Wszystkie forty i zamki

Located between the Bolzano Town Gate and the Postbrücke – once spanning the wild waters of the Passer river – Sandplatz Square marks a graceful transition into Merano’s layered past. From here, winding alleyways lead into the historic Steinach district, whose weathered façades whisper tales of centuries gone by. Once a sandy riverbank and later a lively hub for salt trade and postal routes, Sandplatz has long stood at the crossroads of commerce, culture, and everyday life.

At its centre rises one of the city’s oldest monuments: the Baroque Marian column. A symbol of protection and belonging, it has served as a place of pause and reflection for generations. Nearby, a small fountain murmurs beneath façades dating from the Wilhelminian and Art Nouveau eras. Today, Sandplatz is both a local gathering place and a popular stop for visitors entering the city via the Bolzano Town Gate – a site where shopping, strolling, and cultural curiosity converge.

One architectural gem is the former Hotel Erzherzog Johann – later renamed “Esplanade” – an elegant showcase of 19th-century hospitality that also housed Merano’s main post office until 1913. Today, the building has been carefully restored and is home to boutiques and cafés. Across the square stands the stately Ansitz Hohensaal, which later became the seat of the Institute of the English Ladies, now flanked by the neo-Gothic Sacred Heart Church consecrated in 1904 and serving as a youth church since 2017.

Sandplatz remains a place of lively exchange: every Saturday, local farmers and artisans gather here for the weekly market, offering fresh produce, specialties, and regional flair. At the same time, the square is an ideal starting point for exploring the city: the medieval arcades, the Kurhaus palace, the riverside promenades, or the paths leading to the Gardens of Rametz Castle and Trauttmansdorff.

Sandplatz Square is more than just a stop along the way – it’s a vibrant part of Merano’s identity. A place where history is alive, architecture speaks, and new stories are written every day. 

The Postbrücke is one of Merano’s most refined architectural statements – a bridge that embodies the elegance of floral Art Nouveau while connecting key parts of the historic centre. Constructed in 1909 at the request of local merchants, it was designed to replace an ageing wooden bridge and improve the flow of people and goods between the lively Sandplatz Square and the then still-growing districts across the Passer.

From the outset, this was more than just a practical structure – it was a symbol of modernity and urban refinement. The bridge rests on three evenly spaced piers and features two graceful, low-lying arches made of reinforced concrete – a cutting-edge material at the time. What gives the bridge its charm, however, are the decorative elements: delicately wrought white-painted railings with gilded floral details, finely modelled lanterns, and balustrades proudly engraved with the year 1909. These artistic flourishes evoke the spirit of early 20th-century craftsmanship and lend the bridge its unmistakable character.

Today, the Postbrücke is much more than a river crossing. It is a cherished meeting place for locals and visitors alike. People pause here to enjoy views of the surrounding mountains, to watch the river’s flow, or to move between the leafy Winter and Summer Promenades on one side, and the arcaded old town and Sandplatz Square on the other.

Recent restoration work has returned the Postbrücke to its original splendour: the bridge deck, railings, and embellishments now gleam once more, often adorned with fresh seasonal flowers. It stands not only as a monument to a bygone aesthetic, but as a vibrant part of Merano’s everyday life.

The bridge continues to mirror the town’s pulse – from the movement of goods in centuries past to today’s urban rhythm. For those who seek to experience Merano’s cultural and architectural soul, the Postbrücke is not just a route, but a destination.   

The Masters of Braunsberg were first mentioned in the records in 1213; from 1492 in the possession of the Counts Trapp, latterly inherited by the Counts Strachwitz, who restored the castle; simple layout with a curtain wall, residential building, tower-like and chapel (St. Blasius).

The castle towering high above the Gaulschlucht gorge is a landmark of Lana. It was the seat of the Lords of Braunsberg mentioned in 1213, belonged to the Trapp Counts Matsch from 1492 to 1969 until Braunsberg Castle passed into the inheritance of the Counts Strachwitz in 1969.  

