Wszystkie oferty kulturalne w Południowym Tyrolu

The Church of St. Anna and St. Joachim is similar to many Capuchin churches built in Tyrol in the 17th century. The nave is square and has a barrel vault. On the northern side a square-shaped side chapel has been added. The long chancel is divided into two rooms by a high altar that mostly reaches to the ceiling. The room behind the altar was originally reserved for the monks.

A small window opening in the altar table makes it possible to see through and thus participate in the Mass. Side altars are set against the triumphal arch walls. The main altar and the two side altars are Baroque and date from the 17th century.

Holy Mass:
Tuesday to Saturday at 9.00 in german language
Sunday at 10.00 in german language

next to the parish church is the "Cappella del Santo Sepolcro" (Chapel of the Holy Sepulchre, 17th century), with lagre marble angels and fígures depiciting Jesus Christ

The Capuchin monastery and its small church were built between 1617 and 1620. The church has a simple design in accordance with the style and regulations of the Capuchin Order: simple in terms of furnishings, bare walls, barrel vaults, and a side chapel on the south side. The high altar is dedicated to the Sacred Heart. The pulpit and the side altars are neo-Romanesque and date back to the 19th century. The altar of the side chapel contains a statue of the mother of God with Child from the middle of the 16th century, which is said to have miraculous powers. Between 1999 and 2003, the whole complex was carefully restored. In the little church, this also led to the renewal of the windows and the benches, which – in harmony with the surroundings – are now simple and linear. Thus, the light penetrates through seven beautiful glass panes that seem to communicate with the faithful through their symbolic meaning of colors and number.

The Holy Trinity Church in Kollmann was previously called the customs chapel and was connected to the customs office by a wooden walkway. The church itself was built around 1588 and nearly destroyed by a fire in 1938. In the meantime, it has been renovated. It is open from 8 a.m. to 7 p.m. Holy Mass: Sunday at 8:30 clock or 10:00 clock (german)

The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower. The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements. In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy). The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower. Height: 37,00 metres Inclination: 1,56 metres

Built in the first years of the 20th Century and consecrated in 1904. In Possession of the Hotel Lago di Braies/Pragser Wildsee.

This Neo-Gothic Church was originally the chapel of the "Dame Inglesi" It was designed by Ferdinand Mungenast, and built in 1903. The longitudinal plan ends in an apse which is decorated with a striking mosaic of over three million pieces, in neo-Byzantine Ravenna style. It depicts Christ seated in majesty, flanked by Mary and Joseph an angels, with the hand of God, the Creator, above. In the lower part of the mosaic there is a row of six saints interspersed with palm trees.

The Holy Grave chapel is situated just below the road, which connects Waidbruck to Barbian, just near the Wohlaufhof (farmhouse). The chapel has a very simple baroque altar. This little chapel was probably built during the 17th century in connection with a crusade. This impression is strengthened by three road crosses, which can be found in the surrounding area. In 1701, the chapel underwent a renovation paid for by Mr. Leiter, the post master of Kollmann and was cleaned up again in 1983. Ask for the key from the nearby „Wohlaufhof“, tel. 0471 654 024

Festivities:
S. Antonio da Padova: June 13 th
Francesco d’Assisi: October 4th

The first Franciscans came to Bolzano during the lifetime of S. Francesco, probably in 1221. In the framework of the reform guided by Bernardino of Siena a second propagation wave of the Franciscans took place. In this context the monastery foundations of Kaltern were built. Claudia de Medici, Provincial Princess of Tyrol and promoter of the Franciscan movement, donated the ruins of the Rottenburg to the Franciscans, which were destroyed at the beginning of the 15th century. Parts of the garden area for the construction of the church and monastery. At the beginning of the 18th century, the church was expanded to the present state. The image of St. Anthony of Padua on the right-hand side altar is of great importance for piety. The Antonius cycle in the cloister was painted in 1721 by Matthias Pußjäger.

Source: Parrish office Kaltern

From the pilgrimage church in Santa Maria, via several stations of the Cross, a meditation road (built in 1996) leads you to the oldest religious sanctum of the Alta Pusteria Valley: St. Peter am Kofl. It is said that the chapel was used as a refuge for some priests during the turmoil of the mass migrations from Aguntum (near Lienz in Eastern Tyrol). St. Peter am Kofl was first mentined in 1329 and later renovated in 1987.

The church of St. Martin is located in the homonymous place. St. Martin belongs to St. Johann/S. Giovanni. Aficionados consider it to be one of the best example of late Gothic church architecture. The church never had the function of a parish church, therefore there was no necessity for artistically redesigning.

The chapel was built in 1849 by the bricklayer Michael Kofler. It is dedicated to S. Maria Goretti - martyr of innocence.

