Kultura i Zabytki w Brixen i Okolicach

Face the sun to leave the shadows behind! (Blessing) The brightness has a positive effect on the mood. To underline the status of the sun, so-called “vitamin D recharge points” were realised, the first of this type in South Tyrol. The solariums are situated at two different locations in Terento. In addition to enjoying some healthy vitamin D therapy and deceleration, they also offer a splendid view of the Dolomites.

The parish church was built around 1180 and the Romanesque church was consecrated in 1184. This was replaced around 1500 by a late Gothic building with a three-aisled nave and a single-aisled choir. This is indicated by the year 1498 carved on the lintel of the side portal.

The location of the church directly above the Rienzsch1ucht led to an unfortunate event in 1688. After the parish tower had already been severely damaged by lightning, particularly in 1687, part of the crumbling rock collapsed a year later, taking with it part of the cemetery adjacent to the church and, according to local tradition, the old presbytery. Soon afterwards, the damage was repaired by building a retaining wall at the demolition site so that it was possible to walk around the church again, and the cemetery was extended towards the castle. Between 1794 and 1795, the church was extended to the west and the Gothic ribs were removed. The removed vault ribs were restored in 1959.

The last restorations date back to 1983. The interior is largely neo-Gothic from around 1870, although some of the wooden sculptures on the high altar date back to Adam Baldauf (1616 -1618). The gravestones of various Wolkensteins, the lords of Line (14th century) and the caretaker Caspar von Gufidaun, the great opponent of Cardinal Nikolaus Cusanus, who died in 1458, remind us of the history and connection with Rodenegg Castle. The well-kept cemetery with its lawn and exemplary wrought iron crosses contains around 200 graves and a simple cemetery chapel dating from 1697 with the image of St. Michael with the scales of the soul.
In 2008, the entire belfry was thoroughly renovated and new sound shutters were fitted to the tower openings in 2013.

Around 1800, the prince bishop Karl Franz Lodron commissioned two large cribs depicting the story of Christ and the Redemption for the grand chapel and a room in his living quarters. Both cribs illustrate numerous scenes based on evangelical stories.  Franz Xaver Nissl and the paralytic Augustin Alois Probst, assisted by his stepbrother Benedikt, were chosen as the engravers.  Probst’s crib contains more than five thousand miniature figurines, all recounting the story of Christ, beginning with the Nativity and continuing to the Passion at the Cross.  Nissl’s crib, depicting episodes of Christmas and the Passion, was put on display during Lent Sundays in the residence chapel.  Other cribs from Brixen, Tyrol, Naples and Sicily enrich this section of the museum.

 

The barbecue area is equipped with a barbecue with grill plate or grill grate and seating for about 30 people.
For a reservation of the barbecue area please contact the Tourist Office: +39 0472 415020 / info@natz-schabs.info.

This chapel of pilgrimage is situated on the southern slope of the Spinges mountain. Its simple construction dates back to 1641, and was built by the curate Georg Stocker. There is a painting in the chapel, depicting the scene of Jesus bidding the Virgin Mary farewell.

The art collection of the Museum of Klausen/Chiusa is located in the former Capuchin monastery. The entire first floor of the museum is dedicated to the famous Treasure of Loreto that forms the most important part of the museum. The Treasure of Loreto goes back to an endowment around 1700 by Queen Maria Anna of Spain (1667-1740) in response to a request by her confessor, Father Gabriel Pontifeser.
Another key aspect of our permanent exhibition is the Klausner Art Colony (1874-1914) with its well-known representative Alexander Koester.
The tour through the museum includes also a visit to the baroque Capuchin church.

Temporary exhibitions

29.3. - 31.05.2025: Two special exhibitions at the City Museum

• “THE HUTTERITES”
  A search for traces in Chiusa
  Opening: Friday, 28.3.2025
• "PESC"
  Joint exhibition in collaboration with UNIKA
  Opening: Friday, 28.3.2025

14.6. - 16.8.2025: Two special exhibitions at the City Museum

• LOIS ANVIDALFAREI
  „Hoc est enim Corpus meum“
  Opening: 13.6.2025
• ERIC PERATHONER
  Art in the Old Town
  Opening: 13.6.2025

30.8. - 31.10.2025

Joint exhibition at the City Museum in collaboration with the ACADEMY OF FINE ARTS OF VENICE
Duration: 30.8. – 31.10.2025
Opening: 29.8.2025

 

More information about the city museum: https://www.museumklausenchiusa.it/en/

Dear Woman Church The building was established by Giacomo Delai between 1652 and 1658. On the inside on can admire the cover paintings of the baroque painter Stefan Kessler, magnificent stucco works of Francesco Carlone and Simon Delai.
This church is open to visiti from july to septembre every tuesday, friday and saturday from 2 to 5 pm. In octobre to mid of novembre is open only on friday and saturday from 2 to 5 pm.

