Kultura a památky v Brixenu

Dear Woman Church The building was established by Giacomo Delai between 1652 and 1658. On the inside on can admire the cover paintings of the baroque painter Stefan Kessler, magnificent stucco works of Francesco Carlone and Simon Delai.
This church is open to visiti from july to septembre every tuesday, friday and saturday from 2 to 5 pm. In octobre to mid of novembre is open only on friday and saturday from 2 to 5 pm.

The Rienza ravine, a wild-romantic gorge with former power plant (not open for visits).

An alley leads to the church between the Steinbock inn and the village smith. The alley is called “Defregger-alley” due to the fact that the history painter Franz von Defregger (1835-1921) used this idyllic subject as a background for his famous painting “Das letzte Aufgebot – the last array”. This alley, which depicts the ensemble of both churches and the cemetery, was left unchanged in the last 500 years.

The parish church exhibits worth seeing works: the high altar from 1884, side altars from 1903, the pulpit from 1867 and the Queen of the Rosary from the Baroque period around 1700. A high artistic value has also the oil painting of Franz Sebald Unterberger which represents the St. Stephen, as well as the glass painting with the subject of the miners of Villandro in 1520.

In the ancient documents it was also known as a "White Church" of Vandoies di Sopra/Obervintl, first mentioned in 1300. The church foundation is the only part preserved of the ancient Romansque building. The modern church, built in the late 15th century, is an example of the Gothic style The Renaissance paintings on the ceiling were made during the restoration works in 1891.

The Roman Catholic Church of the Congregatio Jesu in Brixen is consecrated to St. Joseph. The classicist building was owned by the Order of the English Misses until it was taken over by the Autonomous Province of South Tyrol in 2011.

The classicist façade is simple and is divided by four pilasters. These are crowned by a triangular gable. Above the rectangular portal there is a round-arched window.

In addition to stucco work by Franz Singer, there is a high altarpiece inside the church depicting the death of St. Joseph. It was probably painted around 1770 by Josef Anton Zoller for the parish church in Schmirn. To the left and right of it are the figures of St. Joachim and St. Anna.  On the left side altar is the painting of St. Philomena by Gebhard Flatz (1870), on the right side altar the communion of St. Antonius by Jakob Fink (1846) is shown. In the choir there is a ceiling painting with the representation of Jesus in the temple by Josef Mühlmann (1854). The other paintings and the neo-baroque decorative painting are by Johann Matthias Peskoller (1904).

The church belonging to the parish Lazfons, once a Roman, was in the 15th Century Gothic style and received its present from in the 17th Century.

The Stadt Galerie (City Gallery) located in the center of Brixen / Bressanone was renovated in 2019 and reoriented to contemporary works. Starting in 2020, it will be managed by the SKB. The City Gallery's new assignment is to promote, further develop, and communicate the personal and social value of now-art. In the future, the potential of historical art treasures as storehouses of memory in dialog with contemporary artists will be more-effectively conveyed. Art as a reflector of overall social and cultural processes thinks about social, political, technological, economic, and ecological circumstances. The SKB cooperates not only with the City Gallery but also with institutions and organizations in the province in order to develop synergies and to expand the network for the artists. A commission will appoint a new curator for the City Gallery each year whose job it will be to curate 4-5 exhibitions.

Galerie Hofburg is a meeting point for the lovers of art in all its facets. Particularly, we pay much attention to the figurines for Christmas cribs. The collection, gathered by Jacob Kompatscher, includes figurines for Christmas cribs, complete Nativity scenes, wooden sculptures, sculptures and paintings of famous local and international artists, such as Angela Tripi, Adriano Colombo and Leo Demetez.

For over twenty years, Jakob Kompatscher has been passionately devoting himself to art in all its facets. Native of Brixen, Jakob is a son of Master bookbinder Walter Kompatscher (*1934) and a great-grandson of homonymous Jakob Kompatscher who founded one of the most ancient bookbinderies in Brixen.

The castle was build in the 14th century. The lock was seat of the former court of Gufidaun. 1880 the well-known Germanist Ignaz Zingerle bought the expanded castle plant and today she is still inhabited by its descendants and cannot be visited.

An old linden tree stands near the walls of the cemetery enclosing the Church of St. Nikolaus. Standing 22 m tall with a treetop of 17 m and a trunk measuring 6.25 m in diameter, the old tree dominates this idyllic spot. Since the trunk is broken and is held together with iron rods, the age of the tree can no longer be determined although it is believed to be a few hundred years old.

