Wszystkie oferty kulturalne w Południowym Tyrolu

The gothic Parish Church of S. Martino was mentioned for the first time in 1425. In 1778 the Church was rebuilt in baroque style with frescos from Johann Mitterwurzer. In 1906 the nave was remodeled with frescos from Heinrich Kluibenschedl.

The chapel is consecrated to the saints Rochus and Sebastian and owes its existence to an oath which the people of Nova Levante made during the plague in 1635/36. However, the chapel was only built between 1662 and 1666 and inaugurated in 1697. The long space of time between the oath and the chapel's completion was due to the fact that the people of Nova Levante were in disagreement over the location. The chapel is a building with a round apse, barrel vault and low-arch windows. Inside, there are several altars, the pulpit, sculptures and paintings - Baroque works from the 17th Century.
The chapel is not open to the public. The key for the chapel is available at the Romantikhotel Post Weisses Rössl in Nova Levante.

The parish church of Nova Ponente, a Gothic building dating from the 15th century, has an impressively beautiful sandstone cladding. The inscription in the choir vault gives its date of origin: the cornerstone was laid on 5 July 1455 by Pastor Johannes Steel. Below the inscription is the coat of arms of the Diocese of Trento with the eagle, along with that of the then Bishop Georg Hack with its thin branch, also chosen as the heraldic symbol of the municipality of Nova Ponente.

The building was completed in sections, as suggested by the differences in the foundations and the sandstone cladding. Construction work was not completed until 1498, with the church consecrated on 16 September of the same year. In order to imagine it in its pure and original form, the new sacristy at the northeast corner and the organ loft with its outside staircase must be ignored. The interior of the church was vastly improved by the most recent renovation in the summer of 1975. The two neo-Gothic altars date from 1900, with a new organ installed in 1976.

Of particular note in the church are the four old relief panels on the high altar, showing the Nativity, the Adoration of the Magi, the Presentation at the Temple and the Death of the Virgin. The panels are from a famous large triptych, created around 1420 by the Master Hans von Judenburg for Bolzano’s Parish Church, as was the group of the Visitation on the wall of the choir. The main figures on the high altar – Our Lady of the Rosary and the church’s two patron saints - are beautiful works by the Innsbruck sculptor Dominikus Trenkwalder from around 1900. The relief figures of St. Barbara and St. Catherine as well as the relief panel of the Visitation, also on the choir walls, date back to around 1500. The sandstone pulpit from the early 16th century is held by Karl Atz in his “History of Art from Tyrol and Vorarlberg” to be one of the most beautiful of its kind in the entire land.

Old relief medallions of the mysteries of the rosary are inserted into the neo-Gothic rosary altar; the altarpiece was created by Franz Unterberger. Franz Haider’s beautiful nativity figures can be seen at Christmastime on this altar: his figurines and statues of saints are to be found throughout the Reggelberg area and he was a long-time resident of Monte San Pietro. The bell tower is for the most part much older than the present-day church. It dates back to the Romanesque era; inside can clearly be seen two rows of coupled arched windows that were later walled up. The tower formerly belonged to the old parish church of St. Benedict, documented as early as 1265. Today’s cupola was added in 1793 after lightning badly damaged both the tower and the church roof.

Another special feature of the church is that the pews have brass plaques, some with a rune-like mark next to the occupant’s name. These are the old house and farm marks of Nova Ponente. Each farm would use its mark to identify tools, grain sacks, logs and the like that were offered for sale. Many such marks can also be seen painted with red ochre on the outer walls of the church, now faded on account of the wind and rain. The impressive war memorial (1967) on the northern wall of the cemetery is by the South Tyrolean sculptor Martin Rainer, who was in 1976 awarded the Walther von der Vogelweide prize.

Fallen heroes memorial of the war of 1809 in the Klosterwald in St. Lorenzen.

The Joseph chapel at the 'Moartalalmwiese' (Moar Valley alpine meadow) was built in 1897 by the Association for Alpine Hotels. In the summer of the years prior to World War I, a mass was held there every day. For this reason, the management of the 'Grand Hotel Carezza' employed a hotel chaplain. In 1976, the parish of Nova Levante bought the chapel. Thereafter, the little church was renovated and extended. Today, it offers space for 200 people. The renovated chapel was consecrated on the 18th June 1983.

