Churches and monasteries

The ‘Maria Hilf’ chapel in Steinegg|Collepietra, popularly known as ‘Zum Weißen Bild’, is a place of contemplation and a piece of living tradition in the region. Its nickname is derived from a valuable wayside shrine made of white marble, which is located directly opposite the chapel.

The chapel was built at the end of the 18th century and was probably built in honour of the Madonna in gratitude for the happy outcome of a battle fought here against the French.
 It is a simple building with a white façade that impresses with its harmonious integration into the surrounding landscape. The interior is characterised by a lovingly designed altar and an artistic relief of the Madonna with child.

The chapel is not only a popular destination for believers, but also for anyone seeking peace and a moment of contemplation. Its location, surrounded by idyllic nature and with views of the Dolomites, makes it a special place in Steinegg|Collepietra.

Built with the proceeds of admission charges to Pian di Maia/Maistatt spa (digestive complints, 1511 visit by Emperor Maximilian I) artistic high altar with various different marbles.

Located on the Passer Promenade, it was built between 1883 and 1885 in a neo-Gothic style. The church belongs to the Evangelical Lutheran Church in Italy and is a true symbol. Particularly notable is the large Christ figure, blessing the faithful – a masterpiece made of Laas marble, inspired by Bertel Thorvaldsen’s statue.

The construction of the church is closely tied to the development of Merano as a spa town. As early as 1861, the first members of the Evangelical community began to organise in the city. In 1870, the first pastor was appointed, and in 1876 the Evangelical community of Merano was established as part of the Evangelical Church A.B. in Austria. This open, cosmopolitan atmosphere is still very much present in Merano today – the city has preserved its welcoming spirit over the centuries.

The building itself is steeped in a unique atmosphere. It sits amidst an idyllic garden and is crowned by a striking spire. The exterior walls are a true masterpiece of neo-Gothic architecture, with intricate flying buttresses and pointed windows. The interior is kept simple, offering plenty of space for reflection and prayer. Noteworthy are the wooden reliefs of the altar and pulpit, created by Franz Xaver Pendl, as well as the impressive crucifix.

The Christ Church is not just a place of worship but also a cultural meeting point. Regular sacred music concerts and organ performances take place here, and those strolling along the Passer Promenade can often feel as though they have been transported to another country. The atmosphere of the garden, the imposing building, and the harmony between nature and architecture make the Evangelical Christ Church a truly special destination for anyone visiting Merano.

Merano, with its cosmopolitan character, invites people to explore different cultures and religions. The Christ Church stands as an extraordinary testament to this unique heritage and is a place that reflects both the faith and the diversity of life in Merano.

Built in 1402/03 in Gothic style with a 52m high church spire. The altarpiece dates from the Baroque period. The impressive Via Crucis was made by artist Nikolaus Auer from the Passeirer Malerschule school of painting.

The Lodner Chapel is situated at 2,259 metres above sea level near the Lodner refuge hut in the Zieltal valley. On 16 August 1933 the chapel was dedicated by Chaplain Gasser from Partschins/Parcines. Partschins/Parcines Band played at the dedication. Father Schulien, a German missionary from Rome, conducted the mass.

The landlord of the Lodner refuge hut, Toni Raffeiner from Karthaus/Certosa in the Senales valley, built the chapel following plans by the Meran/Merano Architect, Torggler. It is five metres long, three metres wide, five metres high and built completely from stone. On the wooden roof is a small tower containing the bell from the former Oberhauser chapel, which was destroyed by a landslide in 1917. When the doors are closed there is room for 30 people in the Lodner Chapel.

The wood was cut on the Nasereit Alp and carried beam by beam up to the Lodner hut. The boards came from the old Stettiner Hut and had to be carried over the Johannesschartl wind gap. The woodwork was undertaken by master carpenter Josef Hueber from Partschins/Parcines. The statue of St. Joseph on the altar was donated by the priest from Karthaus/Certosa in the Senales valley. 

