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The parish church exhibits worth seeing works: the high altar from 1884, side altars from 1903, the pulpit from 1867 and the Queen of the Rosary from the Baroque period around 1700. A high artistic value has also the oil painting of Franz Sebald Unterberger which represents the St. Stephen, as well as the glass painting with the subject of the miners of Villandro in 1520.

This small, originally Romanesque, church named after the not so well known Saint, is situated on a unique basalt hill above Lana.

St. Hippolyt is a popular destination for excursions, a mythical place of energy since ancient times and an archaeological excavation site of prehistoric times. On St.Hippolyt one of the oldest settlement areas of the region was located.

The place was first mentioned in writing around 1200 A.D. but findings of Neolithic arrow heads, blades and scraping tools are proof of early settlements dating back 4,000 years.

Some of the excavated items are on display at the site. There are also traces of fire scenes that prove that this place was a scene of pagan rituals long before it became a Christian site.

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The exposed location above Lana offers a fantastic panoramic view and accounts for the popularity of St. Hippolyt: From here you can see 20 towns and around 40 castles, fortresses and ruins. There is a comfortable walking trail leading from Völlan to the little church.

Mentioned for the first time in 1326 in a charter of the "Allerengelberg Carthusian Monastery" in the Val Senales/Schnalstal, which granted the monks "the right to fish from St. Helena's Church at the Tel/Töll up to Eyrs (Val Venosta Valley)." The walled-up Romanesque windows on the south side, as well as the patronage "St. Helena with the Cross," suggest an older age! The current form, an almost square structure with a straight-ending chancel with polygonal vaulting, definitely originated in the 14th century. The barrel-vaulted, straight-ending chancel and the small tower with a square helmet date from a later time. Remarkable is the panel painting on the north wall (15th century), the crucifix (16th century) and the statues of the "Sorrowful," "St. John," and "St. Helena" (17th century), the neo-Gothic altars from the 18th century, dedicated to "St. John of Nepomuk" and "St. John," and placed instead of the former Gothic high altar. From the fresco on the southern exterior wall, only a little of St. Christopher is still visible, and the niche of St. Helena is now empty.

Adjacent is the "Töllmesnerhof," which was also used as a schoolhouse until 1991.
In 1993, on the hundredth anniversary of Peter Mitterhofer's death, the first Typewriter Museum was opened in the former school rooms, thanks to the private collection provided by Kurt Ryba.


Visiting the church is only possible by telephone reservation (see contact).

The St. Jacob Church was built in a location that already in pre-Christian times was a place of worship. Today’s late Baroque church since 1775 covers a Romanic chapel and a Gothic church. The Madonna on the high altar and the three female figures on the southern side altar date from the Gothic period.

This small church near Völlan was built in 1705 by the Barons von Hausmann, who had a summer residence here.

The Church of St. John Nepomuk was built in the 17th century. It carries trains both the Renaissance and the Baroque and contains precious altars, statues and votive paintings, which recall the once flourishing pilgrimage here.

The Church of Saints Gotthard and Erardo was built in the 13th century by the Voitsperg next to the ancient preposition and restored in the 14th century. Rebuilt in baroque form by auxiliary bishop Wilhelm von Vintler and consecrated in 1695. Since 1971 it has been used as an evangelical worship.

Although this church originally built in Romanic style dates back to the 12th century, renovation performed after 1735 transformed it to the Baroque jewel we see today with the lavish ornamentation that recalls the exuberance of Rococo. The outside is characterised by arched windows, niches with statues, the impressive main facade crowned by a cross, angels blowing trumpets and bearing glowing braziers, and the walls' buttresses in the form of scrolls. Without doubt, this church is one of the most beautiful sacral buildings in Tyrol.

The altarpieces of the parish church to the hl. Nicholas holds a special treasure in itself: the statue of the Virgin Mary from 1450 by the famous Ulm master Hans Multscher. The organ with the seven registers was set up in 1904.

Even though Versciaco only became an independent parish in 1891, the church was first consecrated in 1212. The lower part of today's nave walls date back to this period. The initial construction consisted of a rectangular room with a small apse added to the east and a flat wooden ceiling. The last preserved remains of a proto-Gothic fresco date back to around 1300 and can still be admired: Saint Ursula and her companions. The church might originally have been devoted to this saint of noble lineage, also because all the Saints venerated until Late Medieval times were of princely blood or at least nobles. Every year, three processions from San Candido to this church took place on the Saint's feast day (22nd of July). During the course of the 18th century, the Gothic furniture was replaced by Baroque pieces. The Baroque altar sheets that were replaced by neo-Gothic altars (by Josef Stauder, San Candido) in the 19th century, were carefully preserved and hung on the walls of the choir stall with three pictures: S. Magdalene, S. Sebastian and S. Peter. Even though only the last of the three bears the signature of Seb. Unterberger, it is very likely that all three pieces were realised by his hands. Visiting hours: daily from 9 a.m. to 5 p.m.

