Současná architektura

Strictly speaking, Kaltern Winery was built for 420 clients: winemakers, usually with very small acreage, who joined in a cooperative. In order to strengthen the mobile perception of the winery, a striking building was built in front of the village center, between the old winery building and the South Tyrolean Wine Road. The angular complex around the quiet inner courtyard forms a memorable landmark, together with the tower-like corner building. Large, flush glass areas are set into the bronzed façade cladding, in which the environment appears as in a distorting mirror. As you cross the courtyard you walk into an open interior structure that affords fascinating views from several levels. The materials are limited to glass, white wall surfaces and dark acacia wood. Wine is the star of the show here, accompanied by a sophisticated yet simple art concept.

The City and University Library in Brunico stands on an awkward construction site between single-family homes and the backs of buildings, and is also separated from the new town hall square – a subordinate position within the urban fabric for a culturally significant building. Between the heavy buildings, however, the architects have managed to insert some architectural freshness: open, transparent, timeless, modern without trendy flourishes, and with variable internal surfaces for variable use. The result is a visually light concrete structure that seems to float on its slender columns above the covered vestibule. The building features floor-to-ceiling glass facades and a shed roof above the uppermost terrace, in front of the meeting rooms. Inside there is only one solid core, while the rest of the floor plan are free surfaces that can be separated with shelves, glass walls and movable dividers. The color scheme is fresh, providing for a lively atmosphere.

The old building of the Cantina Terlano is situated in the middle of the village. It managed to cautiously expand, mainly underground, as the plot of land it sits upon is quite small. Visible above ground are the large delivery yard and the terrace above it, with the transparent tasting room. The underlying outer wall of the new cellar rooms is clad in dry stone work made from the typical porphyritic rock found in the Terlano vineyards, and the remaining underground construction is planted over with vines in order to help the new sections of building blend into the landscape. The heart of the new cellar rooms is the barrel cellar, decorated in porphyritic rock panels, which create an almost sacred atmosphere. The original parts of the building were carefully restored and a landmark tower, clad in Corten steel, and lift were added.

This winery, rich of traditions, has seen many alterations over the years and the cellar area in particular was extended and reorganized in 2011. An underground concrete construction was built to form a new fermentation cellar with a pressing chamber, over which a curved roof was built in order to protect the delivery. A concrete structure was also chosen for the new storage room, the west-facing wall, which gives out onto the orchard and was covered in wire baskets filled with excavated stones. These gabions were also used along the border and, as a design feature of the building extension, are reminiscent of the terroir of the vineyards. A beautiful reception courtyard is situated between the old and new buildings, displaying a fountain sculpture and planted tree, forming the new central point in the structure of the building.

To the south of Bolzano, on porphyry rock, a vast castle arrangement, by the way, one oldest is in South Tirol. On account of her impressive situation, it is - as it is due to her beauty - also far away obviously. History: Castle Sigmundskron was called in the first historical mentions about 945 "Formicaria". In 1027 the German emperor gave the dukedom of Trento as well as the county to Bolzano to the bishop of Trento. In this manner the building went over in his possession and was used from now on as a seat of the Amtsmänner responsible for this territory and, moreover, still for high court meetings. An enlargement of the castle in 12. and 13. Therefore, Jhd. became necessary. Very pleasantly for the rulers of the area was the control of the navigation on Eisack and Etsch. The only entrance of Bolzano to Eppan could be closed up to the construction of the first bridge about 1200 easily. About 1473 the castle went over in the possession of Sigmund to the coin empires, princes of Tyrol. The lover of nice castles allowed to develop the arrangement immediately. As his most splendid construction the duke called this "castle Sigmundskron". However, soon afterwards Sigmund gets in financial difficulties. He must pledge his work, the castle slowly goes to ruin, because it is also not inhabited any more constantly. 1957: The next important event which takes place within these walls is the national rally against "Verwelschungsbestrebungen" (lot of Trento), i.e. against the disregard of the "Paris contract" about 1957. In 1976 an innkeeper's family raised for the first time the courage to renovate partially the castle to open the guest company in these romantic surroundings of course also at the same time. In 2006 The „sacristan Mountain of museum of Firmian“ in the castle Sigmundskron/Firmian is opened. Architectural style: The castle is built mainly in the highly medieval style. The slender donjon in the untercastle shows Late-Gothic rebuildings. From the 13th century is the residential tower with round arch door as well as round arch windows. One recognises two gun turrets by the up to 5-m-thick curtain wall in the upper precastle, among the rest, moreover, you find a living - and economic building in the court (the place of the today's restaurant). Specific features: Highly - and untercastle are unambiguously separated by a rock formation, a natural barrier which one often does not find thus. Duke Sigmund made the castle by stonecutters decorate, it had to go nicest in his collection. The different dimensions of the loopholes also do not correspond to the norm of that time.

