andreas Kuppelwieser in gratitude for the fact that he and his brothers had survived the First World War unscathed. His initials are immortalized at the base of the carved stall.

The Church of St. Valpurga is already recorded in 1233 as the Basilica in Gevelano and was rebuilt in late gothic style in 1502. It is the only sacral late gothic edifice in the whole of the Venosta Valley and today it serves as a funeral chapel. Opening times: during the church service, sun 8.15 am

The parish church of St Martin is located high up on the Murkegel, before the Sonnenberg of Tschars, and it presumably rises up directly on top of the foundations of its Romanesque predecesor. It is a fourbayed hall church from the first quarter of the 16th cent. with a narrower choir that concludes in a three-sided apse. Its formidable tower with a Baroque onion dome rises up in the south. The interior was renovated in a Baroque style in the third quarter of the 18th cent.

The first church was dedicated to St. Maria Magdalena and was built in the 12th century. In the 14th century there were structural changes, which served the beautification and were necessary for conservative reasons. The change of the patron of Magdalena to Martin was supposed to have been completed in 1613, from then on, only a church of Saint Martin is mentioned.

The St. Blasius Church in the  fraction Verschneid celebrates its patronage with the distribution of the Blasius blessing on February 3rd. The tower is still Romanesque, the church was enlarged and gothicised around 1500. Very expressive is the baroque fresco (1621) "Vom Gastmahl des reichen Prassers".

The picturesque Castelbello Castle, first mentioned in 1238, was built by the Lords of Montalban. Majestically, it is situated on a cliff on the left bank of the Adige River. Because of its exposed position, the castle had to be protected by strong fortifications, which needed to be remodernized over the years. In 1813 and 1824, the castle was largely destroyed by fire. The Counts of Hendl rebuilt only a small part for residential purposes. At the end of a protracted court process held over decades between Count Siegmund von Hendl and the Republic of Italy for the possession of the castle, eventually a settlement was reached. This allowed the State to acquire the castle. The Castelbello Castle is the cultural center of the village. In addition to permanent exhibitions in Spring and Autumn, alternating art exhibitions take place here.
The building of the chapel followed in the late 13th or early 14th cent. The walls contain a frieze with the Twelve Apostles as well as texts from the Confession of Faith. Because the apostles are turned towards one another in pairs, the quotations are alternately written in plain and inverted script.

Opening times
Guided castle tours from July 5th until September 11 | 10 a.m., 11 a.m. and 2 p.m., 3 p.m.
Closed on Monday
Spring exhibition by Hans Ebensberger from mid April to the begin of June
Autumn exhibition by Bruno Ritter from end of September to end of October

Twenty minutes on Feldthurns is free on hilltop of St. George in Schnauders, a beautiful small building of the later Gothic, first attested in the 14th century. Your current form received this church partly in the 16th and partly in the 19th century. Interior and exterior renovated in 2007.

Evidence of a church in this area dates back to the mid-13th century, but the construction of the building as we know it today began in 1412 when the choir loft was built by Konrad von Neumarkt. It was completed when the vault was finished at the beginning of the 16th century. The façade of the church is dominated by the bell tower, which stands above the entrance and forms a vestibule leading to the entrance portal. Next to it, a niche for donations is decorated with a fresco of a Madonna and Child, and on the west side of the tower, a small wooden roof protects a fresco of St. Christopher with the Child Jesus. The interior of the church looks light and elegant. Light streams through eight windows, four of which belong to the choir. Of particular value are the Gothic tabernacle and the pulpit base. Of the frescoes in the interior that have survived the test of time, those on the south wall are attributed to the painter Konrad Waider at the beginning of the 16th century. Coat of arms paintings of the Payr of Caldiff and Khuen mark their tombs on the north side of the nave. In 1767, the church was desecrated because the Trudner Bach, which had overflowed its banks, had destroyed a large part of the interior. As a result, it was used, among other things, as a storeroom. Around the middle of the last century, people became aware of the artistic value of the building, restored it, and consecrated it again. Today the church "Unsere Liebe Frau in der Vill" is considered one of the most beautiful late Gothic churches in the country.

Already in the 13th century, there was a St. Mary’s church at Teis which, however, was destroyed by the heavy earthquake in 1471. The present-day neo-Gothic nave was completed in 1890 and consecrated to the Sacred Heart of Jesus. The bell tower dates back to around 1500 and the great bell was cast at Innsbruck in 1734.

The core of the old parish church in Marein was presumably built around 1400. At least the stellar vault of the choir and the tracery windows on its southern side are from this period. By contrast the tower and nave were not given their present form until the 17th cent. In addition to a Baroque altar from the 18th cent. In addition to a Baroque altar from the 18th cent. the church also contains an older altar from the 17 cent. Among other things, its other furnishings include two remarkable oil painting: a Madonna and Child with St.John the Baptist as a boy, venerated by St Francis, St Clare and St Catherine, as well a second large-format oil painting, which features ST Odile, who was born blind and gained the ability to see only through her baptism

The St. Laurentius church (Gothic with Romanesque nave walls) stands at the heart of the village. It was built between 1286 and 1295 and extended in around 1400. The tower was not built until the 16th century and was not given secure enough foundations – so Feldthurns has its very own "leaning tower"!

The church of St. Magdalene was first mentioned in 1394. The present-day late Gothic building dates back to 1492 and the interior is characterised by baroque elements. The paintings by the Ladin artist Johann M. Pescoller in the choir vault from 1928 are well worth seeing.

Important information on arrival:
The access road to the church is closed for cars (gate) and only accessible to residents. It is best to park at the "Putzen" car park shortly after the village St. Magdalena and walk to the church (approx. 30 min.).

The newest part of the village from a settlement point of view is located on a gigantic scree. Only the church, which usually provides the centre of the village, is located on a panoramic hill. It is definitely one of the most beautiful church hills in the region! The parish was devoted to the patron of water St. Nicholas. This saint was often chosen in villages prone to overflowing by raging rivers (ancient German winnen = raging). In 1507 the Prato Drava parish church was first mentioned in a document within the framework of consecration. The traditional rectangular floor-plan of proto-Romanic construction was transformed and renovated in Gothic style around1500. The elegant construction with ogive windows and portal has maintained all its Gothic charm, including the floor-plan, the section with support pilaster and pilaster strips , the triumphal art and the polygonal choir stall. Unfortunately in 1821, the vaults were stripped of their ribs, and only a Coronation of Mary and a representation of the legend of St. Nicholas (approx. 1505) are all that remain of the original frescoes in the Church of Prato Drava. The epitaph of the Klettenhammer family with its architectonic frame dates back to the 17th century. The altars, pulpit and confession boxes that date back to the early 19th century exemplify a unified and extremely rustic Baroque style. A steep path with the Stations of the Cross and four wayside shrines leads to the church hill. The wooden statues in these wayside shrines realised in rustic, realistic Baroque style show scenes from the Passion of Christ: The Mount of Olives, the Flagellation, the Crowning with Thorns, Jesus carrying the Cross; the Crucifixion group located in the graveyard is also of the same genre and period (1700 circa). Visiting hours: The church is only accessible during mass celebrations (during the summer season every day).