The church in Ahornach/Acereto is a wonderful example of the late gothic style in the Pustertal Valley. The stonecutter Valentin Winkler from Falzes had built the church in 1512.

The church in Lapago is first-mentioned in 1426.
Already in 1480 it was re-consecrated after reconstruction.
1812-1815 the master-builder Johann Priller from Vandoies has built the new church.

The hospital church was donated by Heinrich von Annenberg. The original gothic construction's consolidation into one building dates back to 1470-1520. The church jewel is the winged altarpiece (1524), a precious work by the swabian master Jörg Lederer. A Heinrich von Annenberg foundation, amalgamated into a unified gothic building (1470-1520). The winged altarpiece by the swabian master Jörg Lederer (1524) bears masterly paintings on the reverse, presumably by Hans-Leonhard Schäuffelin. The white marble gothic portal is a work by Oswald Furter; the fresco cycles (Judgement Day, Works of Charity, The Whitsun Miracles, The Multiplication of Loaves etc.) from the 1st decade of the 17th century are by Adrian Mair, who also was born in Laces. Baroque side altars and organ dating back to 1741.

The curch is open daily from 9 a.m. to 5 p.m (march-november).

Kastelruth's exceptionally imposing, free-standing bell tower already beckons to visitors from a great distance. The tower and church form a captivating achitectural ensemble together with the town hall and the houses built around the church square by leading citizens. It is no coincidence that this village's historical core has been selected as one of the most beautiful in Italy.
The Parish Church of Kastelruth – also known as the “cathedral on the mountains” is dedicated to the apostle princes Peter and Paul. The parish church is an example of Viennese engineering.
Open daily from 08:00 - 18:00.
Worship services: Sunday: 10.00 a.m. (in German)
The parish church is open during the day throughout the year

1334: First mentioned, then rebuilt several times over the centuries, from Gothic to Neo-Gothic.
1472: pointed arched sound windows in the tower.
1879: neo-Gothic forms in the interior according to plans by Josef Vonstadl.
1963: Extension by one bay and redesign by architect Erich Pattis. Preserving all the Gothic style elements, in addition sculptures in the Nazarene style: the guardian angel, St. Notburga, St. Joseph and the Sacred Heart of Jesus. They were made by the local artist Michael Hintner, the Immaculate was executed by Josef Mersa.
Stations of the Cross from a local workshop: Romanesque four-nail cross, on the high altar the wooden sculptures of St. Sebastian and the weather patrons St. John and St. Paul, on the left of the altar St. Nicholas, on the right St. Andrew. On the altar are placed alternately Mary with the Child or the Sacred Heart of Jesus.
Altars: neo-Gothic, from the workshop of Colli and Adam. On the right side altar the statues of St. Leonard, St. Mark and St. Anthony, on the left one those of Ursula, Mother Anne and St. Catherine. The patron saint of the church is St. Nicholas on December 6. Memorial to the fallen of the two world wars in the cemetery area.

The current parish church was dedicated in May 1967 after a 2-year construction phase. It is a modern church with a low aisle under a sharp, gabled roof. The parish tower (37 m high) is a testimony to the oldest building activity in the village. The foundation dates back to the 13th century. In 1741, it was renovated from the belfry upward. The tower was given its octagonal center and its onion dome in 1741.

The long aisle in the monastery is impressive, with its many votive plaques. Maria Weissenstein / Pietralba (1,520 meters above sea-level) is South Tyrol's most-important place of pilgrimage. It is among the most highly venerated religious sites in the entire province. This place of pilgrimage has been served by good roads from two directions for a couple of decades, now. The one road comes from the Eggen Valley, via Deutschnofen / Nova Ponente and Petersberg / Monte S. Pietro to Weissenstein/Pietralba. The other road ascends from the Etsch/Adige Valley, touches Aldein/Aldino, and ends in Weissenstein/Pietralba. The stream of pilgrims has increased markedly since the visit here by Pope John Paul II in July of 1988. This place of pilgrimage – including the church, the Pilgrims' House (built in 1897), the souvenir store, the inn (built in 1708), and the parking lot – is well-equipped not only for devout pilgrims, but also for the many hikers who stop by here. Open daily from 8:00 a.m. till 6:00 p.m.

