Wszystkie oferty kulturalne w Południowym Tyrolu

The church is located on a moraine heap at 1873 meters above sea level and is thus one of the highest parish churches in the diocese of Bolzano-Bressanone. The church is dedicated to St. Nicholas (6 December), the second patron is the St. Magdalena (July 22). It was first built in 1440. In the 1730 it was plundered by soldiers.

The church, mentioned as far back as 1332, with its flat ceiling was increased in height in the late Gothic period and lengthened by the chancel with ribbed vaults above short round pillars and pointed corbels. The church was rededicated in 1472. The small tower that was built from hewn stone at the same time as the chancel remained incomplete and was later finished in brick.

In 1900 the church was extensively renovated. There is a large painting on the façade at the top of which the earlier, lower gable can be seen. In addition there is a broad border with small bust portraits in quatrefoils. On the southern side is the sundial which bears the date 1537. Inside there are traces of gilded frescoes from the early 15th century. The winged shrine with ancient sculptures is of the Schnatterpeck school.

St. Rupert’s Church was most recently renovated in 2007/08, and the altar dedication took place on 21st September 2008.

The Neo-Gothic church in Pedross was built from 1908 to 1912 according to the plans of the brothers Paul and Theodor Huter from Innsbruck under the curate Franz Habicher and inaugurated on 28 October 1912 by the Brixen prince-bishop Franz Egger. Patron Saint is the St. Martin, pictured in the large window behind the high altar. The church is painted yellow. It has an open porch and a rose window above the entrance to the west. The interior of the church is decorated with a barrel-shaped ribbed vault. The church has 10 large windows, all of which were donated by private individuals. The church has three altars designed, carved and painted by Josef Bachlechner. The pulpit, designed by Josef Bachlechner and made by J. Peitner from Wilten, shows Christ as sower and the four evangelists. The Stations of the Cross is a relief in wood, executed by the sculptor Franz Kobald from Schwaz. The left side altar is dedicated to the Virgin Mary, the right to the Sacred Heart of Jesus. The central theme of the neo-Gothic winged altar in the presbytery is the Holy Trinity. The outer sides of the wings show the victim of Melchizedek on the left and the sacrifice of Abraham on the right. Inside the altar shrine the saints Wolfgang and Wendelin are depicted. Wendelin is the patron saint of shepherds and peasants and was much revered in Langtaufers. The chapel in the nearby "Ochsenberg" is also consacrated the St Wendelin. Under the windows of the presbytery the seven sacraments of angels are represented in round medallions. On the ceiling of the whole church various herbs, flowers and medicinal plants are depicted. The cemetery is built around the church. Here the deceased are buried from thea first part of the valley.

The "Stolpersteine" (stumbling stones) are a project by the Berlin artist Gunter Demnig that began in 1992. Small memorial plaques laid in the ground, these "Stolpersteine", are intended to commemorate the fate of people who were persecuted, murdered, deported, expelled or driven to suicide during the National Socialist era.

The St. Bartholomew Church of Nafen was mentioned in 1307 for the first time and the building in late Gothic style was built in 1489. The frescoes inside the church date back to the 15th to 17th century. The winged altarpiece from the 16th century is exceptional. Because of the illustration of the “Holy Face” at the back of the altar, the church was a pilgrimage site for dental patients for a long time.

Both the church and the tower of St. Martin's Church date back to the twelfth century. St. Martin's is the original parish church of Mals and remained closed until recently. Only a few celebrations are still held in this church today. 

St Martin's Church is open to visitors every Wednesday and Saturday from April to October.

Quite exceptionally and thanks to the cooperation with the Parish of Central Churches in Bolzano, the Touring Club of Italy and the Bolzano Tourism Board, this tiny church opens the doors to the visitors. The late-Romanesque Church of St. Martin in Kampill, consecrated in 1180, boasts prestigious frescos of Bolzano's pictorial art.
During the special openings the loading zone on Via Innsbruck Straße is suspended. Due to the lack of pedestrian crossing, reaching the Church by public transport is recommended.

Located on the left bank of the Adige River in the direction of Val Venosta (Vinschgau) valley, there is an accumulation of rubble from Plars. The villages of Plars di Mezzo (Mitterplars) and Plars di Sopra (Oberplars) are found here, as well as the beautiful Late Gothic Church Sant'Ulrico, surrounded by orchards and vineyards. The church was first documented in 1493, although it was most likely built even earlier. At the time, the church belonged to the Bavarian monastery of St. Mang in Füssen. The external frescoes on the southern side of the church are particularly worth visiting.

