Marvel the impressive spectacle of the Lappach Klamm above Lappach/Lappago. Feel the cooling freshness on your skin, breathe in the pleasant fresh air and admire the colorful light reflections when the sun shines.
Zamki i pałace, muzea, sztuka, skarby historyczne i współczesne miejsca. Te atrakcje i zabytki są również częścią udanej podróży odkrywczej przez Południowy Tyrol.
Marvel the impressive spectacle of the Lappach Klamm above Lappach/Lappago. Feel the cooling freshness on your skin, breathe in the pleasant fresh air and admire the colorful light reflections when the sun shines.
Another important attraction was not created by builders but by nature: the Barbian waterfalls. The Ganderbach (stream), which is near Kollmann and flows into the Eisack river, which has a length of almost 6 kilometres. At the point of 1,510 metres above sea level, the stream falls over several rock cliffs down into the valley. The lower part of the waterfall with his 85 metres is the highest of the waterfalls at Barbian. From here, you can reach the upper part of the waterfall on a marked, wild and romantic path.
The waterfall Klammbach is Born directly in the glacial of the Rieserferner and comes out at Antholz Mittertal.
On the trail to San Giacomo there is a monument in memory of the Austrian mountaineer Paul Grohmann (1838-1908), who managed several first ascents in the Dolomites, including the Sassolungo (1869), the Marmolada (1864), the Cima Grande (1869) and the Tofana di Roze (1864). In 1875, the peak Punta Grohmann in the Sassolungo Group was named after him.
The Fanes-Senes-Braies natural park, Dolomites UNESCO World Heritage since 2009, measures approx. 25,680 hectares and spreads across the municipalities of Badia and La Val in Alta Badia, Braies, Dobbiaco, Marebbe and Valdaora. The Dolomite High Route no. 1 leads through the area of the Fanes-Senes-Braies natural park.
The mountains facing Val Pusteria valley form the park's northern, Val Badia valley its western boundary; in the south the Fanes-Senes-Braies natural park stretches all the way to South Tyrol's provincial border in the direction of Cortina and the Val di Landro valley marks its eastern boundary against the Dolomiti di Sesto. The steep, almost insurmountable rock faces protect a morphologically and scenically highly diverse, broad area of alpine pastures and high plateaus.
The majority of Fanes-Senes-Braies natural park's area is covered by mountain pastures and meadows which are characterised by a unique variety of plant life. Leopard's bane, gentian, orchids, bistort and golden hawksbeard are commonly found. The vegetation zones range from mountain forests near the valleys to above 3,000 metres (9,842 ft). Fanes-Senes-Braies natura preserve's fauna is representative for the Dolomites.
It is also called "the shining face of the Dolomites" because of the rich variety of its vegetation and landscapes, with steep cliffs rising at the edge of the Park and protecting a large area of pastures and colorful plateaus.
A hike through the Nature Park will take you to the mysterious places of the legend of the Kingdom of Fanes. The saga, which is considered the Ladin national epic poem, tells of the expansion of the mythical Fanes empire and its fall, of the princesses Moltina and Dolasilla, of the evil wizard Spina de Mul and of the fearless hero Ey de Net.
The eponymous bronze statue were built on the "Raida dl luech" walk in S. Cristina. The project is the result of a competition backed by the partnership between S. Cristina, the Tourist Association and the S. Cristina Art Sculpture Association to embellish the "Raida dl luech" and to o emphasize the importance and value of artistic activity in Val Gardena. The bronze statue freerider was built in 2012 near the Cisles Street in S. Cristina.
The monument is near the parish church square in Ortisei. It was built in memory of Johann Baptist Purger (1805-1872), the mayor who fought for the construction of the Val Gardena Road from Ponte Gardena to Ortisei.
Even today, the custom-manufactured railway built for the special environment of the Stelvio National Park transports the heavy marble blocks over four sections almost automatically down into the valley.
The marble-transporting train has been operated in the same original state since 1930 and carries the marble from the marble quarry (2,200 m above sea level) to the valley. With the Lasa sloped railway, it is possible to transport a 40-ton load at a speed of 1m/sec in 16 minutes in to the valley. To date, this type of transport is the most environmentally-friendly method of transportation of marble thusfar. During the marble hikes, interested guests can also visit the unique inclined railway.
During its 750 km long journey to the Danube the Drava flows through 5 European countries. It has its beginning in Dobbiaco. sily reached on foot or by bike. Starting point, especially for families is the forest WoodWonderland.
Further information to the water treasures of Dobbiaco: http://www.drei-zinnen.info/en/dobbiaco/dobbiaco/experiencing-dobbiaco/lago-di-dobbiaco-lago-di-landro-and-dobbiaco-water-treasures.html?_ga=1.243384837.1489106145.1483110301
High above the San Lugano Pass there are the ruins of Austrian trenches.