Chapel of St. Michael. The Chapel of St. Michael, also known as “cemetery chapel”, is situated next to the parish church of Völs and dates back to the Romanesque period. Today, the chapel houses an archaeological collection and the Völs Parish Museum .

Conciliar church dating back to the sixteenth century, with an adjoining monastery of the Capuchin friars. It is located adjacent to the Porta Venosta (Vinschger Tor) Gate. Masses in German: Weekdays: 6:30 a.m. Sundays and public holidays: 7:00 a.m. & 10:00 a.m. Masses in Italian: Weekdays: 7:30 a.m. Sundays and public holidays: 8:30 a.m.

The Capuchin church and convent are located not far south of the Cathedral Square in Brixen/Bressanone. This is a simple and unadorned religious building with a small facade tower in the style of the mendicant churches. Inside, the nave is covered by a barrel vault. The strongly indented choir room just closes off. On the left side of the nave there is a round-arched side chapel which houses the organ. The interior has no wall paintings or stucco work.

The Church of the holy cross was foundet in 1896 in gotic style.

Completely built in red porphyry. Built in 1899-1902 in the neo-Romanesque style, the lovely mosaic above the main portal was installed in 1903. The tower was only completed in 1930.

Holy mass:
Sunday at 10.30 in german language

The parish church "Our Lady in the Moss," located in the south of Sterzing, is considered one of the largest in the Alpine region. It is a late Gothic structure (choir 1417-1451, nave 1497-1524). White marble was used for the massive pillars inside. Significant is the winged altar by the Ulm master Hans Multscher (details in the nearby Multscher Museum) and many other artworks. Particularly richly decorated is the south portal of the church designed by Mattheis Stöberl, with a  commemorative inscription marking the laying of the foundation stone for the nave by Maximilian I in 1497. The Baroque frescoes date back to Adam Mölk and were completed in 1753.

Postumia Viktorina stone: Roman tombstone found in 1497 during excavations for the foundations of the parish church. It is now located inside the church on the north side.

The Church of St. Margaret in Sterzing / Vipiteno was built between 1678 and 1680 in early baroque style, according to the design of Peter Delai. The bell tower, however, dates from a previous construction, which was cited as early as 1227. The altarpiece of the main altar, dedicated to the Patron Saint of the Church, St. Margaret, was realised by Josef Renzler in 1822.

The little church of the saint Mauritius in Sauders is situated to the south of the village centre. The church was mentioned the first time in an official document in 1406. Around 1670 the little church was converted in a baroque style. However, the church and some surrounding houses were burned to ashes by the French in 1793. Nowadays, the painting at the high altar represents the patron saint of the church. The key for a visit can be received at the “Winklerhof – farm”.

The chapel was probably built 300 to 400 years ago by the farmers of Raffein. It is a simple, small building with a round apse, a shingled roof and a wooden bell tower. The altar bears a picture of the crucifixion of Christ, below is a picture of St. Mary Magdalene. She is also the patroness of the chapel. In the case of a death in Malsau and Raffein, the bell is rung.

It is an insular, flat - roofed, long - standing church with a semicircular apse from 1130. Romanesque and Gothic frescoes lend the interior an extraordinary artistic appearance. The composition of the Romanesque frescoes is interpreted as traditio legis, the Gothic painting shows scenes from the life of Mary and the birth of Jesus

The first testimony of this gothic construction is dated 1577. In 1789 a barrel vault ceiling decorated with rough frescoes was built. The modern-day choir was added when the Church was enlarged, after damages caused by an avalanche in 1817.

The church is a Baroque building from the year 1671, by the master builder Franz Delai. Of particular interest are the Pietà, from around 1415, and the baptismal font (circa 1380-1400). In the cemetery chapel at the original shrine, there are significant Gothic frescoes from the year 1415.

Holy Cross Curch The continuity of the cult reaches from the early Middle Ages over the Roman and gothical church to the present building, which developed around 1679. The inside surprises by the winding and ceiling paintings, which probably come from a native painter. In the apsis is the cross of the master Leonhard from Brixen.

An inscription refers to the first consecration of the church in 1199. The nave has a flat ceiling and is equipped with oylets. The choir has a semi-circular, vaulted apse with a Majestas representation and two well-preserved Evangelist symbols. There are traces of frescoes dating back to the 13th century. To the south of the triumphal arch appear the victims of Cain and the upper body of a fish-tailed siren. The head with long hair, the thoughtful expression and the gestures of the arms give the depiction a uniquely melancholic appearance, which contrasts significantly with the image of the demonic element in the other wall paintings.

The Church of S. Nicolaus is open from 03.05.2024 - 18.10.2024 every friday at 2 pm for the guided tours in german and italian language.

The parish church dedicated to the Assumption of Mary represents a monument to generous design.

The chapel Floriani is located directly on the village square next to the church.