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This modern church, which recalls the buildings of De Chirico, is located in Piazza Mazzini. Masses in Italian: weekdays (Monday to Saturday): 5:00 p.m. Wednesdays (bilingual mass): 5 p.m. Sunday: 10:30 a.m. & 6:00 p.m. Masses in German: Mondays, Tuesdays, Thursdays, Fridays: 6:00 p.m. Wednesdays (bilingual mass): 5 p.m. Days preceding holidays: 6:30 p.m. Sundays and public holidays: 9:00 a.m.

Not far from the San Giuseppe (St. Joseph) Parish Church in Riomolino (Mühlbach) is the early Gothic church of St. Mary and the adjacent Maria Steinach Convent. These were built in 1241 by Countess Adelaide, the daughter of Alberto, Count of Tyrol. Legend has it that two doves appeared to show where the Countess should build the convent. During the reign of the Austrian Emperor Joseph II, the convent was closed. It was re-opened in 1848 by the Dominican Nun´s Order of Linz.

The church dedicated to the Holy Mother Maria (1244) stands in the center of the village with its tower covered with fine, red tiles.

Patronal feast: June 26th

The church has been dedicated to the diocesan patron Vigilius of Trento and is a new building from 1491, in 1497 the vault was withdrawn. The tower belongs to the 14th century, on its north side are remains of a Christophorus picture from 1360/80, the “Kummernusbild” on the west side has been realized around 1420.

Source: Parrish office Kaltern

This irregular building shows that the church was built in different periods, from the 13th to the 16th century. In the church stands the famous "Madonna with the infant Jesus holding grapes" by Michael Pacher. In the attached Egererkapelle, frescos from the Michael Pacher school.

The "Leitnstöckl" is one of the many plague shrines in our area. At the "Leitnstöckl" there is a beatiful view of the surrounding mountains an the center of Dobbiaco/Toblach. 

The hiking trail offers a wonderful view of Dobbiaco and leads past the Leitnstöckl chapel. The chapel is of great historical importance as it is one of the plague sticks and is reminiscent of the time of the Black Death in the Alps. The path leads through Dobbiaco and the sunny faction Wahlen.

The church of San Silvestro/Wahlen is devoted to St.Nicolas, patron saint against flooding and avalanches. The church was bulit in the 16th century. 

A church in Wahlen was first mentioned in a document around 1258. Certainly in the 15th century, but probably already in the 14th century, there was a little church dedicated to St. Nicholas in Wahlen. According to the inscription on the choir vault, the Gothic church of St. Nicholas in Wahlen with its rich net vault and beautiful portals was newly built in 1512 by the master builder Andre Firtaler from San Candido.                                          

Built in 1949/50, altar fresco of tungsten Koeberl from Innsbruck, Calvary of J. B. Oberkofler from 1960, the Madonna of the XVII century, the stained glass windows in the chapel of the dead Max Spielmann from Innsbruck, the rest of the church windows and the new organ of the company Felsberg from Chur. Categories: culture, Sacred art

For a long time, the entire religious life of the valley revolved around the church of La Pli/Pieve Marebbe. Once the most important house of prayer in the valley, records state that since the appointment of one Marquardus as the first pastor in 1214, Marebbe has always had its own resident pastor. Records dating back to 1347 list the church as the "parish church of the Virgin Mary of Marebbe".

Today, it is a grand four-naved Baroque church with a particularly beautiful wooden high altar, skilfully carved in Renaissance style in 1636 – at a time when the Black Death raged through the valleys. The centre features a statue of St. Mary of Graces. Both for the population of the Badia valley and many pilgrims from the Pusteria valley, this picturesque temple remains a well-loved and much-visited place of pilgrimage.

Martinsweg trail is an easily accessible, newly laid circular route named after the small Church of St. Martin, which is located close to the Eggerhöfe farmsteads.

The new parish church of Marein was designed in 1973 by the Bolzano architectural partnership Abram&Schnabl as a "house among houses". The tower was not added until 1982.