The sedate building on the village square, next to the church, is the headquarters of the winery, the barrel storage and technical rooms were extended into the space between the Gothic church tower and the old building. In order to save space, they decided on a wood-planked tower. Its wide, overhanging flat roof incorporates the first cornice of the church tower, just a few meters away, and the height of the old building’s eaves. The winery tower is thus well integrated. Because wood was chosen as the material and it has a similarly warm tone to the sandstone of the church tower, the two towers do not compete with one another. The strip of windows in the meeting space under the roof of the tower makes reference to the Gothic truss frame of the church tower. The barrel cellar is a structure with concrete supports, fitted with exposed bricks. Both the cellar and the stairwell are pervaded with artistically defined color schemes.

The purpose of the project for the new staion in Oberbozen is based on the idea of providing the space of accesibility and openness that are missing  by  now,  and  at  the  same  time,  a  territorial  character  through  a  few  strictly  necessary  measures. The issue is solved mostly by the presence of a retaining wall  that defines the space. In  the  interiors  includes  an  office for information  and  facilities  such, this  way  the  area  is clear and free to change as much as possible depending on events (like concerts, christmas markets...). The  idea  was  to  project  the  floor  design  on  the  vertical  wall  seamlessly,  in  order  to  have  a  harmonization and a visual enlargement at the same time. The technique looks at the local tradition with the dry-built wall method. Arch & design Monovolume

In a building in the old town on the biggest shopping street in Brunico/Bruneck, a glass right angle opens up allowing a view into the wide yet long, tube-like room which stirs you to enter the room. Apart from the floor, laid with square black slabs, the rest of the interior is completely white. Bright light and the back-lit walls made of white frosted glass make the small windowless room seem far larger and lighter than it actually is. The white furnishings including the counter and shelves seem inferior to the colorful things on offer here: in the front section of the shop Andreas Acherer's patisseries are on sale. These products have won awards many times in the Gambero Rosso guide. In the back section, separated for hygienic reasons, are artistic flower arrangements by Barbara Strondl.

The architects analyzed the surroundings carefully. Many of the structural elements of the local conditions  ̶ the course of the road, the volumes of the surrounding houses all the way up to Schenna Castle, which can be seen from here  ̶  merge again in this building, but with a modern twist. The residential building, sheathed with bright Eternit slabs, floats like a crystal on the blue-gray, stone-clad semi-basement, where the shops are located. A glass-clad gap between the stone-clad basement and the residential building brings light between the two components, into the goldsmith shop. It provides upscale, almost indirect illumination of the white wall partitions and ceilings, while the dark walnut wood paneling conveys solidity.

This beverage company, which has been existence since 1919, is a return to the old town of Brunico/Bruneck. The historical building, which has Gothic elements, is listed. The facades have therefore been carefully renovated yet it has gained a new, distinct character through the addition of glass to the ground floor arches and the illumination at dusk. From the outside one can already sense the atmosphere inside, and the sales counter conveys a slight corner-shop feel to the place; the interior is however divided stylistically. In the front section there are bright shelves, while the section towards the back has a hint of luxury about it, with its antique furniture. The Harpf private drinking cavern, situated in the cellar and independent of the shop, has been superbly designed by the architects Ged Bergmeister and Michaela Wolf.