The small and simple complex, part of which fell into the Gaulschlucht gorge in 1510, consists of a curtain wall, residential building, tower-like outbuilding and the St. Blasius Chapel. It was first mentioned in a document in 1323, but is certainly older because of its Romanesque architectural style and was originally located outside the castle walls.

Various stylistic periods can be found: The portal dates from the late Gothic period, the open pulpit from 1538, the crucifixion group and the figures of Saints Vigilius and Blasius from 1592 with frames from 1669 and the Baroque altar from 1690.

The castle is privately owned and cannot be visited.

In 1940-41 by the fascist regime was built this bunker for reasons of defence. It is an impressive underground structure made on several storeys with a tight net of tunnels, that joins shooting ranges and inner rooms. In the front area there is an exhibition of photographs (Gampen Gallery), whereas the central part hosts an exclusive collection of minerals. 

The "Jaufenburg" above St. Leonhard was built in the 13th and 14th Century by the men of the Passeiertal Valley and was once a magnificent castle. As well as many picture presentation boards about the history of the castle, you can also visit the court house, shield farms, wall frescoes from 1538, listen to an audio recording of legends and enjoy the unique view.

Open air museum "Anderter Alpe":

Many areas of the Dolomites are in the process of setting up projects to enhance the historical testimony of the Great War. Sesto di Pusteria was both victim and protagonist of this tragedy. Sesto di Pusteria is the only place of Germanic language and culture belonging to the Austro-Hungarian Empire to find itself at the front line, undergoing forced evacuation and displacement, and then, together with other places of the South Tyrol, being annexed to Italy. This chance set of events makes Sesto an emblematic place to tell the history of this period, not only for the Tyrolean citizens of today but for all the inhabitants of Europe. The vicissitudes of the civilian population and of the soldiers during this extremely important moment in history have so far surprisingly been neglected, undoubtedly because of the upheaval following the end of the war and annexation to Italy. Given the considerable interest in the First World War that is now emerging in Europe, Sesto has unique and inestimable contribution to make. The Associazione Bellum Aquilarum (Bellum Aquilarum historical association) aims to save from oblivion the surviving testimony to this tragedy in order to preserve it so that it can be handed down to future generations, not only to the young people of Pusteria, but also to those living in places once belonging to the former Austro-Hungarian Empire that were the scenes of battle here. The tragedy experienced so deeply at Sesto and in Pusteria is askin to that of many other areas of Europe which were on the front line or which, after the war, witnessed the havoc brougth on by territorial annexation. The ensuing cultural, historical and political schism was immense; without doubt, these events changed Pusteria but also Europe itself, and today - in a European perspective enabling the age-old tensions issuing from the war to be overcome - preserving these memories can aid us in the construction of our common future.

The Wandelhalle, Merano’s iconic covered promenade, was built between 1864 and 1866 – even before the heyday of the Belle Époque. Today, it ranks among the city’s most culturally and historically significant landmarks. As one of the earliest examples of representative spa architecture in the Habsburg Monarchy, it also marks an important architectural transition: bridging the refined classicism of late Biedermeier with the emerging Jugendstil, distinguished by ornamental motifs and vivid wall paintings.

This light-filled colonnade follows the curve of the Winter Promenade along the Passer river – offering a shady retreat on warm summer days and a sun-drenched path for winter strolls. Initially met with public resistance, the project was championed by Merano’s visionary mayor, Valentin Haller, who saw in it the potential to redefine the town as a modern spa destination. He persisted – and prevailed. By 1891, the Wandelhalle had evolved into an open-air gallery, adorned with busts, commemorative plaques, and sweeping landscape paintings by local artists such as Lenhart, Complojer, and Demetz – celebrating South Tyrol’s natural beauty in painterly form.

