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Due to population growth, the little church of San Giacomo/St. Jakob had become far too small. So it became necessary to think about a new church in the centre of the village. The foundation stone was laid in 1951 and the church was completed in 1954. In 1964, ten years after its completion and opening, the church was consecrated by Bishop Josef Gargitter.

Churches that are dedicated to St. Peter are usually very old churches. For this reason it comes as no surprise that a Church of St. Peter was mentioned in the parish archive as long ago as 1305. The church of St. Peter in Mitterlana was built in its present form in 1680.

The church features elements of the Renaissance and Baroque periods in both its structure and elaborate furnishings. Alterations, renovations and additions took place between 1770 and 1776, in 1836, 1860, 1901/02 and in 1986.

The parish church "Our Lady in the Moss," located in the south of Sterzing, is considered one of the largest in the Alpine region. It is a late Gothic structure (choir 1417-1451, nave 1497-1524). White marble was used for the massive pillars inside. Significant is the winged altar by the Ulm master Hans Multscher (details in the nearby Multscher Museum) and many other artworks. Particularly richly decorated is the south portal of the church designed by Mattheis Stöberl, with a  commemorative inscription marking the laying of the foundation stone for the nave by Maximilian I in 1497. The Baroque frescoes date back to Adam Mölk and were completed in 1753.

Postumia Viktorina stone: Roman tombstone found in 1497 during excavations for the foundations of the parish church. It is now located inside the church on the north side.

A beautifully restored Baroque church featuring an onion-domed steeple.
The original church was consecrated in 1370. Inside, the high altar displays a depiction of the Baptism of Jesus, while the side altar features a painting of St. Elisabeth by Franz Unterberger (1707–1776).

Holy Mass in Italian:
Monday, Tuesday, Wednesday, and Friday at 9:00 AM
Saturday at 6:00 PM
Sundays and ecclesiastical holidays at 6:00 PM (during July, August, and the Christmas season)

Built in 1402/03 in Gothic style with a 52m high church spire. The altarpiece dates from the Baroque period. The impressive Via Crucis was made by artist Nikolaus Auer from the Passeirer Malerschule school of painting.

The church was built in the 14th century, but was extensively rebuilt in the 17th century. From this time date the today's doors, the round arch windows as well as the barrel vault originate. The 18th-century side statues depict St. Joseph and St. Anne. Outside, on the south wall, there is a Pietà (1916), and on the tower is a fragment of a Christopher from the 15th century.

This little church is located in Maia Alta (Obermais), below Labers Castle and near the Gardens of Trauttmansdorff Castle. Because of its picturesque location surrounded by orchards and fields, it is a popular hiking destination. It is dedicated to St. Valentine, who was engaged as a messenger of faith in the region in the fifth century and was buried in the mortuary chapel of San Zeno (Zenoburg) Castle.

The parish church Maria Himmelfahrt in Meltina/Mölten celebrates its patronage on August 15th. Of its original Romanesque structure, only the lower part of the bell tower is left. The church was Gothicised in the 15th century and extended in the Renaissance style in 1651. Particularly impressive are the coronation of Mary on the high altar (late Gothic) and the Gothic predella on the side altar representing the death of Mary (from Michael Pacher's school).

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows.

The chapel stands in the middle of the smal village Pazin. The roof and the attached wooden tower are covered with wooden shingles. In the sanctuary stands in a niche of stones, the statue of Our Lady of Lourdes. Above the altar on the ceiling, in a blue star, is a maria monogram painted in gold with glowing rays. On the barrel vault a cross with the heart of Jesus is painted on blue background and decorated with golden stars.

It was probably originally the Palatine Chapel and was enlarged several times. Later, a collegiate chapter was established there (1214), in addition to the cathedral chapter, and after its dissolution it served as a church for the pastoral care of students. The altarpieces were painted by Theophilos Pollak (around 1638). Today it is the church of popular piety, with Mary Help of Christians, Pilgrim Madonna, Madonna of the Ear of Corn, Lourdes Mother of God, St. Joseph, Rochus and Sebastian, Rita of Cascia.

