Churches and monasteries

In 1336 we find the first evidence of an independent Montan parish priest. Whether he already lived in this house, however, is not attested. Only in 1537/38 - Christian Seidl from Reichental in the diocese of Salzburg was parish priest at that time - is a Widum mentioned, which is described as very small, old and dilapidated.

The parish priest Alexander Giovanelli, who worked here from 1702 to 1743, rebuilt the vicarage at great expense and settled the matter with the parish and the church provost in 1734.

The frescoes, St. Nepomuk (water and bridge saint and at the same time the only saint with a star wreath) and the "Mater Dolorosa", whose worship was promoted by parish priest Alexander Giovanelli, were probably also painted at this time. In the Widum there is a panelled farmhouse parlour with an old fireplace, as well as an archive with 233 volumes and baptismal, marriage and death registers from the 16th century. These have been preserved despite looting and arson by the French.

In the cadastre of 1775, the Widumhof has a stable and barn, "torggl" (wine press), herb garden and small meadows with fruit trees, arable land and vineyards.

Small alpine chapel on the alpine pasture of Rodengo and Luson and a nice place for a short rest.

First documented mention of a church in Aldein was in 1309, according to excavations it was a Romanesque church with two apses. The masonry dates back to the 12th Century back. In the second half of the 15. cwntury a new church was built which was expanded to the west in 1841/42. A special feature is the pulpit, which is on the roof of Moses with the tablets of the law and above it the St. Spirit shows and the life-size statue of the Heart of Jesus.

In 2022, on the initiative of the meditation group of La Val, and under the direction of labyrinth expert Gernot Candolini, a labyrinth was built in the centre of the area occupied by the former church of San Genesio. It is a simple Gothic labyrinth, consisting of five paths traced with brook stones. Many things here in Dlijia vedla remind us of the transience of life: the remains walls of the old church, the abandoned cemetery.

Memento mori - Memento vivere!

Everything passes quickly, and the moment never stops. So be shrewd and aware, enjoy the view, feel the hope that lurks in life, let yourself be inspired and blessed by goodness and change.

"This place here is a place of power, you must make use of it" Dr. Karl Gruber, Regional Conservator

                                

Lourdes chapel at Egna. The construction of the little Marian Chapel is attributed to the will of the parish priest, Johann Giuliani who, at the end of the 19th century, wanted it to complete the “Institute for the Protection of Children”, which he had founded. Inside the chapel, there is a reproduction of the grotto in Lourdes made of tufa rock from the Trodena Creek; the statues of the Madonna and Bernadette adorn the interior of the grotto. The ceiling is decorated with five medallions representing the four evangelists with their insignia and, at the center, the Annunciation. The chapel is still part of the foundation “Asilo infantile di Egna” (Egna kindergarten). In 2014, it was restored at the hands of a local restorer, Lucia Giacomozzi.

Chapel of St. Sebastian

The chapel in honor of St. Sebastian was erected in remembrance of the Plague in Tires al Catinaccio. It stands isolated in an idyllic glade, the so-called "holy ground".

House number 17 of the Via Portici is a building of great historical and artistic interest, whose long period of restoration has allowed for the documentation of the construction and embellishment phases. At the end of the 15th century, the first construction phase took place, from which you can still see the original three-pointed arch vaults of the arcade and the late Gothic profile of the windows on the façade, walled in and substituted in later eras. The painted ceiling of the great central hall stems from the first half of the 16th century and is considered one of the most beautiful ones in the entire region. This hall is situated between the atrium and the back courtyard, measures 17 x 6 meters, and is illuminated by two triple-mullioned late Gothic windows. The ceiling is beamed, with painted friezes framing painted wooden boards that feature allegorical motifs, male and female portraits, and coats of arms of noble and village families of the area. In the middle of the 16th century, the atrium was completed, inspired by the Renaissance, characterized by incised decorations and by a loggia of semicircular arches on three sides of the second floor. The rich painted decoration of the atrium on the first floor stems from the end of the 16th century, while the frescoes on the façade date back to the 1600s. The building was purchased by the town in 1889 and donated to the parish in 1978; today, it is the seat of the parish community of Neumarkt/Egna.