The church is of Romanesque origin, and its dedication to the archangel also point to its antiquity. However, St. Michael´s Church is not mentioned in any document prior to an indulgence certificate from 1353. Parts of the masonry above the base of the church itself and in the tower are still from the Romanesque period. Gothic modifications were carried out after 1465. The nave was not provided with a vault until the 17th c.

The Chapel of St. Agatha stands on a wooded hill in complete seclusion and silence. It remains unknown why it exists in such a remote place. It is speculated that there was a prehistoric settlement on this site, while the legendary Kegelberg hill and old mining tunnels can be found nearby.
The building itself is of Romanesque origin, with the later extensive modifications showing ostensibly Gothic elements. The beautiful, stone-framed pointed-arch portal dates from that time, with its figurines of saints, grapevines and a zigzag band in the ogee, with a rod that ends to the left in a root and to the right in a shovel.
The church interior underwent major renovation in the 17th century: the simple sandstone pulpit and richly carved altar date back to that time. Sadly, the free-standing statues were stolen by art thieves. The altarpiece by Orazio Giovanelli, showing St. Agatha and St. Anne with Jesus and Mary, dates back to 1619. Remains of old murals can also be seen on the church. The façade probably shows St. Christopher with the infant Jesus and scenes from the life of the patron saint, while inside parts of a nativity scene are visible.
Location: Nova Ponente
Opening times: The church is closed; the key is kept at the Unterkofelhof farm and may be collected from there.

The ‘Maria Hilf’ chapel in Steinegg|Collepietra, popularly known as ‘Zum Weißen Bild’, is a place of contemplation and a piece of living tradition in the region. Its nickname is derived from a valuable wayside shrine made of white marble, which is located directly opposite the chapel.

The chapel was built at the end of the 18th century and was probably built in honour of the Madonna in gratitude for the happy outcome of a battle fought here against the French.
 It is a simple building with a white façade that impresses with its harmonious integration into the surrounding landscape. The interior is characterised by a lovingly designed altar and an artistic relief of the Madonna with child.

The chapel is not only a popular destination for believers, but also for anyone seeking peace and a moment of contemplation. Its location, surrounded by idyllic nature and with views of the Dolomites, makes it a special place in Steinegg|Collepietra.

The church of Saint Blasius is a small romantic church with wall paintings of the year 1676. Additionally, the church is dedicated to Saint Blasius.

In 1843, in Untersirmian, the small Heart of Jesus church was built, which is the first of a  few churches, which were consecrated to the heart of Jesus. The simple building houses a Baroque altar from the 18th Century (1713). The tower was finished in 1857.

You will soon find more information about the "Moarhansn"-Chapel here.

St. Nicholas, the Patron Saint of miners, was held to be the protector of those in danger from water. In Eggen, it was believed that he protected the village against the raging waters of the Sam Brook and of the Gerold Brook. Until the curacy was built in 1681, Eggen was served by the parish of Deutschnofen / Nova Ponente. While St. Nicholas had the right to bury its dead parishioners as well as to read the Mass, since 1435, Eggen was ministered by a priest from Deutschnofen / Nova Ponente. With the establishment of the first curacy, this stopped, and in 1919, the curacy was elevated to the status of an independent parish. The church is open daily from 8:00 a.m. till 6:00 p.m.

The earliest mentions date back to 1220 and 1249. In 1499 the church was set on fire after the Battle of the Calven and was rebuilt as a Gothic church in 1570/1580. Excavations brought to light surprising results in the form of a predecessor church from the 6th/7th and 8th centuries. The patrocinium, however, points to the 9th century. Furthermore, parts of frescoes from the time before the first mentioning of the church were found, which turned out to be picture decorations of the Romanesque predecessor church and are of excellent artistic quality.


Open only for guided tours in german language on request (+39 0473 831097).

Completely built in red porphyry. Built in 1899-1902 in the neo-Romanesque style, the lovely mosaic above the main portal was installed in 1903. The tower was only completed in 1930.