In the 18th century Baroque elements were added. Its windows portray the maid Katharina Lanz, heroine of Spinga/Spinges who stood up to the attack of the French with a pitchfork. The memorial plaque can be found on the southern side of the church

The Church of Saints Gotthard and Erardo was built in the 13th century by the Voitsperg next to the ancient preposition and restored in the 14th century. Rebuilt in baroque form by auxiliary bishop Wilhelm von Vintler and consecrated in 1695. Since 1971 it has been used as an evangelical worship.

The Holy Trinity Church in Kollmann was previously called the customs chapel and was connected to the customs office by a wooden walkway. The church itself was built around 1588 and nearly destroyed by a fire in 1938. In the meantime, it has been renovated. It is open from 8 a.m. to 7 p.m. Holy Mass: Sunday at 8:30 clock or 10:00 clock (german)

Romanesque St. Michael’s church of the 11th century, Gothic choir loft and the „Weißer Turm“ (White Tower, 72 m) dating from the 15th century, hall church of the late Gothic around 1500, after 1750 redesigned in a baroque manner with frescoes by Josef Hautzinger, Troger’s apprentice from Vienna, altars of the Baroque, Classicism and Romanticism. Famous sculpture of Simon, the „Kreuzträger“.

The Brixen Poor Clares Monastery was already founded during the lifetime of St. Clare.
There is no documents about the foundation itself and where the first sisters came from. The oldest written document is a letter of liberty from the Prince-Bishop of Bressanone, Henry IV, dated May 10, 1235, in which the monastery and the newly built church in honour of the Virgin Mary and St. Francis were freed from all secular and spiritual judicial constraints.

The church of St. Elisabeth was originally a romanesque church, which was rebuilt in the 15th century into a gothic church and then in the 17th century into a baroque church. At the entrance portal there is a crucifixion scene and the coronation scene of Mary with the Franciscan saints (St. John of Capristan, St. Bernardine of Siena, St. James of the Mark, St. Elizabeth, St. Clare and St. Agnes). The interior is indented with a groined vault above which the Sisters' Choir is located. The choir of nuns, which is located above the vault, is under strict enclosure. Behind the choir stalls there is a small "chair" for each sister, which is individually decorated with devotional objects and pictures.

The walls of the presbytery show scenes from the life and work of St. Elisabeth of Thuringia (left: Rose miracle and the banishment from the Wartburg; right: death and burial of the saint). The high altar is a niche construction with four columns and a volute gable (by Peter Passler from Neustift). The picture shows the alms donation of St. Elisabeth. It is flanked by St. Francis and St. Clare. While the left side altar shows a scene of shepherd adoration, the right side altar picture shows Joachim, Anna and little Mary.

The hunter’s monument was erected in 1968 on the Mesnerbühel by the hunters of Natz.The column was carved out of an old chestnut tree trunk. The inscription reads: „It is the hunter’s honour to protect and tend the game.“

The first rituals held at this site, where the little church has overlooked its wonderful views since 1743, probably date back to prehistoric times, although we cannot be sure of when exactly it was that people began to discover the unique aura of this place.
One thing is for sure: the road to the Latzfons Cross (2,311m), highest pilgrimage site in South Tyrol and erected on the south face of the Kassian Peak, is the oldest pilgrimage trail in South Tyrol.

The mountain refuge hut, close to the church at an elevation of 2,305m, has provided countless pilgrims and hikers with refuge and sanctuary over the years. Innumerable wonderful tales have been told about this sacred place, such as the legend of the “Black Christ” who, with a nod of his head, decided on the spot where the crucifix should be erected. Prayers sent up from here at the end of the pilgrimage, about an hour’s walk up a fairly steep road from the Klausen hut to the cross, afford protection to one and all, particularly from the wrath of the elements.

The view stretches over to the Langkofel, the Grohmann Peak, the Kesselkogel and the Rosengarten. It is not just the view that makes this place special though, but the atmosphere which pervades the site and can be felt instinctively by all those who come here.

The simple building established 1687 from Giovanni Delai. After a collapse a new consecration took place in 1693 . A splendourful iron lattice separates on the inside the visitor from the sister

The Beachvolleyball-field is located near the swimming pond, in the recreation area in the center of the village of Lüsen

Tils with a late gothic church has been recently elevated to a parish. It is consecrated to St. Vitus, the old saint of the farmers, whose painful martyrdom is represented in the nave.