The Parish Church of Mary Assumption (Maria Himmelfahrt) in Tisens was first mentioned in 1194 when it was a Roman church. During the 16th Century it was restructured in Gothic style. The high altar was built in 1896. In 1986 the church was renovated. Artefacts worth seeing are the glass paintings from the Augsburg School (around 1520), the family crypts of the counts, the baptism stone with a wooden structure and the Heart of Jesus painting from 1796. Next to this Parish church you find the Saint Michael's Chapel from the 15th Century with late-Gothic frescoes and an "Ossarium" in the basement.

Where today the neo-gothic church of S. Pancrazio stands, used to be the oldest church of the Ultental Valley. The remains of the old long house walls are still preserved. The church was rebuilt in 1338, and in the second half of the 15th century the choir and the vaulting of the nave were built. Around 1890, the Baroque interior was replaced by a Gothic Revival interior.

The tower clock with richly painted dials and the holy figures on the church doors are particularly worth seeing. The pointed arch portal adorns the neo-gothic carvings of Blasius Mayrhofer, a native of Ultental Valley. Look out for the impressive high altar dedicated to the patron saint of S. Pancrazio and the Gothic 15th century Madonna on the right side altar.

The holy Apostle Andreas is the parish church in Ratschingstal/Val Racines consecrated. It was first mentioned in 1326, and about 400 years later, a complex reconstruction took place in which a round choir and barrel vault were created. The form remained the same despite various renovations, and so in 2004 the 250th anniversary of the local church was solemnly celebrated.

This church was first mentioned as long ago as 1166. It was rebuilt in 1251 and extended in around 1480, when the bell tower was built, of which after a fire only the lower saddle roof has been preserved. Today part of the old church serves as a chapel, and part as a vestry. The large bell, Annamaria, which weighs 3,163 kg and dates from 1847, is noteworthy. The new Pfarrkirche Maria Himmelfahrt parish church was consecrated in 1901. This neo Gothic place of worship with three naves was built to plans by the Viennese architect, Anton Weber. The main altar, the mosaic, side altars, wooden sculptures and four reliefs in the chancel are all worth seeing. 2002 saw the restoration of the pneumatic organ built by Josef Behmann in 1911, which is a protected monument. The sound of the church bells ringing even inspired Franz Liszt to compose “Ihr Glocken von Marling” (Bells of Marling). There is a replica of Marling parish church in Selsley, England.

holy grave open to Easter the holy grave ist  uniquely in South Tyrol

Maria Rast Chapel: the church can be found just outside the village, on the path of the same name. History: this is the first historical church building in the area. In 1874 Josef Vonstadl, the diocese architect designed the building, and it was built shortly after. The neo romantic style is clearly visible, the bell wall, cross vaulting, arched windows and much more. In the yard, if you look carefully, you will the mosaic Stations of the Cross made by the local artist Robert Scherer. Architectural style: this small church is a well-loved place of pilgrimage, even today. Marriages also take place here. Walking: a walk around this area is well worth it as it is not too strenuous. On longer walks from Girlan to St Michael, you can stop at this delightful little church.

Parish Church in Sesto/Sexten The parish church of St. Peter and St. Paul in Sesto will impress you with its artistic masterpiece, the “Danse Macabre”, carved at the entrance to the cemetery by the South Tyrolean sculptor Rudolf Stolz. Peter and Paulus Parish Church in Sesto/Sexten The church was constructed around 1824/26 and hosts altar sheets by the Venetian painter C. Dusi. Ceiling frescoes and the Stations of the Cross are a masterpiece by Albert Stolz. On the well looked-after cemetery, are not only the graveyards of Sesto mountaineers, but also wood and sandstone sculptures by South Tyrolean artists. The frescoes by the painter brothers Ignaz, Alber and Rudolf Stolz are very impressive, whereby Rudolf Stolz also realised the beautiful "danse macabre" at the entry to the cemetery. Furthermore, you can admire a baptismal font dating back to 1650, and the beautiful cemetery with arcades.

