Kostely a kláštery

The first rituals held at this site, where the little church has overlooked its wonderful views since 1743, probably date back to prehistoric times, although we cannot be sure of when exactly it was that people began to discover the unique aura of this place.
One thing is for sure: the road to the Latzfons Cross (2,311m), highest pilgrimage site in South Tyrol and erected on the south face of the Kassian Peak, is the oldest pilgrimage trail in South Tyrol.

The mountain refuge hut, close to the church at an elevation of 2,305m, has provided countless pilgrims and hikers with refuge and sanctuary over the years. Innumerable wonderful tales have been told about this sacred place, such as the legend of the “Black Christ” who, with a nod of his head, decided on the spot where the crucifix should be erected. Prayers sent up from here at the end of the pilgrimage, about an hour’s walk up a fairly steep road from the Klausen hut to the cross, afford protection to one and all, particularly from the wrath of the elements.

The view stretches over to the Langkofel, the Grohmann Peak, the Kesselkogel and the Rosengarten. It is not just the view that makes this place special though, but the atmosphere which pervades the site and can be felt instinctively by all those who come here.

Dear Woman Church The building was established by Giacomo Delai between 1652 and 1658. On the inside on can admire the cover paintings of the baroque painter Stefan Kessler, magnificent stucco works of Francesco Carlone and Simon Delai.
This church is open to visiti from july to septembre every tuesday, friday and saturday from 2 to 5 pm. In octobre to mid of novembre is open only on friday and saturday from 2 to 5 pm.

Holy Cross Curch The continuity of the cult reaches from the early Middle Ages over the Roman and gothical church to the present building, which developed around 1679. The inside surprises by the winding and ceiling paintings, which probably come from a native painter. In the apsis is the cross of the master Leonhard from Brixen.

North tower with 13th

-century bell-tower, set deep in the ground owing to flooding by the Schwarzenbach stream, dating back to
a Romanesque predecessor that itself replaced a medieval building. Work on the present-day nave began with the late-Gothic
choir polygon in 1475: the master builder was Peter von Ursel from Tramin. The nave was completed in 1526 under Hans Lutz of

Schussenried. The presbytery façade features sandstone corner blocks, triangular pilaster strips and decorated joints. The three-
bay nave is also divided by triangular pilaster strips. There is a monumental fresco of St. Christopher dating from 1516 on the

western façade. The porch, in Renaissance style, dates back to Pastor Josef a Porta from the year 1604.
Inside the church is an early-Baroque high altar from 1621 with an altarpiece by Theophil Polack. The side altar holds a high
altarpiece by Franz Sebald Unterberger that was once in the former Chapel of St. Barbara at Castelfeder. Of rarity value are the
iron tabernacle from 1609 and the Schwarzenbach organ from 1599, the oldest in South Tyrol.

The Gothic church of St. Peter, built in the 16th century, is located at the southern entrance to the village of Auer/Ora, next to the local cemetery. In past times, it was the most important church of the surrounding villages and is situated in a pit about 5 meters deep and was often inaccessible due to flooding of the nearby Rio Nero stream. It had to be uncovered again and again and was finally protected by a stone wall. Today, after restoration work in the 1970s, the church is open to the public for Holy Masses and celebrations and houses the oldest organ in South Tyrol that can still be played. It was built in 1599 by the organ builder Hans Schwarzenbach.

The simple building established 1687 from Giovanni Delai. After a collapse a new consecration took place in 1693 . A splendourful iron lattice separates on the inside the visitor from the sister

The parish church of St. Florian/St. Floriano on the old imperial road north of Laag/Laghetti was first mentioned in 1189, but it dates back to around 1145. The lower part of the nave dates from the time of its first mention (1189). The choir with the accentuated towering choir loft replaced an older end in the 13th century. The church of St. Florian is a unique artistic monument. In the nave, the old Romanesque building form is still preserved. Later, an elevated transverse square was attached to this nave, which was probably intended as a domed building. A round apse was attached to it in the 12th century, the exterior decoration of which features beautiful pilaster strips and a round arch frieze with various sculptures worth seeing. From 2005 to 2008, the church was restored from the ground up. The outside area around the church was also redesigned and a parking lot was built. On May 03, 2008, the church of St. Florian was consecrated by Bishop Wilhelm Egger.

