Wszystkie oferty kulturalne w Południowym Tyrolu

The cathedral of Brixen/Bressanone is one of the most important sacred buildings along the Alpine area. Its origins go back to the year 980 AD. Due to a major fire in the 12th century, it was redesigned in romanesque style with a three-aisled nave and two façade towers. In the 18th century the baroque reconstruction took place, to which the cathedral owes its present appearance. Inside, the baroque idea of triumph was brought to perfection with wonderful ceiling paintings (f.ex. in Paul Troger's Adoration of the Lamb). The cathedral has a valuable interior with 33 different types of marble. The high altar, which was completed by Tehodor Benedetti, is one of the most important baroque altars in Tyrol. In addition, this church was equipped with a magnificent organ.

The church dedicated to the Holy Mother Maria (1244) stands in the center of the village with its tower covered with fine, red tiles.

On a small hill, in a sunny position, there is the settlement of Peterbühl. The hill, which tower is an important historical site. Here are the origins of Völs am Schlern and the entire region of the Schlern. People settled here many thousands of years before Christ. Today, the chapel of St. Peter am Bühl stands somewhat apart in the greenery. Above the door you can see the crossed keys of St. Peter, and next to them the coats of arms of the Thun and Firmian families: they are of Regina von Thun and Katharina von Firmian, the two wives of Leonhard the Elder of Völs. The altar from the 16th century is on display in the Völs Parish Museum. The decorative paintings are made in the year of 1600 in style of renaissance.

A beautiful place for a leisurely walk directly in Völs am Schlern. Several seating options provide a relaxed atmosphere and invite you to relax. A small children's playground can also be found along the circular path, as well as a statue. Sometimes there are some goats that come to the Peterbühl and provide a good company. In summer you can take a guided tour to see the Peterbühl church from the inside.

The chapel is reminiscent of the famous freedom fighter Peter Sigmayr. The Tharerwirt was shot 1810 from the Frenchmen near the Baumgartner farm.

On 15 October 1993, the consecration of the parish church Maria Hilf took place. The church district is in the east of new homes, in the north of the new school building and bandstand, in the west of historically valuable Count House (stand hunting Gasegg) and in the south west of the parish church "To our Lady of Loreto" and the "granary" as well as in the south of the old elementary school and private houses limited.

The married couple Johann Tschurtschenthaler and Agnes Galler vowed to build a chapel for the happy return of their son from World War II. In 1949 the chapel was built and consecrated to the Mother of God of Fatima.

The chapel in the smal village of Gschwell was built in the first half of the 17th century. A votive tablet from the year 1661 shows Gschwell with the chapel and in the text below it says that a farmer from the "landtschwellhof" was taken by "a bull on the horn". Inside there is a carved altar and a Madonna and two bishops.

The chapel in Kapron was built by Josef Pläs (Blaas) in 1743 and renovated in 1908 by his granddaughter Aloisia Blaas. Both can be found in the inscription in the interior above the entrance of the chapel. In the chapel are various pictures with the cartridges: the ST. Sebastian, Our Lady with Child, Evangelist Johannes and St. Joseph. In May, Mayan prayers are held in the chapel and at funerals, processions and prayers the two bells of the chapel are rung.

The Franciscan Church was consecrated by the archbishop of Bressanone in 1697. The church is characterised by being back to basics, as the friar churches built during the Counter-Reformation clearly differ from traditional Collegiate Churches dedicated to belongings and culture through their simple and clear method of construction (planning: Franciscan friar Vitus Rastbichler from the Ötztal Valley). The Order's ideal of simplicity and poverty is reflected in the absence of a high bell tower and complex vaults and frescoes. After the entrance there's the small Chapel of Saint Anthony annexed to the nave destined for private meditation. The Fathers originally recited the choral prayers from the gallery. Not much of what distinguished the initial version of the church remains to be seen today, with the exception of the large oil paintings behind the side altars and the Franciscan saints on the southern wall. Today's altars are nice examples of Rococo art. The careful restoration works performed between 1992 and 1994 provided the Convent with its original appearance. The restoration project was awarded the Europa Nostra Prize in June, 1994. Visiting hours: daily (except Monday morning) 8 am - 6.30 pm

The Church of the Holy Cross Heilig Kreuz Kirche in Mitterlana is the central church in Lana and dates from the 20th century. The church was built during the term of office of the Dean, Rev. Alfred Delucca OT in the politically and economically difficult years between 1938 and 1943. The building was completed in 1950 and inaugurated during the Feast of Christ the King by Suffragan Bishop Oreste Rauzi of Trento.

