Historie a kultura v Jižní Tyrolsko Vinná cesta

The “Hofkeller” was first mentioned in documents at the beginning of the 14th century. It has a massive gable roof. It was once the seat of the feudal administration, which passed from the Lords of Salorno/Salurn to the Counts of Tyrol. On the east side of the building, on the ground floor, there is a large hall with a cross vault supported by two rows of seven slender columns made of Prun stone and by pilasters. The imposing building already impressed the first South Tyrolean chronicler Marx Sittich von Wolkenstein, as he wrote in his description of Tyrol published in 1600.

Another point of interest is the Baumgarten Castle in the historical center of Auer/Ora. During the 12th century, it was used as a fortification. Afterwards, many modifications were made and additions built. Nowadays, it is part of the agricultural high school.

The little church of Our Lady of Loreto was originally built on the left bank of the Titschenbach in the years 1719-1722 and fell victim to several floods. This led to the closure of the church in 1786. In 1795 it was reopened at the request of the local population. Masses were often celebrated here at the end of processions, asking for favourable weather, a rich harvest and the protection of the village from flooding. The church was restored in 1902 and 1994.

The first written documentation referring to this church appears at the end of the 14th century. From this era, the bell tower remains today, with its double-mullioned windows surmounted by triple-mullioned windows and frescoes on the façade representing the saints Anne, Catherine and Margaret, Christopher with the baby Jesus, and St. Michael, to whom the church is dedicated. In 1672, the church was restored, supplied with a barrel vault, and supplemented with a new chancel, side altar, and sacristy. Particularly rich are the decorations of the choir stalls: The scenes depicted on the parapet stem from the 17th century and represent the Visitation of Mary and Elizabeth, the Adoration of the Magi, the circumcision of Jesus, the flight from Egypt, and the Massacre of the Innocents. The busts painted on the lower part of the choir stalls represent the twelve Apostles and date back to the 18th century. The interior of the church is bare due to the theft of the furnishings and sacred images in 1969. The stolen original altarpiece was replaced by a representation of St. Michael fighting evil.

 

The „Wohlgemuth zu Wendelstein“ estate dates back to 1592. The date is above the portal in the fresco of the triangular pediment on the double-arched window, which is adorned by a beautiful wrought-iron balustrade. The Renaissance building has an irregular floor plan and is set around an inner courtyard. The hall on the first floor with the aforementioned double-arched window has a precious coffered ceiling.

Estate building in the “Fuchsloch” quarter, consisting of two wings connected by a gate.
The older north wing (formerly the “Anichhaus”) is of 13th-century medieval origin: the newer south wing
(the “Cazanhaus”) was added around 1600 during the Renaissance. Vaulted courtyard passage and
remains of a Baroque façade painting.

The stone-framed round-arched portal opens towards Goethe Street on the west side of the An der Lan estate, a Renaissance building from the 16th century. Above it you find the beautiful double-arched windows. The south façade is adorned by a belt cornice and large rectangular windows set in stone with wrought-iron grilles. Inside, the central halls have vaulted ceilings, with the wood-panelled room on the first floor a testament to expert woodcarving and inspired by the Renaissance style. In 1817, the building was acquired by the Gelmini zu Kreuzhof family.

Medieval winery and estate on the Kiechelberg hill which, together with the associated Church of St. Daniel, was until 1785 in the possession of the Benedictine Sonnenburg Abbey in the Puster Valley. The free-standing farm building dates back to the late Middle Ages and the Gothic style of the 15th century.

The Hausmann-Locherer estate dates from the Renaissance period, was built in the second half of the 16th century and is characterised by architectural elements of Nordic and Italian origin that are typical of the Überetsch/Oltradige architectural style. Architrave-shaped windows and an entrance portal with a round arch decorate the façade of the building. Above this round arch is the coat of arms of Andrä Locherer from 1593, consisting of a unicorn standing on its hind legs. The interior rooms with their central hall are arranged symmetrically. Some rooms have stuccoed ceilings, others are covered with 17th century woodcarving decorations. The entire building encloses an inner courtyard.