On the renovated cable car, which is an important means of transportation for the permanently inhabited mountain village at the old pilgrimage church, you can ride from Laces/Latsch (630 m) up the summit station (1,740 m) in just a few minutes. The chapel, which leans on a steep hillside, was not supposed to have any structural competition with an eye-catching cable car. In order not to interfere with the visual presence of the chapel, the summit station was built behind a high stone wall that set it apart from delightful surroundings. In order for it to stay as low as possible, the cable car mechanics are situated outdoors. As a result, you can watch its technical components functioning out of the glass cube into which the red gondola glides. Access to the ticket counter and waiting room is at the rear of the building, where there is also an adjoining café with magnificent views.

Trauttmansdorff was honored as Italy's Most Beautiful Garden in 2005. The complex comprises approximately 12 hectares of gardens, with about 5,800 species of plants and 80 different garden landscapes. The gardens are crossed by paths and waterways, and lined with pavilions. The castle – once the holiday residence of Empress Sissi – has been meticulously restored and complemented by a restaurant and visitor center. In addition to elegant stainless-steel details for bridges, railings and furniture, of particular note are the Aviary and the Viewing Platform. These two modern structures lend the gardens an architectural three-dimensionality. Both represent light yet bold architecture, made of stainless or galvanized steel, and seem to float over the gardens. Visitors access the Viewing Platform across steps that are virtually transparent. The platform towers above the treetops; meanwhile a dizzying bridge high above the gardens protrudes out of the aviary.

The former Realgymnasium high school which lies in the center of the old town was converted and extended for use as a satellite Brunico campus of the Free University of Bolzano focusing on tourism management, sport and events management. The large, angular old building was also carefully renovated. The smaller wing of the building received a new stairwell built from concrete, the inscription of which has become well known in the city. This welcoming inscription tablet, alongside two new sections of building, form a peaceful square that provides a welcome open space in the narrow old town. A new, large underground auditorium, which can also be used as a room for public events, is situated underneath. The structure of the old building is recognizable in the interior design to which modern details have been tastefully added. The teaching rooms are situated on the top floor.

From an architectural standpoint, the climbing and bouldering arena in Brunico/Bruneck was designed to fit in with various existing, largely heterogeneous buildings. With a powerful and independent architectural language, the arena stands in contrast to the natural and already existing environment as constructed. The large variation in height and room depth as well as the arrangement of the inner courtyard and the outdoor climbing area result in high-quality outdoor spaces, which nevertheless appear as a coherent, interconnected building formation. The back of the building has no openings, while the facades facing the inner courtyard are glazed to the height of the building, as if opening themselves up to the visitor. The indoor climbing hall is highly recognisable and, despite its rocky structure, blends in well with nature and the landscape. The overall design is minimalist: sparse details and clear lines of concrete and local limestone.

Embedded within the summit of Mount Kronplatz at 2.275m, the Messner Mountain Museum Corones explores the traditions, history and discipline of mountaineering. The majority of the museum’s exterior and interior panels are made from in-situ concrete. The museum is arranged over several levels to reduce its footprint. During construction, 4,000 cubic meters of earth and rock was excavated and then replaced above and around the completed structure – immersing the museum within Mount Kronplatz and helping to maintain a more constant internal temperature. From the topmost level that houses the entry area, stairways lead like waterfalls over three exhibition levels all the way to the bottom. At the lowest floor, visitors pass by glass-enclosed viewing windows and arrive at a terrace that is nearly 40 square meters, from which they are able to enjoy a 240° panorama from the Zillertal Alps to the Ortles-Ortler to the Dolomites.

After the Burggräfler Winery merged with Meran's winery, it gave up its base, the former building of the Burggräfler Winery on the outskirts of Marling was converted and extended. The facade of the old winery building became a solid wall with remnants of the previous design left on it, behind which the cellar rooms stretched back deep into the mountainside. The cellar rooms are practically separated by the wall from the management's rooms fronted by glass paneling and the tasting room for customers. The cellar rooms can be accessed at ground level on the highest side of the sloping property near the car park. The huge concrete construction of the cellars bear the weight of the pavilion made of light steel and decorated solely in dark wood furnishing. These slightly tinted and offset glass elements provide a splendid view of the Etsch Valley.