The landmark of the village Trodena/Truden at the Nature Park, the 600 year old linden, in the Monte Corno Nature Park.
Rötbach Waterfall – Feel the power of nature in Kasern/Casere
Marvel at the rushing waters of the Rötbach Waterfall, located above Kasern/Casere on Knappenberg Prettau/Predoi, near the historic tunnels of the former copper mine. The “breathing platform” offers a stunning panoramic view and a revitalizing microclimate.
Feel the cooling mist on your skin, breathe in the pure mountain air, and be mesmerized by the colorful reflections of sunlight. A place to pause, reflect, and recharge amidst the beauty of nature.
The old Lasa Stinkabrunn Sulphur Spring was officially opened on 4th September 2011, after extensive renovations. The water is bacterially clean and rich in mineral content and is therefore well-suited to those with digestive, liver and skin-related ailments.
On 23 May 1915, the Kingdom of Italy declared war on the Austro-Hungarian Empire. The Italian army occupied Cortina, the Austro-Hungarian troops retreated to Lagazuoi to defend Val Badia and Pusteria.
Under the Croda dell'Acqua in a place now called Sorgenti, the Austrian dressing station was located. Those who died in the infirmary were buried in the immediate vicinity of the Austrian central aid post, without distinguishing between nations. Thus in 1915 the War Cemetery was born.
After the annexation of South Tyrol to Italy, the Italian army took on the task of grouping the numerous small cemeteries scattered along the war lines into a few central cemeteries. The transfer of the bodies took place in the years between 1926 and 1938. In the War Cemetery, the bodies of the fallen soldiers buried in cemeteries in the surrounding area were brought together. While the “Germans” were transported to other cemeteries, the bodies of the fallen of other nationalities arrived at Sorgenti. 1,259 soldiers found eternal rest in Sorgenti.
The lake Totensee, literally "lake of death" is less threatening than its name suggests.
The lake is located in a hollow below the well-known Chapple Totenkirchl. Surrounded by boulders and meadows, it is situated at an altitude of 2200 m. The macabre name comes from the agricultural expression "dead", which can be interpreted as unprofitable.
The old mills in Bulla, right above Ortisei, were built in the 8th and 19th century. The Zaramin mill is abandoned, but the Rumanon mill was restored in 1999 and the Droch mill in 2010. They are now fully operational. Visitors can join a guided tour and learn more about the mills and the ancient local lifestyle. More information is available at the Tourist Office in Ortisei.
The "Human Shapes" project is a tribute to ten personalities from the past, who made a significant contribution to Merano’s cultural life during the course of their lives. The project embraced a wide temporal arch. It draws back to the theme of the plastic representation of the human shape, although it supports a free interpretation through contemporary art’s expressive means. The "Human Shapes" project has given life to an open-air art gallery along the Passer Promenade, between the Theater Bridge and the Iron Bridge. Every year, three to four busts of influential personalities were created.
Find out more at www.kunstmeranoarte.org
These three larch trees, to be found near St. Gertraud in Ulten Valley, are considered to be the oldest conifers in Europe. Legend has it that these ancient larch trees are more than 2,000 years old.
An interesting natural appearance in Entiklar is the legendary rain stone at the wine road, a rock face dripping water with many tuff and sinter formations. It is said that a weeping princess is on the inside of this stone and she appears once every 100 years in order to be redeemed and to richly reward her saviour.
Prato allo Stelvio was and still is marked by a continuous changing. As a living organisms it is drawing itself through the history. People come and go, the buildings crumbles and there are built new ones. The forces of nature continue shaping the landscape. Also wars and catastrophes didn’t spare the peaceful place at the road of Passo dello Stelvio.
Something is lasting. The building of historic value have been listed on a historic register; the churches testify the architecture of the past; customs are kept alive. Memories are preserved and kept alive for future inhabitants and visitors of our place.
An important role have for this the historic village points, that are distributed among whole Prato. They help us to understand our place with its history at the bottom of the National park of Passo dello Stelvio.
When the menhir was discovered during excavations, it stood at the western corner of Freienfeld Manor in burnt black soil, surrounded by a circle of stones. Some of these stones still circle the menhir.
The menhir is, in comparison to other menhirs, primitive, yet there is clear evidence of workmanship. The glacial erratic of quartz phyllite is 1.65 m high with a circumference of 1.95 m and is reminiscent of a cyclopic giant.
As with other menhirs, it is likely anthropomorphous and imitates, though remotely, the stature of a person. The menhir was presumably a place for worship of gods, heros or the dead. It is probably a male menhir, with three aligned holes, and wearing a clearly visible collar.
