The parish church of St. Lucius in Tiss in Coldrano was given its uniform gothic design back in 1491. Its gothic mural painting on the southern side of the church is worth a look, also the marble gravestone laid by Governor Franz Hendl.
There are several legends linked to the construction of this singular little church.
However you can certainly say that the Sanctuary was consecrated in 1484 and afterwards was enlarged as pilgrimage church.
St. Jakob's Chapel was built in late Gothic style in 1513. On the outer wall, you can see two sundials from the 16th century. The chapel interior houses a pointed arch portal decorated with a little turret as well as two altarpieces.
The first documentary mention of the St. Cyprian Chapel in Sarnthein / Sarentino Village was in the year 1328. In the middle of the 15th century, the church was rebuilt in the Gothic style. The well-preserved frescoes are a special treat.
Visiting the town of Certosa/Karthaus is like a journey into the past. The town was built inside the walls of the Cloister of Certosa degli Angeli, founded in 1326 and reopened in 1782. The Via Crucis of the ancient cloister is especially interesting.
The Mary's Ascension into Heaven Parish Church is located in Sarnthein / Sarentino Village. The church was first mentioned in documents dating back to 1309. The church tower is the oldest part, having been built in the 14th century. Other parts of the church were added or expanded over the years.
Built in 1402/03 in Gothic style with a 52m high church spire. The altarpiece dates from the Baroque period. The impressive Via Crucis was made by artist Nikolaus Auer from the Passeirer Malerschule school of painting.
In the year 1937 the construct of the building began, which should be consecrated to the holy cross. The finished place of worship was consecrated in 1950. The arrangement of the walls reminds of the strict forms of old basilicas. In 1962 the tower received five new bells. In the four large windows the mountain lecture, the sacrament of the baptism, the altar and the marriage and the Eucharistie are represented.
The original parish church of St. Walburga is thought to have already been in existence around 1203, and is located close to the permanent settlements by the stone river surfaces in Val Martello. The church was consecrated in 1440, it was extended in 1650, and an upper section was added in 1759. The neo-romanesque altar was completed in 1887.
The church dedicated to the Holy Mother Maria (1244) stands in the center of the village with its tower covered with fine, red tiles.
In the 8th century, there was probably a church at the place where the present church of St. Korbinian stands. The church was restored in the 12th century in the Romanesque style. At the old nave, a Gothic chancel was added in the 15th century, with reticulated vault and arched windows. In 1615/16, barrel vaulting was added, later extended in the mid-19th century also to the west. The south wall of the church is decorated with frescoes dating to the end of the 14th century.
The Vigilius/Blasiuskirche church in Morter is of pre-roman origin and it ranks among the oldest and most important religious buildings in the Venostaregion. Its "oriental" appearing architecture is particularly striking, while the consecration inscription reveals the year 1080. The church is one of the cultural centres of the “Stairway to Heaven” project.
The key can be collected from the hotel at MARTIN's in Morter
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St Anne´s Chapel was built on a slab of rock south of the middle of Kastelruth. This High Baroque structure was consecrated in 1724 by Kaspar Ignaz von Künigl, Prince- Bishop of Brixen. The question of who served as master builder remains unresolved, but there are stylistic similarities to church buildings by the Delai family of master builders from bolzano.
Prösels Castle was built in 1200 by the masters of Völs, the noble servers of the bishop of Brixen. In the early 16th century, the head of the provincial government, Leonhard von Völs, turned the castle into a Renaissance residence. The castle as it looks today is almost entirely the work of Leonhard von Völs. In the year 1981, the company KURATORIUM SCHLOSS PRÖSELS Ltd. purchased the castle.
Discover the Rittersaal, the Pfeilersaal, Kaminzimmer ,the Castle chapel and many other rooms in the Renaissance castle on a guided tour. Special programmes are available for school groups and families.
In summer, Prösels Castle hosts numerous concerts in the castle courtyard or on the castle lawn and, in case of bad weather, in the Knights' Hall.
Castle Tours: From 1 May to 31 October Prösels Castle is open to visitors who must be part of a guided tour. Closed Saturdays.