To mark the occasion of the chapel’s dedication, Cardinal Eugenio Pacelli sent a telegram and donated a picture. On 2 March 1939 Cardinal Pacelli became Pope Pius XII.

Every year in August, Partschins/Parcines alpine club, in cooperation with the Ziel Alp Association (Alminteressentschaft Ziel), organises the traditional mass for mountaineers and herdsmen in the Lodner Chapel. In accordance with tradition, Partschins/Parcines Band also plays there.

The octagonal construction was built according to a project by Giuseppe Delai between 1729 and 1733, on the site of an older chapel. Matthäus Günther of Augsburg realised both the main altarpiece and the frescoes of the vaulted ceiling, which depict St. Elisabeth and St. George, the protectors of the Teutonic Order. The walls and vaulted ceiling are embellished with the rich and extraordinarily refined stucco decorations by Anton Gigl of Innsbruck. The church can be visited along the H. Multscher and City Museum.

On a small hill, in a sunny position, there is the settlement of Peterbühl. The hill, which tower is an important historical site. Here are the origins of Völs am Schlern and the entire region of the Schlern. People settled here many thousands of years before Christ. Today, the chapel of St. Peter am Bühl stands somewhat apart in the greenery. Above the door you can see the crossed keys of St. Peter, and next to them the coats of arms of the Thun and Firmian families: they are of Regina von Thun and Katharina von Firmian, the two wives of Leonhard the Elder of Völs. The altar from the 16th century is on display in the Völs Parish Museum. The decorative paintings are made in the year of 1600 in style of renaissance.

A beautiful place for a leisurely walk directly in Völs am Schlern. Several seating options provide a relaxed atmosphere and invite you to relax. A small children's playground can also be found along the circular path, as well as a statue. Sometimes there are some goats that come to the Peterbühl and provide a good company. In summer you can take a guided tour to see the Peterbühl church from the inside.

HOLY TRINITY HOSPITAL CHURCH: With the founding of the hospital in 1456, a chapel was built nearby (1456-1473). Further expansion to the size of the present church took place in the middle of the 17th century. The Hospital Church is decorated in the Baroque style.

The parish church of Nova Ponente, a Gothic building dating from the 15th century, has an impressively beautiful sandstone cladding. The inscription in the choir vault gives its date of origin: the cornerstone was laid on 5 July 1455 by Pastor Johannes Steel. Below the inscription is the coat of arms of the Diocese of Trento with the eagle, along with that of the then Bishop Georg Hack with its thin branch, also chosen as the heraldic symbol of the municipality of Nova Ponente.

The building was completed in sections, as suggested by the differences in the foundations and the sandstone cladding. Construction work was not completed until 1498, with the church consecrated on 16 September of the same year. In order to imagine it in its pure and original form, the new sacristy at the northeast corner and the organ loft with its outside staircase must be ignored. The interior of the church was vastly improved by the most recent renovation in the summer of 1975. The two neo-Gothic altars date from 1900, with a new organ installed in 1976.

Of particular note in the church are the four old relief panels on the high altar, showing the Nativity, the Adoration of the Magi, the Presentation at the Temple and the Death of the Virgin. The panels are from a famous large triptych, created around 1420 by the Master Hans von Judenburg for Bolzano’s Parish Church, as was the group of the Visitation on the wall of the choir. The main figures on the high altar – Our Lady of the Rosary and the church’s two patron saints - are beautiful works by the Innsbruck sculptor Dominikus Trenkwalder from around 1900. The relief figures of St. Barbara and St. Catherine as well as the relief panel of the Visitation, also on the choir walls, date back to around 1500. The sandstone pulpit from the early 16th century is held by Karl Atz in his “History of Art from Tyrol and Vorarlberg” to be one of the most beautiful of its kind in the entire land.

Old relief medallions of the mysteries of the rosary are inserted into the neo-Gothic rosary altar; the altarpiece was created by Franz Unterberger. Franz Haider’s beautiful nativity figures can be seen at Christmastime on this altar: his figurines and statues of saints are to be found throughout the Reggelberg area and he was a long-time resident of Monte San Pietro. The bell tower is for the most part much older than the present-day church. It dates back to the Romanesque era; inside can clearly be seen two rows of coupled arched windows that were later walled up. The tower formerly belonged to the old parish church of St. Benedict, documented as early as 1265. Today’s cupola was added in 1793 after lightning badly damaged both the tower and the church roof.

