The parish church of the same name, which was first mentioned in 1177, is located in the rapidly growing capital St. Andrä. Its late gothic reconstruction in the period around 1485 with a presbytery and tower which is still characteristic today. In the 18th century a striking baroque style was introduced. Georg Tangl, director of the Brixen seminary and priest of St. Andrä, provided for a rich decoration with stucco (Franz Singer) around 1770. Around 1736 the ceiling frescoes by Jakob Jennewein depicting the martyrdom of St. Andrew were painted. In 1930 the altarpiece was painted by Johann Baptist Oberkofler.
The Maria Hilf Chapel in the cemetery is a compact octagonal building dating from 1696, and the octagon, a work by the Bolzano master builder Delai, is considered an important model of Baroque central building. The altars of Mary, Anthony and Notburga are also works of art from the late 17th century.
This parish church has been rebuilt between 1960 and 1962 according to the plans of the architect Luis Plattner and replaced the Church St. Valentin as main church in Brenner.
The church was built during the 12th Century and is the oldest monument in Scena. It was constructed according to the Carolingian measurements, has two naves with one round apses each and two central octagon pillars. Previously, in both apses, there was an altar, one of which was consecrated to Saint Martin. For safety reasons, this late-Gothic altar, originating from the 16th Century, was transferred into the old parish church. After a number of small changes, the church received its current shape in 1922, as the Italian Department for Monuments intended to put an emphasis on the Roman monuments in South Tyrol. Today, the church is used as a commemoration chapel for the dead.
The graveyard chapel o St Michael was built to the north-east of the parish church in the 18th cent. and houses the banners of the confraternities.
The two-storey chapel was built by order of the lords and miners of Gossensass/Colle Isarco in a late Gothic style. Adam Scheiter from Sterzing/Vipiteno was engaged as master builder by Lienhard Pfarrkircher. The influence of the Bavarian “Danubian School” is recognizable by the late Gothic altar. The stair was created by the master craftsman Matthias Stöberl of Sterzing/Vipiteno. The basement houses a crypt, which is used as a mortuary chapel.
The new parish church of Marein was designed in 1973 by the Bolzano architectural partnership Abram&Schnabl as a "house among houses". The tower was not added until 1982.
The pilgrimage church Maria am Sand, with its picture of the Virgin Mary possessing miraculous powers who gives the Christ baby a pear, is the old parish church of Milland and goes back to the 14th century. Around the middle of the 15th century, the church was extended with a vault in the nave, a tower as well as a pointed arch-portal and it was changed into Baroque style in the 18th century.
The Brixen Poor Clares Monastery was already founded during the lifetime of St. Clare.
There is no documents about the foundation itself and where the first sisters came from. The oldest written document is a letter of liberty from the Prince-Bishop of Bressanone, Henry IV, dated May 10, 1235, in which the monastery and the newly built church in honour of the Virgin Mary and St. Francis were freed from all secular and spiritual judicial constraints.
The church of St. Elisabeth was originally a romanesque church, which was rebuilt in the 15th century into a gothic church and then in the 17th century into a baroque church. At the entrance portal there is a crucifixion scene and the coronation scene of Mary with the Franciscan saints (St. John of Capristan, St. Bernardine of Siena, St. James of the Mark, St. Elizabeth, St. Clare and St. Agnes). The interior is indented with a groined vault above which the Sisters' Choir is located. The choir of nuns, which is located above the vault, is under strict enclosure. Behind the choir stalls there is a small "chair" for each sister, which is individually decorated with devotional objects and pictures.
The walls of the presbytery show scenes from the life and work of St. Elisabeth of Thuringia (left: Rose miracle and the banishment from the Wartburg; right: death and burial of the saint). The high altar is a niche construction with four columns and a volute gable (by Peter Passler from Neustift). The picture shows the alms donation of St. Elisabeth. It is flanked by St. Francis and St. Clare. While the left side altar shows a scene of shepherd adoration, the right side altar picture shows Joachim, Anna and little Mary.