The Parish Church of Saints Peter and Paul – A Testament to History and Faith

The Parish Church of Saints Peter and Paul, formerly known as the Church of Saint Nicholas, is a significant cultural and religious landmark deeply rooted in the history of Parcines. Its first documented mention dates back to 1264, though its origins are even older. Around 1502, the church was renovated in late Gothic style, giving it the distinctive character it retains to this day.

The Origins of the Church of Saint Nicholas

The original church, built around the 10th century, was constructed on the foundations of a small early Christian chapel. This chapel was oriented east-west and built in Romanesque style with square marble blocks. It was dedicated to Saint Nicholas, venerated as the patron saint of sailors and merchants. The oldest parts of this structure now serve as a crypt and mortuary. The current sacristy, dating back to the 14th century, is another surviving element of the historical building.

Expansions and Transformations Over the Centuries

During the 16th and 17th centuries, the church underwent significant expansion to accommodate a growing community. In the 18th century, new monumental altars were added, forming the artistic and spiritual centerpiece of the church. The high altar is an impressive depiction of saints: Saint Nicholas is shown at the top, with Peter and Paul below him. On the sides, statues of Saint Valentine and Saint Vigilius complete the ensemble.

The side altars are dedicated to the Sacred Heart of Jesus and the Sorrowful Mother, reflecting the community's deep Marian devotion. The majestic pulpit, a relatively recent addition, was installed only about 110 years ago and blends harmoniously with the church's historical setting.

The Chapel of Our Lady and Its Artistic Treasures

Particularly noteworthy is the side chapel dedicated to Our Lady, known as "Our Blessed Lady," built around 1350. Inside, it houses the magnificent Marian altar, symbolizing the beauty and reverence of Marian devotion. Another treasure of the chapel is the angel from the plague altar, a symbol of hope and healing in times of hardship.

An extraordinary masterpiece is the sculpture group of the Death of the Virgin by Jörg Lederer († 1550) of Kaufbeuren. This valuable artwork, preserved in the presbytery, is the only surviving element of the original late Gothic high altar. The meticulous attention to detail and emotional expression of the figures make it an outstanding example of late Gothic art.

The parish church Saint Catherine of Alexandria, mentioned in 1347 and consecrated in 1452, is the first church of Corvara. In the small church, built in late Gothic style, you can admire some admirable works of art.

For example, there are some frescoes and a winged altar dating back to 1520, the only well-preserved winged altar in Val Badia. The altar was realized by the workshop of Ruprecht Potsch and was restored in 1975. According to legend, the landscape paintings on the two panels of the altar are by the famous painter Titian, who was probably in Corvara for a short time. Art experts attribute the work to an artist from the so-called Danube School, Albrecht Altdorfer.

Around the church there is, as usual in our alpine area, the town cemetery.

The 5 chapels (1519) representing scenes from the Passion of Christ. Together with the former "Görz" chapel in the parish church and the circular chapel in Lerschach, they form the so-called "Calvary Mountain" pilgrim road. The chapel was built to commemorate the fallen in the war against the Republic of Venice.

Just like the innkeeper Georg Paprion from San Candido, also the innkeeper Johann Klettenhammer from Prato Drava, was a zealous pilgrim. Both lived around the same time, and like the outer church realised by Paprion, the Loreto Chapel realised by Klettenhammer also provides a testimony to Baroque devotion. The town of Loreto in Italy was a popular destination for pilgrims even in the 17th century, since drawings and paintings of its Chapel of Mercy can be found everywhere in Tyrol. Johann Klettenhammr brought back a copy of the miraculous image from his pilgrimage to Loreto, and constructed a chapel in the style and shape of the Chapel of Mercy - the Loreto Chapel - beside his house. The chapel was consecrated in 1650. It was struck by detritus carried by the flooding of the two rivers, the Mittereggerbach and the Mühlbach several times - the last time in 1965. For the inhabitants it was a miracle, that the chapel had never been destroyed by these miseries: hence, the Loreto Chapel became more and more of a destination for pilgrims. The fresco on the outside wall depicts the legendary transport of the house of the Sacred mother by angels to Loreto. Visiting times: daily from 8 a.m. to 6 p.m.