Architecturally, the structure is a gem of 19th-century ironwork: its delicate cast-iron framework was produced by the acclaimed Viennese foundry Griedel, echoing the design language of Otto Wagner’s urban rail stations and the early Paris Métro. The arcade stretches nearly 100 metres, inviting passers-by to linger, promenade, or enjoy a concert beneath its sheltering arches.

Today, the Wandelhalle is a beloved public space in Merano: mornings begin with espresso at the adjacent café overlooking the Passer, while Saturdays bring a bustling flea market that attracts artists, collectors, and curious strollers. The venue also plays host to regular open-air concerts and cultural events, continuing the tradition of spa music that once defined Merano’s elegant leisure culture.

For younger visitors, the Wandelhalle offers a uniquely atmospheric encounter with history, nature, and art – a place where riverside flair and artistic expression come together in the open air. It also marks the start of several scenic routes: from here, the Kurpromenade leads past Art Nouveau villas, the Kurhaus, and on to the Tappeiner Promenade or the Steinerner Steg.

The Wandelhalle is also rich in anecdote: in the 19th century, it was a favourite gathering place for so-called “whey cure guests”, who would stroll here in the early morning light – fasting, breathing the fresh air, and accompanied by gentle music known as Molkenkonzerte.

At its centre stands the Hall of Honour, still bearing busts of historical figures – among them Duke Karl Theodor, brother of Empress Elisabeth and a practising ophthalmologist in Merano. The Wandelhalle thus offers not only aesthetic pleasure, but also quiet traces of the town’s storied past – captured in cast iron, paint, and sunlight.

Above the village is the Malerhaus. Besides the three fresco paintings that adorn the main facade of the building, nothing reminds us that more than 100 years (1719-1845) have passed since a painting school was located here.

Tip: still-existing works can be found in the Pfarkirche St. Martin parish church and the Turmhaus building in the village square.

Just a short walk from the old town and set against the Alpine-Mediterranean backdrop of the Merano basin, the Merano Lido has been a beloved summer retreat for over a century. In South Tyrol, “Lido” is the classic name for an open-air public pool – and Merano’s version is among the most iconic. Combining the charm of Art Nouveau with modern leisure comforts, it offers a refreshing escape for locals and visitors alike.
The Lido was already attracting bathers in the early 20th century – drawn by its central location, sporting facilities, and laid-back atmosphere. After a careful renovation in 2014/15, the pool was upgraded to a modern sports and recreation centre, while preserving its historic flair.
At the heart of the complex is a 50-metre Olympic-size pool, perfect for serious swimmers. A mid-sized leisure pool, diving tower, whirlpool area, and massage jets provide variety, while two towering waterslides – 13 metres high and nearly 100 metres long – add an element of excitement for thrill-seekers of all ages. Diving boards (1m and 3m) and starting blocks enhance the facility’s athletic profile.
The spacious sunbathing lawn is dotted with mature trees and includes a sandy beach area, comfortable loungers, and a family-friendly children’s zone with playground and paddling pool. Several cafés and bistros offer refreshments: from ice cream and snacks at the kiosk to cocktails at the stylish Zanzibar bar – ideal for a quick espresso, a gelato, or an evening aperitivo. The Lido also hosts events such as the popular “Cool Swim Meeting” – a summer highlight for competitive swimmers from across the region.
Fascinating facts & history
• Film legend Bud Spencer once trained here – a nod to the pool’s athletic roots.
• Originally built in the 1930s, it’s one of South Tyrol’s oldest outdoor pools and has long been a favourite among spa visitors and locals.
• The 2014/15 renovation preserved the Art Nouveau architecture while adding modern, accessible sports features.
• Since 2016, the “Cool Swim Meeting” has brought hundreds of swimmers to Merano each summer.

Near the Brunner Hotel in Vernuer/Vernurio there is a fully preserved sawmill dating back to 1906.

Open daily for visits.

