Kościoły i klasztory

The gothic Parish Church of S. Martino was mentioned for the first time in 1425. In 1778 the Church was rebuilt in baroque style with frescos from Johann Mitterwurzer. In 1906 the nave was remodeled with frescos from Heinrich Kluibenschedl.

The Holy Spirit Church is the oldest church of the Ahrntal valley. The church is situated at the furthest reaches of the Ahrntal valley., leaning against a large rock. It was built around 1455, and was enlarged and converted to its current form in the 16th century. The Holy Spirit Church is a sacred place, partly through its history and partly through many pious believers of many generations. It is not known when the first church was built for the many travelers who used in particular the Krimmler Tauern as a passage to get in the Pinzgau and Salzburg. It is sure that cardinal Nikolaus Cusanus of Brixen/Bressanone dedicated the church and the cemetery in 1455.This was necessary for the people who freezed to death passing the Alps or who died in another way, or for the miners of the Prettau/Predoi copper mine. In 1500 the church was extended. In the last 10 years much restauration work has been carried out. Unfortunately, many pieces of art have been removed for security reasons. Even the pilgrimage image was removed for some years, but it returned in 1981 to the church, protected by a safe and underlined in its importance by a corona.

Centuries ago - starting from the "Schliefstein" - a particularly positive energy was found here. That is why the legendary Holy Spirit Church was built. According to the conviction, one could strip away one's sins by walking through the narrow gap between the church and the large "Schliefstein". And so, the place around the church and the stone is still a well-known and popular place of power.

Beautiful, renovated Baroque church with onion roofed steeple. The original hospital church was consecrated in 1370. Inside on the altar pieces of the high altar representation of the baptism of Jesus and of the side altar St. Elisabeth by Franz Unterberger (1707-1776).

Holy mass in italian language: Mon, Tue, Wed, Fri at 09.00 am, Sat at 06.00 pm
Sunday and ecclesiastical holidays at 06.00 pm in July, August and Christmas

The St. Johann Benedictine convent of Müstair Valley across the border in Switzerland is a well-preserved monastery complex that dates back to the Carolingian period. Here, Benedictine everyday life, cultural cultivation, art and research meet. Legend has it that none other than Charlemagne laid the foundation stone for the monastery. Immediately after his coronation, Charlemagne was caught in a snowstorm on the Umbrail Pass. Out of gratitude for having survived this, he founded the monastery in Müstair in 775. 
St. Johann Monastery has been a UNESCO World Heritage Site since 1983. 

More information, guided tours and opening hours of the monastery church at: www.muestair.ch

The baroque Parish Church dates from 1738, though the tower remaining from an earlier building is Gothic. The artist Paul Troger from Welsberg was one of the most famous 18th century artists in all Austria. In 1737 he donated the three altar pictures to his home village.

St. Anna’s Chapel | A small church built at the beginning of the 15th century in the Ortisei’s graveyard. It features a noteworthy portal and several ancient gravestones and memorials.

The church will be open only for special occasions.

The beautiful Romanesque church, dedicated to St. Leonard, was built around the 13th century. Its main altar dates back to the 18th century.

Saint Joseph Freinademetz, the saint of Alta Badia, is the first South Tyrolean Saint.
He is very popular amongst the people of Alta Badia and the surrounding valleys.

Parish Church in Sesto/Sexten The parish church of St. Peter and St. Paul in Sesto will impress you with its artistic masterpiece, the “Danse Macabre”, carved at the entrance to the cemetery by the South Tyrolean sculptor Rudolf Stolz. Peter and Paulus Parish Church in Sesto/Sexten The church was constructed around 1824/26 and hosts altar sheets by the Venetian painter C. Dusi. Ceiling frescoes and the Stations of the Cross are a masterpiece by Albert Stolz. On the well looked-after cemetery, are not only the graveyards of Sesto mountaineers, but also wood and sandstone sculptures by South Tyrolean artists. The frescoes by the painter brothers Ignaz, Alber and Rudolf Stolz are very impressive, whereby Rudolf Stolz also realised the beautiful "danse macabre" at the entry to the cemetery. Furthermore, you can admire a baptismal font dating back to 1650, and the beautiful cemetery with arcades.

Paul Troger, Baroque painter, was born on 30th October 1698 the son of a sexton and dressmaker in Monguelfo. His “Troger-blue” is still mesmerizing.

The high altarpiece and the two side altarpieces in the parish church of St. Margaret were donated by Paul Troger to his home church. Paul Troger gave them as a gift to his home church, which was rebuilt from the ground up in the years 1736-1738.

The high altar painting shows the Holy Margareth with the Apostles Peter and Paul, Bishop Ulrich and St. George, the dragon slayer. The right side altar image represents a single successful composition of the adoration of the Magi, on the left side altar of St. Johannes Nepomuk shows how he distributed bread to the poor. 