The spherical roof of the tower is colloquially known as the Lana Apple by the local people. What is today's main parish church in Lana was built between 1938 and 1950 following plans by the famous Stuttgart church-builder, Otto Lindner, in the style of an ancient Roman basilica.

Holy Mass:
Saturday at 18.00 (in summer at 19.30) in german language
Sunday at 07.00 Uhr and 09.00 in german language

Built in 1735, at the site of a chapel dating from 1690. It is impressive because of the numerous frescoes and the pulpit with the inlayed Panels.

Assumption of the Virgin Mary is one of the most beautiful late Gothic buildings in South Tyrol. During the Second World War the church was damaged, it was altered according to baroque artistic sensibilities. With the last restoration from 1991 to 1998 the old late Gothic form was brought back to life. In 1488 master Narcissus created the winged altar. The side altars are neo-Gothic superstructures.

The chapel stands in the middle of the smal village Pazin. The roof and the attached wooden tower are covered with wooden shingles. In the sanctuary stands in a niche of stones, the statue of Our Lady of Lourdes. Above the altar on the ceiling, in a blue star, is a maria monogram painted in gold with glowing rays. On the barrel vault a cross with the heart of Jesus is painted on blue background and decorated with golden stars.

The new restored chapel “Unsere liebe Frau im Stöckl” was built in the year 1621 and enlarged in the year 1644. It was built totally new in the year 1680.

To the south of the cloister is the chapel of St. John with its unobtrusive exterior, originally probably the house chapel of the bishop, later the baptistery. It has two floors and is decorated with precious frescoes from the romanesque (1250), early (around 1320) and high gothic (1st century of the 15th century). According to tradition, the Synod of Bishops met here in 1048, which Emperor Henry IV had convened in the course of the investiture conflict in order to have Pope Gregory VII deposed and elevate Clement III to the position of antipope

The origin of the church Saint Egidio in Mittelolang date back to the period of the High Middleage. According to an ancient parchmen Viktor Gatterer discovered at the beginning of XIX Century in the parish archive of Niederolang, the church could have be consacrated on the 1st September 1138 by the bischof of Briexn Rembert to the Holy Trinity, the Victorious Cross and to the disciple Egidio. One of the fourteen aukiliary saints, Egidio was evoked from shepherd and hunters to be wokshipped as patron saint of livestock and plauge.

For a long time, the entire religious life of the valley revolved around the church of La Pli/Pieve Marebbe. Once the most important house of prayer in the valley, records state that since the appointment of one Marquardus as the first pastor in 1214, Marebbe has always had its own resident pastor. Records dating back to 1347 list the church as the "parish church of the Virgin Mary of Marebbe".

Today, it is a grand four-naved Baroque church with a particularly beautiful wooden high altar, skilfully carved in Renaissance style in 1636 – at a time when the Black Death raged through the valleys. The centre features a statue of St. Mary of Graces. Both for the population of the Badia valley and many pilgrims from the Pusteria valley, this picturesque temple remains a well-loved and much-visited place of pilgrimage.

Calvary was laid out by the Order of the Capucin monks near Bozen. After this, most other brother houses of the Order did the same, and this included Eppan. At the end of this pathway the Gleif Church was built in 1716. Each station of the cross took time to erect and several figures were finished in the 19th century. Architectural style: the church was built in the middle of the 18th century as the graveyard church at the end of the pilgrimage path. The two domed towers of the Renaissance building give it an impressive appearance. With all its inside decorations, it is definitely worth a visit. Extras: the view of Eppan from here is worth the walk. Walking: the easy walk to the Gleif Church is part of nearly everyone's holiday programme, but can also be combined with the Ice Holes, Matschatsch, Kem Ravine, the Mendel or the Gantkofel.

The first written documentation referring to this church appears at the end of the 14th century. From this era, the bell tower remains today, with its double-mullioned windows surmounted by triple-mullioned windows and frescoes on the façade representing the saints Anne, Catherine and Margaret, Christopher with the baby Jesus, and St. Michael, to whom the church is dedicated. In 1672, the church was restored, supplied with a barrel vault, and supplemented with a new chancel, side altar, and sacristy. Particularly rich are the decorations of the choir stalls: The scenes depicted on the parapet stem from the 17th century and represent the Visitation of Mary and Elizabeth, the Adoration of the Magi, the circumcision of Jesus, the flight from Egypt, and the Massacre of the Innocents. The busts painted on the lower part of the choir stalls represent the twelve Apostles and date back to the 18th century. The interior of the church is bare due to the theft of the furnishings and sacred images in 1969. The stolen original altarpiece was replaced by a representation of St. Michael fighting evil.

