The Paul Schuster Bild on the only way from Vilpiano to Meltina is located sideways to Salonetto and was built in 1900 as a sign of gratefulness towards the protection of Mary.
The Paul Schuster Bild on the only way from Vilpiano to Meltina is located sideways to Salonetto and was built in 1900 as a sign of gratefulness towards the protection of Mary.
The altarpieces of the parish church to the hl. Nicholas holds a special treasure in itself: the statue of the Virgin Mary from 1450 by the famous Ulm master Hans Multscher. The organ with the seven registers was set up in 1904.
St Anne´s Chapel was built on a slab of rock south of the middle of Kastelruth. This High Baroque structure was consecrated in 1724 by Kaspar Ignaz von Künigl, Prince- Bishop of Brixen. The question of who served as master builder remains unresolved, but there are stylistic similarities to church buildings by the Delai family of master builders from bolzano.
In the centre of Schenna lies the Church Hill, notable for its three churches. Dating from the Carolingian era, the 12th Century St. Martin's Church amidst the cemetery is the oldest of them all. With two naves, each with a rounded apse and two centrally positioned octagonal pillars, it is used as a mortuary chapel. A little to the east of St. Martin's Church lies the 13th Century Church of the Assumption of Mary, the so-called “old parish church”. Completely rebuilt in the 16th Century in its existing Romanesque style, the church hosts religious services for small congregations, as well as functions such as baptisms and weddings. The more recent Schenna neo-Gothic parish church was built between 1914 – 1931, while the adjacent mausoleum was built for Archduke Johann and his consort in the years 1860 – 1869.
The castle chapel of St. Stephen in Morter, or the sistine chapel of the Venosta Valley as it is also known, dates back to 1487, and certainly does rank among one of the most remarkable churches in the Southern Tyrol. Although the tiny church appears simple and unassuming from the outside, the magnificent frescoes in the interior are an absolute must for those who are interested in art and culture.
Open every Friday + Saturday from 14.30-17.30 (April-October).
The baroque Parish Church dates from 1738, though the tower remaining from an earlier building is Gothic. The artist Paul Troger from Welsberg was one of the most famous 18th century artists in all Austria. In 1737 he donated the three altar pictures to his home village.
The old church of St. Michael | Eppan is located on the St. Michaels square next to the church "Maria Heimsuchung".
The "Kaserer Bild" chapel, named after the nearby farm "Kaserer Hof", is a traditional place of pilgrimage in Steinegg|Collepietra. The chapel is located directly on the street Riedl on the ridge of the mountain Riedl, an area that is one of the oldest settlements in South Tyrol. In its current form, the neo-Romanesque chapel dates back to 1871, with the small ridge turret added in 1874.
Inside the chapel you will find a lovingly designed, neo-Gothic altar with the image of the Madonna, called "Kaserer-Mutter". According to legend, this image of the Virgin Mary originally hung on a mighty larch tree that once stood exactly where the chapel is now built. The stories and legends surrounding the image and the building of the chapel tell of the deep faith and conviction of the people in the miraculous power of the ‘’Kaserer-Mutter‘’.
The chapel was recently renovated and is now in excellent condition. Holy masses are celebrated regularly in the summer months, bringing this special place back to life.
The little church is only opened on such special occasions. Otherwise, it can only be viewed from the outside.
However, it is definitely worth a visit - not only because of its religious significance, but also because of the idyllic location and the fascinating history that surrounds this chapel.
It is said that the Church of Maria Lourdes was built due to the fact that, on 15th June 1885 in that very spot, a cart fell off a bridge killing Benedict Edler von Vintschgau, of Merano. His wife had the chapel built in his memory, dedicating it to the Virgin Mary. The parish priest, Ortner, later had a new church built in neo-romantic style in honour of the Madonna of Lourdes and it remains a place of pilgrimage even today.
The Church of San Vigilio, located at 1,780 m above sea level, was first mentioned in the historical record way back in 1278. Masses are held on religious holidays. Contact the Lana Tourist Office for more information.
The Mount Vigiljoch is a place with almost magical powers, proven not only by its healing mineral springs at Bärenbad. Just like on St. Hypolyt, the natural energy of this place has been felt throughout the ages. Prehistoric places of worship were located here, as the numerous finds of hand-crafted flint stones and hollowed-out bowls made from stone dating from the Bronze Age prove.