It's difficult to find such a beautiful church ensemble as in Vandoies elsewhere.

The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower. The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements. In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy). The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower. Height: 37,00 metres Inclination: 1,56 metres

The church from Latzfons was mentioned for the first time in 1153 and is therefore older than the church in Klausen. The tower originates from tha 14th century and the again-gothical mechanism remained unchanged by the change in the year 1999.

Was this a stone for witches? Was it a fertility stone? Or was it, at the very least, a pre-Christian place of worship? This very interesting stone is a bowl-stone. According to the narrations of old locals, on this stone, the witches used to dance with the devil. Their foot imprints can still be seen. Old dairy farmers say, that not only did the witch meetings take place there, but drinking sessions during the nights of the summer solstice also took place. The water source near the stone draws us to the conclusion that this stone had something to do with the fertility cult. Starting point: Terento-Terenten - parking place "Val Vena"

It was probably originally the Palatine Chapel and was enlarged several times. Later, a collegiate chapter was established there (1214), in addition to the cathedral chapter, and after its dissolution it served as a church for the pastoral care of students. The altarpieces were painted by Theophilos Pollak (around 1638). Today it is the church of popular piety, with Mary Help of Christians, Pilgrim Madonna, Madonna of the Ear of Corn, Lourdes Mother of God, St. Joseph, Rochus and Sebastian, Rita of Cascia.

The Kassianeum is situated in the proximity of the cathedral square of Brixen and is a House of Youth with 33 modern one/two/three and four bed rooms, as well as a well-equipped conference centre and programme.

The Kassianeum offers groups, companies and schools eight well-equipped conference rooms, which can be used in various ways, as well as a larger congress hall. Seminars, conferences, meetings, workshops, congresses and other meetings can be run in a cost-effective way and offer a comfortable and professional atmosphere.

St. Margareth in Marga was first mentioned in 1309. Only the walls of the long nave can be brought into connection with this period when looking at today's' building. A smaller, non-vaulted church was probably the origin of this chapel. The pointed tower was probably constructed at the end of the 14th century, and the long nave was probably vaulted at the beginning of the 16th century. This is a construction with one nave. The altar room is located in the tower. S. Christopher on the façade is meant to protect the people from storms. With regard to picturesque highlights we can mention the wall painting wit the 14 helpers in need on the triumphal arch wall, which has been preserved up to date. The wing altar dating back to about 1500 with sculptures of S. Margaret, Magdalene and Catherine is also very impressive. The entire altar was restored in 1888. The extraordinary side altar, a painted wing shrine dating back to the beginning of the 16th century is also worth mentioning. In 1948/49 the inside of the church was newly lime-washed and the inventory cleaned. The key is lendable in the neighbouring house.

Campofosso Lake is also a deep blue alpine lake (2.439m) with a legendary story: once upon a time there was a beautiful, green meadow in the Campofosso area. This was the property of the richest farmer in the village of Terento. A young shepherd, with eyes as blue as gentian, used to live here. One day, the only daughter of the farmer brought his lunch up to him. When she looked into his eyes she fell in love. He fell in love too. Some time went by, but the farmer's daughter did not visit the shepherd again. One day, the farm labourer brought lunch up to the alpine pasture and informed the shepherd about the upcoming farmers' daughter's wedding. The shepherd was petrified and the mountain trolls provoked a storm. Instead of the alpine hut, the farmers' daughter found a lake, as blue as the eyes of the shepherd.

The church, situated on a hill in Viums, was consecrated in 1281 and is considered as the most beautiful shrine in the surroundings. The present church construction dates from 1500 and was build on the fundament of a church, the expansion of the tower happened in the 17th century.

It is said that the Church of St. Nikolaus was built in 1402 on the site of what was previously a small chapel and the works were terminated approximately in 1464. The frescoes above the door of the church were only discovered during subsequent restorations in 1985 and are probably the work of the renowned sculptor, Michael Pacher. The pointed steeple with its four bells also dates back to this period.

The parish church of the same name, which was first mentioned in 1177, is located in the rapidly growing capital St. Andrä. Its late gothic reconstruction in the period around 1485 with a presbytery and tower which is still characteristic today.  In the 18th century a striking baroque style was introduced. Georg Tangl, director of the Brixen seminary and  priest of St. Andrä, provided for a rich decoration with stucco (Franz Singer) around 1770. Around 1736 the ceiling frescoes by Jakob Jennewein depicting the martyrdom of St. Andrew were painted. In 1930 the altarpiece was painted by Johann Baptist Oberkofler.

The Maria Hilf Chapel in the cemetery is a compact octagonal building dating from 1696, and the octagon, a work by the Bolzano master builder Delai, is considered an important model of Baroque central building. The altars of Mary, Anthony and Notburga are also works of art from the late 17th century.