Another special feature of the church is that the pews have brass plaques, some with a rune-like mark next to the occupant’s name. These are the old house and farm marks of Nova Ponente. Each farm would use its mark to identify tools, grain sacks, logs and the like that were offered for sale. Many such marks can also be seen painted with red ochre on the outer walls of the church, now faded on account of the wind and rain. The impressive war memorial (1967) on the northern wall of the cemetery is by the South Tyrolean sculptor Martin Rainer, who was in 1976 awarded the Walther von der Vogelweide prize.

test as Kirchlein St. Ottilia wurde im Jahr 1681 im Auftrag von Caspar Perlinger erbaut. Auf einem Großen Votivbild sind Maria mit dem Jesuskind und Perlinger mit seiner Familie dargestellt. Die Kirche ist ein einfacher Bau mit achteckigem Chor und einem Tonnengewölbe.

The parish church of St. Dionysius in Morter was constructed in a gothic style, and was consecrated in 1479. The frescoes of painter Adrian Mair, which date back to the 17th century, are of particular interest, given that he hails from Laces himself.

Emma Hellensteiner (23 April 1818 - 9 March 1904)

Emma Hellenstainer was a charismatic host, an excellent cook and a pioneer for tourism in the Alpine region. The “Schwarzer Adler” (Black Eagle), as the Hotel Emma was known then, became known far beyond the country’s borders. Her charm captivated guests from all over the world. Visitors from Germany, Great Britain, Italy - they all came to Villabassa because of the beautiful local landscape, but mainly because of Emma and her engaging personality.

In November 1809 thousands of soldiers from Napoleon’s army advanced over the Jaufenpass and into the Passeiertal Valley. They were heading for Meran. At St. Leonhard, however, there was a violent confrontation with Passeier insurgents, 22 of whom were killed, while 200 soldiers and 30 officers were reported dead on the French side.

According to subsequent accounts, the dead Frenchmen were buried in an old cemetery – probably a plague cemetery – at the edge of St. Leonhard. In the anniversary year of 1959, 150 years after the rebellion, the local company of marksmen affixed a marble tablet there. The French Embassy to this day sends funds for the maintenance of the cemetery, with the French tricolore flying over the grass.

No trace was found of the dead Frenchmen during an archaeological excavation carried out in 2009. This seemed to confirm earlier doubts about any mass grave containing French soldiers. But in 2013 the French Ministry of Defence arranged for further excavations; these actually found a knife and the remains of bones and articles of clothing, which suggest such a grave.

The church of Saint George in St. Georgen originates from the 12th and 13th Centuries. This original round church was previously the fortress chapel of St. Georgen or Alt-Schenna. When lightning struck in 1591 and nearly half of the church was destroyed, the central part of the church was strengthened with an additional pillar. The frescoes from the 14th Century are well restored and represent the martyrdom of Saint George, the Day of Judgement and the legend about Saint Nicolas. The Gothic wing altar shows Saint George on a horse, fighting with the dragon. It is also worth mentioning that there is a rare illustration of Saint Kummernus from the 17th Century. Legend has it that she was a king’s daughter from the Iberian peninsula. She had taken a vow to stay a virgin. However, her father, the king, wanted her to marry. In this difficult situation, she prayed she would grow a beard, so to disguise her face. Her prayer was answered, but her father got her thrown into the dungeon and nailed to a cross. The only remain from the former St. Georgen fortress is the keep, which is known today as the ’Uhlentower’.

Visiting the town of Certosa/Karthaus is like a journey into the past. The town was built inside the walls of the Cloister of Certosa degli Angeli, founded in 1326 and reopened in 1782. The Via Crucis of the ancient cloister is especially interesting.