The church of Saint Ulrich was founded during the 12th Century by the cloisters of Saint Afra in Augsburg and has been used as the Nals parish church since 1910. Time table: Saturday 19.00 Sunday 10.00

At the top of a little hill you can find the small church of Favogna di Sotto, dedicated to S.Leonardo. It is surrounded by an iron which, according to a old legend, is extended for one link every seven years and when the church is completely enclosed by the chain, the end of the world is near.

In the 19th and the 20th centuries many Russians chose Merano to escape from the extremes of the Russian winter, and to receive medical treatment in a healthier climate. In 1897, therefore, the "Zarenbrunn" complex was opened to serve Russian visitors. The Orthodox Church, dedicated to Saint Nicholas the miracle worker, was built to the design of a local architect, Tobias Brenner, and was furnished with both Russian and local works. After a recent renovation, space has been allocated in the Church to conserve an interesting collection of magazines and books (mainly in Russian). A collection of photographs testifies to the golden years of the community in Merano. Opening times: from 9 a.m. to 1 p.m. on the first and third Saturday of the month or by appointment. The Church is closed on holidays during the Easter and Christmas periods. Holy Mass is celebrated in the church on the first and third Sunday of the month.

Andrian's parish church is dedicated to Saint Valentine. The patrocinium of St. Valentine suggests that it was a place of worship here very early on. The first documented mention of a church dates back to 1231. The oldest part of the present church consists of the lower part of the tower with the three-part ogival spire windows. Unfortunately, the nave of that time has not been preserved, but it is part of the building erected in the early 16th century, which today forms the choir of the church and has preserved its late Gothic elements with its ogival windows and star-ribbed vaulting. Some frescoes from that period can still be seen in the present-day sacristy, as well as the statues of Mary with Christ Child, St. Sebastian, St. Anne, St. Barbara and St. Catherine (late 15th/early 16th century) in the neo-Gothic winged altar, which was only made in 1904. All the rest of the church, including the nave and the upper part of the tower, was not built until the 19th century (nave 1852-1854, tower 1883) and in 1864 the side altarpieces were painted by Anton Psenner.

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The gothic building Dates back to the befinning of the 15th century and houses the Teutonic order. The elegant building is well worth a visit for ist collection of coats of arms, mortuary shields, tombstones and flags of the members of the order dating back to the 16th and 19th century.

The parish church to the hl. Ursula was first mentioned in the 14th century. From this first church today only more fragments, such as the tower and the side walls are preserved.

The Church of St. Felix (St. Felixkirche), which is situated above the Marling Waalweg trail, is only accessible on some guided tours of the village. The water in the open well has long been said by the local people to have special healing powers.

Lovers of Gothic ought not to miss this gem. Not only the S. Leonardo's Church winged altar from the late 15th century, associated with the wood-carving studio of Hans Schnatterpeck, but also the unique frescoes, are worth seeing.

The Saint Nicholas church in Penon was first mentioned during the 14th Century. It is worth visiting the sacramental house made of sandstone, which possibly dates from around 1380 - Alto Adige's oldest example carved in stone.

The beautiful portal and the frescoes on the façade are particulary noteworthy. The interior houses interesting frescoes and paintings from the fifteenth and sixteenth centuries. Masses in German: Mondays, Tuesdays, Wednesdays: 8:30 a.m. Fridays and Saturdays in winter: 6:00 p.m. Fridays and Saturdays in summer: 7:30 p.m. Sundays: 8:30, 10:00 Kolping chapel first Thursday of the month: 19.30

The Church of St. Nicholas in Kematen was built despite the pronounced popular hostility between 1801 and 1807, integrating parts of a neogothic construction dating from 1468 into the new building. The Church was consecrated in 1833. The barrel vault was rebuilt in 1861. The main altarpiece is by Anton Sieß (1768) and depicts the patron, Saint Nicholas. The frescoes are by Franz Altmutter of Vienna (1811).

Small church with three apses in Romanesque style, with a cycle of frescoes dating back to 1215. Restored in 1969 and 1982.

Traces of the Middle Ages are omnipresent throughout South Tyrol. Among many fortresses, castles and mansions, important monasteries and thousands of churches and chapels there are also impressive historic examples of the early and high Romanesque period.

In Lana, that alone boasts more than 30 monasteries and chapels, you can find architectural and artistic traces from before 1000 AD. One highlight, among many others, is the cycle of frescoes in early Romanesque style that can be seen in the three apses church of St. Margareth's.

Stories date St. Margareth's back to the end of the 10th century and it is said that the small church with its three apses was a gift of Theophano, the Byzantine wife of Emperor Otto II. The only remains from the original Romanesque building that can still be seen today are the round apses with their paintings from 1215. Like in the church of St. Kastelaz the bases depict bestiaries.