The Christkönigskirche church, also known as the new parish church, was built between 1961 and 1963. The church has a flat-ceiling nave with a separate altar area. The two stained glass windows are by Heiner Gschwendt from Klausen/Chiusa, the church organ, consecrated in 1987, is by Andrea Zeni, and all other works of art connected with the church, including the granite fountain in front of the church and the statue of the Archangel Michael made of Lasa marble housed in a niche on the church square, are by the famous artist Friedrich Gurschler (1923-2020†).

Friedrich Gurschler was born in February 1923 on a farm near Unsere Frau/Madonna di Senales in Schnalstal Valley and is an honorary citizen of Partschins/Parcines.

The parish church of "Our Lady": the present church was consacrated in 1516.

Starting from the 19th century the interior decoration was adapted to the taste of the age. The exterior is simple. The Gothic altar was created by a workshop in Val Gardena, while the lateral altars present a marked style of the Tuscan Gothic.

The tower in the Vadena district of Birti is the last remnant of the curacy church of St. Mary Magdalene from the 14th century. It is 24.6 m high and the walls are 70 to 90 cm thick. You can see the bricked-up arched windows on each side, only one is still open and intact. At that time, three bells hung in the tower, two smaller and one large. The brick helmet is damaged at its top, as the wind had thrown the button off the tower in 1743/44. Due to its very unfavourable location on the open valley floor, the Madgalena Church was hit by countless Adige floods. The church was flooded in 1755. The citizens of Vadena therefore thought about moving the church to the castle chapel in the courtyard of Vadena. In 1794, the church had to be abandoned after further numerous floods, because the water exceeded the altar refectory and the death chests floated around like ships. On 2 July 1795, a contract was concluded between the castle chapel owner Menz and the neighbours in Vadena and the castle chapel was designated as the new curacy church. In 1796, the Church of Mary Magdalene was demolished, only the tower still reminds us of the location of the old church. 

This chapel in the hamlet "Rü" was built in 1973 and is dedicated to the Madonna of Lourdes.

Built 1345 and transformed into the Baroque style in 1675, has an attractive onion shaped dome and interesting coats of arms.

The Franciscan Church was consecrated by the archbishop of Bressanone in 1697. The church is characterised by being back to basics, as the friar churches built during the Counter-Reformation clearly differ from traditional Collegiate Churches dedicated to belongings and culture through their simple and clear method of construction (planning: Franciscan friar Vitus Rastbichler from the Ötztal Valley). The Order's ideal of simplicity and poverty is reflected in the absence of a high bell tower and complex vaults and frescoes. After the entrance there's the small Chapel of Saint Anthony annexed to the nave destined for private meditation. The Fathers originally recited the choral prayers from the gallery. Not much of what distinguished the initial version of the church remains to be seen today, with the exception of the large oil paintings behind the side altars and the Franciscan saints on the southern wall. Today's altars are nice examples of Rococo art. The careful restoration works performed between 1992 and 1994 provided the Convent with its original appearance. The restoration project was awarded the Europa Nostra Prize in June, 1994. Visiting hours: daily (except Monday morning) 8 am - 6.30 pm

Built in the early 19th century in the neo-Romanesque style on the foundations of the medieval church. The tower and chancel date from the period around 1500. The picture of the three kings by Bartlmä Dill Riemenschneider, the son of the famous woodcarver, (dated 1541) is worth seeing. Close to the church, the local cemetery and remains of the medieval Burgstall castle are also of interest.

Holy Mass:
Saturday at 18.30 (in summer at 19.00, Sunday at 10.00 (alternately in german and italian language).