Another work "St. Apostle Judas Thaddeus" by Paul Troger can be viewed at the Raiffeisen Bank, in the immediate vicinity of  S. Margereth Parish Church.

Built in the 13th century, with numerous frescoes dating back to the 15th century. Contemorary round shaped church annex exists since 1975. The grace stones of the nobles, tax collectors and keepers in the church wall are worth seeing.

This church is one of the most coherent structures of the late baroque period in the Pustertal valley. It was built around 1770 reutilising the late Gothic walls of a previous nave. Consequently fragments of frescos by the master Simon von Taisten have remained. The interior was decorated by Franz Anton Zeiller in 1768, while the St. Erasmus chapel contains tomb stones in memory of the Counts of Welsberg who are buried here. The adjacent chapel of St. Jacob is graced with murals by Simon von Taisten.

First mentioned in 1347, elements of the Tyrolean late Gothic (1488) are still preserved in the polygonal choir end, as well as in the sound windows of the tower. Around 1840 the church was extended by one bay, regotized, the same happened again in 1952 under architect Erich Pattis and carpenter Josef Pattis. The altar-pieces are by K. Jele from Ried in the Upper Inn Valley (1814 1893) and depict on the main altar the Penitent Magdalene, and on the side altars the Bishop Sylvester with the martyr Sebastian, then Joachim and Anna with the Child in the Nazarene style in a clear position. On the main altar of St. John the Baptist, wooden sculptures by Franz Xaver Nißl. Stations of the Cross panel by Maria Delago (1953). In the apse, paintings from the life of St. Magdalene by the priest painter Johann Bapt. Oberkofler. On the east side a wrought-iron cross points to the witness of the resistance against the Nazi regime. This is the Jesuit priest Johann Steinmair (1890-1944), who became a blood witness of Christ by beheading in Berlin-Brandenburg. The chapel of the dead in the cemetery area: It serves as a memorial for the victims of the two world wars, for Reverend Peter Agreiter (1911 1948) and as a place of devotion for the Lourdes pilgrims.

The parish church exhibits worth seeing works: the high altar from 1884, side altars from 1903, the pulpit from 1867 and the Queen of the Rosary from the Baroque period around 1700. A high artistic value has also the oil painting of Franz Sebald Unterberger which represents the St. Stephen, as well as the glass painting with the subject of the miners of Villandro in 1520.

The family Kiniger promised to build a chapel in 2013 and in the same year it was inaugurated. The chapel is situated in the Waldheim, nearby the Hotel Willy.

The castle chapel of St. Stephen in Morter, or the sistine chapel of the Venosta Valley as it is also known, dates back to 1487, and certainly does rank among one of the most remarkable churches in the Southern Tyrol. Although the tiny church appears simple and unassuming from the outside, the magnificent frescoes in the interior are an absolute must for those who are interested in art and culture.

Open every Friday + Saturday from 14.30-17.30 (April-October).

Churches that are dedicated to St. Peter are usually very old churches. For this reason it comes as no surprise that a Church of St. Peter was mentioned in the parish archive as long ago as 1305. The church of St. Peter in Mitterlana was built in its present form in 1680.

The church features elements of the Renaissance and Baroque periods in both its structure and elaborate furnishings. Alterations, renovations and additions took place between 1770 and 1776, in 1836, 1860, 1901/02 and in 1986.

St. Anna Chapel in Schanzen was built during the first part of the 15th century, it includes a late-gothic wing-altar.

Built at the start of the 15th century in the Gothic style, the frescoes in the church are by Johannes of Bruneck and date from around 1420. The crypt of the Ursuline Church is the oldest part of the entire cloister building and dates from the period around 1410; the crypt space is almost empty, but hugely atmospheric - sanctified by centuries of the silence of the dead.

Holy Mass: Mondays to Fridays at 5.30 p.m., Sundays and holidays at 10.30 a.m. (in German language)

Gais has recently been enriched with a historical jewel-
 culturally.  After years of preparatory work, the
 mortuary skin, the so-called “ossarium”, has been transformed into
 in a small museum and made available to the public.
 The centrepiece of the museum is a cycle of frescoes from the period
 late-Gothic with a Universal Judgment unique in its
 gender and, next to it, the works on the redemption of
 poor souls, a kind of catechism for believers
 who at the time could not read.  In addition,
 admire the priestly vestments of Castelbadia  (Miscellaneous
 precious casulas) in a glass case and St. Constantine II
 (a complete skeleton) in a reliquary.