St.Vigilius church, built at an altitude of 1793 m above sea level, was most likely constructed on the site of a prehistoric heathen place of worship. Its location makes this church one of the 'highest' in Tyrol.
The church
First documented in the 12th century, the little church of St. Vigilius has always been called 'weather church' by the locals, as it has always been a place of pilgrimage to ask God's protection against bad weather, rain, hail, thunder and lightning. The walls of the long house date back to early Romanesque times. The Gothic choir with its beautiful ribbed vault and the bell tower were added later. Particularly interesting is the high quality fresco cycle in the interior of the church, which dates back to the 14th century, and depicts the twelve apostles and a Calvary group.
Wetterhügel Hill and the church above the Jocher peak have not lost any of their magical appeal through the ages.
Holy Mass
9 June at 9.30 p.m. Sacred Heart Sunday Lighting of the bonfire with devotion to the Sacred Heart - near St. Vigilius Church
26 June at 9.00 a.m. Patrocinium cloister start cable car mountain station, church service, gospels and weather blessing
In July to the end of August on Sundays at 11.00 a.m. in german language
15 August at 11.00 a.m. Church service with blessing of herbs
6 October at 11.00 a.m. Harvest festival
3 November at 11.00 a.m. Hubertus celebration
25 December at 5.30 pm Christmas mass
There is a special cable car timetable for Sacred Heart Sunday and 25 December. Last journey at 23.30 hrs
The church dates back to the 12th century, but probably its origins are even more remote. The Romanesque building and the Lombard-style bell tower have been subject to many changes. Inside, there is a unique cycle of frescos in Byzantine style dating from 1200-1220. On the ouside walls there are other, probably late 14th century, frescos. Masses (in Italian): Weekdays: 8:00 a.m
St. Valentine's Church on the Gentersberg is traditionally regarded as the oldest church in the Val Sarentino/ Sarntal Valley. The little church is famous in particular for its outstanding medieval frescoes.
The little St. Joseph Church in Ronchi - “Kirche St. Joseph in Rungg” in German, “Chiesa di San Giuseppe a Ronchi” in Italian - is, compared to the other churches in the surroundings of Lake Caldaro, a more recent construction. The building was planned in 1900 by Ferdinand Mungenast, an Austrian architect, who designed also other significant buildings in Bolzano and the Oltradige area, such as the Grandhotel d’Appiano or the St. Joseph Church in Frangarto. Seven years after its edification in 1901, the St. Joseph Church was embellished with a steeple.
Nowadays, the sacred building presents itself with a two-bay groined vault, a polygonal choir termination and a church tower with a pointed spire. In 1977 the church was placed under monumental protection. Worth seeing are above all the artworks by Ferdinand Stuflesser (1855 - 1926), a famous sculptor from the Val Gardena valley in South Tyrol: the altar with the statues of St. Joseph with Jesus the child and St. Francis de Sales, patron saint of writers and deaf people, as well as St. Teresa of Ávila, also called Saint Teresa of Jesus, the national patron saint of Spain.
Above the church entrance there is the statue of St. Anthony of Padua, venerated as the patron saint for the recovery of lost items. It is located in the hamlet of Ronchi (Rungg), which can be found along the South Tyrolean Wine Road after the centre of Termeno and before the wine village of Cortaccia. Also the public bus stops there.
The parish church of St. Catherine and St. James is located at the southwest end of the village and was built in the 15th century. It is a simple neo-gothic building, where at the end of the bell tower instead of the typical neo-gothic pyramid, is a “copper helmet”.
Not far from the San Giuseppe (St. Joseph) Parish Church in Riomolino (Mühlbach) is the early Gothic church of St. Mary and the adjacent Maria Steinach Convent. These were built in 1241 by Countess Adelaide, the daughter of Alberto, Count of Tyrol. Legend has it that two doves appeared to show where the Countess should build the convent. During the reign of the Austrian Emperor Joseph II, the convent was closed. It was re-opened in 1848 by the Dominican Nun´s Order of Linz.
The St. Blasius Church in the fraction Verschneid celebrates its patronage with the distribution of the Blasius blessing on February 3rd. The tower is still Romanesque, the church was enlarged and gothicised around 1500. Very expressive is the baroque fresco (1621) "Vom Gastmahl des reichen Prassers".
The church belonging to the parish Lazfons, once a Roman, was in the 15th Century Gothic style and received its present from in the 17th Century.