Holy mass:
Sunday at 10.30 in german language

The hamlet of Tisens stretches down a southward slope to the west of Kastelruth. St Nicholas´s Church stands in the middle of the community, and its pointed tower defines the village´s general appearance. Tisens was mentioned for the first time in the urbarium (register of fiefs) of Count Meinhard II of Tyrol. The first written mention of the church , together with other filial churches in the Parisch of Kastelruth, was in 1353 in connection with the granting of an indulgence. It was expanded and given a vaulted ceiling in the 16th c. According to the inscription on the western gable, the roof´s framework was altered in 1712, and the furnishings were supplemented and restored under Dean Bamhack. around 1880. The wooden-shingle roofing was renewed in 2019.

This church was first mentioned in 861 in connection with a court hearing. It is designed in two floors and remarkable for its Romanesque architecture, as well as for its frescos by the masters Leonhard from Brixen and Simon von Taisten, the latter a pupil of Michael Pacher’s.

At an altitude of 1520m, Pietralba is the most significant place of pilgrimage in South Tyrol and among the region’s popular destinations, especially since the visit of Pope John Paul II in July 1988. Highlights include the large monastery and its collection of votive.

It is said that the Church of St. Nikolaus was built in 1402 on the site of what was previously a small chapel and the works were terminated approximately in 1464. The frescoes above the door of the church were only discovered during subsequent restorations in 1985 and are probably the work of the renowned sculptor, Michael Pacher. The pointed steeple with its four bells also dates back to this period.

The Gothic church of St. Walburg is located at the top of a former castle hill a little above Kematen - it was consecrated in 1433.
St. Walburg was once a much-visited place of pilgrimage. The pilgrims came and fetched the Walburgis oil, which could cure diseases. Like many other churches and chapels, the chapel was closed during the time of the reform-minded Emperor Josef II.

LEGEND PATH to the St. Walburg church
Route: The path leads from Bad Winkel to Kematen up to the small St. Walburg church. The trail is mostly a forest path. The path can be walked from spring to late autumn. The start is in Bad Winkel: From the parking lot at the chapel next to Gasthof Bad Winkel (getting there either by passing through Kematen or as the case may be, passing by the Sand in Tauferer’s Sports area) we briefly stay on the road to Kematen and soon branch left onto the narrow footpath into the forest (do not take the road to Wiesemann farm!). The path then has some slight ascents and descents. Note: at the road fork you go right heading downhill not left heading uphill! The path ends at a clearing near a bench and at a carved wooden Hubertus Stöckl. Now, you go left onto the wider path heading upwards until you reach the road. Continue up this path for about 300 m. and then after a bridge you reach a wooden gate, where you take the left branching trail nr. 8 leading you to the St. Walburg church (1030 m), where a magnificent view of Taufers and the Zillertal mountains rewards you. You can return on the same path as you came on or you can take the City Bus to Sand in Taufers from Kematen.

The parish church Riva-Rein was built 1908-1911. You can see the typical characteristics of the new gothic style.

This church is one of the most coherent structures of the late baroque period in the Pustertal valley. It was built around 1770 reutilising the late Gothic walls of a previous nave. Consequently fragments of frescos by the master Simon von Taisten have remained. The interior was decorated by Franz Anton Zeiller in 1768, while the St. Erasmus chapel contains tomb stones in memory of the Counts of Welsberg who are buried here. The adjacent chapel of St. Jacob is graced with murals by Simon von Taisten.

High above the entrance into the Val Gardena, to the north of Kastelruth and surrounded by meadows and forest, lies the hamlet of Tagusens. The little church dedicated to St Mary Magdalenen stands at the edge of the dispersed settlement on a distinctive rocky hill. Its position permits the conjecture that a cult site may have already been located here in pre-Christian times. The church building itself is from the Romanesque period and was presumably built in the 13th c., later modified in the Gothic style and finally adapted to the Baroque in 1667.

Three small churches, the church of Saint Gertraud, Saint Nikolaus and Saint Magdalena, built in the 12th and 15th century in an incredibly beautiful location with a fantastic view over the Isarco Valley. Visitors will be surprised by the level of artistic skill of the late-Gothic frescoes. This location can only be reached on foot over beautiful paths. Ask for the key from the nearby Messner restaurant. Guided tours are available on request, please call +39 0471 650 059. Holy Mass: July and August Sunday at 10:30 clock (german). Open from March to Mid Novembre, winter closed.