 

The Hausmann-Locherer estate dates from the Renaissance period, was built in the second half of the 16th century and is characterised by architectural elements of Nordic and Italian origin that are typical of the Überetsch/Oltradige architectural style. Architrave-shaped windows and an entrance portal with a round arch decorate the façade of the building. Above this round arch is the coat of arms of Andrä Locherer from 1593, consisting of a unicorn standing on its hind legs. The interior rooms with their central hall are arranged symmetrically. Some rooms have stuccoed ceilings, others are covered with 17th century woodcarving decorations. The entire building encloses an inner courtyard.

The ruin Kaldiff is locaded at Mazzon, above Egna . This castle was probably built around 1200. Between the 16th and 18th century it was inhabited by the noble family Von Enn. However, unfortunately it decayed partially after a fire. Today, after remediation work, there are only remains of curtain-walls as well as some frescoes and mural paintings available.

The medieval core, near the Kirchplatz, was rebuilt and considerably altered in the late-Gothic and Renaissance eras of the 16th and 17th centuries. Original staircase as well as rib-vaulted hall. The remains of late-Gothic murals from the early 16th century were uncovered on the second floor.

The town hall of Salorno/Salurn was once owned by the family of the Barons von Winklhofer, whose coat of arms can also be found on the portal, is characterized by Nordic and Italian building elements typical of the Überetsch/Oltraadige style of the 16th century. The open archway of the old building rests on mighty stone blocks. On the façade, the stone-framed rectangular windows are arranged next to the two-storey bay window and alternate with two superimposed double round-arched windows.

Three-storey building with regular window axes and south-facing loggia in the Mitterdorf quarter. The
origin was a tower-like core at the southwest corner dating from the late 13th-century, extended in at
least five development phases between the 14th and 17th centuries to create the present structure.
Further developments took place in the neo-Classicist and Historicist periods. The two lower levels of
the three-storey loggia structure on the southern façade date back to the Renaissance; the finishing
balustrade with its Tuscan columns is a neo-Classicist addition from around 1800.

Late-Gothic church, closed under the reign of Emperor Joseph II in 1785, which was dedicated to the Irish abbot and itinerant monk Columba (d. 615). A chamfered, sandstone-framed pointed-arch portal on the ground floor of the west façade, two stone-framed rectangular windows at the sides and the large sandstone corner blocks (15th century) all recall the former church.

The “De Campi” estate dates back to the 16th century and is connected to the Wohlgemuth manor by a stone portal on which the coat of arms and three pinnacles can be seen. The street-side façade is symmetrically divided into three storeys. The windows and doors are also stone-framed. The upper floor has two polygonal corner oriels. In the middle of the two is an elegant double-arched window and above it is a wide French door with a wrought-iron balcony. The year 1563 is written on the cellar door.

The beautiful building "In der Titschen" had been an inn since the 16th century and also served as a seat for court meetings until the middle of the 18th century. Here the minutes of the various sections into which the social life of the village was divided were written and offices and tasks were periodically distributed. With the takeover by the Venetian Counts Zenobio, the importance of the inn declined, as the court seat was moved to Mitterdorf.

The "Stolpersteine" (stumbling stones) are a project by the Berlin artist Gunter Demnig that began in 1992. Small memorial plaques laid in the ground, these "Stolpersteine", are intended to commemorate the fate of people who were persecuted, murdered, deported, expelled or driven to suicide during the National Socialist era.

Two-storey building from the 17th century. Stone-framed, round-arched portal on façade with sandstone-
framed double-arched window (bifora) above. A marble plaque with Latin inscription and chronogram at

the entrance to the courtyard recalls the 1765 encounter of Francis I and his royal daughter-in-law
Elisabeth, the Infanta (princess) of Spain.

From a medieval core, remodelled in the 17th century during the Renaissance, a pointed-arch courtyard gate with stone surround and family crest leads onto the street. The stone archway features the letter "A" with an arrow as a bar. Above the front door is a coat of arms in stone consisting of three wavelike curving lines and the initials "L.H.". The ribbed vault and shouldered-arch doors date from 1500; the stone-framed rectangular and double-arched windows, as well as a bay on the façade, are from the 17th century.