The St. Johann Benedictine convent of Müstair Valley across the border in Switzerland is a well-preserved monastery complex that dates back to the Carolingian period. Here, Benedictine everyday life, cultural cultivation, art and research meet. Legend has it that none other than Charlemagne laid the foundation stone for the monastery. Immediately after his coronation, Charlemagne was caught in a snowstorm on the Umbrail Pass. Out of gratitude for having survived this, he founded the monastery in Müstair in 775. 
St. Johann Monastery has been a UNESCO World Heritage Site since 1983. 

More information, guided tours and opening hours of the monastery church at: www.muestair.ch

Belonging to the Danielhof estate, the scenically located church once belonged to the Benedictine Sonnenburg Abbey in the Puster Valley. The present structure has lancet-arch windows on the south wall and choir screens that probably date from the 14th century. In the early 15th century came fan and ribbed vaulting above wall pilasters, subsequently decorated with mural paintings. The north wall features scenes from the story of St. Daniel (including Daniel in the lion’s den), donated in 1444 by a Bozen customs official. On the north wall of the nave appear Saint Catherine and consecration crosses with the hand of blessing.

The late-Gothic winged altar from 1525 is an art-historical gem. The predella relief shows the Lamentation of Christ with, to the sides, Catharine and Barbara, Margaret and Dorothy. The central shrine shows the Madonna with Child and the Saints Daniel and Chrysanthus, with Peter and Paul in bas-relief on the inner wings. When closed, the wings show the guardians of the shrine, George and Florian, as well as scenes from the life of the church’s patron saint. Restoration work was carried out in 1991 and 2012-13.

In the centre of Schenna lies the Church Hill, notable for its three churches. Dating from the Carolingian era, the 12th Century St. Martin's Church amidst the cemetery is the oldest of them all. With two naves, each with a rounded apse and two centrally positioned octagonal pillars, it is used as a mortuary chapel. A little to the east of St. Martin's Church lies the 13th Century Church of the Assumption of Mary, the so-called “old parish church”. Completely rebuilt in the 16th Century in its existing Romanesque style, the church hosts religious services for small congregations, as well as functions such as baptisms and weddings. The more recent Schenna neo-Gothic parish church was built between 1914 – 1931, while the adjacent mausoleum was built for Archduke Johann and his consort in the years 1860 – 1869.

The Holy Trinity Church in Kollmann was previously called the customs chapel and was connected to the customs office by a wooden walkway. The church itself was built around 1588 and nearly destroyed by a fire in 1938. In the meantime, it has been renovated. It is open from 8 a.m. to 7 p.m. Holy Mass: Sunday at 8:30 clock or 10:00 clock (german)

The first written documentation referring to this church appears at the end of the 14th century. From this era, the bell tower remains today, with its double-mullioned windows surmounted by triple-mullioned windows and frescoes on the façade representing the saints Anne, Catherine and Margaret, Christopher with the baby Jesus, and St. Michael, to whom the church is dedicated. In 1672, the church was restored, supplied with a barrel vault, and supplemented with a new chancel, side altar, and sacristy. Particularly rich are the decorations of the choir stalls: The scenes depicted on the parapet stem from the 17th century and represent the Visitation of Mary and Elizabeth, the Adoration of the Magi, the circumcision of Jesus, the flight from Egypt, and the Massacre of the Innocents. The busts painted on the lower part of the choir stalls represent the twelve Apostles and date back to the 18th century. The interior of the church is bare due to the theft of the furnishings and sacred images in 1969. The stolen original altarpiece was replaced by a representation of St. Michael fighting evil.

 

The chapel Saint Cosmas & Damian in Glen/Gleno was built in the 17th century. The architectural character is quite simple, but the chapel contains numerous artworks on the inside. One of the artworks is the votive picture marked with the year "1691." It may indicate the year of construction of the chapel.