More detailed information and map of the cultural site are available in the tourist office Lana and surroundings and on www.stiegenzumhimmel.it . Discover our virtual tour >

This irregular building shows that the church was built in different periods, from the 13th to the 16th century. In the church stands the famous "Madonna with the infant Jesus holding grapes" by Michael Pacher. In the attached Egererkapelle, frescos from the Michael Pacher school.

In the eastern part of the Lagundo "Garden Village", bordering the Merano district of Quarazze (Gratsch), lies the Lagundo district Paese (Dorf). The old Sant'Ippolito and Erardo Parish Church is found here. First documented in 1200, the church features three distinct architectural styles - Romanesque, Gothic and Baroque. The church holds many valuable treasures of art, both internally and externally, all of which testify to the turbulent political and cultural history of Tyrol. Between 1618 and 1628 a new Early Baroque nave designed by the architect Francesco Lucchese was added to the parish church. The church is closed because of restoration work.

This little church is located amindst the picturesque vineyards of the Santa Maddalena hills and it is dedicated to Mary Magdalene, patron saint of the wine-grower. 

The church is worth visit for its precious frescoes. Each year on the 22nd of July a splendid festival takes place in Santa Maddalena, celebrating the saint Mary Magdalene. 

 

Church from the 13th century. Remnants of mural from the 14th century on the facade. Remains of a wooden church from the time around 800 AD, the only one south of the Alps. Only open during masses.

The Parish church of Cortina sulla Strada del Vino is dedicated to Saint Martinn. The Gothic construction dates from the beginning of the 15th century and was erected on the ruins of on older chapel. The keystone of the arch is decorated with a picture of St. Martin and the date 1474. A second keystone shows the Virgin Mary and is attributed to the end of the 16th century. Over the years, various changes have been made to the building. In 1610, the church tower was renovated, in 1996 the mosaic of St. Martin over the entryway was completed and the furnishings including the organ and the choir stalls were renovated. In spite of the many changes, many of the old treasures have survived and can still be seen in the parish church. For example, a statue of the Madonna from the 15th century and two altarpieces from the 17th century can be seen. A special gem is the old bell from the year 1449. It is one of the oldest bells in Alto Adige and was still used up until a few years ago to ring in the mass.

The San Giuseppe Parish Church is one of the most beautiful and modern churches in the Alps and is a fine example of contemporary architecture. The church was built and designed by the famous architect Dr. Willy Gutweniger between 1966 and 1971. It represents a successful attempt to combine ancient and modern architecture and it is important that visitors allow themselves enough time to understand the rich symbolic language of the building. The church opened on March 13, 1977 in the presence of the Bishop of the Diocese at the time, Dr. Josef Gargitter. Further information and images of the church and its furnishings are available at the vicarage and in the Tourist Association. Guided tours are held every Thursday at 5pm (except when funerals are held), from Easter to All Saints Day (November).
The church is opened daily from 7am to 7pm.

St. Margareth in Marga was first mentioned in 1309. Only the walls of the long nave can be brought into connection with this period when looking at today's' building. A smaller, non-vaulted church was probably the origin of this chapel. The pointed tower was probably constructed at the end of the 14th century, and the long nave was probably vaulted at the beginning of the 16th century. This is a construction with one nave. The altar room is located in the tower. S. Christopher on the façade is meant to protect the people from storms. With regard to picturesque highlights we can mention the wall painting wit the 14 helpers in need on the triumphal arch wall, which has been preserved up to date. The wing altar dating back to about 1500 with sculptures of S. Margaret, Magdalene and Catherine is also very impressive. The entire altar was restored in 1888. The extraordinary side altar, a painted wing shrine dating back to the beginning of the 16th century is also worth mentioning. In 1948/49 the inside of the church was newly lime-washed and the inventory cleaned. The key is lendable in the neighbouring house.

About 1300 the Boymont family built a small church on this spot and employed the chaplain Perdonig. From the 18th century onwards, the chaplain was resident here, and travelled back and forward to Perdonig. Today, a pensioned dean lives here and reads the mass. Architectural style: parts of the walls at the entrance, from the Romanesque, and wall frescoes in the apse in the eastern part have been preserved. The apse was renovated at a later date. You can also find Baroque red chalk inscriptions and two square windows that are set into an arch. The late Gothic tower has a pyramid shaped roof. The entrance in the eastern part was given a stone frame between 1645 and 1649. Peculiarities: the carved altar and the pictures and relieves from the 16th and 17th century are well worth seeing. The early Gothic gravestone of the Boymont family, which has been moved to the Bozen Town Museum, came from this church. Walking: if you walk to Paulser Aich, or from Eppan/Berg towards St Pauls, you will pass this beautiful little church. It can also be incorporated into walks to Perdonig or Boymont and Festenstein, Hocheppan and Schloss Korb (starting in St Pauls). An ideal starting point is the hotel and restaurant St Justinahof.