Stufels is a hidden jewel of Brixen: Inhabited in the neolithic and roman periods, it is considered one of the most charming quarters of the episcopal city. Located between the rivers Eisack and Rienz, Stufels has a picturesque building stock. With its  guardian angel church, attractive shops and artistic highlights, Stufels invites you to stroll around as well as take a relaxing stroll along the riverbank. Whoever visits Stufels approaches Brixen's actual core: quality of life in its most beautiful form.

Natz is the original seat of the ancient Natz parish from the Carolingian period. The curch was built in 1208 in the late Gothic style, commissioned by the Prince-Archbishop Konrad and consecrated in honor of St. Philip and St. Walburga. The tower was built from 1,400 granite blocks. The wooden sculptures that decorate the neo-Gothic main altar date back to 1470 and were influenced by the famous Artist Michael Pacher.

The City of Artists and Albrecht Dürer
The medieval city, which is surpassed in height by the mighty Sabiona Monastery mountain, proudly calls itself the "City of Dürer." Here, where the city was the scene of intense artistic activity just a hundred years ago, is where Albrecht Dürer stopped during his journey through Italy. He exploited his portrait of the city as a background for an allegorical copper-plate engraving titled "Das Grosse Glück" ("Nemesis").

Today, Klausen is still numbered among the most-beautiful of Italy's ancient cities: Its tower-studded facades, its wide alcove balconies, and the picturesque signs of its old inns and pubs were all that was needed to convince the club "I borghi più belli d'Italia" of its worthiness. And the "Treasure of Loreto" (a singular collection of works of art) in the city museum has got to be seen to be believed.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows. Inside the church you can find some informations about the building history and the artistic equipment.

Although consecrated in 1281, St. Margaretha, the late Gothic parish curch in Schabs was only completed in 1454. By the end of the eighteen century its interior had been reconstructed in Baroque style with its poral framed in Stone. It is worth noting that the 72 m bell-Tower is unusually tall and narrow.

The biotope "Pirchner Moos" is located at 1,300 m above sea level with a slight southern inclination. Bressanone granite provides the geological base of the biotope. The biotope impresses with two different vegetation areas. A small fen and swamp with a high moor-like edge can be found at the centre of the biotope. The small wetland is surrounded by marsh areas and wet meadows, loose forest areas and hedges. In the marsh area you can find different types of moss like sphagnum, but also bogbean, bog star, swamp meadowgrass, common tormentil, sedges and different types of the wild orchid. The marsh areas used to be mowed for the production of horse food and litter for the stables. The variety of flora in the biotope provides an ideal living space for different animals. Here you can admire primeval animals like dragonflies and the azure damselfly. In certain weather conditions you might also be able to see fire salamanders. The common buzzard loves the free space of wetland meadows. The border between the southern alpine and northern alpine rock composition of this area is located to the north of the biotope at "Hohenbichl", the so-called "Puster Valley Line". This disturbance line is one of the most important earthquake lines in the Alps. Starting point: car park in the village center

The impressive castle stands above Waidbruck/Ponte Gardena. Interesting interior, patly with original furniture. An exhibition shows the life of Oswald von Wolkenstein

Trostburg is open to the public

from the Thursday before Easter until the end of October. A visit is only possible with a guided tour.  Trostburg is closed on Mondays.

 

Season Start of the tour     Thursday before Eastern until end of June 11 a.m., 2 p.m. and 3 p.m. July and August 11 a.m., 12 a.m., 2 p.m., 3 p.m. and 4 p.m. September until end of October 11 a.m., 2 p.m. and 3 p.m.   The guided visit through the castle takes around 40 – 50 minutes.
For the unguided visit of the exhibition rooms one should plan for approximately 15 minutes, although a stay up to 40 minutes is considered to be very informative and worth it.

Beneath St. Andrä, in a charming position on a hill, the small church of St. John the Baptist is situated in Karnol. Mentioned already in 1133, the renovation and the decor of the 15th century characterize the little house of God.A tender net- vault covers the inside, that impressions with cycles of frescoes of different periods. Beside the life and the death of the church patron John, the works of mercy and some saints, the martyrdom of the saint Ursula is of extraordinary quality.The representation in the apsis dates back to the Renaissance (around 1520), it shows the return of the saint Ursula with 11,000 virgins from Rome to Köln, where arrow riflemen of the Huns’ king Guam kill her. The wide scenery of the frescoes is flanked by John the Baptist and John the Evangelist.

Brown, marshy ground surrounds the three Schwarzseen (black lakes), which lie below the Toten. All around you can admire the abandoned mines with galleries and slagheaps, and the imposing peak of Villanderer Berg rising into the sky. The single lakes of the black-lakes-formation are called black, white and blue lake.