1334: First mentioned, then rebuilt several times over the centuries, from Gothic to Neo-Gothic.
1472: pointed arched sound windows in the tower.
1879: neo-Gothic forms in the interior according to plans by Josef Vonstadl.
1963: Extension by one bay and redesign by architect Erich Pattis. Preserving all the Gothic style elements, in addition sculptures in the Nazarene style: the guardian angel, St. Notburga, St. Joseph and the Sacred Heart of Jesus. They were made by the local artist Michael Hintner, the Immaculate was executed by Josef Mersa.
Stations of the Cross from a local workshop: Romanesque four-nail cross, on the high altar the wooden sculptures of St. Sebastian and the weather patrons St. John and St. Paul, on the left of the altar St. Nicholas, on the right St. Andrew. On the altar are placed alternately Mary with the Child or the Sacred Heart of Jesus.
Altars: neo-Gothic, from the workshop of Colli and Adam. On the right side altar the statues of St. Leonard, St. Mark and St. Anthony, on the left one those of Ursula, Mother Anne and St. Catherine. The patron saint of the church is St. Nicholas on December 6. Memorial to the fallen of the two world wars in the cemetery area.

The Capuchin monastery (since 1626) and the Capuchin Church are kept very simply, in line with the principles of the order. Continuing along the Dantestrasse, at the road junction to Dietenheim you will find one of the oldest and most beautiful shrines in Tyrol.

Holy Mass Sunday and ecclesiastical holidays at 08.00 am in German language and at 09.00 am in Italian language.
Mon - Fri: at 09.00 am in German language

Completely built in red porphyry. Built in 1899-1902 in the neo-Romanesque style, the lovely mosaic above the main portal was installed in 1903. The tower was only completed in 1930.

Holy mass:
Sunday at 10.30 in german language

Built in the early 19th century in the neo-Romanesque style on the foundations of the medieval church. The tower and chancel date from the period around 1500. The picture of the three kings by Bartlmä Dill Riemenschneider, the son of the famous woodcarver, (dated 1541) is worth seeing. Close to the church, the local cemetery and remains of the medieval Burgstall castle are also of interest.

Holy Mass:
Saturday at 18.30 (in summer at 19.00, Sunday at 10.00 (alternately in german and italian language).

Andrian's parish church is dedicated to Saint Valentine. The patrocinium of St. Valentine suggests that it was a place of worship here very early on. The first documented mention of a church dates back to 1231. The oldest part of the present church consists of the lower part of the tower with the three-part ogival spire windows. Unfortunately, the nave of that time has not been preserved, but it is part of the building erected in the early 16th century, which today forms the choir of the church and has preserved its late Gothic elements with its ogival windows and star-ribbed vaulting. Some frescoes from that period can still be seen in the present-day sacristy, as well as the statues of Mary with Christ Child, St. Sebastian, St. Anne, St. Barbara and St. Catherine (late 15th/early 16th century) in the neo-Gothic winged altar, which was only made in 1904. All the rest of the church, including the nave and the upper part of the tower, was not built until the 19th century (nave 1852-1854, tower 1883) and in 1864 the side altarpieces were painted by Anton Psenner.

Translated with www.DeepL.com/Translator (free version)

St. Margareth in Marga was first mentioned in 1309. Only the walls of the long nave can be brought into connection with this period when looking at today's' building. A smaller, non-vaulted church was probably the origin of this chapel. The pointed tower was probably constructed at the end of the 14th century, and the long nave was probably vaulted at the beginning of the 16th century. This is a construction with one nave. The altar room is located in the tower. S. Christopher on the façade is meant to protect the people from storms. With regard to picturesque highlights we can mention the wall painting wit the 14 helpers in need on the triumphal arch wall, which has been preserved up to date. The wing altar dating back to about 1500 with sculptures of S. Margaret, Magdalene and Catherine is also very impressive. The entire altar was restored in 1888. The extraordinary side altar, a painted wing shrine dating back to the beginning of the 16th century is also worth mentioning. In 1948/49 the inside of the church was newly lime-washed and the inventory cleaned. The key is lendable in the neighbouring house.

The 19th century Neo-Gothic nave was dismantled in 1988 and replaced by an 8-sided building. This remarkable church is decorated with several paintings, carvings, statues and images (among which a statue of St. Ulrich by Ludwig Moroder and the altar painting depicting the Adoration of the Magi by Josef Moroder-Lusenberg).

You will soon find more information about the "Moarhansn"-Chapel here.

The San Valentino Church The San Valentino Church was built in 1825 at Bagni di Moso / Bad Moos. The chapel was constructed in 1925 by Valentin Wassermann for bathing guests. In 1980 the chapel was renovated.

This church was first mentioned in 861 in connection with a court hearing. It is designed in two floors and remarkable for its Romanesque architecture, as well as for its frescos by the masters Leonhard from Brixen and Simon von Taisten, the latter a pupil of Michael Pacher’s.