At the eastern side of Brixen, beyond the confluence of the Rienz river and the Eisack river, in the village of Milland a new parish church was built between 1984-1985, and it is consecrated to the Saint Father Josef Freinademetz. The church is a curiosity, a work of modern architecture, a sacred place full of light.In the basement, there is an exhibition about the life and the work of the church patron, the Saint Father Josef Freinademetz, the Tyrolian China- missionary.
Guided tours possible after request.
Romanesque St. Michael’s church of the 11th century, Gothic choir loft and the „Weißer Turm“ (White Tower, 72 m) dating from the 15th century, hall church of the late Gothic around 1500, after 1750 redesigned in a baroque manner with frescoes by Josef Hautzinger, Troger’s apprentice from Vienna, altars of the Baroque, Classicism and Romanticism. Famous sculpture of Simon, the „Kreuzträger“.
During the 12th and 13th Centuries, this church was rebuilt in Roman style and again fully redesigned during the 16th Century. Since then, little has been changed. The Baroque high altar with the statues of Saint Franz Xaver and Johann Nepomuk was built around 1730 and redesigned in 1819. Apart from the four altars in the church, there are a number of valuable individual sculptures such as the late-Gothic Saint Sebastian and the Baroque Saint John the Baptist. The cross stations originate from the middle of the 18th Century. During the restoration work carried out in 1975, some beautiful old frescoes were discovered and the statues were skilfully restored. John’s chapel, which was extended toward the South-East, brought to light some very well kept frescoes from the 14th Century. These were found during the renovation work of the 80s. The frescoes show scenes from the legends about John and Pankraz, as well as the wise and the foolish virgins, the evangelists, angel choirs and other pictures of saints. Since the completion of the new parish church in 1931, it has been used for another purpose, rather than its originally intended goal. It has served as a store room and a practice room for the choir. In March 1981, the church was reopened and once more consecrated. Today, it offers a great framework for religious services and devotions in small circles and weddings. Just across the road, in the sexton’s house, there is a marble relief as part of a wall, which shows the coronation of Mary, which was created during the 14th Century.
In 1492 a chapel was dedicated in the Kasten of Galsaunj manor; it can be identified from the outside by its delicate bell tower. It contains a Renaissance altar of 1594 and a Baroque altar from the period around 1730.
The Kasten is not visitable
The new-Gothic parish church in Scena was built between 1914 and 1931. The old church was continuously found to be too small and it was necessary to construct a more spacious building. The vicinity to the school, the old people’s home, the sexton’s quarters and the widows’ accommodation ensured the central location of the church. After several heated meetings about the planning and actual location, the design of the Vienna architect Eduard Hütter was welcomed and approved. However, in 1915 the building work was stopped due to the start of World War I and only recommenced in 1926 because of the political changes, which had occurred in South Tyrol. The altar area is decorated with the statues of the twelve apostles. The fourteen 14 carved cross stations by Johann Muhry are incredibly impressive. The glass windows come from the Tyrolean glass painting company in Innsbruck. At the side walls of the main church area, the statues of Sains Vigilius, the bishop of Trent, as well as one of Christ King, the blessed Heinrich of Bozen, Saint Nicolas of the Flüe, the apostle Philipp, the evangelist John, the Bishop Valentine and the blessed Josef Freinademetz are found on pedestals. At the back wall, the Baroque figure of Saint Michael takes pride of place. He is presented as a young knight with a flaming sword. This statue previously stood in the Michaels chapel, which was demolished before starting the new parish church building. The new organ was built by Franz Zanin from Udine in 1993 and its cover was artfully designed by Herbert Schönweger from Meran. It consists of 32 registers, the major organ part, the back positive and pedal, as well as 2,744 pipes. Both churches were consecrated to Mary, the mother of God and she is celebrated each year on 15th August. The church tower is 35 metres high and contains seven bells. The smallest one is the Zügen bell, which is struck just after someone in the parish dies. On Sundays and bank holidays, as well as other festivities and occasions such as the Ave Maria, the church bells are rung. For the twelve o’clock ring, the ring for the end of the working day, the ring for bad weather approaching, for weddings, baptisms etc, (the little bell, the second one, the third one, the eleventh one, the twelfth one and the large bell) are sounded. All six bells are only rung together for important festivities. The church is surrounded by well-cared for graves, which are decorated with flowers. The measurements of the graves were standardised in 1972 and at that time, the graveyard was redesigned. It is truly an honourable place for the dead. In between the graves, a simple monument remembers the 108 fallen soldiers in both World Wars.