Castel Lebenberg is one of the most beautiful castles in Burggrafenamt, built in the 13th century. By the lords of Marling. Very extensive castle complex of late gothic castle chapel with valuable frescoes including some from the 14th century. Picturesque courtyards, French Ornamental Garden, Hall of Mirrors in the rococo style and knights hall with a large figure pedigree of the Counts of Fuchs, 1426 to its extinction in 1828 the owner of the castle, now since 1925 in the possession of the van Rossem van Sinoutskerke family, Farmer room with Gothic farm furniture and armory.

Above the village of Tscherms towers one of the most beautiful castles of the area: Castel Lebenberg. The landmark of Tscherms is visible from far away and enthroned on a moraine hill. It offers a beautiful view over the Etsch Valley.

The castle was built by the Masters of Marling, which then called themselves the Masters of Lebenberg. Later the Fuchs von Fuchsberg Family gained possession of the castle for nearly 400 years. Nowadays Castle Lebenberg is privately owned and the owners live here full time. Guided tours allow visitors to experience this architectural example of times long gone.

The well preserved castle has a lot to offer for visitors who are interested in arts and history: The 3 story chapel from the 14th century, romantic inner courtyards, a French flower garden, the hall of mirrors in Rococo style, an armoury as well as fully furnished rooms from various epochs and farmers rooms with gothic farmer's furniture are among the many things to see.

Lovers of medieval murals will enjoy the precious gothic frescos which have only recently been discovered.

The imposing complex of buildings from the 13th century is fully preserved to this day and can be visited daily. 

Andreas Hofer hid for one and a half months with his family at the Pfandler Alm mountain hut, above St. Martin/S. Martino. On January 28, 1810, he was captured and taken to Bozen/Bolzano and Mantova.

The Pfandler Alm is only accessible on foot.

Known locally as the Steinerner Steg, and erroneously referred to as Ponte Romano, this historic footbridge has long been a landmark of Merano. Built between 1616 and 1617 by the Bressanone/Brixen master builder Andrä Tanner, the bridge links the medieval old town to the verdant quarter of Maia Alta/Obermais, gracefully spanning the Passer river with two asymmetrical arches of solid quarry stone.
One of its most distinctive features is the gentle bend at the midpoint, combined with its crenellated stone parapet – details that give the structure the character of a small fortress and lend it an unmistakably historic silhouette. Constructed almost entirely from local porphyry, the bridge blends harmoniously into the Alpine landscape that frames the city.
A curious historical detail lies between the arches: a narrow, sloping ledge known as Ritsch once served as a wastewater chute, directing sewage from the town directly into the river. Beneath the current stonework, remnants of an older wooden drainage system still remain – quiet witnesses to centuries of everyday life.
Despite its evocative name, the bridge has no Roman origins. The designation Ponte Romano was introduced during the Fascist period in 1927 and has no historical basis. The current structure replaced a series of earlier wooden bridges that had repeatedly fallen victim to the river’s floods. Since its construction, the Steinerner Steg has stood firm against the elements – its most recent thorough restoration took place in 1987.
Today, this traffic-free bridge is more than just a thoroughfare. It is a beloved spot for walkers and residents, a vantage point for photographers, and a tranquil refuge within the urban fabric of Merano. From here, visitors can admire the dramatic Passer gorge, the lush promenades that run alongside it, and the sweeping views of the mountains beyond.
By day, the bridge offers a striking interplay of Alpine freshness and Mediterranean charm. By night, illuminated by gentle lanterns and accompanied by soft sounds from the nearby summer events, it transforms into a place of quiet elegance. Framed by peaks and palms, the Steinerner Steg is a living part of Merano’s cultural identity and an atmospheric link between past and present.

Since the collapse of the unusually powerful donjon in 1807 only ruins; The castle consisted of the freestanding mountain fried, the house with castle entrance and farm buildings, surrounded by a large curtain wall; whose new mansion is now located below the castle for 800 years owned by the Counts Brandis. No visit possible.