Kultura a památky v Brixenu

An old linden tree stands near the walls of the cemetery enclosing the Church of St. Nikolaus. Standing 22 m tall with a treetop of 17 m and a trunk measuring 6.25 m in diameter, the old tree dominates this idyllic spot. Since the trunk is broken and is held together with iron rods, the age of the tree can no longer be determined although it is believed to be a few hundred years old.

Venezian saw has been built in the  year 1847 and restored to 2003

Tasting sessions in the winery, open Tuesday, Thursday, Saturday from 11am – 3pm. Grape varietals cultivated Sylvaner 20% Sauvignon blanc 5% Grüner Veltliner 15% Gewürztraminer 10% Müller Thurgau 20% Pinto Nero 20% Lagrein 10% Wine range Sylvaner “Sepp´s alte Rebe” Sauvignon Blanc Grüner Veltliner Pinot Nero Gewürztraminer Lagrein Sunhong white Sunhong red

Although consecrated in 1281, St. Margaretha, the late Gothic parish curch in Schabs was only completed in 1454. By the end of the eighteen century its interior had been reconstructed in Baroque style with its poral framed in Stone. It is worth noting that the 72 m bell-Tower is unusually tall and narrow.

The village museum gives you an interesting view of the rural life in South Tyrol. The Gufidaun village museum has three main collections: the everyday rural culture, the crafts and the local art. The museum houses an original "soot kitchen" and various pieces of rural furniture and everyday objects, which are arranged into ensembles. A complete cobbler's workshop provides an insight into the versatility of this old craft. A special feature of the museum is the Telfner corner. The painter Josef Telfner, originally from Meran, lived in Gufidaun for many years. He painted watercolours with various views of the village and portrayed numerous people from Gudon.

On request visits possible all year round: tel. +39 0472 847 399 or +39 348 7747339 (Otto Schenk)

Holy Cross Curch The continuity of the cult reaches from the early Middle Ages over the Roman and gothical church to the present building, which developed around 1679. The inside surprises by the winding and ceiling paintings, which probably come from a native painter. In the apsis is the cross of the master Leonhard from Brixen.

The hunter’s monument was erected in 1968 on the Mesnerbühel by the hunters of Natz.The column was carved out of an old chestnut tree trunk. The inscription reads: „It is the hunter’s honour to protect and tend the game.“

There has always been a fountain on the cathedral square, even more so because the square also was the location of the local cattle markets until 1820. Originally, a fountain was located in front of the Trapp house, which houses the public library today. When the police ordered for two large flowerbeds bounded by wire fences to be laid out on the cathedral square in 1952 to prevent larger groups of people from gathering, a waterspout fountain was erected in the northern flowerbed (pictured). On occasion of the redesign of the cathedral square in 1989, artist Martin Rainer (1923–2012) created the Lebensbrunnen fountain. The bronze pyramid in the marble basin represents the different stages of human life and the circle of life as a spiral which springs from the hand of God and returns to it in the end.

The biotope "Pirchner Moos" is located at 1,300 m above sea level with a slight southern inclination. Bressanone granite provides the geological base of the biotope. The biotope impresses with two different vegetation areas. A small fen and swamp with a high moor-like edge can be found at the centre of the biotope. The small wetland is surrounded by marsh areas and wet meadows, loose forest areas and hedges. In the marsh area you can find different types of moss like sphagnum, but also bogbean, bog star, swamp meadowgrass, common tormentil, sedges and different types of the wild orchid. The marsh areas used to be mowed for the production of horse food and litter for the stables. The variety of flora in the biotope provides an ideal living space for different animals. Here you can admire primeval animals like dragonflies and the azure damselfly. In certain weather conditions you might also be able to see fire salamanders. The common buzzard loves the free space of wetland meadows. The border between the southern alpine and northern alpine rock composition of this area is located to the north of the biotope at "Hohenbichl", the so-called "Puster Valley Line". This disturbance line is one of the most important earthquake lines in the Alps. Starting point: car park in the village center