Die „Sperger-Hitt“ – Bp. 70 – Silberstraße 23 + 25
Die Ursprünge dieses ausgedehnten Wohnhauses mit Wirtschaftstrakt reichen sicherlich in das ausgehende Mittelalter zurück. Freilich haben die diversen An- Um- Auf- und Zubauten den einstigen Charakter des ehemaligen Baukörpers arg zugesetzt, wobei sich aber insbesondere im Kellergeschoss ursprüngliche Bausubstanz erhalten hat. Am Zubau finden sich hingegen noch Wandmalereien wie z. B. eine Sonnenuhr und ein „Andreaskreuz“ mit der Jahreszahl 1734. Ebenso vielfältig wie dieses Anwesen selbst, waren zumindest ab dem urkundlich erfassbaren Zeitraum des 17. Jahrhunderts auch seine Bewohner. So besaßen um 1775 Simon Ebensperger, Walpurga Ortler, Maria Haid und Johannes Platzer dieses zinsfreie Eigentum an Wohn- und Ökonomiegebäude am Unteren–Platz. Die vier Parteien teilten sich die im Haus befindlichen vier Stuben, drei Küchen, acht Kammern und drei Keller zu gleichen Teilen. Zum Hauseigentum zählte auch der südseitig angrenzende Krautgarten in einer Größe von 62 Klafter (223 m²). Der Steuerkataster von 1814 offenbart uns, dass inzwischen Anton Ebensperger Inhaber einer ganzen Gebäudehälfte geworden war, während sich aber weitere vier Parteien mit der zweite Hälfte begnügen mussten. Diese Notstand Situation war im Prad des 19. Jahrhunderts allgegenwärtig und führte schließlich unter anderem zur dutzendweisen Auswanderung nach Amerika. Das geschichtsträchtige Haus wurde im vorigen Jahrhundert am 31. Oktober 1929 zum Geburtsort des vielbeachteten Künstlers Hans Ebensperger, worüber sich nähere Hinweise im Prader Dorfbuch von 1997 finden. Zu den diversen Bewohnern der geteilten „Ebensperger-Anteile“ zählte unter anderen auch Frau Helga Ebner/Ebensperger, sie unterhielt als Fotografin von 1971 bis 1998 im Kellerbereich ein Fotostudio mit Fotoladen. Im selben Zeitraum wurden sowohl die Außenfassaden als auch der Innenbereich vom Besitzer und Maurermeister Albrecht Ebensperger einer Totalsanierung unterzogen, sodass sich uns das Gebäude, mit Ausnahme der gleich gebliebenen Fensterreihung, heute völlig anders präsentiert.
From Moos/Moso walk up the first road bridge. At 50 meters, turn left on the walkway up to the wooden observation bridges over the Stieber waterfall. From here hikers will have a breathtaking view of the gigantic Stieber waterfall, where the Pfeldererbach stream first plunges 19 meters then 18 meters deep in the Passer river.
This wayside shrine is a beautiful and slender tabernacle with a pyramid-shaped roof. The four niches contain a cycle of paintings including the Madonna with the infant Jesus, Catherine and Margaret, the Mount of Olives, Wolfgang and Martin, a scene of the ascent to Calvary, Andrew and Leonard, the Crucifixion and the patron saints of the Taisten church, Ingenuin and Albuin. The frescoes are attributed to the Bruneck School of Painting (around 1460).
31 August 2012 marked exactly one hundred years since the Mount Vigiljoch cable car made its maiden voyage, the world's third suspended cable car approved for passengers. To mark this anniversary and beyond the cable car monument remembers this technological breakthrough.
In Lana, at the roundabout of Meranerstrasse / Ultnerstrasse streets, looking down to the station towards the valley, one of the decommissioned cabins of the Monte S. Vigilio cable car, still functioning today according to the latest safety standards, serves as an all-around visible eye-catcher.
The Lana Monte S. Vigilio Cable Car
As the world's third suspended cable car approved for passengers, in 1912 the cable car on Monte S. Vigilio made history. Today, rebuilt according to modern safety standards, the cable car is a technical monument of national importance.
Since the company of the Monte S. Vigilio cable car tried already in 1912 to attain a refined artistic impression, it proclaimed Gustav Birkenstaedt as the artistic consultant to the company, which included, beyond the cable car, also the planned “high colony” (Höhenkolonie). As a result, Birkenstaedt developed the plans for the mountain hotel located near the mountain station and for a holiday house model that proved influential for the emerging residential area.
In 2008 the cable car once again underwent a general refurbishment. New cabins allow passenger transportation today without accompaniment in the cabin, and a video surveillance system ensures maximum safety. The journey from Lana to Monte S. Vigilio (1,486 m above sea level) takes 8 minutes.