East of Aicha at an altitude of 700 m, lies the Köstental chestnut orchard in a conservation zone. During the Medieval Period, the chestnut (also known as the poor man’s bread) was a staple food of the population, but nowadays it is a soughtafter delicacy forming part of the classical South Tyrolean cuisine. Today, the traditional fruit is a rarity in the South Tyrolean cuisine and the highlight of the traditional Törggelen in the Eisacktal Valley.

The "Rappanlagen" were created on the newly regulated confluence of the Eisack and Rienz rivers (1883) as a spa garden and named after the then governor of Tyrol, Franz von Rapp.

The first chuch building, which was mentioned in 1180, didn't survive, but its Gothic elements were integrated in the current construction. Startin from 1431 the church was several times restored and consercrated again. The original choir, the ogive topped main entrance on the west side (with the original mason's mark) and the bell tower were preserved from the old building.

The parish church of Barbian is consecrated to St. Jacobs the Elder and was first mentioned in 1378. The shapes of the windows of the leaning tower are evidence to an even earlier time. Its octagonal top was added during the 15th Century. During this time, the church was renovated and once more consecrated in 1472. In 1874, the nave was re-designed and received in a new-roman form. The vestry, which serves as choir stalls, is the only part left, to represent the old gothic buildings. On the inside of the church, on the main altar, there is a copy of the famous crucifixion group by Wechselburg, as well as 12 glass windows representing the apostles, a rosette window just above the main entrance and several wooden sculptures from the 16th and 17th Centuries.

Open from 8 a.m. to 7 p.m.
Holy Mass: To Sunday 03/16/2014 at 10.00 clock, alternately at 8:00 clock (german) and Saturday at 19:30 clock (german).

A monument of the High Baroque, it is located at the eastern entrance of the old country road in the village center.

The "Devils' Stone" along the ancient pasture path to the Pertingeralm Hut. The farmers from the village of Molini di Tures enraged the devil so much, that he wanted to inflict evil upon them. He carried a stone over from the village of Luson and wanted to let it roll down to the village of Molini di Tures from Mutenock Peak. The devil chose the shortest route of course. However, the stone was so heavy that the devil had to take a break and put down his back basket containing the stone. Because of his anger he did however not notice that it started to get bright already, and the sacristan of Terento started to ring the prayer bells, as he always did in the mornings. Hence, the devil had to leave the stone where it was and return to the underworld. The "Devils' Stone" still lies amidst the forest at 1,700 m above sea level just above the Nunewieser farm. The population also regards this stone as a large and imposing example of a non-local glacier boulder.

Wild stories are around the Radlsee. Is it actually connected underground to Lake Durnholzer and the Mediterranean? Is it really a wheel of devouring and gauntlet-bearing sea:

A House of worship was mentioned in Terento in 1362, a church must have been there long before this however. Bishop Hartmann from Bressanone consecrated an altar in 1162. A new long nave was constructed in 1683/84. The Parish Church was extended from 1848 to 1850 and re-designed in a late Romanic style. A comprehensive restoration took place in 1964. During the course of this restoration, the foundation walls of an almost square-shaped church room from Roman times were discovered. Preserved from the late-gothic building are the choir with its three-sided completion, and the rectangular block stone tower with pointed acoustic windows. The long nave was reconstructed in late Roman style at the middle of the 19th century. The barrel vault dates back to the late Roman reconstruction and is decorated with ceiling paintings by Christoph Brandstätter. The ceiling paintings were restored in 1896. The altars of the Parish Church show the transition from classicism to late-gothic. Adjacent to the Parish Church you can admire a late-gothic Holy Cross Chapel, which was consecrated in 1520. The chapel impresses with a polygonal choir and a stellar vault.

On the way to Säben is on the way, the St. Anthony Chapel, built in 1670 at the instigation of the telltale Jerome and his wife. The chapel was restored in the Tyrolean commemorative 1984. The altarpiece in the early Baroque high altar dates from Nicholas squint.

On the  "Europa-Besinnungsweg" you reach the little church St. Cyrill, which was first mentioned in a document in 1238. In the 17th century it became  a baroque church, but some medieval frescos are still preserved. These include representations of St. Christopher, St. Oswald, St. Mary MagdaleneMary with the child, St. Lawrence and St. Cyril of Thessaloniki.

The Astra Cultural Center reopened to the public in October 2019 after extensive renovations. Built in 1936 as la Casa del Balilla by the architect duo Mansutti and Miozzo, it became the GIL (Gioventù Italiana del Littorio) in 1937. After phases of different uses, it operated as a German-language cinema until 2011, when it was finally closed. It waited a few year for its destiny, today it is stage for many cultural events and main venue of the Film Club of Bressanone.

The St. Laurentius church (Gothic with Romanesque nave walls) stands at the heart of the village. It was built between 1286 and 1295 and extended in around 1400. The tower was not built until the 16th century and was not given secure enough foundations – so Feldthurns has its very own "leaning tower"!