This church in Gufidaun originates from the 15th century. The cultivated vestry, also called Koburger chapel, contains a noteworthy fresco cycle of the Ambrosius Gander from the valley "Jaufental". Holy Mass: Saturday at 18:00 clock and Sunday at 9:00 clock (german)

Once you are here, take a hike through the Sommersürs biotope, also called Samesirs, located in a basin between the villages of Naz and Fiumes/Viums. The small habitat of little more than 2 hectares is a biotope of diverse fauna and flora. It is an invaluable refuge for numerous aquatic insects and birds, along with amphibians and reptiles. Cattail, sedge, and marsh clover populate the shallow lake shore.

Other nature habitats in the Natz-Schabs holiday region include Raiermoos, Zussis and Laugen.

The tour leads through the village of Natz and then turns right onto the Villages round trip [Dörferrunde] through the Fruhnwald forest up to the Waldertor viewpoint. Past Viums and the Viummer Kreuz cross, the route leads mainly through forest paths up to Schabs. Continue through the village trip through forest and later through orchards and then go left along the Villages round trip, up to the Flötscher Weiher pond. At the Seehof Hotel, cross the road and continue through meadows and woods, always
along the signposted road to Raas. Continue through the cultural grounds passing the water reservoir back to the street towards Natz. Follow the street to the right, at the Laugen sports field following the sign Dörferrunde. From here, the Villages round trip leads back to the starting point.

The Rienza ravine, a wild-romantic gorge with former power plant (not open for visits).

The column was erected in 1909 for the 1000th anniversary of the town. On the column is enthroned the lamb as the heraldic animal of Bressanone and at its base is the statue of Bishop Zacharias.

Monastery of Novacella was founded by the blessed bishop Hartmann in 1142 as an Augustinian monastery. Thanks to its monastery school it became one of the most important centre of education and art. In 1742 the monastery was the largest in Tyrol, the Romanesque abbey church of Abbazia di Novacella was redesigned in Baroque style. Unique at  the monastery of Novacella is the round building of Castello dell'Angelo, former hostel and defence facility. The Gothic cloister benefits from valuable frescoes, while the well in the courtyard depicts the wonders of the world. The 8th wonder is said to be Novacella. The Rococo library of the monastery  of Novacella is uniquely beautiful, the Pinacoteca houses medieval paintings by outstanding masters Michael and Friedrich Pacher and Marx Reichlich. The Turkish wall dates back to turbulent times. The mill, water buildings and wine cellar point to the economic importance of the monastery. The area around the monastery is the northernmost winegrowing region of Italy with the well-known white wines Sylvaner, Müller-Thurgau and Kerner.

Other information about the monastery of Novacella

Visit without guide from Monday to Saturday from 10:00am to 5:00pm

The historical garden: The historical garden is situated at the entrance to the monastery complex. It reopened in summer 2004 following extensive restoration work. The monastery garden can be visited indipendently from Thuersday to Saturday from 10:00 am until 5:00 pm

The monastery of Novacella is closed on Sundays and Catholic Holidays. 

The second campus of the Free University of Bozen - Bolzano is in the charming town of Brixen - Bressanone.
The Faculty of Education together with the annexed University Library is housed in the new university complex in Regensburger Allee 16.

The Roman Catholic Church of the Congregatio Jesu in Brixen is consecrated to St. Joseph. The classicist building was owned by the Order of the English Misses until it was taken over by the Autonomous Province of South Tyrol in 2011.

The classicist façade is simple and is divided by four pilasters. These are crowned by a triangular gable. Above the rectangular portal there is a round-arched window.

In addition to stucco work by Franz Singer, there is a high altarpiece inside the church depicting the death of St. Joseph. It was probably painted around 1770 by Josef Anton Zoller for the parish church in Schmirn. To the left and right of it are the figures of St. Joachim and St. Anna.  On the left side altar is the painting of St. Philomena by Gebhard Flatz (1870), on the right side altar the communion of St. Antonius by Jakob Fink (1846) is shown. In the choir there is a ceiling painting with the representation of Jesus in the temple by Josef Mühlmann (1854). The other paintings and the neo-baroque decorative painting are by Johann Matthias Peskoller (1904).