In 1843, in Untersirmian, the small Heart of Jesus church was built, which is the first of a  few churches, which were consecrated to the heart of Jesus. The simple building houses a Baroque altar from the 18th Century (1713). The tower was finished in 1857.

To the south of the cloister is the chapel of St. John with its unobtrusive exterior, originally probably the house chapel of the bishop, later the baptistery. It has two floors and is decorated with precious frescoes from the romanesque (1250), early (around 1320) and high gothic (1st century of the 15th century). According to tradition, the Synod of Bishops met here in 1048, which Emperor Henry IV had convened in the course of the investiture conflict in order to have Pope Gregory VII deposed and elevate Clement III to the position of antipope

The chapel was built in 1973 by the neighbors. It retains a statue of the Madonna of Lourdes from the parish church of Oberrasen / Rasun di Sopra.

Built at the start of the 15th century in the Gothic style, the frescoes in the church are by Johannes of Bruneck and date from around 1420. The crypt of the Ursuline Church is the oldest part of the entire cloister building and dates from the period around 1410; the crypt space is almost empty, but hugely atmospheric - sanctified by centuries of the silence of the dead.

Holy Mass: Mondays to Fridays at 5.30 p.m., Sundays and holidays at 10.30 a.m. (in German language)

The Church of St. John Nepomuk was built in the 17th century. It carries trains both the Renaissance and the Baroque and contains precious altars, statues and votive paintings, which recall the once flourishing pilgrimage here.

The St. Jacob Church was built in a location that already in pre-Christian times was a place of worship. Today’s late Baroque church since 1775 covers a Romanic chapel and a Gothic church. The Madonna on the high altar and the three female figures on the southern side altar date from the Gothic period.

This chapel of pilgrimage is situated on the southern slope of the Spinges mountain. Its simple construction dates back to 1641, and was built by the curate Georg Stocker. There is a painting in the chapel, depicting the scene of Jesus bidding the Virgin Mary farewell.

The church is build in Gothic style and is dedicated to St.Nikolaus.
The church is located in Issing/Issengo.

Church from the 13th century. Remnants of mural from the 14th century on the facade. Remains of a wooden church from the time around 800 AD, the only one south of the Alps. Only open during masses.

The modest little church in Maria Saal was built in the mid-1600s and then was expanded in 1719. According to a local legend the miraculous image above the altar had originally hung in a sheep barn. Due to an ever-growing number of pilgrims then finally a church was built. Like many other churches, this one too was closed down under the reign of Joseph II. In 1847, it was re-inaugurated by prince bishop Johannes Tschiderer who celebrated his first mass in Collalbo on August 3rd 1800. Tschiderer was beatified by Pope John Paul II in 1996.

The rather particular motive, a fresco of the Madonna with an umbrella, in the round arch between presbytery and nave has contributed to this pilgrimage church’s popularity. The fresco was painted by Alexander Dejaco as an expression of gratitude for his unscathed return from World War I, leaning on the prayer “Under thy shield and protection we seek refuge, o holy mother of God”. This painting also takes on a special meaning as the Renon mountain is a rather arid area, thus its farmers would pray to the Holy Mother for rain in times of great draughts and water scarceness.  

Since the second century, there is a church on the hill in S. Valburga / St. Walburg. It is believed that their location dates back to an even earlier sanctuary. The tower and apse are Romanesque in style and date back to the 12th century. At the end of the 15th century, the windows were raised and equipped with pointed arches, which enlarged the formerly round apse and transformed it into a Gothic presbytery. In 1840 the nave was extended, in 1867 the bells were renewed. The high altarpiece represents Saint Walburg, the two side altars are dedicated to the Sacred Heart of Jesus and Mary. Above the bow you can see a painting by Peter Fellin from Meran. From the same painter are also the murals of the patron saint of St. Walburg and those of her uncle, St. Boniface. Legend has it that the church has been relocated to the center of the village time and time again, but Saint Walburg has always returned to its hilltop location.

