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The Antonio chapel was consecrated on 23rd September 1704. In 1998 it was restored the last time.

Even though Versciaco only became an independent parish in 1891, the church was first consecrated in 1212. The lower part of today's nave walls date back to this period. The initial construction consisted of a rectangular room with a small apse added to the east and a flat wooden ceiling. The last preserved remains of a proto-Gothic fresco date back to around 1300 and can still be admired: Saint Ursula and her companions. The church might originally have been devoted to this saint of noble lineage, also because all the Saints venerated until Late Medieval times were of princely blood or at least nobles. Every year, three processions from San Candido to this church took place on the Saint's feast day (22nd of July). During the course of the 18th century, the Gothic furniture was replaced by Baroque pieces. The Baroque altar sheets that were replaced by neo-Gothic altars (by Josef Stauder, San Candido) in the 19th century, were carefully preserved and hung on the walls of the choir stall with three pictures: S. Magdalene, S. Sebastian and S. Peter. Even though only the last of the three bears the signature of Seb. Unterberger, it is very likely that all three pieces were realised by his hands. Visiting hours: daily from 9 a.m. to 5 p.m.

Less than two years under construction, a new church was consecrated
by Bishop Ivo Muser on 27th August 2017, to coincide with St. Monika’s
Day. The new church follows a very simple layout. After literally crossing
through an oversized marble cross at the entrance, the first thing you see
is a coloured light falling on the altar through the dome. The new church is
well worth a visit.

In the 14th century, the Proveisers built the church "To Saint Nicholas with the bullets", the patron saint of mines. As copper and gold were mined earlier in this mountain area and many a squire later settled as a farmer in provis, the Romans Nonsberger also called the Proveisers "Knòperi".

In the 19th century, the old church was so dilapidated that it had to be completely rebuilt. From 1870 to 1876, under the curate Franz Xaver Mitterer, the parish church Proveis was built in neo-gothic style. Particularly impressive are the free-standing tower and the frescoes by Albrecht Steiner inside the church.

The first stone was laid for this simple, typical construction of the Capuchin in 1636 and the Church was consecrated just one year later. The altarpieces, presumably realised by Josef Renzler in around 1800, are worthy of note: The Patron Saint Magdalene, together with St. Francis and St. Anthony, can be seen on the main altar, while St. Felix and St. Anthony of Padua are depicted on the lateral altars.

The peasant chapel at the Pfaffinger (near the court Linde) is a modest building and was built in the 19th century.

In 1726 a little church was dedicated to the miners of the “Pfunderer” mine. However, it was immediately too small so that today’s construction of the Early Baroque with choir and little tower was built in 1736. The secluded little church was expanded in 1934, though plundered and devastated in 1964. Until the First Wold War there had have been a weekly mass, initially Saturdays, since 1840 every Thursday. The cultural and historical altarpiece is a replica, the original altarpiece is located in the parish church to the St. Stephen. It shows the miners at work and around them the saints of the miners. (St. Daniel, evangelist John, Virgin Mother with the baby Jesus and her mother the saint Anne, as well as patron saint of the mines Barbara)

The Parish church of St. Sebastian is situated on a hill in Luttach/Lutago with a beautiful panoramic view. The chapel was constructed in the 13th century and then enlarged and on 21 September 1496 consecrated by Bishop Konrad Reichard. A external restoration has been taken in 1995.

ST. MAGDALENE'S CHURCH IN MOOS (Mooskirche): St. Magdalene’s Church was built in the year 1490 through a donation provided by Countess Paula von Gonzaga, wife of Margrave Leonhard von Görz. The early baroque high altar dates back to approx. 1600. A relief plaque depicting the Adoration of the Magi, a work by Michael Parth from the late Gothic period (around 1520), adorns the high altar. The church is located a short distance outside of town in the direction of Welsberg/Monguelfo. Open to the public: Early April – early October 8am - 7pm

The St. Blasius Church in the  fraction Verschneid celebrates its patronage with the distribution of the Blasius blessing on February 3rd. The tower is still Romanesque, the church was enlarged and gothicised around 1500. Very expressive is the baroque fresco (1621) "Vom Gastmahl des reichen Prassers".

The original church of San Leonardo in Bronzolo/Branzoll had become too small and so the new neo-Romanesque parish church was built in 1896. It is a three-aisled basilica with a perforated clerestory, flat ceiling and a bell tower with a pyramid roof. The church was inaugurated in 1897 and dedicated to the Sacred Heart of Jesus.