Historic inn on the northeast side of the main square, formerly also known as the Gasthof Post as horses
would be changed here. In its present form the three-storey Renaissance building dates back to the

early 16th century, as indicated by the outside staircase, double-arched window with rosettes, stone-
framed rectangular windows and stucco ceilings.

Extended structure consisting of three components dating from the Renaissance of the early 17th century. The starting point for its architectural development was a two-storey Gothic core on the Kirchplatz with the basement containing two large, vaulted rooms used for agricultural purposes. Several sandstone-framed windows and a portal in stone with lozenge-shaped ashlars and rosettes indicate the significant extension works during the Renaissance.

A large park is located directly to the east of the Steinkellerhaus.

The parish church of St. Florian/St. Floriano on the old imperial road north of Laag/Laghetti was first mentioned in 1189, but it dates back to around 1145. The lower part of the nave dates from the time of its first mention (1189). The choir with the accentuated towering choir loft replaced an older end in the 13th century. The church of St. Florian is a unique artistic monument. In the nave, the old Romanesque building form is still preserved. Later, an elevated transverse square was attached to this nave, which was probably intended as a domed building. A round apse was attached to it in the 12th century, the exterior decoration of which features beautiful pilaster strips and a round arch frieze with various sculptures worth seeing. From 2005 to 2008, the church was restored from the ground up. The outside area around the church was also redesigned and a parking lot was built. On May 03, 2008, the church of St. Florian was consecrated by Bishop Wilhelm Egger.

The parish church is dedicated to S. Andrea. It was mentioned first in 1215. The church was built in baroque style of sacred architecture. On the front you can see statues of the Saints Pietro and Paolo, Andrea and Nicolò and Mary.

 

Baumgarten Manor was a grand estate with several buildings dating from the thirteenth century, which underwent a number of structural modifications. For renovation and remodeling for repurposing, the existing heritage-listed structure was to be preserved and modern features adjoined where needed. A three-story block was added in order to connect the individual tracts. All new components were designed as steel-and-glass structures so that they would stand out clearly from the solid, plastered original building, without being pushed to the forefront intrusively. The inner courtyard was paved, trees were planted and an illuminated guide line to the entrances was embedded into the ground. It continues at the main entrance as a gully. This guide line recurs in the interior corridors, its careful use of color conveying an atmosphere that is almost artistic.

Three-storey building in neo-Romanesque style; adjacent park with high trees. Single-run outside staircase to the first floor on the northwest side of the palazzo-like main building, with corner pilaster strips to the side, topped with a small turret. An aedicule with the Queen of the Rosary faces the main street. The courtyard entrance features portal pillars in the Mannerist style dating from 1612.

Large estate building on an L-shaped plan, surrounded by a walled enclosure. The original medieval core, realised in the 13th century, was extended in the early 17th century. Its alternative name, the “Pottaschenhof [potash farm]”, refers to the potash once produced here that was used for laundry purposes.

The Loreto Chapel is located in Kalditsch/Doladizza above Montan/Montagna and is part of the "Rothenhof." It was consecrated on September 22, 1702 by Prince Bishop Michael von Spaur. The church day is celebrated annually at the end of September with a solemn service. The high altarpiece is a magnificent work by the Val di Fiemme-based painter Giuseppe Alberti. The inscription on the church roof, visible from afar, depicts a monogram of the Virgin Mary.

The Gasthof zur Rose is located in the southern quarter of Salorno/Salurn, which is called "Gries". The first references with a description of the Gasthof "Zur Rose" go back to the year 1584.

This imposing 3-storey Baroque building “Herrenhof” (17th century) has a façade with two rows of eleven wide windows topped by oeil-de-boeuf windows. The large round-arch portal framed with marble ashlars is noteworthy. Known as “maso Schnatterle”, the “Schnatterle farmstead” (1550-1600), it belonged first to Andreas von Fenner, then in the 17th century, to the Thun-Filippini family, before passing to the important Zenobio-Albrizzi family and finally, towards the mid-19th century, to the Noldin family.