After the tight canyon at the entrance to the valley, the valley widens and you will see the chapel of the village of Monte S. Caterina/Katharinaberg on your right. The chapel is like a signpost for the village. Once upon a time, this rocky hill was crowned with the castle of the „Lords of Schnals“, which gave the valley its name. Not only the inhabitants, but also our guests enjoy life in the village: the mild climate, lots of sun, stillness, wonderful hiking routes with direct access to the Merano High Mountain Trail in the Texelgruppe Nature Park, as well as some picturesque views into the valley and over the mountains.

With a height of 82 meters, the church steeple in Castelrotto is not only the highest in the vicinity, it's also – they say – the one with the most-beautiful-sounding bells. But the big tower bell has always been the greatest source of pride. They never fail to admiringly mention "Big Bell." The citizens of neighboring villages were so incensed by this that the young fellows in nearby Laion finally decided to teach the boastful natives of Castelrotto a lesson…
The chapel in the church tower is open daily from 08:00 - 18:00.

High above the entrance into the Val Gardena, to the north of Kastelruth and surrounded by meadows and forest, lies the hamlet of Tagusens. The little church dedicated to St Mary Magdalenen stands at the edge of the dispersed settlement on a distinctive rocky hill. Its position permits the conjecture that a cult site may have already been located here in pre-Christian times. The church building itself is from the Romanesque period and was presumably built in the 13th c., later modified in the Gothic style and finally adapted to the Baroque in 1667.

The chapel is consecrated to the saints Rochus and Sebastian and owes its existence to an oath which the people of Nova Levante made during the plague in 1635/36. However, the chapel was only built between 1662 and 1666 and inaugurated in 1697. The long space of time between the oath and the chapel's completion was due to the fact that the people of Nova Levante were in disagreement over the location. The chapel is a building with a round apse, barrel vault and low-arch windows. Inside, there are several altars, the pulpit, sculptures and paintings - Baroque works from the 17th Century.
The chapel is not open to the public. The key for the chapel is available at the Romantikhotel Post Weisses Rössl in Nova Levante.

First mentioned in 1347, elements of the Tyrolean late Gothic (1488) are still preserved in the polygonal choir end, as well as in the sound windows of the tower. Around 1840 the church was extended by one bay, regotized, the same happened again in 1952 under architect Erich Pattis and carpenter Josef Pattis. The altar-pieces are by K. Jele from Ried in the Upper Inn Valley (1814 1893) and depict on the main altar the Penitent Magdalene, and on the side altars the Bishop Sylvester with the martyr Sebastian, then Joachim and Anna with the Child in the Nazarene style in a clear position. On the main altar of St. John the Baptist, wooden sculptures by Franz Xaver Nißl. Stations of the Cross panel by Maria Delago (1953). In the apse, paintings from the life of St. Magdalene by the priest painter Johann Bapt. Oberkofler. On the east side a wrought-iron cross points to the witness of the resistance against the Nazi regime. This is the Jesuit priest Johann Steinmair (1890-1944), who became a blood witness of Christ by beheading in Berlin-Brandenburg. The chapel of the dead in the cemetery area: It serves as a memorial for the victims of the two world wars, for Reverend Peter Agreiter (1911 1948) and as a place of devotion for the Lourdes pilgrims.

The church was consecrated in 1116 to St. Leonhard. Of interest are the neo-Gothic high altar, the baptismal font of Andreas Hofer in white marble and the precious mural above the sacristy door.

The "holy ghost church / hospital church" in Sterzing / Vipiteno was built in 1399. In the nave are late Gothik-style frescos (1402) of the Southtyrolien painter Hans von Bruneck, which demonstrate the most important truths of the doctrine. Notable is Holy Sebastian, who was included in the prayer and finally chosen to be patron saint and got his place in the church of "Heiliggeist / Santo Spirito". The wing next to the church of "Heiliggeist" was in the past a hospital and the care applied to palmers and sick and old persons. The importance of this church can also be seen in the emblem of Sterzing the picture under the spread eagle demonstrates a palmer on crutches with a rosary.

