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The little church of St. Peter was built in 1396 but was destroyed during the flood of the Tanas river. A new church was built around 1500, the ruins of which can be seen just below St. Peter's Church. St. Peter's church, which is still standing today, was built in 1769 in baroque style and consecrated in 1782. The four-station Meditation Trail leads from Tanas to this little church.

Chapel of St. Michael. The Chapel of St. Michael, also known as “cemetery chapel”, is situated next to the parish church of Völs and dates back to the Romanesque period. Today, the chapel houses an archaeological collection and the Völs Parish Museum .

The Gothic church of St. Peter, built in the 16th century, is located at the southern entrance to the village of Auer/Ora, next to the local cemetery. In past times, it was the most important church of the surrounding villages and is situated in a pit about 5 meters deep and was often inaccessible due to flooding of the nearby Rio Nero stream. It had to be uncovered again and again and was finally protected by a stone wall. Today, after restoration work in the 1970s, the church is open to the public for Holy Masses and celebrations and houses the oldest organ in South Tyrol that can still be played. It was built in 1599 by the organ builder Hans Schwarzenbach.

The Brixen Poor Clares Monastery was already founded during the lifetime of St. Clare.
There is no documents about the foundation itself and where the first sisters came from. The oldest written document is a letter of liberty from the Prince-Bishop of Bressanone, Henry IV, dated May 10, 1235, in which the monastery and the newly built church in honour of the Virgin Mary and St. Francis were freed from all secular and spiritual judicial constraints.

The church of St. Elisabeth was originally a romanesque church, which was rebuilt in the 15th century into a gothic church and then in the 17th century into a baroque church. At the entrance portal there is a crucifixion scene and the coronation scene of Mary with the Franciscan saints (St. John of Capristan, St. Bernardine of Siena, St. James of the Mark, St. Elizabeth, St. Clare and St. Agnes). The interior is indented with a groined vault above which the Sisters' Choir is located. The choir of nuns, which is located above the vault, is under strict enclosure. Behind the choir stalls there is a small "chair" for each sister, which is individually decorated with devotional objects and pictures.

The walls of the presbytery show scenes from the life and work of St. Elisabeth of Thuringia (left: Rose miracle and the banishment from the Wartburg; right: death and burial of the saint). The high altar is a niche construction with four columns and a volute gable (by Peter Passler from Neustift). The picture shows the alms donation of St. Elisabeth. It is flanked by St. Francis and St. Clare. While the left side altar shows a scene of shepherd adoration, the right side altar picture shows Joachim, Anna and little Mary.

The picturesque Castelbello Castle, first mentioned in 1238, was built by the Lords of Montalban. Majestically, it is situated on a cliff on the left bank of the Adige River. Because of its exposed position, the castle had to be protected by strong fortifications, which needed to be remodernized over the years. In 1813 and 1824, the castle was largely destroyed by fire. The Counts of Hendl rebuilt only a small part for residential purposes. At the end of a protracted court process held over decades between Count Siegmund von Hendl and the Republic of Italy for the possession of the castle, eventually a settlement was reached. This allowed the State to acquire the castle. The Castelbello Castle is the cultural center of the village. In addition to permanent exhibitions in Spring and Autumn, alternating art exhibitions take place here.
The building of the chapel followed in the late 13th or early 14th cent. The walls contain a frieze with the Twelve Apostles as well as texts from the Confession of Faith. Because the apostles are turned towards one another in pairs, the quotations are alternately written in plain and inverted script.

Opening times
Guided castle tours from July 5th until September 11 | 10 a.m., 11 a.m. and 2 p.m., 3 p.m.
Closed on Monday
Spring exhibition by Hans Ebensberger from mid April to the begin of June
Autumn exhibition by Bruno Ritter from end of September to end of October

The church of St. Valentin is a late Gothic building and is situated in the centre of Prettau/Predoi. Inside the church there is a special highlight among other sacral artefacts, the altarpiece.

The small church is located on a wooded hillside (at 1,532 m), visible from far away. It is a popular destination for leisurely walks and excursions into nature. The church was first chronicled in 1338. In successive years, it was re-built several times and finally inaugurated by the bishop of Trento in 1698. The neo-Romanesque high altar distinguishes itself through its beautiful baroque statues, and the altar piece is also very attractive.

The Parish Church of Vöran/Verano, which is dedicated to Saint Nicholas, is one of the oldest churches on the Tschögglberg high plateau. The church was first documented as far back as 1330.

The walls of the nave date from that time as well. Towards the end of the fifteenth century, the apse was redone in the Gothic style, the nave fitted with two pointed arched doors, and the tower built. During the baroque period, the nave was supplemented with flat-arched windows and a barrel vault; a side chapel was also added. Frescoes depicting the Coronation of the Virgin are interesting from a historical and art-historical perspective, but are not preserved in their entirety.