From January 11th to March 28st 2024every Thursday at 3.00pm a guided castle tour takes place. After the guided tour a cup of "Apfelglühmix", a mulled local apple juice, will be served. Reservations within 12 pm of the respective date in the information offices or info@schloss-proesels.it
German and Italian speaking visitors are taken by a guide, for all other visitors guided audio tours are offered in English.
Fees:
Church of St. Jakob and St. Leonard: the church was first mentioned in a document of the XIV century.
The bell tower is in gothic style while the inside of the church is in rococò style.
The Santa Barbara church, built in the late Gothic style, was built in the 15th century on a panoramic hill just outside the village of La Val.
Historical evidence indicates that the church built in honor of Santa Barbara, patron saint of miners, is the work of the miners of Valparola, who worked the iron minerals extracted from Monte Pore.
The painting on the outside wall depictings a crucifixion in the open countryside and various mural paintings inside are of particular historical value.
The Santa Barbara church can be reached with just a half-hour walk from the village centre of La Val along the "Memento Vivere" meditation path, consisting of the stations "Birth", "Childhood", "Youth", "Adults age" and "Old age".
The church St. Valentine dates back to 1303 and the nave as well as the bell tower are built in Romanesque style. Probably there was already a previous church at this position around 1090. While the majority of the frescoes inside the church date back to the 15th century, the oldest ones were painted in the 14th century. Exceptional is the Gothic winged altarpiece, an oeuvre by Hans Klocker from 1500.
In November 1809 thousands of soldiers from Napoleon’s army advanced over the Jaufenpass and into the Passeiertal Valley. They were heading for Meran. At St. Leonhard, however, there was a violent confrontation with Passeier insurgents, 22 of whom were killed, while 200 soldiers and 30 officers were reported dead on the French side.
According to subsequent accounts, the dead Frenchmen were buried in an old cemetery – probably a plague cemetery – at the edge of St. Leonhard. In the anniversary year of 1959, 150 years after the rebellion, the local company of marksmen affixed a marble tablet there. The French Embassy to this day sends funds for the maintenance of the cemetery, with the French tricolore flying over the grass.
No trace was found of the dead Frenchmen during an archaeological excavation carried out in 2009. This seemed to confirm earlier doubts about any mass grave containing French soldiers. But in 2013 the French Ministry of Defence arranged for further excavations; these actually found a knife and the remains of bones and articles of clothing, which suggest such a grave.
The parish church of St. Michael in Tarres was first mentioned back in 1214. The roman frescoes are especially worth a look, as are the sumptuous altar decorations, which date back to different periods.
The late Gothic church of Colfosco, with the Sella Massif in the background, is a popular photo motif of the Dolomites.
The parish church of St. Vigil was first mentioned in 1419. In the following years it was restored and expanded several times.
Particularly interesting are the neo-Gothic lobby on the outer facade with a grooved and beveled pointed arch portal, the bulbous spire and the church altar. This dates from the late 19th century and is from the local artist Johann Valentin - Badia. In the middle niche of the altar there is an 18th century picture of the Virgin Mary and on the sides there are the statues of St. Vigilius and St. Kassian. For safety reasons, the valuable statue of St. Vigilius has been replaced with a copy.
The parish church Saint Catherine of Alexandria, mentioned in 1347 and consecrated in 1452, is the first church of Corvara. In the small church, built in late gothic style, you can admire some admirable works of art.
For example, there are some frescoes and a winged altar dating back to 1520, the only well-preserved winged altar in the Val Badia valley. The altar was realized by the workshop of Ruprecht Potsch and was restored in 1975. The legend tells, that the landscape paintings on the two panels of the altar are by the famous painter Titian, who was probably in Corvara for a short time. Art experts attribute the work to an artist from the so-called Danube School, Albrecht Altdorfer.
Around the church there is, as usual in our alpine area, the village cemetery.
The Chapel "Piceplan" was built in 1887 and is dedicated to the Mother of God.
Twice a year the community pilgrims to the chapel.