 

The chapel in Melag dates from the 17th century. The bell in the wooden ridge is still rung every day in the morning and in the evening. Inside, a painting depicts the Coronation of Mary by the Most Holy Trinity and is signed with Jörg Fally. On the altar in a carved frame with foliage, vines and angel heads hangs a picture of Matthias Pussjäger, which represents the flight of the holy family to Egypt.

The Santo Sepolcro Church also known as the Church of Calvary, can be reached in about 20 minutes following the forest path that starts from via Santa Geltrude or from the road that goes up from via Piè di Virgolo. A handful of minutes, following the via crucis, and here we are, immersed in the forest. From here you can enjoy a wonderful panoramic view over Bolzano and the Sciliar plateau.

The church, built between 1683 and 1684, has been for centuries a place of pilgrimage. On the right, looking at the entrance of the church, there is a chapel that contains the fountain with Christ. In past times couples used to do small fertility rites to become a child. The elders of Virgolo still remember a popular belief who said that children came into the world under the fountain of the chapel and weren't brought by the stork.

The church has been restored in recent times, but the countless love-graffiti are safe. Pilgrims and lovers engraved the walls of the sepulchre with love messages from the 18th century up to our days and it is a real emotion to read those messages that overlap over the centuries and tell the story of hundreds of people through a heart, a flower, a name, a date or a promise of love.

In the year 1937 the construct of the building began, which should be consecrated to the holy cross. The finished place of worship was consecrated in 1950. The arrangement of the walls reminds of the strict forms of old basilicas. In 1962 the tower received five new bells. In the four large windows the mountain lecture, the sacrament of the baptism, the altar and the marriage and the Eucharistie are represented.

The southern entrance to Laag/Laghetti is characterized by the presence of the St. Lawrence's Church. Dedicated to the Fourteen Holy Helpers in 1532, the late Gothic building sports a portal, the windows of the bell tower, and the nave all in pointed arches. The ceiling is a honeycomb vault, while its ogives and external ribs are decorated with a design alternating the colors black, ochre, and white. The little church was extensively restored in 2007-2008 and the sacred furnishings, works by the sculptor Paul dë Doss-Moroder, were renovated. This is only the last of several interventions carried out in the course of the centuries.

As you walk through the woody valley between Seis and St. Konstantin, all of a sudden the church tower of the St. Vigil chapel towers up before you. This unusual location for a House of God, first documented in the year 1260, is not only a matter of intrigue, but also the origin of countless myths and legends. The chapel was built on an old pagan cult site, during the course of Christianisation. One particular curiosity: At the beginning of spring, on the 21st of March, the shadow of the Schlern falls directly on the chapel for the last time until the 23rd of September, when it heralds the return of autumn.

The small church is dedicated to the holy Vigilius. Worth seeing are the altar from the early 16th century, as well as the figures and grotesque masks decorating the modillions.

The famos glass paintings were build from the Augsburg School around 1520

The sawmill chapel is located at Dobbiaco Nuova/Neutoblach. The chapel is possible to reach by car or by foot. The walking trail can be continued until the Lake of Dobbiaco.  

The chapel was built because of the frequent threat of the Troge stream, the chapel was built in 1903                   

The chapel in Pleif is spacious and several benches give way to the faithful. On the walls hangs a simple Way of the Cross and the altarpiece shows the St. Agatha, a work of the Nazarene painter Caspar Jele. On the roof is a small tower with bell attached.

The St. Nicholas church in Mittelberg is first mentioned in 1289. This church was enlarged in the Gothic style in 1400 and has kept its appearance from that time. The tower is somewhat later than the church and was probably built in the 14th Century. It is made of natural stones laid in regular patterns. Possibly in 1400 the upper levels were altered to the Gothic tyle and the existing windows date from that period. In 1744 a rather large onion dome was added. It does not fit the building but is still quite pleasing. Another reason for building the church was the competition between the summer visitors to Klobenstein and those of Maria Himmelfahft. In Klobenstein they did not wish to be behind the people who were building their own church in Himmelfahrt at the time.

This chapel belongs to the inhabitants of Perwarg. Inside there is an altar with an image of the painful Savior. In the 18th century, Florian Greiner from Schluderns painted a Way of the Cross for the chapel, which was removed in the 1980s for security reasons.

The chapel in Patscheid was probably built in the 17th century. It is a small building with a ridge turret and a bell from 1914. Inside the chapel hangs a panel painted on wood, depicting a picture of Mary with the saints Joseph and Anna.