It is said that the Church of Maria Lourdes was built due to the fact that, on 15th June 1885 in that very spot, a cart fell off a bridge killing Benedict Edler von Vintschgau, of Merano. His wife had the chapel built in his memory, dedicating it to the Virgin Mary. The parish priest, Ortner, later had a new church built in neo-romantic style in honour of the Madonna of Lourdes and it remains a place of pilgrimage even today.

The Parish church of Cortina sulla Strada del Vino is dedicated to Saint Martinn. The Gothic construction dates from the beginning of the 15th century and was erected on the ruins of on older chapel. The keystone of the arch is decorated with a picture of St. Martin and the date 1474. A second keystone shows the Virgin Mary and is attributed to the end of the 16th century. Over the years, various changes have been made to the building. In 1610, the church tower was renovated, in 1996 the mosaic of St. Martin over the entryway was completed and the furnishings including the organ and the choir stalls were renovated. In spite of the many changes, many of the old treasures have survived and can still be seen in the parish church. For example, a statue of the Madonna from the 15th century and two altarpieces from the 17th century can be seen. A special gem is the old bell from the year 1449. It is one of the oldest bells in Alto Adige and was still used up until a few years ago to ring in the mass.

With a height of 86 metres, this church's bell tower is the tallest steeple built of stone in South Tyrol. In the early 20th century the medieval nave made place for the present design by the architect Franz Mayr, though the Gothic chancel har remained with its frescoes. The martyrdom of the curch's patron saints Julitta and Quiricus is depicted in a fresco cycle on the southern wall.

In 1336 we find the first evidence of an independent Montan parish priest. Whether he already lived in this house, however, is not attested. Only in 1537/38 - Christian Seidl from Reichental in the diocese of Salzburg was parish priest at that time - is a Widum mentioned, which is described as very small, old and dilapidated.

The parish priest Alexander Giovanelli, who worked here from 1702 to 1743, rebuilt the vicarage at great expense and settled the matter with the parish and the church provost in 1734.

The frescoes, St. Nepomuk (water and bridge saint and at the same time the only saint with a star wreath) and the "Mater Dolorosa", whose worship was promoted by parish priest Alexander Giovanelli, were probably also painted at this time. In the Widum there is a panelled farmhouse parlour with an old fireplace, as well as an archive with 233 volumes and baptismal, marriage and death registers from the 16th century. These have been preserved despite looting and arson by the French.

In the cadastre of 1775, the Widumhof has a stable and barn, "torggl" (wine press), herb garden and small meadows with fruit trees, arable land and vineyards.

The church of St. Mary is built in Gothic style. The Gothic middle relief and the side figures are significant. From the church there starts a path of meditation which leads to the chapel San Pietro in Monte/St. Peter am Kofl.

Previously, this was the most visited chapel in the region. It is only 15 minutes by foot from the village centre, situated above the Nalserbach farmhouse at the road leading to Prissian, which was previously also called the Calvary mountain. In the archives of the Tisens parish church, the Nals river chapel was first mentioned in 1713. However, it is most likely older than this date.

St. Nicholas, the Patron Saint of miners, was held to be the protector of those in danger from water. In Eggen, it was believed that he protected the village against the raging waters of the Sam Brook and of the Gerold Brook. Until the curacy was built in 1681, Eggen was served by the parish of Deutschnofen / Nova Ponente. While St. Nicholas had the right to bury its dead parishioners as well as to read the Mass, since 1435, Eggen was ministered by a priest from Deutschnofen / Nova Ponente. With the establishment of the first curacy, this stopped, and in 1919, the curacy was elevated to the status of an independent parish. The church is open daily from 8:00 a.m. till 6:00 p.m.

Both the delightful Baroque-style pilgrimage church, built in 1304 and expanded in 1765, and the nearby cemetery with its artistic graveyard crosses made of copper and bronze by local artists are well worth a visit. The village of Madonna di Senales/Unser Frau celebrated its 700th anniversary as a place of pilgrimage in the year 2004. It is, in fact, one of the oldest pilgrimage centres in the entire Tyrol region.

The Church of the holy cross was foundet in 1896 in gotic style.

First mentioned in 1347, elements of the Tyrolean late Gothic (1488) are still preserved in the polygonal choir end, as well as in the sound windows of the tower. Around 1840 the church was extended by one bay, regotized, the same happened again in 1952 under architect Erich Pattis and carpenter Josef Pattis. The altar-pieces are by K. Jele from Ried in the Upper Inn Valley (1814 1893) and depict on the main altar the Penitent Magdalene, and on the side altars the Bishop Sylvester with the martyr Sebastian, then Joachim and Anna with the Child in the Nazarene style in a clear position. On the main altar of St. John the Baptist, wooden sculptures by Franz Xaver Nißl. Stations of the Cross panel by Maria Delago (1953). In the apse, paintings from the life of St. Magdalene by the priest painter Johann Bapt. Oberkofler. On the east side a wrought-iron cross points to the witness of the resistance against the Nazi regime. This is the Jesuit priest Johann Steinmair (1890-1944), who became a blood witness of Christ by beheading in Berlin-Brandenburg. The chapel of the dead in the cemetery area: It serves as a memorial for the victims of the two world wars, for Reverend Peter Agreiter (1911 1948) and as a place of devotion for the Lourdes pilgrims.