During the 12th and 13th Centuries, this church was rebuilt in Roman style and again fully redesigned during the 16th Century. Since then, little has been changed. The Baroque high altar with the statues of Saint Franz Xaver and Johann Nepomuk was built around 1730 and redesigned in 1819. Apart from the four altars in the church, there are a number of valuable individual sculptures such as the late-Gothic Saint Sebastian and the Baroque Saint John the Baptist. The cross stations originate from the middle of the 18th Century. During the restoration work carried out in 1975, some beautiful old frescoes were discovered and the statues were skilfully restored. John’s chapel, which was extended toward the South-East, brought to light some very well kept frescoes from the 14th Century. These were found during the renovation work of the 80s. The frescoes show scenes from the legends about John and Pankraz, as well as the wise and the foolish virgins, the evangelists, angel choirs and other pictures of saints. Since the completion of the new parish church in 1931, it has been used for another purpose, rather than its originally intended goal. It has served as a store room and a practice room for the choir. In March 1981, the church was reopened and once more consecrated. Today, it offers a great framework for religious services and devotions in small circles and weddings. Just across the road, in the sexton’s house, there is a marble relief as part of a wall, which shows the coronation of Mary, which was created during the 14th Century.

The St. Valentin church surrounded by meadows and fields, with the Schlern massif in the background, the small church of St. Valentin offers a real idyllic scene. The construction is of great historical and artistic value with precious frescos from the 14th and the 15th century. A peculiarity (among others): the painter has tried to include the local landscape as background in its representation of the three Kings.

The current parish church was dedicated in May 1967 after a 2-year construction phase. It is a modern church with a low aisle under a sharp, gabled roof. The parish tower (37 m high) is a testimony to the oldest building activity in the village. The foundation dates back to the 13th century. In 1741, it was renovated from the belfry upward. The tower was given its octagonal center and its onion dome in 1741.

Both the delightful Baroque-style pilgrimage church, built in 1304 and expanded in 1765, and the nearby cemetery with its artistic graveyard crosses made of copper and bronze by local artists are well worth a visit. The village of Madonna di Senales/Unser Frau celebrated its 700th anniversary as a place of pilgrimage in the year 2004. It is, in fact, one of the oldest pilgrimage centres in the entire Tyrol region.

Chapel of St. Michael. The Chapel of St. Michael, also known as “cemetery chapel”, is situated next to the parish church of Völs and dates back to the Romanesque period. Today, the chapel houses an archaeological collection and the Völs Parish Museum .

Prösels Castle was built in 1200 by the masters of Völs, the noble servers of the bishop of Brixen. In the early 16th century, the head of the provincial government, Leonhard von Völs, turned the castle into a Renaissance residence. The castle as it looks today is almost entirely the work of Leonhard von Völs. In the year 1981, the company KURATORIUM SCHLOSS PRÖSELS Ltd. purchased the castle.

Discover the Rittersaal, the Pfeilersaal, Kaminzimmer ,the Castle chapel and many other rooms in the Renaissance castle on a guided tour. Special programmes are available for school groups and families.

In summer, Prösels Castle hosts numerous concerts in the castle courtyard or on the castle lawn and, in case of bad weather, in the Knights' Hall.

GUIDED TOURS WINTER:
From January 09th to March 13th 2025 every Thursday at 3.00pm a guided castle tour takes place. After the guided tour a cup of "Apfelglühmix", a mulled local apple juice, will be served. Reservations within 12 pm of the respective date in the information offices or info@schloss-proesels.it

Fees:

• Adults 13,00€
• Children (6-14 years) 7,00€

GUIDED TOURS SUMMER (01.05.-31.10.2025):
German and Italian speaking visitors are taken by a guide, for all other visitors guided audio tours are offered in English.

Fees:

• Adults 10,00€
• Children (6-14 years) 6,00€
• Groups (per person) 7,00€

Mentioned as early as 1178, in the later 17th century the church was extended and embellished with stucco. The tower with onion dome dates from this period. The four beautiful Baroque altars and pulpit were built by the Passeirer Malerschule school of painting.