The bus stop Kaiserau is under the train station Collalbo. Here start the bus 165, 166 and 167 near the street.

This cooperative winery was founded in 1960, and today its 290 members work more than 300 hectares of vineyards. The industrial buildings in which the winery was located on the outskirts of Cornaiano/Girlan, no longer matched the quality of the wines and its associated image. So the first step of remodeling the commercial building was to give it an attractive wood façade, with vertical oak floorboards and deep reveals with steel sheets for the necessary openings. A second construction phase implemented a visually light, steel structure as a roof for the delivery area, under which all-new winemaking equipment was installed. In addition, the tasting room was refurbished. Since the hillside winery is visible from afar, a steel trellis was placed on the street level of the buildings as an entryway, and the road was planted with cypresses to create an avenue.

The Cantina Valle Isarco was founded in 1961. The simple production hall originally built in 1978 was restructured in 2005 in order to separate the operational functions and to give the building an appropriate new appearance. The new part of the building made of concrete and the remaining structure were brought together by a unifying grey-red plaster shell, which symbolizes the connection to the terroir. Many steel components were given an oxide red shading, a color chosen to make the building look like a stone that has risen up amongst the vineyards. A brick ceiling now covers the barrique cellar, and the walls are covered in clay plaster. The offices and meeting rooms were renovated and refurnished; bright colors now accentuate the rooms. To round this all off, the tasting and sales room was redesigned in 2014, and an educational exhibit on wine was added as well.

The space in front of the Augustinian Monastery was used as a car park for a long time. Surrounded by buildings of historical value, the potential of the space was finally filled in with a new design. The complex is made of three parts: the entrance from outside, the square and the entrance to the abbey gate. The square was lowered by 1.5 meters in order to recreate the original proportions of the facades of the surrounding buildings. A steel plate for a fountain was installed in the middle of the space. Wooden steps arranged above the water cascade, surround the square, which can be used as seats for open-air events. In bad weather a large tarpaulin with steel supports and rope guy lines can be set up. All new aspects such as paving, parapets, steps etc. were made from granite to stay in keeping with the buildings of the abbey.

It was decided at Lake Caldaro/Kaltern, the warmest lake in the Alps, to create an outdoor swimming pool with an unusual bathing complex instead of a season-lengthening indoor pool. The architect took advantage of the downslope to the lake, leading the swimmer from the entrance between airy pavilions, with wide-spread winged roofs made of steel for shade, past the bistro, to a wooden-planked terrace reminiscent of a ship's deck. Here the swimming pools lie on an underlying free surface with rain room and whirlpool complex, which serves as a shady area in the summer. From here, swimmers in the overlying basin can be seen from below through circles of glass. The entire complex looks like a refined moving concrete sculpture that seems to float above the lawn in front of the lake.

This wine bar is located on the ground floor of the Wipptaler Hof bed-and-breakfast, directly at the entrance to Sterzing’s New Town, just behind the Zwölferturm Tower. Here a spatial trisection can be found: The wine bar occupies the largest space, just behind the front door. It is characterized by an enormous table made of solid copper oak and seemingly endless shelves of the same material, which are filled with countless bottles of wine from a wide array of different places. Opposite there is a black steel fireplace, surrounded by cozy booths. All of the furniture is made of copper oak. A smaller room follows, with an old Stube parlor paneled in pine; then there is the kitchen, into which the guest can see. Snacks are prepared here to accompany the wine, which can be enjoyed at the outdoor tables in summer. A somewhat different, modern version of a traditional Weinstube.

The Lido Schenna/Scena is a welcome cool-down in summer, a benefit for body, mind and soul. The view over the Merano/Meran valley basin gives you the feeling of a wide open space. A large sunbathing lawn, a swimming pool for adults and one for children, a water slide, a whirlpool, 4 bowling alleys and 2 tennis courts await you here.