This church was probably built between 1220 and 1225. It is dedicated to the Assumption of the Virgin Mary. It has been very much altered over time and in 1510 was enlarged in the Gothic style. The tower, which is not very tall, was probably first erected in 1300 and shows signs of the coming Gothic style, as do the slightly pointed tower windows. The tower was not extended in 1510 and so today makes rather a modest impression

Evidence of a church in this area dates back to the mid-13th century, but the construction of the building as we know it today began in 1412 when the choir loft was built by Konrad von Neumarkt. It was completed when the vault was finished at the beginning of the 16th century. The façade of the church is dominated by the bell tower, which stands above the entrance and forms a vestibule leading to the entrance portal. Next to it, a niche for donations is decorated with a fresco of a Madonna and Child, and on the west side of the tower, a small wooden roof protects a fresco of St. Christopher with the Child Jesus. The interior of the church looks light and elegant. Light streams through eight windows, four of which belong to the choir. Of particular value are the Gothic tabernacle and the pulpit base. Of the frescoes in the interior that have survived the test of time, those on the south wall are attributed to the painter Konrad Waider at the beginning of the 16th century. Coat of arms paintings of the Payr of Caldiff and Khuen mark their tombs on the north side of the nave. In 1767, the church was desecrated because the Trudner Bach, which had overflowed its banks, had destroyed a large part of the interior. As a result, it was used, among other things, as a storeroom. Around the middle of the last century, people became aware of the artistic value of the building, restored it, and consecrated it again. Today the church "Unsere Liebe Frau in der Vill" is considered one of the most beautiful late Gothic churches in the country.

The parish church of the same name, which was first mentioned in 1177, is located in the rapidly growing capital St. Andrä. Its late gothic reconstruction in the period around 1485 with a presbytery and tower which is still characteristic today.  In the 18th century a striking baroque style was introduced. Georg Tangl, director of the Brixen seminary and  priest of St. Andrä, provided for a rich decoration with stucco (Franz Singer) around 1770. Around 1736 the ceiling frescoes by Jakob Jennewein depicting the martyrdom of St. Andrew were painted. In 1930 the altarpiece was painted by Johann Baptist Oberkofler.

The Maria Hilf Chapel in the cemetery is a compact octagonal building dating from 1696, and the octagon, a work by the Bolzano master builder Delai, is considered an important model of Baroque central building. The altars of Mary, Anthony and Notburga are also works of art from the late 17th century.

The little St. Joseph Church in Ronchi - “Kirche St. Joseph in Rungg” in German, “Chiesa di San Giuseppe a Ronchi” in Italian - is, compared to the other churches in the surroundings of Lake Caldaro, a more recent construction. The building was planned in 1900 by Ferdinand Mungenast, an Austrian architect, who designed also other significant buildings in Bolzano and the Oltradige area, such as the Grandhotel d’Appiano or the St. Joseph Church in Frangarto. Seven years after its edification in 1901, the St. Joseph Church was embellished with a steeple.

Nowadays, the sacred building presents itself with a two-bay groined vault, a polygonal choir termination and a church tower with a pointed spire. In 1977 the church was placed under monumental protection. Worth seeing are above all the artworks by Ferdinand Stuflesser (1855 - 1926), a famous sculptor from the Val Gardena valley in South Tyrol: the altar with the statues of St. Joseph with Jesus the child and St. Francis de Sales, patron saint of writers and deaf people, as well as St. Teresa of Ávila, also called Saint Teresa of Jesus, the national patron saint of Spain.

Above the church entrance there is the statue of St. Anthony of Padua, venerated as the patron saint for the recovery of lost items. It is located in the hamlet of Ronchi (Rungg), which can be found along the South Tyrolean Wine Road after the centre of Termeno and before the wine village of Cortaccia. Also the public bus stops there.

Andrian's parish church is dedicated to Saint Valentine. The patrocinium of St. Valentine suggests that it was a place of worship here very early on. The first documented mention of a church dates back to 1231. The oldest part of the present church consists of the lower part of the tower with the three-part ogival spire windows. Unfortunately, the nave of that time has not been preserved, but it is part of the building erected in the early 16th century, which today forms the choir of the church and has preserved its late Gothic elements with its ogival windows and star-ribbed vaulting. Some frescoes from that period can still be seen in the present-day sacristy, as well as the statues of Mary with Christ Child, St. Sebastian, St. Anne, St. Barbara and St. Catherine (late 15th/early 16th century) in the neo-Gothic winged altar, which was only made in 1904. All the rest of the church, including the nave and the upper part of the tower, was not built until the 19th century (nave 1852-1854, tower 1883) and in 1864 the side altarpieces were painted by Anton Psenner.

Translated with www.DeepL.com/Translator (free version)

The church St. Georg in Antholz Mittertal was rebuilt in 1798 to today's baroque church. It is assumed that Antholz Mittertal had already a church in the year 1000.

The church from St. Georgen is situated on a very historical plateau close to Versein. Numerous findings from the Bronze Age testify the prehistoric settlement of this beautiful place. The carved Gothic altar is ornamented by the statues of Saint Georg, Saint Oswald and Saint Leonhard.

