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    Kerken en kloosters

    De kerken en kloosters in Zuid-Tirol bieden een kijkje in het rijke culturele en religieuze erfgoed van de regio. Van oude Romaanse bouwwerken tot charmante heiligdommen in de bergen, elke plek heeft prachtige architectuur, ingewikkelde fresco's en een serene omgeving. Of het nu de indrukwekkende kathedraal van Brixen is of de pittoreske abdij van Novacella, deze heilige plaatsen nodigen bezoekers uit om zich te vergapen aan hun historische betekenis en momenten van rust te vinden te midden van de adembenemende landschappen van Zuid-Tirol.
    Resultaten
    Churches & Monasteries
    The chapel of the Kastelbell Castle
    Kastelbell-Tschars/Castelbello-Ciardes, Vinschgau/Val Venosta

    The picturesque Castelbello Castle, first mentioned in 1238, was built by the Lords of Montalban. Majestically, it is situated on a cliff on the left bank of the Adige River. Because of its exposed position, the castle had to be protected by strong fortifications, which needed to be remodernized over the years. In 1813 and 1824, the castle was largely destroyed by fire. The Counts of Hendl rebuilt only a small part for residential purposes. At the end of a protracted court process held over decades between Count Siegmund von Hendl and the Republic of Italy for the possession of the castle, eventually a settlement was reached. This allowed the State to acquire the castle. The Castelbello Castle is the cultural center of the village. In addition to permanent exhibitions in Spring and Autumn, alternating art exhibitions take place here.
    The building of the chapel followed in the late 13th or early 14th cent. The walls contain a frieze with the Twelve Apostles as well as texts from the Confession of Faith. Because the apostles are turned towards one another in pairs, the quotations are alternately written in plain and inverted script.

    Opening times
    Guided castle tours from July 5th until September 11 | 10 a.m., 11 a.m. and 2 p.m., 3 p.m.
    Closed on Monday
    Spring exhibition by Hans Ebensberger from mid April to the begin of June
    Autumn exhibition by Bruno Ritter from end of September to end of October

    Churches & Monasteries
    The church in Freiberg
    Kastelbell-Tschars/Castelbello-Ciardes, Vinschgau/Val Venosta

    The church in Freiberg is from the 19th cent. and its neoromanesque altar was installed in 1919. The altar paintin depicts the earthly and heavenly family of Jesus

    Churches & Monasteries
    The old parish church in Marein
    Kastelbell-Tschars/Castelbello-Ciardes, Vinschgau/Val Venosta

    The core of the old parish church in Marein was presumably built around 1400. At least the stellar vault of the choir and the tracery windows on its southern side are from this period. By contrast the tower and nave were not given their present form until the 17th cent. In addition to a Baroque altar from the 18th cent. In addition to a Baroque altar from the 18th cent. the church also contains an older altar from the 17 cent. Among other things, its other furnishings include two remarkable oil painting: a Madonna and Child with St.John the Baptist as a boy, venerated by St Francis, St Clare and St Catherine, as well a second large-format oil painting, which features ST Odile, who was born blind and gained the ability to see only through her baptism

    Churches & Monasteries
    Neo-gothic chapel St. Josef
    Kastelbell-Tschars/Castelbello-Ciardes, Vinschgau/Val Venosta
    The neo-Gothic chapel of was founded in 1924 by Andreas Kuppelwieser in gratitude for the fact that he and his brothers had survived the First World War unscathed. His initials are immortalized at the base of the carved stall.
    Churches & Monasteries
    The parish church of St Martin at Ciardes
    Kastelbell-Tschars/Castelbello-Ciardes, Vinschgau/Val Venosta

    The parish church of St Martin is located high up on the Murkegel, before the Sonnenberg of Tschars, and it presumably rises up directly on top of the foundations of its Romanesque predecesor. It is a fourbayed hall church from the first quarter of the 16th cent. with a narrower choir that concludes in a three-sided apse. Its formidable tower with a Baroque onion dome rises up in the south. The interior was renovated in a Baroque style in the third quarter of the 18th cent.

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