In lieu of the parish chapel built in Widum itself under parish priest Paul Nardin, a free-standing and somewhat larger Widum chapel was built in the courtyard in 1869 under parish priest Johann Clauser. It is dedicated to St. John of Nepomuk. The parish with its vaults at ground level, flight of stairs to the 1st floor, and the window and doorframes made out of stone is one of the most ancient buildings in Auer/Ora. It was renovated and extended in an exemplary manner by parish priest Peter Paul Hofmann in 1992. In addition to the parish flat, it houses rooms for the church associations as well as small and large parish rooms.

The Franciscan order settles in town in 1221; the present building Dates back to the rist haf of the 14th century, but the original ceiling, flat and with a choir of polygonal shape, has been replaces by a vaulted ceiling from the 15th century. The coister is a beautiful example of gothic art, which replaces the Romanesque style in which the rest of the building was built; there are different frescoes from various periods of time, including some from Giotto's School and some from the 17th and 18th century. The church still preserves an astounding wooden altar by Hans Klocker of Brixen (painted Wood - 1500) which was dedicated to the Nativity Scene. The choir of the church is embellished by the modern glass panels of Widmoser.

Church San Zeno at Pino/Pein S. Zeno in Pino was constructed during the 12th or 13th century. The chapel is located south-west of the Parish Church on a secluded hill between two ravines. The chapel shows the former Roman construction style at the door and window areas. The tower was added in 1794/1795. Major construction works took place in 1770. This could be the first time the church was vaulted. The frescos inside the chapel were realised by the Baroque painter Johann Mitterwurzer (1745-1788). The baroque altar construction with an image of Mary dates back to the second half of the 18th century. Also worth a mention is the bell dating back to 1539. The last restoration took place in 1987/88. The church is closed.

The church in St. Jakob in der Mahr was consecrated in 1428 to the patron of the pilgrims. On the inside, the artistic decor is remarkable: in the vault the lamb God, surrounded by 16 arms, such as Brixen, Kärnten, Austria and many local aristocratic families. The representation of the legend of Jakob in the choir is from the painter- school of Master Leonhard von Brixen.

The church was built between 1821 and 1824 under the supervision of Jakob Prantl. The frescoes were created by the local painter Josef Renzler in 1823.

The parish church of St. Gertrude in Magrè sull Strada del Vino is one of the most curious churches in Bassa Atesina, since the church tower is separated from the nave by a street. This, however, was not always the case. The church was first documented in the year 1343; at this time, the nave was located next to the tower and was considerably smaller than it is today. In 1466, the church was rebuilt and the church tower, which contains two beautiful bells from the 16th century, was made taller in 1513. At the beginning of the 17th century, the rectory was built and building on a larger parish church was begun. For lack of space, the church was built on the other side of the street, which led to its separation from the tower. The new church was dedicated to St. Gertrude and the old building was torn down. The baroque interior of the St. Gertrude parish church is one of the most beautiful in Alto Adige. It is very bright and clearly structured. The altar wall is made of stucco marble and shows a fresco of St. Gertrude. The only original furnishings which remain are the side altars, certain sculptures and some paintings.

The old Romanesque parish church, of which only very little remains today, got up at the same place as today's building, but it was much smaller and was across the present church building, facing east. In 1714 the tower was placed a Baroque onion. 1842-1845 was built on the site of the old, the new, classicist parish church. The parish church belongs to the biggest columnless church buildings in South Tyrol: She is 40 m long and 15,6 m wide in the ship. For her great she's also called the "cathedral on the mountain". Josef Arnold and his sons painted the blanket areas in 1844. The frescos show conditions of Stephanus and Laurentius' lifes. The altarpiece of the high altar shows Maria with the Jesus and the two deacons Stephanus and Laurentius. On the blanket are four smaller paintings with scenes from the Gospel and the four evangelists.

The church St. Valentine dates back to 1303 and the nave as well as the bell tower are built in Romanesque style. Probably there was already a previous church at this position around 1090. While the majority of the frescoes inside the church date back to the 15th century, the oldest ones were painted in the 14th century. Exceptional is the Gothic winged altarpiece, an oeuvre by Hans Klocker from 1500.