The parish Church of the Assumption and the Chapel of St. Michael had to be rebuilt after the fire in 1499 and both were restored in neo-baroque style and consecrated in 1505. Around 1900, there were additional stylistic renovations in the 'Jugendstil' and the 90-meter bell tower is the tallest in the entire Tyrol. The church is open all year. Worship Sat 7 pm, Sun 8.30 am, 10 am, 7 pm
The Parish church "Maria Himmelfahrt" (Mary´s ascension) by Terlan is a building from the High Gothic Period of the 14th Century. The altar room and the choir chairs are the oldest part of the building.
Catholic services: Sat. 7 pm (every 2nd and 4th saturday of the month) and Sun. 8.45 am (every 1st, 3rd and 5th Sunday of the month) in German and every Sunday 10.15 am in Italian.
This church was probably built between 1220 and 1225. It is dedicated to the Assumption of the Virgin Mary. It has been very much altered over time and in 1510 was enlarged in the Gothic style. The tower, which is not very tall, was probably first erected in 1300 and shows signs of the coming Gothic style, as do the slightly pointed tower windows. The tower was not extended in 1510 and so today makes rather a modest impression
The long aisle in the monastery is impressive, with its many votive plaques. Maria Weissenstein / Pietralba (1,520 meters above sea-level) is South Tyrol's most-important place of pilgrimage. It is among the most highly venerated religious sites in the entire province. This place of pilgrimage has been served by good roads from two directions for a couple of decades, now. The one road comes from the Eggen Valley, via Deutschnofen / Nova Ponente and Petersberg / Monte S. Pietro to Weissenstein/Pietralba. The other road ascends from the Etsch/Adige Valley, touches Aldein/Aldino, and ends in Weissenstein/Pietralba. The stream of pilgrims has increased markedly since the visit here by Pope John Paul II in July of 1988. This place of pilgrimage – including the church, the Pilgrims' House (built in 1897), the souvenir store, the inn (built in 1708), and the parking lot – is well-equipped not only for devout pilgrims, but also for the many hikers who stop by here. Open daily from 8:00 a.m. till 6:00 p.m.
Visit only on request!
Contact: Hannes Volgger +39 340 545192
The Parish Church of Vöran/Verano, which is dedicated to Saint Nicholas, is one of the oldest churches on the Tschögglberg high plateau. The church was first documented as far back as 1330.
The walls of the nave date from that time as well. Towards the end of the fifteenth century, the apse was redone in the Gothic style, the nave fitted with two pointed arched doors, and the tower built. During the baroque period, the nave was supplemented with flat-arched windows and a barrel vault; a side chapel was also added. Frescoes depicting the Coronation of the Virgin are interesting from a historical and art-historical perspective, but are not preserved in their entirety.
The church was constructed in 1498 in the late Gothic style and represents the second most important pilgrimage location in the South Tyrol after Maria Weißenstein. The picture of grace (a wooden sculpture of a standing Madonna with child) dates back to 1470. Of particular historical and artistic interest are the numerous carved tablets as well as a painting depicting the transfer of the picture of grace into the new chapel. Open all day.
Already in the Bronze Age, there existed a settlement at Abeins/Albes, mentioned in a document for the first time around 960, under the name of Allpines, later Albines. The actual church was built around 1320, at the end of the 15th century it was rebuilt and finally, in 1784, it was changed into Baroque style. It is consecrated to the Saints Hermagoras and Fortunat (painting on the high altar). The side statues date from the first part of the 18th century and represent the St. Albuin and the St. Ingenuin, while the wall- painting on the front and the ceiling fresco on the inside date from the period around 1700. The oldest church of the village is the Margarethen- Church. It has been arched in the late Gothic period, changed into Baroque in the 17th century with remnants of Gothic and Baroque frescoes. Precious Mary- statue of Master Leonhard von Brixen.
The parish church of Nova Ponente, a Gothic building dating from the 15th century, has an impressively beautiful sandstone cladding. The inscription in the choir vault gives its date of origin: the cornerstone was laid on 5 July 1455 by Pastor Johannes Steel. Below the inscription is the coat of arms of the Diocese of Trento with the eagle, along with that of the then Bishop Georg Hack with its thin branch, also chosen as the heraldic symbol of the municipality of Nova Ponente.