The Church of St. Oswald in Pawigl near Lana was built in the Middle Ages. The nave walls of the Church of St. Vigilius date from this time, which once marked the most northerly point of the diocese of Trento, and which was painted in the second half of the 14th century with important early Gothic frescoes that are still well preserved today. It was built in the 13th century and extensively renovated in 1876.

Holy Mass:
Sunday at 8.30 in german language

The Late Gothic parish church St. Lukan with Romanesque Tower is located in San Lugano -Trodena in the Nature Park.

The appearance of the parish church to the hl. Pankratius is characterized by different architectural styles. A special highlight are the two gold reliefs.

The church to the St. Josef im Dörfl, in Muntaplair was built by Jakob Dietl and his mother Anna Lutzin at his own expense and consecrated on 10 October 1705 by Prince-Bishop Ulrich VII. The bell from the year 1798 had to be delivered on May 22, 1918 for war purposes. The pedestal of the altarpiece is decorated with floral patterns. The altar structure consists of two pillars. In the volute gable is a representation of the "Blessed Mother of the Good Council". The side statues represent the St. Martin and the St.. Florian. The altarpiece shows the St. Josef with angels and comes from Matthias Pussjäger. The little church was restored in 1964 at the instigation of the then pastor Alois Rainer to the primate of the priest born in the village Kassian Waldner. On the occasion of the 300th anniversary in 2004, at the suggestion of Pastor Anton Pfeifer, the little church was dehumidified outside and inside, and two windows were broken out to the right and left of the entrance. Three times a day, in the morning, at noon and in the evening there is a ringing and someone dies from the village, in the little church of the soul rose wreath is prayed.

Churches that are dedicated to St. Peter are usually very old churches. For this reason it comes as no surprise that a Church of St. Peter was mentioned in the parish archive as long ago as 1305. The church of St. Peter in Mitterlana was built in its present form in 1680.

The church features elements of the Renaissance and Baroque periods in both its structure and elaborate furnishings. Alterations, renovations and additions took place between 1770 and 1776, in 1836, 1860, 1901/02 and in 1986.

The parish church to the hl. Veit was inaugurated at the beginning of the 16th century and restored again and again during the past centuries, even after the great fire in 1783.

A small late Gothic church dating from approximately 1.500. The church is constructed on a sunny, east-facing mountain slope between the villages of Mauls and Trens, 1.110 m above sea level.

The St. Michael’s Church plays a relevant part in contributing to the scenic appearance of the village. The construction is located nearby the main church of Villandro and was dedicated in 1344. Nowadays, the almost quadratic basement of the church acts as a funeral chapel. Sanct Michael, who is the patron saint of the dead, stands sentinel over the cemetery. The cemetery of Villandro represents one of the most beautiful and unusual cemeteries in the region. There are exclusively forged grave crosses and the front side of the grave crosses is averted from the burial grave.

The Roman Catholic Church of the Congregatio Jesu in Brixen is consecrated to St. Joseph. The classicist building was owned by the Order of the English Misses until it was taken over by the Autonomous Province of South Tyrol in 2011.

The classicist façade is simple and is divided by four pilasters. These are crowned by a triangular gable. Above the rectangular portal there is a round-arched window.

In addition to stucco work by Franz Singer, there is a high altarpiece inside the church depicting the death of St. Joseph. It was probably painted around 1770 by Josef Anton Zoller for the parish church in Schmirn. To the left and right of it are the figures of St. Joachim and St. Anna.  On the left side altar is the painting of St. Philomena by Gebhard Flatz (1870), on the right side altar the communion of St. Antonius by Jakob Fink (1846) is shown. In the choir there is a ceiling painting with the representation of Jesus in the temple by Josef Mühlmann (1854). The other paintings and the neo-baroque decorative painting are by Johann Matthias Peskoller (1904).

High up on a sunny slope, at 1,640 m a.s.l., is the small St. Moritz Kirche church. The Crusaders probably rested here, while on their way to the Val Venosta/Vinschgau Valley. Later, it served as a hospice for Church travelers on pilgrimages to Rome. Today, the St. Moritz Kirche is a popular hiking destination. Cultural fans, in particular, are attracted to views of the impressive fescoes from the 15th century. Also note the pointed arch portal, rebuilt in the late Gothic period, decorated with a simple stucco vault from the 17th century and the main altar with a picture of St. Moritz.