The church of Barbian was built in the 13th century consecrated to the apostle and patron Saint Jacob. Today the only remaining of the old church is he bell tower. The church was constructed in a Romanesque style and in the year 1472 it obtained Gothic elements. In 1874 – 1877 the Neo-Romanesque nave was added to the Gothic main body (today’s sacristy). The inclination of the campanile is attributed to the different grounding on which the tower was built. The half on the downhill side lies on the unstable soil of the Central Uplands and the other half on solid quartz-phillite-rocks. Ing. Fulvio Pisetta carried out a mechanical intervention in 1985 – 1988 to assure the stability of the church tower. Height: 37,00 metres Inclination: 1,56 metres

The parish church is situated in the old center of the village and is dedicated to the Virgin Mary. It was built in 1674 in order to have a second church because the Church San Pietro was often not accessible due to flooding of the Rio Nero. The architecture of the church is modest and simple. Inside, the baroque main altar with the life-size statue of Our Lady stands out. The two side altars are simple Baroque altars and dedicated to St. Anthony and St. Joseph.

The parish church is dedicated to S. Andrea. It was mentioned first in 1215. The church was built in baroque style of sacred architecture. On the front you can see statues of the Saints Pietro and Paolo, Andrea and Nicolò and Mary.

 

The patrons of the Saubach parish church are St. Ingenuin and St. Albuin. The church was first mentioned in 1398. However, the choice of patrons concludes that the church is much older. Today this olt, gothic church is an attraction for many art lovers. It was built during the 15th Century. The consecration of the altars took place in 1502. When you go inside of the church on the porphyry portal with its pointed arch, you will immediately be impressed by the delicate rips of the net-like vault, the four custom-made windows and the three wing altars. In 1925, a fire did substantial damage the church, but with the help of donations from all around the country, the helmet-like tower and the roof could be renewed. Information about opening times at the Barbiano Tourist Information Office, +39 0471 654411, info@barbian.it
The keys are available in the Tschörlerhof, (+39 0471 654032, in the morning) and in the Gasthof Saubacherhof (+39 0471 654344, in the afternoon,) or by telephone arrangement.

The Parish church of St. Vigilius with its Romanesque church tower was mentioned for the first time in 1337. The old baptismal font inside dates from an earlier time, from 1033. At the beginning of the 16th century, the church was remodeled and a sandstone arch was added. In 1850, the late Gothic high altar was built where the baroque altarpiece showing the martyrium of Str. Vigilius was built in. A further gem inside the Cortaccia church is the legendary crying picture of the Virgin Mary which was first exhibited on July 17, 1738 and has since been the goal of many pilgrims.

Twenty minutes on Feldthurns is free on hilltop of St. George in Schnauders, a beautiful small building of the later Gothic, first attested in the 14th century. Your current form received this church partly in the 16th and partly in the 19th century. Interior and exterior renovated in 2007.

The parish church of Pochi is dedicated to Sant'Orsola. The church was built in romanesque style in the 14th century, the church spire dates from this period. The gothic chancel was built in the 15th century.

 

The little church of Our Lady of Loreto was originally built on the left bank of the Titschenbach in the years 1719-1722 and fell victim to several floods. This led to the closure of the church in 1786. In 1795 it was reopened at the request of the local population. Masses were often celebrated here at the end of processions, asking for favourable weather, a rich harvest and the protection of the village from flooding. The church was restored in 1902 and 1994.

The "Stolpersteine" (stumbling stones) are a project by the Berlin artist Gunter Demnig that began in 1992. Small memorial plaques laid in the ground, these "Stolpersteine", are intended to commemorate the fate of people who were persecuted, murdered, deported, expelled or driven to suicide during the National Socialist era.

Many centuries ago, when Alta Badia was still largely uninhabited, La Crusc (Holy Cross) seems to have been a pagan place of worship. It was probably the unfavourable living conditions of the area that led the first Christians to construct a sanctuary here.

Around 1010 the monks built a chapel at La Crusc where a small church was erected in the 15th century. At the end of the 17th century the church was deconsecrated by the then Austrian Emperor and was subsequently left to decay. Pilgrims and valley dwellers rescued the little church by partially rebuilding it, and some years later in the middle of the 18th century it was enlarged and embellished with a bell tower.

For a long time the existence of La Crusc as a place of pilgrimage had been established on the basis of documents from the year 1511. And then two further parchment documents emerged with evidence pointing to an earlier existence. The first mentioned a church consecration; the second contained the story of “Morellus de Caninis” who made a pilgrimage to Rome in 1500 in order to seek favours for the La Crusc church.

Numerous relics are preserved in the altar of the church, such as those of St Leonhard (to whom the parish church of San Leonardo/Badia is dedicated), St Hippolitus, St Virgilius (Bishop of Salzburg), St Mary Magdalena, St Agnes and St Barbara.

