Kultura a památky v Brixenu

Campofosso Lake is also a deep blue alpine lake (2.439m) with a legendary story: once upon a time there was a beautiful, green meadow in the Campofosso area. This was the property of the richest farmer in the village of Terento. A young shepherd, with eyes as blue as gentian, used to live here. One day, the only daughter of the farmer brought his lunch up to him. When she looked into his eyes she fell in love. He fell in love too. Some time went by, but the farmer's daughter did not visit the shepherd again. One day, the farm labourer brought lunch up to the alpine pasture and informed the shepherd about the upcoming farmers' daughter's wedding. The shepherd was petrified and the mountain trolls provoked a storm. Instead of the alpine hut, the farmers' daughter found a lake, as blue as the eyes of the shepherd.

The pilgrimage church Maria am Sand, with its picture of the Virgin Mary possessing miraculous powers who gives the Christ baby a pear, is the old parish church of Milland and goes back to the 14th century. Around the middle of the 15th century, the church was extended with a vault in the nave, a tower as well as a pointed arch-portal and it was changed into Baroque style in the 18th century.

Small alpine chapel on the alpine pasture of Rodengo and Luson and a nice place for a short rest.

With its 65,000 square metres of space, Franzensfeste is the largest historical complex in South Tyrol. Begun in 1833 under Emperor Franz Josef, this masterpiece of Austrian fortress architecture was opened by Emperor Ferdinand in 1838 after a construction period of only five years. By this time, however, it had already lost its strategic importance and justification. The enormous effort and the horrendous costs - for nothing. From then on, the huge fortress was only of use as a depot and was frozen in the Sleeping Beauty sleep of a strictly guarded military installation for over a century and a half. Since the military left the fortress in 2003, Franzensfeste has been open to the public and was extensively renovated in the course of two major exhibitions in 2008 and 2009. As a South Tyrolean Provincial Museum, Franzensfeste Fortress is now a magnet for tourists and locals alike and a popular venue for a wide variety of exhibitions and events.

January and february: winter break

A House of worship was mentioned in Terento in 1362, a church must have been there long before this however. Bishop Hartmann from Bressanone consecrated an altar in 1162. A new long nave was constructed in 1683/84. The Parish Church was extended from 1848 to 1850 and re-designed in a late Romanic style. A comprehensive restoration took place in 1964. During the course of this restoration, the foundation walls of an almost square-shaped church room from Roman times were discovered. Preserved from the late-gothic building are the choir with its three-sided completion, and the rectangular block stone tower with pointed acoustic windows. The long nave was reconstructed in late Roman style at the middle of the 19th century. The barrel vault dates back to the late Roman reconstruction and is decorated with ceiling paintings by Christoph Brandstätter. The ceiling paintings were restored in 1896. The altars of the Parish Church show the transition from classicism to late-gothic. Adjacent to the Parish Church you can admire a late-gothic Holy Cross Chapel, which was consecrated in 1520. The chapel impresses with a polygonal choir and a stellar vault.

Wild stories are around the Radlsee. Is it actually connected underground to Lake Durnholzer and the Mediterranean? Is it really a wheel of devouring and gauntlet-bearing sea:

Welcome to SculpGarden25, a unique fusion of art and nature in the enchanting Staudenparadies Seidnerhof. From April 12 to October 25, 23 artists will showcase over 60 sculptures and installations, engaging in an inspiring dialogue with the diverse plant world.

Amidst blooming perennials, delicate grasses, and striking trees, the artworks invite visitors to pause, marvel, and reflect. The interplay between nature and art creates an atmosphere that is both moving and inspiring. The sculptures blend seamlessly into the ever-changing garden landscape, highlighted by the shifting light and seasons.

Complementing the exhibition is a diverse program of events, including the opening on April 12, readings, concerts, themed events, and Aperitivo Lungo on multiple dates. Step into this fascinating world where art and nature intertwine – an experience for all the senses!

The sun terrace of Velturno has been visited and populated for more than 7000 years. As the excavation of the Tanzgasse showed, the area was of particular significance during the late Copper Age, around the 3rd Millennium BC: the megalithic structure, which formed the central part of this place of worship with its grave mounds, stretches across the visible area of the Archeoparc. The standing stones that were found within this place of worship offer the chance to place the rest of the megalithic findings within the South Tyrol into a monumental context and to interpret their historical significance. The results of the analyses of the often small plant and animal remnants, but also of non-organic matter, open up insights into everyday prehistoric life.

The church of Saint Blasius is a small romantic church with wall paintings of the year 1676. Additionally, the church is dedicated to Saint Blasius.

The cathedral of Brixen/Bressanone is one of the most important sacred buildings along the Alpine area. Its origins go back to the year 980 AD. Due to a major fire in the 12th century, it was redesigned in romanesque style with a three-aisled nave and two façade towers. In the 18th century the baroque reconstruction took place, to which the cathedral owes its present appearance. Inside, the baroque idea of triumph was brought to perfection with wonderful ceiling paintings (f.ex. in Paul Troger's Adoration of the Lamb). The cathedral has a valuable interior with 33 different types of marble. The high altar, which was completed by Tehodor Benedetti, is one of the most important baroque altars in Tyrol. In addition, this church was equipped with a magnificent organ.