Built in 1652. The black Mother of God with Infant Jesus is worth a visit. After the Mauren begin the stations of the Cross leading to the most popular place of pilgrimage of the middle Pustertal: Maria Saalen. The little pilgrimage church "Unsere Liebe Frau von Loreto" was built in the 17th century and once had a hermitage. The entrance has the year 1652 written on it and on the top right-hand side a modern painting of the Blessed Virgin of Loreto. The gable of the altar shows the Annunciation, and below the Black Mary with the Infant Jesus, Saints Anne and Joachim, and above the doors Saints Joseph and Sylvester.

The core of the old parish church in Marein was presumably built around 1400. At least the stellar vault of the choir and the tracery windows on its southern side are from this period. By contrast the tower and nave were not given their present form until the 17th cent. In addition to a Baroque altar from the 18th cent. In addition to a Baroque altar from the 18th cent. the church also contains an older altar from the 17 cent. Among other things, its other furnishings include two remarkable oil painting: a Madonna and Child with St.John the Baptist as a boy, venerated by St Francis, St Clare and St Catherine, as well a second large-format oil painting, which features ST Odile, who was born blind and gained the ability to see only through her baptism

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows. Inside the church you can find some informations about the building history and the artistic equipment.

At the parish church St. Martin in Hofern the longhouse walls are romanic, the vaults, the choir and the tower were built in the year 1473. At the inside there is a sidepiece altar which dates bach to the year 1520. Church is locked, information about the key at the tourist office in Kiens/Chienes.

The church belonging to the parish Lazfons, once a Roman, was in the 15th Century Gothic style and received its present from in the 17th Century.

Also if the chapel in Neunhäusern / Nove Case is situated on Rasner municipality, it belongs to the parish of Olang / Valdaora.

The San Giuseppe Parish Church is one of the most beautiful and modern churches in the Alps and is a fine example of contemporary architecture. The church was built and designed by the famous architect Dr. Willy Gutweniger between 1966 and 1971. It represents a successful attempt to combine ancient and modern architecture and it is important that visitors allow themselves enough time to understand the rich symbolic language of the building. The church opened on March 13, 1977 in the presence of the Bishop of the Diocese at the time, Dr. Josef Gargitter. Further information and images of the church and its furnishings are available at the vicarage and in the Tourist Association. Guided tours are held every Thursday at 5pm (except when funerals are held), from Easter to All Saints Day (November).
The church is opened daily from 7am to 7pm.

The Church of the Nativity of the Blessed Virgin Mary dates from 1499 and the side chapel was added around 1600. It had to be rebuilt after being burned down both in 1885 and in 1924. Today it is considered one of the most beautiful sacral baroque examples in the entire Venosta Valley. The church is open all year. Worship Sun 8.30 am in German

The Capuchin monastery and its small church were built between 1617 and 1620. The church has a simple design in accordance with the style and regulations of the Capuchin Order: simple in terms of furnishings, bare walls, barrel vaults, and a side chapel on the south side. The high altar is dedicated to the Sacred Heart. The pulpit and the side altars are neo-Romanesque and date back to the 19th century. The altar of the side chapel contains a statue of the mother of God with Child from the middle of the 16th century, which is said to have miraculous powers. Between 1999 and 2003, the whole complex was carefully restored. In the little church, this also led to the renewal of the windows and the benches, which – in harmony with the surroundings – are now simple and linear. Thus, the light penetrates through seven beautiful glass panes that seem to communicate with the faithful through their symbolic meaning of colors and number.

The altarpieces of the parish church to the hl. Nicholas holds a special treasure in itself: the statue of the Virgin Mary from 1450 by the famous Ulm master Hans Multscher. The organ with the seven registers was set up in 1904.

The Franziskus Church. The modern church of Franziskus, designed in the shape of a dove, on the Seiser Alm invites visitors to contemplate and reflect. St. Francis of Assisi, who loved nature and God’s creation above everything, is the patron saint of the church. The plan of the church building shows the dove as a contour drawing. The body forms the sanctuary of the church and the wings the side additions. The towering bell tower represents the head in the upright projection. This rises smoothly out of the church sanctuary through a laminated timber construction. The interior of the church impresses with its brightly designed space and an interesting interplay of light and shadow. The slightly raised chancel faces east in accordance with ancient tradition. As it was very important to use simple, local building materials, larch wood and porphyry were used. The subtle fragrance of the wood is particularly pleasant. This conveys feelings of security and warmth to churchgoers.

The Holy Trinity Church in Kollmann was previously called the customs chapel and was connected to the customs office by a wooden walkway. The church itself was built around 1588 and nearly destroyed by a fire in 1938. In the meantime, it has been renovated. It is open from 8 a.m. to 7 p.m. Holy Mass: Sunday at 8:30 clock or 10:00 clock (german)