Lageder Winery is located in the center of the wine village Magrè/Margreid and next to the historical Löwengang Manor. The design concept focused on the optimal integration of the building, the sustainable use of nature as well as biological architectural, ecological, and artistic criteria. Plastered masonry, wood and glass under a protective roof with solar panels, a thermally regulated glass hall and cooling through the moist rock wall were all made into building elements. The circular cellar tower is the building’s center, and its vertical curve represents the gentle “vertical principle” of vinification: the grapes are delivered and de-stemmed under the freestanding roof; then they are pressed and fermented one floor below; the steel barrels and bottling plant, meanwhile, are located at the lowest level. The oak barrels are situated in the adjacent old building. At the level of the delivery, there are offices around an interior glass hall.

The vineyards that belong to the winery stretch from Margreid to Nals, covering 150 hectares, are farmed by 140 wine farmers. Both existing wineries were brought together in Nals in a new building in order to raise both capacity and quality. An entrance was added onto the old build with a tower and cellar areas with the latest cellar technology. The new building, made of a brown-red concrete, echoes the porphyritic cliffs nearby and the existing adjoining cellar. The new building is covered by a structurally interesting concrete roof with a large overhang, which blends into the landscape with its greenery. Beneath the freely suspended roof slab is a barrique cellar constructed from wood, like an oversized wine box, and marks the passageway to the inner courtyard. The structure blends harmoniously into the landscape.

In the center of Mals there was a plot of land for a free-standing building. Block-like brick buildings with windows cut into them and often without an overhanging roof are typical for Mals. The architect adopted this structure and designed a building in three parts with different levels. The middle part acts as an opening and is covered in larch wood boards, while the other two buildings attached to this are plastered white and have uniform, regularly spaced windows. This succinct language of form takes into account the details of the entire building. The shape of the building is clearly structured with the central entrance, so that the citizens can easily find their way inside. The community hall on the upper floor has a special entrance. The interior spaces are marked by white walls, light wood and overhead lighting in the corridors.

With its curved floor plan, the town hall of Brunico/Bruneck follows the course of the Europastrasse street, which in turn follows the riverbend of the Ahr around Schloss Bruneck castle. The building is intended to refresh the overall image of the city and to set a new urbanistic accent in an otherwise rather shapeless development. The building consists of four parts, which were loosely arranged around the town hall square, but nevertheless form a structural unit. With its 3,000 square metres, the square creates an open space that underlines the importance of the town hall. The square is one of three squares, all paved and without plants. Meusburger Platz is located between the school and the old gym and is equipped with stone columns. The school square also offers sports facilities.

In 1250, Bishop Bruno of Brixen founded Bruneck Castle, which served as his summer residence. The town that evolved below the castle walls took on its name. After an eventful history, having been used as a prison and as a school, today the castle houses the fifth Messner Mountain Museum, which focuses on mountain peoples. The historical structure was carefully excavated and restored. The rooms, however, were not sufficient to house the museum and so a section is housed underground, in spaces that were once part of the fortification walls. Modern architectural forms were used for all the additions and new buildings, with concrete, steel, wood and glass having been used as materials. Only the parts that had to be provided as temporary extensions, for example the cashier areas and rooms for temporary exhibitions, were consciously done in wood and may be dismantled at any time.

The Walch Winery is housed in a former Jesuit monastery, with neighboring buildings. For the reception and tasting areas, a garden pavilion was planned at what was likely the most difficult spot in the park: it was built at the top of the junction in the village street that runs down from the town hall square. From there, one can see only the drywall of the boundary, and a curved white roof as an “extension” of the wall covering. Through three slots in the masonry, one can see the park with its huge trees. But one also sees the floor-to-ceiling glass facade of the elegant pavilions under the overhanging roof edge in the garden courtyard, contained by the wall. In the narrow interior space, wooden fixtures with a breakfast bar and a curtain wall are located in front of the side rooms. On it, the bottles are exhibited horizontally. An inviting ensemble with service in the park.

Here, through information and fun, nature becomes perceptible, tangible and accessible. Here are available information on the Natural Parks of the Pusteria valley and the formation of the Dolomites UNESCO World Heritage. On the first floor you can visit the temporary exhibitions. Free admission!