Josef Runggaldier commissioned this parish in 1900 to honour St. Joseph as a sign of his gratitude after having survived an accident whilst working in the woods. A painting inside the church depicts the episode. The extension project was stopped in 1979. However, a new church was started in 1981 and consecrated in 1984.

A House of worship was mentioned in Terento in 1362, a church must have been there long before this however. Bishop Hartmann from Bressanone consecrated an altar in 1162. A new long nave was constructed in 1683/84. The Parish Church was extended from 1848 to 1850 and re-designed in a late Romanic style. A comprehensive restoration took place in 1964. During the course of this restoration, the foundation walls of an almost square-shaped church room from Roman times were discovered. Preserved from the late-gothic building are the choir with its three-sided completion, and the rectangular block stone tower with pointed acoustic windows. The long nave was reconstructed in late Roman style at the middle of the 19th century. The barrel vault dates back to the late Roman reconstruction and is decorated with ceiling paintings by Christoph Brandstätter. The ceiling paintings were restored in 1896. The altars of the Parish Church show the transition from classicism to late-gothic. Adjacent to the Parish Church you can admire a late-gothic Holy Cross Chapel, which was consecrated in 1520. The chapel impresses with a polygonal choir and a stellar vault.

The local parish priest, Anton Martin Schenk, had the Santissima Trinità (Church of the Holy Trinity) built in the Velloi (Vellau) district in 1742. The church soon became too small for the growing population of the village and was extended by local peasants, completed between 1894 and 1895. Only then Velloi could accommodate its priest for the first time. The latest restoration of the small church was in 1975.

The first church was dedicated to St. Maria Magdalena and was built in the 12th century. In the 14th century there were structural changes, which served the beautification and were necessary for conservative reasons. The change of the patron of Magdalena to Martin was supposed to have been completed in 1613, from then on, only a church of Saint Martin is mentioned.

The first testimony of this gothic construction is dated 1577. In 1789 a barrel vault ceiling decorated with rough frescoes was built. The modern-day choir was added when the Church was enlarged, after damages caused by an avalanche in 1817.

The Holy Cross Chapel is a mountain chapel on Resciesa near Laion/Lajen. The little church was built in 1755 and has been preserved until today. The last restoration took place in 2012 by the rifle company Laion and since then the chapel has been protected as an architectural monument. Inside the church there is a large crucifix that dates back to the first half of the 18th century. In summer, the chapel is always open to visitors during the day.

The small church in St. Jakob got its actual shape in the 15th century. The Christophours – painting on the outer wall as well as several paintings of saints on the inside were made by an unknown master of Brixen of the 15th century. The altars are new Gothic.The church is locked for safety reasons, the keys are available at the nearby farm.

This church is one of the most coherent structures of the late baroque period in the Pustertal valley. It was built around 1770 reutilising the late Gothic walls of a previous nave. Consequently fragments of frescos by the master Simon von Taisten have remained. The interior was decorated by Franz Anton Zeiller in 1768, while the St. Erasmus chapel contains tomb stones in memory of the Counts of Welsberg who are buried here. The adjacent chapel of St. Jacob is graced with murals by Simon von Taisten.

Patronal feast: November 25th

The church had a late-Romanesque preceding building, which has now disappeared. The new construction dates back to the 15th century, the choir Fresco (Marientod), to about 1400. Agnes von Werdenberg, the widow of Henry of Rottenburg, donated the fresco to the side altar. The church was built by architects from Como, around 1517.

Source: Parrish office Kaltern

The long aisle in the monastery is impressive, with its many votive plaques. Maria Weissenstein / Pietralba (1,520 meters above sea-level) is South Tyrol's most-important place of pilgrimage. It is among the most highly venerated religious sites in the entire province. This place of pilgrimage has been served by good roads from two directions for a couple of decades, now. The one road comes from the Eggen Valley, via Deutschnofen / Nova Ponente and Petersberg / Monte S. Pietro to Weissenstein/Pietralba. The other road ascends from the Etsch/Adige Valley, touches Aldein/Aldino, and ends in Weissenstein/Pietralba. The stream of pilgrims has increased markedly since the visit here by Pope John Paul II in July of 1988. This place of pilgrimage – including the church, the Pilgrims' House (built in 1897), the souvenir store, the inn (built in 1708), and the parking lot – is well-equipped not only for devout pilgrims, but also for the many hikers who stop by here. Open daily from 8:00 a.m. till 6:00 p.m.

This parish church has been rebuilt between 1960 and 1962 according to the plans of the architect Luis Plattner and replaced the Church St. Valentin as main church in Brenner.

In the 8th century, there was probably a church at the place where the present church of St. Korbinian stands. The church was restored in the 12th century in the Romanesque style. At the old nave, a Gothic chancel was added in the 15th century, with reticulated vault and arched windows. In 1615/16, barrel vaulting was added, later extended in the mid-19th century also to the west. The south wall of the church is decorated with frescoes dating to the end of the 14th century.