 

In 1726 a little church was dedicated to the miners of the “Pfunderer” mine. However, it was immediately too small so that today’s construction of the Early Baroque with choir and little tower was built in 1736. The secluded little church was expanded in 1934, though plundered and devastated in 1964. Until the First Wold War there had have been a weekly mass, initially Saturdays, since 1840 every Thursday. The cultural and historical altarpiece is a replica, the original altarpiece is located in the parish church to the St. Stephen. It shows the miners at work and around them the saints of the miners. (St. Daniel, evangelist John, Virgin Mother with the baby Jesus and her mother the saint Anne, as well as patron saint of the mines Barbara)

The "Kaserer Bild" chapel, named after the nearby farm "Kaserer Hof", is a traditional place of pilgrimage in Steinegg|Collepietra. The chapel is located directly on the street Riedl on the ridge of the mountain Riedl, an area that is one of the oldest settlements in South Tyrol. In its current form, the neo-Romanesque chapel dates back to 1871, with the small ridge turret added in 1874.

Inside the chapel you will find a lovingly designed, neo-Gothic altar with the image of the Madonna, called "Kaserer-Mutter". According to legend, this image of the Virgin Mary originally hung on a mighty larch tree that once stood exactly where the chapel is now built. The stories and legends surrounding the image and the building of the chapel tell of the deep faith and conviction of the people in the miraculous power of the ‘’Kaserer-Mutter‘’.

The chapel was recently renovated and is now in excellent condition. Holy masses are celebrated regularly in the summer months, bringing this special place back to life. 
The little church is only opened on such special occasions. Otherwise, it can only be viewed from the outside.
However, it is definitely worth a visit - not only because of its religious significance, but also because of the idyllic location and the fascinating history that surrounds this chapel.

The Capuchin monastery and its small church were built between 1617 and 1620. The church has a simple design in accordance with the style and regulations of the Capuchin Order: simple in terms of furnishings, bare walls, barrel vaults, and a side chapel on the south side. The high altar is dedicated to the Sacred Heart. The pulpit and the side altars are neo-Romanesque and date back to the 19th century. The altar of the side chapel contains a statue of the mother of God with Child from the middle of the 16th century, which is said to have miraculous powers. Between 1999 and 2003, the whole complex was carefully restored. In the little church, this also led to the renewal of the windows and the benches, which – in harmony with the surroundings – are now simple and linear. Thus, the light penetrates through seven beautiful glass panes that seem to communicate with the faithful through their symbolic meaning of colors and number.

 

The St. Catherine church in Aica di Fiè was originally dedicated to St. Michael.
The frescoes on the exterior wall were made in 1420 and are worth a second glance. They show us the legend of the Christian princess Catherine of Alexandria.

On the way to Säben is on the way, the St. Anthony Chapel, built in 1670 at the instigation of the telltale Jerome and his wife. The chapel was restored in the Tyrolean commemorative 1984. The altarpiece in the early Baroque high altar dates from Nicholas squint.

The seminary of Brixen has a very interesting history. The current seminary building was built in the years 1764-1771 under Prince-Bishop Leopold of Spaur on the site of the old pilgrims' hospice and was consecrated on 28 June 1767. Today the seminary is the seat of the Theological-Philosophical Seminary.

Fallen heroes memorial of the war of 1809 in the Klosterwald in St. Lorenzen.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows. Inside the church you can find some informations about the building history and the artistic equipment.

This very early church stands in the south-east part of the village, in the midst of green meadows. The church was built in the Romanesque style by the von Tschengels as their proprietary church at the end of the 13th century; it then benefited from the pastoral care of clerics from Tschengls. The last member of the Tschengls died in 1421. Inside the church John the Evangelist and John the Baptist are revered as patron saints. In the course of time the church was adapted to contemporary architectural styles and enriched with devotional pictures. Particular sights worth seeing are:

• Romanesque and Gothic frescoes
• the gallery from c. 1600
• the wooden baroque ceiling and pews
• a grave-stone from the Counts of Tschengels
• the frescoes uncovered in the last century
• two frescoes by Karl Plattner (1948)

The last constructional measure was the reroofing with small shingles in 2002.

 

For visits, contact the Prad am Stilfserjoch tourist office.