A display board in the Rienzschlucht gorge provides information on the 11-km long natural pressure water system of Lüsen, which was constructed on the high plateau in the 1950s. Thanks to this pioneering work, life on the high plateau was changed fundamentally. From a poor arid region, it turned into a thriving landscape anda bustling tourist destination.
In 1983, a fountain was built in honor of the founder of the soil improvement consortium on the High Apple Plateau of Natz, Mr. Jakob Auer Flötscher. The fountain in the center of Natz displays his bust in bronze. Auer was a pioneer of environmentalism, as he was the driving force in the construction of a natural pressure water system, which has provided the high plateau with fresh water ever since.
The parish church of St. Dionysius in Morter was constructed in a gothic style, and was consecrated in 1479. The frescoes of painter Adrian Mair, which date back to the 17th century, are of particular interest, given that he hails from Laces himself.
The St. James Church is located near the pre-Christian burnt offering site of Tschaufis. The walls of the nave date back to the 12th century and the bell tower was built in Gothic style. The gothic winged altarpiece from 1517 is the most precious piece of the church.
St. Zeno Parish Church in Naturns A Romanesque chancel chapel is known to have stood on the site of the present-day parish church which dates from 1200. The older pre- Carolingian building was later incorporated to become the apse of the present-day Late Gothic church which is dedicate to St. Zeno, patron saint who protects against flooding and erstwhile Bishop of Verona. It was built between 1474 and 1475. The choir was re-built in Baroque style in 1760.
The church was consecrated in 1116 to St. Leonhard. Of interest are the neo-Gothic high altar, the baptismal font of Andreas Hofer in white marble and the precious mural above the sacristy door.
holy grave open to Easter the holy grave ist uniquely in South Tyrol
The church of St. Hippolytus in Glaiten/Le Coste overlooks the village of St. Leonhard/S. Leonardo, with a spectacular view of the valley.
Thanks to the discovery of traces of ancient settlements, the hill where the church is situated is the site of one of the most important archaeological discoveries in the valley. In the late 1950’s shards of pottery were found near the church and subsequently pieces of baked clay were also unearthed. However, since prehistoric relics linked to the church have not yet been found, the exact date of its origins is not known. In the meantime, archaeologists have postulated that the votive fire coincides with the Laugen-Melaun/Luco-Meluno culture (i.e. late Bronze Age, around 1100 – 900 BCE).
It is even more certain that in the Middle Ages the area was inhabited by farmers, as the farmsteads and other settlements already had Germanic place names.
Although the Church of St. Hippolytus itself dates back to the fourteenth century, it is believed that it originates much earlier, as the name suggests.
Of even greater archaeological importance is the Silberhütt-Höhe structure near Stulles/Stuls. Clearly visible on a hillside, it served as a place of pagan worship. As from 1937, several artefacts including fragments of clay, the relics of a mill as well as a perfectly preserved millstone lever were discovered during a logging operation. These and several other small findings suggest that by the third century these settlements survived till the end of the Iron Age. On the outer edge of the steep hill is a rock wall with a number of mysterious cup-like objects.
Though rarely visited, near the prehistoric archaeological sites and the ancient farm settlement next to the path, lies another noteworthy feature. The Church of St. Hippolytus is the repository of the only fresco cycle in the valley. During the course of minor renovations, remains of frescoes in Giotto’s style depicting scenes from the life of St. Hippolytus came to light. This discovery is of much greater significance and proves that the Florentine school of painting had already spread to Tyrol as early as the fourteenth century. Dating from 1380, these frescoes are attributed to the Bolzano School and may have been commissioned by the young nobleman, Hiltprant von Passeier (deceased in 1418). Due to the damage incurred during construction work in the nineteenth century, the frescoes have only partly been preserved. On the church’s southern façade, there is a portrayal of St. Christopher, which could be the work of the young artist who also painted the interior frescoes. With its coat of arms, the von Passeier nobility has become immortalized, thus increasing the importance of the Church of St. Hippolytus.
The church can be viewed from the outside only.
The Lutheran church is a lime block northeastern of St. Magdalena, accessible from the church of St. Magdalena. The supporters of the lutheran teaching shall have met in secret to celebrate The Liturgy of the Word.
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