Beneath St. Andrä, in a charming position on a hill, the small church of St. John the Baptist is situated in Karnol. Mentioned already in 1133, the renovation and the decor of the 15th century characterize the little house of God.A tender net- vault covers the inside, that impressions with cycles of frescoes of different periods. Beside the life and the death of the church patron John, the works of mercy and some saints, the martyrdom of the saint Ursula is of extraordinary quality.The representation in the apsis dates back to the Renaissance (around 1520), it shows the return of the saint Ursula with 11,000 virgins from Rome to Köln, where arrow riflemen of the Huns’ king Guam kill her. The wide scenery of the frescoes is flanked by John the Baptist and John the Evangelist.

The sun terrace of Velturno has been visited and populated for more than 7000 years. As the excavation of the Tanzgasse showed, the area was of particular significance during the late Copper Age, around the 3rd Millennium BC: the megalithic structure, which formed the central part of this place of worship with its grave mounds, stretches across the visible area of the Archeoparc. The standing stones that were found within this place of worship offer the chance to place the rest of the megalithic findings within the South Tyrol into a monumental context and to interpret their historical significance. The results of the analyses of the often small plant and animal remnants, but also of non-organic matter, open up insights into everyday prehistoric life.

The patrons of the Saubach parish church are St. Ingenuin and St. Albuin. The church was first mentioned in 1398. However, the choice of patrons concludes that the church is much older. Today this olt, gothic church is an attraction for many art lovers. It was built during the 15th Century. The consecration of the altars took place in 1502. When you go inside of the church on the porphyry portal with its pointed arch, you will immediately be impressed by the delicate rips of the net-like vault, the four custom-made windows and the three wing altars. In 1925, a fire did substantial damage the church, but with the help of donations from all around the country, the helmet-like tower and the roof could be renewed. Information about opening times at the Barbiano Tourist Information Office, +39 0471 654411, info@barbian.it
The keys are available in the Tschörlerhof, (+39 0471 654032, in the morning) and in the Gasthof Saubacherhof (+39 0471 654344, in the afternoon,) or by telephone arrangement.

The seminary of Brixen has a very interesting history. The current seminary building was built in the years 1764-1771 under Prince-Bishop Leopold of Spaur on the site of the old pilgrims' hospice and was consecrated on 28 June 1767. Today the seminary is the seat of the Theological-Philosophical Seminary.

The cloister of the cathedral of Brixen/Bressanone is one of the most important art monuments in South Tyrol. Its origins date back to pre-Romanesque times. The complex was rebuild in the romanesque (12th century) and gothic (14th century) phases.  In this last major reconstruction phase of the 14th century the sacred building was vaulted with a gothic groined vault. The well-preserved gothic frescoes, which depict themes of  the religious and  medieval life, are particularly breathtaking. Some of the most extraordinary frescoes of the cloister  are the presentation of  an elephant (3rd arcade) and the adoration of the Kings (13th arcade).

 

The City of Artists and Albrecht Dürer
The medieval city, which is surpassed in height by the mighty Sabiona Monastery mountain, proudly calls itself the "City of Dürer." Here, where the city was the scene of intense artistic activity just a hundred years ago, is where Albrecht Dürer stopped during his journey through Italy. He exploited his portrait of the city as a background for an allegorical copper-plate engraving titled "Das Grosse Glück" ("Nemesis").

Today, Klausen is still numbered among the most-beautiful of Italy's ancient cities: Its tower-studded facades, its wide alcove balconies, and the picturesque signs of its old inns and pubs were all that was needed to convince the club "I borghi più belli d'Italia" of its worthiness. And the "Treasure of Loreto" (a singular collection of works of art) in the city museum has got to be seen to be believed.