The Capuchin monastery and its small church were built between 1617 and 1620. The church has a simple design in accordance with the style and regulations of the Capuchin Order: simple in terms of furnishings, bare walls, barrel vaults, and a side chapel on the south side. The high altar is dedicated to the Sacred Heart. The pulpit and the side altars are neo-Romanesque and date back to the 19th century. The altar of the side chapel contains a statue of the mother of God with Child from the middle of the 16th century, which is said to have miraculous powers. Between 1999 and 2003, the whole complex was carefully restored. In the little church, this also led to the renewal of the windows and the benches, which – in harmony with the surroundings – are now simple and linear. Thus, the light penetrates through seven beautiful glass panes that seem to communicate with the faithful through their symbolic meaning of colors and number.

The Late Gothic parish church St. Lukan with Romanesque Tower is located in San Lugano -Trodena in the Nature Park.

The Marian Sanctuary is located in the village of Senale in the region of Alta Val di Non. Various legends surround this place of pilgrimage, on of the oldest of South Tyrol.

On 1.184 the first stone of  the Sanctuary was placed. On 1.432 the church was enlarged, to get the present shape. At the beginning of XIV century the pilgrims flow, decreased, so the convent, attached to the hospice, lost its independence, then to belong to Augustinian order of Gries, Bolzano.

Evidence of a church in this area dates back to the mid-13th century, but the construction of the building as we know it today began in 1412 when the choir loft was built by Konrad von Neumarkt. It was completed when the vault was finished at the beginning of the 16th century. The façade of the church is dominated by the bell tower, which stands above the entrance and forms a vestibule leading to the entrance portal. Next to it, a niche for donations is decorated with a fresco of a Madonna and Child, and on the west side of the tower, a small wooden roof protects a fresco of St. Christopher with the Child Jesus. The interior of the church looks light and elegant. Light streams through eight windows, four of which belong to the choir. Of particular value are the Gothic tabernacle and the pulpit base. Of the frescoes in the interior that have survived the test of time, those on the south wall are attributed to the painter Konrad Waider at the beginning of the 16th century. Coat of arms paintings of the Payr of Caldiff and Khuen mark their tombs on the north side of the nave. In 1767, the church was desecrated because the Trudner Bach, which had overflowed its banks, had destroyed a large part of the interior. As a result, it was used, among other things, as a storeroom. Around the middle of the last century, people became aware of the artistic value of the building, restored it, and consecrated it again. Today the church "Unsere Liebe Frau in der Vill" is considered one of the most beautiful late Gothic churches in the country.

The tiny church founded in 1744 by the mine owner, Michael von Jenner, is nestled in extraordinary countryside. The altar paintings by Franz Sebald Unterberger from the Fleim Valley are particullary noteworthy. The church is privately owned and the access is subject to a fee.
However, the church remains closed. 

Please do not enter the meadows surrounded by fence.

The Stephanus Church was originally built in Romanesque style around the year 1200. Afterwards the church was rebuilt in the Gothic style. Inside the church there's the famous winged altar, which was created around 1485 by the South-Tyrolean artist Hans Klocker. Today, this altar is one of the biggest and most beautiful winged altars of Tyrol.

When malaria raged in the swampy Adige Valley in summer, the monks of the Capuchin monastery in Neumarkt moved to the so-called Klösterle in Gschnon, which is 1000 meters above sea level. Today the Klösterle is a self-catering house. In summer, it is used for retreats and spiritual exercises.

In September, the German Capuchin Order invites men up to 50 years of age to come and live in the Klösterle in Gschnon, to be active together in the mountains, to organize everyday life together, to spend time in worship, silence and prayer, and to engage in conversation.

The church was built around 1400, especially the polygonal choir and the six-armed fan vault with an Agnus Die on the round keystone probably date from this time. The nave was covered with a simple star vault around 1500. The interior decoration is neo-Gothic. Only the Stations of the Cross and the statue of St. Wolfgang date from the Baroque period.

The St. Laurentius church (Gothic with Romanesque nave walls) stands at the heart of the village. It was built between 1286 and 1295 and extended in around 1400. The tower was not built until the 16th century and was not given secure enough foundations – so Feldthurns has its very own "leaning tower"!

The parish church of St. Catherine and St. James is located at the southwest end of the village and was built in the 15th century. It is a simple neo-gothic building, where at the end of the bell tower instead of the typical neo-gothic pyramid, is a “copper helmet”.