In 1726 a little church was dedicated to the miners of the “Pfunderer” mine. However, it was immediately too small so that today’s construction of the Early Baroque with choir and little tower was built in 1736. The secluded little church was expanded in 1934, though plundered and devastated in 1964. Until the First Wold War there had have been a weekly mass, initially Saturdays, since 1840 every Thursday. The cultural and historical altarpiece is a replica, the original altarpiece is located in the parish church to the St. Stephen. It shows the miners at work and around them the saints of the miners. (St. Daniel, evangelist John, Virgin Mother with the baby Jesus and her mother the saint Anne, as well as patron saint of the mines Barbara)

The parish church was built around 1180 and the Romanesque church was consecrated in 1184. This was replaced around 1500 by a late Gothic building with a three-aisled nave and a single-aisled choir. This is indicated by the year 1498 carved on the lintel of the side portal.

The location of the church directly above the Rienzsch1ucht led to an unfortunate event in 1688. After the parish tower had already been severely damaged by lightning, particularly in 1687, part of the crumbling rock collapsed a year later, taking with it part of the cemetery adjacent to the church and, according to local tradition, the old presbytery. Soon afterwards, the damage was repaired by building a retaining wall at the demolition site so that it was possible to walk around the church again, and the cemetery was extended towards the castle. Between 1794 and 1795, the church was extended to the west and the Gothic ribs were removed. The removed vault ribs were restored in 1959.

The last restorations date back to 1983. The interior is largely neo-Gothic from around 1870, although some of the wooden sculptures on the high altar date back to Adam Baldauf (1616 -1618). The gravestones of various Wolkensteins, the lords of Line (14th century) and the caretaker Caspar von Gufidaun, the great opponent of Cardinal Nikolaus Cusanus, who died in 1458, remind us of the history and connection with Rodenegg Castle. The well-kept cemetery with its lawn and exemplary wrought iron crosses contains around 200 graves and a simple cemetery chapel dating from 1697 with the image of St. Michael with the scales of the soul.
In 2008, the entire belfry was thoroughly renovated and new sound shutters were fitted to the tower openings in 2013.

One wrote the year 1494 as the young artist ALBRECHT DÜRER made a stop in Klausen during his Italy journey. Today a beautiful walk leads to these slopes from Klausen. From this promising place the painter drew the city of Klausen. The result of its feather was lost later, but a copper engraving "Das große Glück" ( the great fortune) is delivered: Klausen calls itself also the "Small Dürer Town": Who wants to visit this place, goes today to the "Dürerstein".

The church of St. John in Tschötsch (mentioned in 1406) was built from granite blocks of Brixen.On the façade St. Christophan reminds old transitions in the low mountain range. Slight stucco on the inside of the church reveals renovations in the Baroque period, from that time dates also the fresco of the baptism of Christ in the vault (Joseph Anton Zoller, 1763).During the World War, the church withstands some bombs, which were thought for the near bridge of the village of Albeins.

The barbecue area is equipped with a barbecue with grill plate or grill grate and seating for about 30 people.
For a reservation of the barbecue area please contact the Tourist Office: +39 0472 415020 / info@natz-schabs.info.

The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower. The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements. In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy). The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower. Height: 37,00 metres Inclination: 1,56 metres

In 1256, the Winnebach Castle, also called Aschburg, was first mentioned in an official document. The castle was originally owned by the Rodank family of Asch. Part of the dungeon was still there about 50 years ago, and in the middle of the tower an imposing, giant and legendary spruce grew. A local wanted to search for the legendary gold treasure in Aschburg Castle around 1970, and thereby blew up the entire tower. According to the legend, Arnold V. von Schöneck constructed the castle as a hunting castle. It is believed, that at the end of their lives, the Schöneck sons were cruel men who attacked and plundered the people. For this reason the castle is also called the Thieves Castle by locals. Starting point: car park in the village center

The small church in St. Jakob got its actual shape in the 15th century. The Christophours – painting on the outer wall as well as several paintings of saints on the inside were made by an unknown master of Brixen of the 15th century. The altars are new Gothic.The church is locked for safety reasons, the keys are available at the nearby farm.

On the way to Säben is on the way, the St. Anthony Chapel, built in 1670 at the instigation of the telltale Jerome and his wife. The chapel was restored in the Tyrolean commemorative 1984. The altarpiece in the early Baroque high altar dates from Nicholas squint.

The little church of St. Nikolaus in the hamlet of Klerant (850m) dates from the early 15th century and impresses with its rich late gothic frescoes. Besides the depiction of the legends of St. Nicholas, the cycle of the Passion of Christ has been well preserved. The careful decoration of the Salvation Mirror comes from the Brixen school of painting of Master Leonhard (around 1470).

The Rio Pusteria Fortress can be found at the entrance to the Val Pusteria, between the villages of Rio Pusteria and Vandoies. The fortress is directly located along the main road, also the Pusterbike Cycle Route runs past this impressive place of interest. Exactly in this place, the borderline between the countships of Goerz and Tyrol ran in 1271. For this reason Meinhard, Duke of Carinthia, had a dam built, that is to say the castle-like Rio Pusteria Fortress.