The core of the old parish church in Marein was presumably built around 1400. At least the stellar vault of the choir and the tracery windows on its southern side are from this period. By contrast the tower and nave were not given their present form until the 17th cent. In addition to a Baroque altar from the 18th cent. In addition to a Baroque altar from the 18th cent. the church also contains an older altar from the 17 cent. Among other things, its other furnishings include two remarkable oil painting: a Madonna and Child with St.John the Baptist as a boy, venerated by St Francis, St Clare and St Catherine, as well a second large-format oil painting, which features ST Odile, who was born blind and gained the ability to see only through her baptism
The Holy Grave chapel is situated just below the road, which connects Waidbruck to Barbian, just near the Wohlaufhof (farmhouse). The chapel has a very simple baroque altar. This little chapel was probably built during the 17th century in connection with a crusade. This impression is strengthened by three road crosses, which can be found in the surrounding area. In 1701, the chapel underwent a renovation paid for by Mr. Leiter, the post master of Kollmann and was cleaned up again in 1983. Ask for the key from the nearby „Wohlaufhof“, tel. 0471 654 024
Already in the Bronze Age, there existed a settlement at Abeins/Albes, mentioned in a document for the first time around 960, under the name of Allpines, later Albines. The actual church was built around 1320, at the end of the 15th century it was rebuilt and finally, in 1784, it was changed into Baroque style. It is consecrated to the Saints Hermagoras and Fortunat (painting on the high altar). The side statues date from the first part of the 18th century and represent the St. Albuin and the St. Ingenuin, while the wall- painting on the front and the ceiling fresco on the inside date from the period around 1700. The oldest church of the village is the Margarethen- Church. It has been arched in the late Gothic period, changed into Baroque in the 17th century with remnants of Gothic and Baroque frescoes. Precious Mary- statue of Master Leonhard von Brixen.
The patrons of the Saubach parish church are St. Ingenuin and St. Albuin. The church was first mentioned in 1398. However, the choice of patrons concludes that the church is much older. Today this olt, gothic church is an attraction for many art lovers. It was built during the 15th Century. The consecration of the altars took place in 1502. When you go inside of the church on the porphyry portal with its pointed arch, you will immediately be impressed by the delicate rips of the net-like vault, the four custom-made windows and the three wing altars. In 1925, a fire did substantial damage the church, but with the help of donations from all around the country, the helmet-like tower and the roof could be renewed. Information about opening times at the Barbiano Tourist Information Office, +39 0471 654411, info@barbian.it
The keys are available in the Tschörlerhof, (+39 0471 654032, in the morning) and in the Gasthof Saubacherhof (+39 0471 654344, in the afternoon,) or by telephone arrangement.
Of demotic power is the church of St. Leonhard. Leonhard, the patron saint of cattle and prisoners, is commemorated by the heavy chain that winds one and a half times around the entire church. Consecrated in 1194, the church was redesigned around 1430 and baroque in the 18th century. The rich ceiling stucco from Franz Singer's workshop (around 1770) is a reminder of the Baroque and the creative joy of master builder Tangl. More recent history is evoked by the frescoes by Toni Kirchmair (around 11920), which interpret St. Leonhard as the patron saint of prisoners and fallen soldiers of the First World War.