[[For the "Gasthaus Hippolyt: https://gasthaus-hippolyt.it, Tel. 0039 0473 42 00 37]]

The St. Hippolyt church in the north of the municipality of Tisens/Tesimo, near the village of Völlan/Foiana and above Lana, dominates the hill of St. Hippolyt in Naraun/Narano, which is visible from afar. 

This is not only a popular and easily accessible excursion site, whose panorama from the mountains of the Texelgruppe all the way down to Bolzano is second to none, but also an ancient settlement and cult site. Finds of Neolithic arrowheads, blades and mortars show that people were already living here in the 4th millennium BC, almost 6,000 years ago, making it one of the oldest prehistoric settlement sites in South Tyrol. There is also evidence of a prehistoric sanctuary on the hill.

The little church of St. Hippolyt was first mentioned in 1288, but is probably much older - not least because of its rare patron saint. Parts of the nave walls and the offset round apse still bear witness to the Romanesque church. The two pointed-arched slit windows and the likewise pointed-arched entrance door with rosette in the west were created during reconstruction work in the Gothic period. Towards the end of the 17th century, the tower was added (a votive picture from 1679 still shows the church without a tower, but with a choir bell wall). The bell was cast in 1566 by Simon Hofer and is thus the oldest surviving bell in the parish. The barrel vault in the nave was inserted in 1762 (see date on the triumphal arch). 
Inside the church, the altar and the pulpit date from the 2nd half of the 17th century, the statues of St. Isidore and St. Roch, as well as the image of St. Hippolytus from the 2nd half of the 18th century. 

As Saint Hippolyt is also venerated as the patron saint of the weather, ringing the bells in thunderstorms were once part of the duty of the sacristan of St. Hippolyt in Naraun. Due to the exposed location of the church, however, lightning strikes occurred time and again. Since the 17th century, no fewer than six deaths during weather ringing have been recorded in the parish's death register, which is why the little church was given the nickname "Zum bösen Segen" (to the evil blessing). 

The church is only open on certain holidays. However, the hill offers a wonderful panoramic view all year round.

The path of reflection to the Luminous Rosary and in memory of Pope John Paul II, built in 2010, leads to the church. Six bronze reliefs with the mysteries of the Luminous Rosary and a portrait of the deceased Pope await the pilgrim on the way. They are works by the artist Robert Giovanazzi from Merano, which were realised by the art founders Stefan and Vinzenz Dirler, natives of Prissian/Prissiano.

The gothical building was established between 1467 and 1470 of master Jörg. From the outside on recognize the simple portal, the small pyramid-shaped ridge turret and that gothical five-eighth choir with the four windows.

The Santa Barbara church, built in the late Gothic style, was built in the 15th century on a panoramic hill just outside the village of La Val.

Historical evidence indicates that the church built in honor of Santa Barbara, patron saint of miners, is the work of the miners of Valparola, who worked the iron minerals extracted from Monte Pore.

The painting on the outside wall depictings a crucifixion in the open countryside and various mural paintings inside are of particular historical value.

The Santa Barbara church can be reached with just a half-hour walk from the village centre of La Val along the "Memento Vivere" meditation path, consisting of the stations "Birth", "Childhood", "Youth", "Adults age" and "Old age".

The Holy Spirit Church is the oldest church of the Ahrntal valley. The church is situated at the furthest reaches of the Ahrntal valley., leaning against a large rock. It was built around 1455, and was enlarged and converted to its current form in the 16th century. The Holy Spirit Church is a sacred place, partly through its history and partly through many pious believers of many generations. It is not known when the first church was built for the many travelers who used in particular the Krimmler Tauern as a passage to get in the Pinzgau and Salzburg. It is sure that cardinal Nikolaus Cusanus of Brixen/Bressanone dedicated the church and the cemetery in 1455.This was necessary for the people who freezed to death passing the Alps or who died in another way, or for the miners of the Prettau/Predoi copper mine. In 1500 the church was extended. In the last 10 years much restauration work has been carried out. Unfortunately, many pieces of art have been removed for security reasons. Even the pilgrimage image was removed for some years, but it returned in 1981 to the church, protected by a safe and underlined in its importance by a corona.

Centuries ago - starting from the "Schliefstein" - a particularly positive energy was found here. That is why the legendary Holy Spirit Church was built. According to the conviction, one could strip away one's sins by walking through the narrow gap between the church and the large "Schliefstein". And so, the place around the church and the stone is still a well-known and popular place of power.