North tower with 13th

-century bell-tower, set deep in the ground owing to flooding by the Schwarzenbach stream, dating back to
a Romanesque predecessor that itself replaced a medieval building. Work on the present-day nave began with the late-Gothic
choir polygon in 1475: the master builder was Peter von Ursel from Tramin. The nave was completed in 1526 under Hans Lutz of

Schussenried. The presbytery façade features sandstone corner blocks, triangular pilaster strips and decorated joints. The three-
bay nave is also divided by triangular pilaster strips. There is a monumental fresco of St. Christopher dating from 1516 on the

western façade. The porch, in Renaissance style, dates back to Pastor Josef a Porta from the year 1604.
Inside the church is an early-Baroque high altar from 1621 with an altarpiece by Theophil Polack. The side altar holds a high
altarpiece by Franz Sebald Unterberger that was once in the former Chapel of St. Barbara at Castelfeder. Of rarity value are the
iron tabernacle from 1609 and the Schwarzenbach organ from 1599, the oldest in South Tyrol.

The modest little church in Maria Saal was built in the mid-1600s and then was expanded in 1719. According to a local legend the miraculous image above the altar had originally hung in a sheep barn. Due to an ever-growing number of pilgrims then finally a church was built. Like many other churches, this one too was closed down under the reign of Joseph II. In 1847, it was re-inaugurated by prince bishop Johannes Tschiderer who celebrated his first mass in Collalbo on August 3rd 1800. Tschiderer was beatified by Pope John Paul II in 1996.

The rather particular motive, a fresco of the Madonna with an umbrella, in the round arch between presbytery and nave has contributed to this pilgrimage church’s popularity. The fresco was painted by Alexander Dejaco as an expression of gratitude for his unscathed return from World War I, leaning on the prayer “Under thy shield and protection we seek refuge, o holy mother of God”. This painting also takes on a special meaning as the Renon mountain is a rather arid area, thus its farmers would pray to the Holy Mother for rain in times of great draughts and water scarceness.  

PARISH CHURCH, ST. ANNE’S CHAPEL AND CHAPEL OF THE DECEASED: St. Stephen’s Parish Church was built between 1792-96 during the late Baroque period and it contains frescoes by Franz Altmutter, sculptures by Nissl and an altarpiece by Martin Knoller. A Gothic-style twofold chapel dating from the 15th century is located to the left of the steps of the church. The lower part of it is occupied by the Chapel of the Deceased, while St. Anne’s Chapel is found above. A fresco by Simon von Taisten may be seen in the Chapel of the Deceased. Chapel of the Deceased open to the public: Daily 8-17.00

The military cemetery in Auer/Ora was originally established in 1916 as a burial ground for the chiefly Russian and Serbian war prisoners who had died while working on the old Val di Fiemme railroad. Additionally, a military hospital was established in Auer during WWI. A burial ground was set up at the site of today's military cemetery for fallen soldiers and for the workers who died during the construction of the railroad.

During WWII, the burial ground was likewise used as a cemetery for the war dead. The bodies of Austro-Hungarian soldiers who had fallen on the Dolomite Front were exhumed and transferred to their respective national cemeteries. Until 2003, the association for victims of war and combatants of South Tyrol took care of the military cemetery. From 2003 on, the "Schützenkompanie" Auer took over the cemetery's administration.

this gothic church at an altitude of 2000m, with frescoes from the Merano School of the XV century, is worth a visit. The cycle of frescoes in the vaulted ceiling of the interior is the life of Jesus from birth to resurrection dar. (key at the inn "Rojen") Categories: culture, Sacred art

The church was built during the 12th Century and is the oldest monument in Scena. It was constructed according to the Carolingian measurements, has two naves with one round apses each and two central octagon pillars. Previously, in both apses, there was an altar, one of which was consecrated to Saint Martin. For safety reasons, this late-Gothic altar, originating from the 16th Century, was transferred into the old parish church. After a number of small changes, the church received its current shape in 1922, as the Italian Department for Monuments intended to put an emphasis on the Roman monuments in South Tyrol. Today, the church is used as a commemoration chapel for the dead.

Already 1341 was there a chapel; It could be that the church of San Paolo was the first chuch of Rodengo. The church is closed and not possible to visit.

Tils with a late gothic church has been recently elevated to a parish. It is consecrated to St. Vitus, the old saint of the farmers, whose painful martyrdom is represented in the nave.

The two-story chapel with a beautiful Baroque altar was built in memory of the plague victims.

The family Kiniger promised to build a chapel in 2013 and in the same year it was inaugurated. The chapel is situated in the Waldheim, nearby the Hotel Willy.

The little church of St. Nikolaus in the hamlet of Klerant (850m) dates from the early 15th century and impresses with its rich late gothic frescoes. Besides the depiction of the legends of St. Nicholas, the cycle of the Passion of Christ has been well preserved. The careful decoration of the Salvation Mirror comes from the Brixen school of painting of Master Leonhard (around 1470).

The church in Haselried was first recorded in 1436. The Church is build in a late Gothic style.