The building was completed in sections, as suggested by the differences in the foundations and the sandstone cladding. Construction work was not completed until 1498, with the church consecrated on 16 September of the same year. In order to imagine it in its pure and original form, the new sacristy at the northeast corner and the organ loft with its outside staircase must be ignored. The interior of the church was vastly improved by the most recent renovation in the summer of 1975. The two neo-Gothic altars date from 1900, with a new organ installed in 1976.
Of particular note in the church are the four old relief panels on the high altar, showing the Nativity, the Adoration of the Magi, the Presentation at the Temple and the Death of the Virgin. The panels are from a famous large triptych, created around 1420 by the Master Hans von Judenburg for Bolzano’s Parish Church, as was the group of the Visitation on the wall of the choir. The main figures on the high altar – Our Lady of the Rosary and the church’s two patron saints - are beautiful works by the Innsbruck sculptor Dominikus Trenkwalder from around 1900. The relief figures of St. Barbara and St. Catherine as well as the relief panel of the Visitation, also on the choir walls, date back to around 1500. The sandstone pulpit from the early 16th century is held by Karl Atz in his “History of Art from Tyrol and Vorarlberg” to be one of the most beautiful of its kind in the entire land.
Old relief medallions of the mysteries of the rosary are inserted into the neo-Gothic rosary altar; the altarpiece was created by Franz Unterberger. Franz Haider’s beautiful nativity figures can be seen at Christmastime on this altar: his figurines and statues of saints are to be found throughout the Reggelberg area and he was a long-time resident of Monte San Pietro. The bell tower is for the most part much older than the present-day church. It dates back to the Romanesque era; inside can clearly be seen two rows of coupled arched windows that were later walled up. The tower formerly belonged to the old parish church of St. Benedict, documented as early as 1265. Today’s cupola was added in 1793 after lightning badly damaged both the tower and the church roof.
Another special feature of the church is that the pews have brass plaques, some with a rune-like mark next to the occupant’s name. These are the old house and farm marks of Nova Ponente. Each farm would use its mark to identify tools, grain sacks, logs and the like that were offered for sale. Many such marks can also be seen painted with red ochre on the outer walls of the church, now faded on account of the wind and rain. The impressive war memorial (1967) on the northern wall of the cemetery is by the South Tyrolean sculptor Martin Rainer, who was in 1976 awarded the Walther von der Vogelweide prize.
The Dominican order established itself in Bolzano/Bozen in 1272 and built a church with a single nave inside a vast convent which branches off into different chapels, some of which have been lying in ruins, and a beautiful cloister. A part of the ancient structure houses the Music Academy shich, indidentally, Hosts the prestigious international piano competition Ferruccio Busoni. Also present is the Stadtgalerie, an art gallery which holds different exhibitions and other important cultural Events. The church has gothic archways, as well as baroque elements from the 17th and 18th century (such as the altar piece of Guercino to the left of the Major altar, which was bought by the merchants of Bolzano). The church preserves prestigious examples of paintings from Bolzano from the 14th century which can be found on the oriental side of the coister and on the western wall of the Church, but the real artistic jewel of the building is the Chapel of St. John, the Long and narrow side chapel which holds the cycle of frescoes of those painters who took Giotto es their role model, the so called "School of Giotto". Of particular interest are those scenes from the life of St. Nicholas on the last part of the oriental qall, and the fresco of the "Triumph over death " in the firs part of the same wall, the flight from Egypt on the western wall and the torture of St. Bartholomew on the northern wall. The entire chapel, decorated with individual frescoes of various themes, is a splendid example of 14th century art as practised in the Region. In the nearby coister you can also admire some frescoes by Friedrich Pacher which go back as far as 496.
St. Johannes' Parish Church in Lasa was erected around 1200 on the site of a previous church from the Carolingian period, as evidenced by a marble fragment dating from these times. The chaotic events surrounding the brutal Swabian War saw the Romanesque church burned down in 1499, although it witnessed a Gothic rebuild a few short years later. St. Johannes Parish Church has been damaged by fire on several occasions throughout its history, with the foundation walls and workpieces of the Romanesque apse only being rediscovered in the 1970s. These were then reconstructed true to the original style.
The East wall comprises three large blind arches that resemble the profile of a Romanesque basilica. Masterful animal sculptures can be viewed all around the apse, including depictions of a lion and a ram. The altar itself is furnished with a relief that dates from the Early Middle Ages and features St. Sisinnius, St. Alexander and St. Martyrius.
Worship Sat 7.30 pm, Sun 10 am (Winter Sat 6 pm, Sun 10 am)