Nowadays there are several processions to the church during the summer season, and there is an important service on the first Sunday in June.

The military cemetery in Auer/Ora was originally established in 1916 as a burial ground for the chiefly Russian and Serbian war prisoners who had died while working on the old Val di Fiemme railroad. Additionally, a military hospital was established in Auer during WWI. A burial ground was set up at the site of today's military cemetery for fallen soldiers and for the workers who died during the construction of the railroad.

During WWII, the burial ground was likewise used as a cemetery for the war dead. The bodies of Austro-Hungarian soldiers who had fallen on the Dolomite Front were exhumed and transferred to their respective national cemeteries. Until 2003, the association for victims of war and combatants of South Tyrol took care of the military cemetery. From 2003 on, the "Schützenkompanie" Auer took over the cemetery's administration.

The Klösterle in St. Florian/St. Floriano was built in the 13th century as a pilgrims' hospice and offered accommodation to many travelers in the past because of its strategic location, 25 km (one day's walk) from Trento and Bolzano/Bozen. It is one of the few hospices of this type still completely preserved in Europe. It is believed that the famous painter Albrecht Dürer, on his first trip to Italy, sought a place to stay in the Klösterle because of flooding. The well-preserved unique art monument, in Romanesque style, is accessible to visitors via the Dürer path. During the summer months, events such as concerts and plays are staged there.

In 1220, the Church of San Giovanni/ St. Johann in Taufers was built as a Romanesque church in the shape of a cross. The fully frescoed groined vault depicts its Byzantine influence. It is worth seeing the Late Romanesque frescoes. Whole sections of the walls of the predecessor church from the 9th century were used to build the church. 
Later, the church was used as a hospice church and served as a common room and sleeping place for pilgrims. 

The church S. Johann in Taufers is open every day from 9.30 a.m. until 5.00 p.m..

In lieu of the parish chapel built in Widum itself under parish priest Paul Nardin, a free-standing and somewhat larger Widum chapel was built in the courtyard in 1869 under parish priest Johann Clauser. It is dedicated to St. John of Nepomuk. The parish with its vaults at ground level, flight of stairs to the 1st floor, and the window and doorframes made out of stone is one of the most ancient buildings in Auer/Ora. It was renovated and extended in an exemplary manner by parish priest Peter Paul Hofmann in 1992. In addition to the parish flat, it houses rooms for the church associations as well as small and large parish rooms.

In the 14th century a church dedicated to St. Jodok stood where the Church of Our Lady now stands. In 1674 it was replaced by an early-Baroque nave dedicated to the Queen of the Rosary, with only the base of the bell tower preserved from its predecessor. The builders were the Misconèl brothers from Tesero in the Val di Fiemme. The tower was completed in 1776/77 with an octagonal tambour and bell dome. The three-bay nave with barrel vault is divided by pilasters and transverse arches between rectangular and lunette windows; a right-angled cornice connects it with the recessed rectangular choir. There is a two-storey loft to the west.

The altar fittings date back to the late-Baroque era. The Queen of the Rosary can be seen between Saints Dominic and Catherine on the high altarpiece, with the side altars dedicated to the Saints Joseph and Anthony of Padua. The pulpit, of stucco marble, dates from the Classicist era around 1800.

Marienberg Abbey above Burgeis/ Burgusio dates back to the 12th Century. The highest located Benedictine abbey in Europe is situated at an altitude of 1,340 m a.s.l., since 900 years monks live here according to the rules of Saint Benedict of Nursia. Today, the main hall displays impressions about the daily life of the monks marked by Benedict's credo ora et labora. The exhibition displays also beautiful paintings such as the Romanesque Crypt frescoe with its unique depiction of angels.

Special exhibitions:

- Marienberg in front of and behind the lens
- Maria

Guided Tours
All information about guided tours and timetables can be found at https://www.marienberg.it/en/museum/guided-tours.html.

The Loreto Chapel is located in Kalditsch/Doladizza above Montan/Montagna and is part of the "Rothenhof." It was consecrated on September 22, 1702 by Prince Bishop Michael von Spaur. The church day is celebrated annually at the end of September with a solemn service. The high altarpiece is a magnificent work by the Val di Fiemme-based painter Giuseppe Alberti. The inscription on the church roof, visible from afar, depicts a monogram of the Virgin Mary.