Actually the original building was located 600 m in the west of the present-day location and consisted of a long-drawn-out barrage as well as two turrets. The ancient fortress was built according to the model of Mediaeval dam. The construction material consisted of natural and homogeneously-sized river stones, which were hardly modified. The last documents regarding this building are dated 1340.

The newly-built construction, that is by the way preserved still today, bears the hallmarks of Sigismund, Archduke of Austria. The fortress is decorated by round turrets, while a dam stretches up the forested slope. In fact, the Rio Pusteria Fortress not only used to be a toll station, but was also residential building and dam. The building can be visited in a guided tour in summer months.

The church Saint Martin in Fundres/Pfunders is mentioned for the first time in th year 1397. The contemporary church was built in 1808 - 1810 and contains a bell tower with an imperial roof from the 14th century. The barrel vault is decorated with ancient frescos. Generally speaking a very nice, little church.

The succursal church of St. Ägidius in Raas is a late-Gothic building, and was completed by the constructor Thomas Maurer in 1532. The neo-Gothic interior mostly dates from around 1880. On the high altar, one can see St. Ägidius, the patron of the church and the protector of viticulture. In Raas, the now rare custom of the bread donation and bread distribution is still practised on the day of the church patron in September.

The parish church of the same name, which was first mentioned in 1177, is located in the rapidly growing capital St. Andrä. Its late gothic reconstruction in the period around 1485 with a presbytery and tower which is still characteristic today.  In the 18th century a striking baroque style was introduced. Georg Tangl, director of the Brixen seminary and  priest of St. Andrä, provided for a rich decoration with stucco (Franz Singer) around 1770. Around 1736 the ceiling frescoes by Jakob Jennewein depicting the martyrdom of St. Andrew were painted. In 1930 the altarpiece was painted by Johann Baptist Oberkofler.

The Maria Hilf Chapel in the cemetery is a compact octagonal building dating from 1696, and the octagon, a work by the Bolzano master builder Delai, is considered an important model of Baroque central building. The altars of Mary, Anthony and Notburga are also works of art from the late 17th century.

The lake Totensee, literally "lake of death" is less threatening than its name suggests.

The lake is located in a hollow below the well-known Chapple Totenkirchl. Surrounded by boulders and meadows, it is situated at an altitude of 2200 m. The macabre name comes from the agricultural expression "dead", which can be interpreted as unprofitable.

A monument of the High Baroque, it is located at the eastern entrance of the old country road in the village center.

The parish church of Barbian is consecrated to St. Jacobs the Elder and was first mentioned in 1378. The shapes of the windows of the leaning tower are evidence to an even earlier time. Its octagonal top was added during the 15th Century. During this time, the church was renovated and once more consecrated in 1472. In 1874, the nave was re-designed and received in a new-roman form. The vestry, which serves as choir stalls, is the only part left, to represent the old gothic buildings. On the inside of the church, on the main altar, there is a copy of the famous crucifixion group by Wechselburg, as well as 12 glass windows representing the apostles, a rosette window just above the main entrance and several wooden sculptures from the 16th and 17th Centuries.

Open from 8 a.m. to 7 p.m.
Holy Mass: To Sunday 03/16/2014 at 10.00 clock, alternately at 8:00 clock (german) and Saturday at 19:30 clock (german).

The educational mills path leads along Ternerbach River. During a 1.5 hour hike you walk past 7 renovated corn mills, some of which are up to 500 years old. This is where farmers used to grain corn into fine flour, and sometimes still do During the summer months one mill is open to the public every Monday from 10 a.m. to 2 p.m. During the Mill Festival you can get an insight into the millers' profession. Starting point: car park in the village center

The castle can be visited only with guided tours!

Guided tours take place daily during the summer months (except Saturdays) at 11.30 am and 2.30 pm.

Duration: approx. 1 hour

No registration required – or sign up online and get a discount!

Tickets available at www.rodenegg.it

 

Group registrations from 15 persons: schloss.rodenegg@gmail.com

 

The castle is located between Sciaves and Rio di Pusteria in the municipality of Rodengo on a small rock outcrop, steeply descending into the gorge of the Rienza river. Castel Rodengo is one of the most majestic fortresses of its times in South Tyrol and you will be astonished by its position and the large number of rooms and cellars of the castle.

 

Entry fee:

Adults: € 12,00 - Online € 10,00

Juniors (10-18 years:) € 8,00 - Online € 6,00

Children (6-10 years): € 6,00 - Online € 4,00

Groups (from 15 people): € 8.00 - No online prices available

 

GUIDED TOURS FOR KIDS (23/06 - 01/09/2025)

• Every Monday at 09.30-11.00 a.m.
• Age: 6 - 12 years
• Registration: www.gitschberg-jochtal.guestnet.info

The "world Loden" shows the way from the wool of sheep to the finished piece of cloth. The story of the produciton of tissues is told with the help of historical equipment.