The church of the saint Valentin is located by the side of the road from Chiusa to Villandro. It is a single-nave construction with a presbytery and a lateral spire. In 1303 the church was mentioned the first time, though it burned down around 1400. During the reconstruction the church received the impressive gothic stellar vault instead of the flat ceiling. The altar inside is a splendid carved work and displays the bishop saint Valentin. Frescos at the west façade, which depict mother Anne with Mary Baby Jesus, are valuable art property. The figures are petite with a soft and round arrangement of the folds. Around 1400 the so called beautiful and soft style reached Tyrol and the patterned halos and picture frames with geometric adornment were characteristics of the style.

The church of St. John in Tschötsch (mentioned in 1406) was built from granite blocks of Brixen.On the façade St. Christophan reminds old transitions in the low mountain range. Slight stucco on the inside of the church reveals renovations in the Baroque period, from that time dates also the fresco of the baptism of Christ in the vault (Joseph Anton Zoller, 1763).During the World War, the church withstands some bombs, which were thought for the near bridge of the village of Albeins.

Length: 3,8 km Difficulty: Medium Duration: 1.10 hours ascent. 180 m in altitude Itinerary: From the scrap mill in Schrambach slightly uphill through mixed forest to the Mediterranean Schrambacher Wallserfall back to the starting point. Special round trip for spring and autumn. You can also continue to Loatererhof -Buschenschank - Refreshments (autumn to march).

The Capuchin church and convent are located not far south of the Cathedral Square in Brixen/Bressanone. This is a simple and unadorned religious building with a small facade tower in the style of the mendicant churches. Inside, the nave is covered by a barrel vault. The strongly indented choir room just closes off. On the left side of the nave there is a round-arched side chapel which houses the organ. The interior has no wall paintings or stucco work.

In over 70 rooms the Diocesan Museum displays a representative cross section of the sacred art of the South Tyrol. It houses the well-known Nativity collection and parts of the treasure collection belonging to Brixen Cathedral, including the famous Adlerkasel. The collection of medieval sculpture and panel painting is the most comprehensive in the South Tyrol and is particularly worth seeing. Highlights in the art gallery are paintings by Lucas Cranach, Bartlmä Dill Riemenschneider, Ulrich Glantschnigg, Franz Sebald Unterberger, Paul Troger, Gianbattista Tiepolo and Carl Henrici. With an exhibition area of 6600m², the Brixen Diocesan Museum in Brixen is one of most comprehensive ecclesiatical collections anywhere. The Kaisertrakt is also worth seeing, with pictures, furniture and porcelain created by manufacturers commissioned by the Viennese court.

Guided tours for groups can be booked on request. Further information: www.hofburg.it/infos 

A limepit is a stonewalled hole in which limestone used to be or is slaked. Limestones were quarried in the Dolomite valleys, where they were first burned in lime kilns an then transported to the construction sites where limpits had been dug. The burnt limestones were placed in the prepared pit and covered with water. As a result, their volume increased significantly while the temperature rose inside the limepit, and slaked lime was formed.

At the eastern side of Brixen, beyond the confluence of the Rienz river and the Eisack river, in the village of Milland a new parish church was built between 1984-1985, and it is consecrated to the Saint Father Josef Freinademetz. The church is a curiosity, a work of modern architecture, a sacred place full of light.In the basement, there is an exhibition about the life and the work of the church patron, the Saint Father Josef Freinademetz, the Tyrolian China- missionary.
Guided tours possible after request.

Take a walk on the nature trail around the Raiermoos biotope, where you can hear the songs of rare bird types and spot a variety of wildlife. The Raiermoos habitat was originally a large lake that was formed about 12,000 years ago on clayey moraines. Here, primeval populations settled on stilt houses.
Today, the Raiermoos is a biotope and habitat for endangered flora and fauna. Reeds, cattails, rushes, and marsh trefoil surround the lake. It offers a sanctuary to frogs, newts, salamanders, and snakes. Many migratory birds
such as herons and storks find here a safe and peaceful place to stay.
Other nature habitats in the Natz-Schabs holiday region include Sommersürs, Zussis and Laugen.