The Holy Trinity Church in Kollmann was previously called the customs chapel and was connected to the customs office by a wooden walkway. The church itself was built around 1588 and nearly destroyed by a fire in 1938. In the meantime, it has been renovated. It is open from 8 a.m. to 7 p.m. Holy Mass: Sunday at 8:30 clock or 10:00 clock (german)
The parish church of St. Magdalena used to be a small chapel that was integrated into a castle. The chapel was built in 1304 and dedicated to St. Mary Loreto. In 1797 the chapel had some modifications, such as the construction of a tower and the extension of the chapel to a church. In 1804 the patronage of the church was transferred to St. Magdalena.
From the old church from 1332 only the lower part of the tower with its Roman round arch window still remain. The red tower with its imperial roof was built in 1739. The last redesign of the churchs interior during the second half of the 19th century gave the church its New-Roman touch. The artist Karl Hernrici painted an impressive ceiling fresco in 1772.
The church was first mentioned in 1418. The actual building was erected beetween 1880-1888 in the Romanesque style.
The church in Freiberg is from the 19th cent. and its neoromanesque altar was installed in 1919. The altar paintin depicts the earthly and heavenly family of Jesus
The parish church of St Martin is located high up on the Murkegel, before the Sonnenberg of Tschars, and it presumably rises up directly on top of the foundations of its Romanesque predecesor. It is a fourbayed hall church from the first quarter of the 16th cent. with a narrower choir that concludes in a three-sided apse. Its formidable tower with a Baroque onion dome rises up in the south. The interior was renovated in a Baroque style in the third quarter of the 18th cent.
The Maria Heimsuchung chapel in Brennerbad/Terme di Brennero between the villages of Brenner/Brennero and Gossensass/Colle Isarco was built in the time of the noble tourism around 1900. In this period of time uncountable celebrities found accommodations in the gorgeous Grand Hotel and the village of Brennerbad/Terme di Brennero had also an own train station. However, a first chapel was already consacrated 1680 in honor of the Maria Heimsuchung chapel.
1882 effected the laying of the cornerstone to the chapel of today. Built according to the drafts of the master builder Josef Vonstadl, it was consecrated in 1886.
The Neoromanic building consists of a nave and two side aisles and a round apsis. The first high altar was made by F. Schmalzlaus from St. Ulrich/Ortisei, but it seems that already in the year 1889 the chapel received a new altar, made by the sculptor Stufflesser according to drafts by Johann Maria Reiter.
The parish church of St. Catherine and St. James is located at the southwest end of the village and was built in the 15th century. It is a simple neo-gothic building, where at the end of the bell tower instead of the typical neo-gothic pyramid, is a “copper helmet”.
The picturesque Castelbello Castle, first mentioned in 1238, was built by the Lords of Montalban. Majestically, it is situated on a cliff on the left bank of the Adige River. Because of its exposed position, the castle had to be protected by strong fortifications, which needed to be remodernized over the years. In 1813 and 1824, the castle was largely destroyed by fire. The Counts of Hendl rebuilt only a small part for residential purposes. At the end of a protracted court process held over decades between Count Siegmund von Hendl and the Republic of Italy for the possession of the castle, eventually a settlement was reached. This allowed the State to acquire the castle. The Castelbello Castle is the cultural center of the village. In addition to permanent exhibitions in Spring and Autumn, alternating art exhibitions take place here.
The building of the chapel followed in the late 13th or early 14th cent. The walls contain a frieze with the Twelve Apostles as well as texts from the Confession of Faith. Because the apostles are turned towards one another in pairs, the quotations are alternately written in plain and inverted script.
Opening times
Guided castle tours from July 5th until September 11 | 10 a.m., 11 a.m. and 2 p.m., 3 p.m.
Closed on Monday
Spring exhibition by Hans Ebensberger from mid April to the begin of June
Autumn exhibition by Bruno Ritter from end of September to end of October
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