Historie a kultura v Jižní Tyrolsko Vinná cesta

Business carried on as usual during the building and conversion work, which succeeded in transforming the high expectations placed on wine production into an architectural form. A symbol of urban development was simultaneously designed as part of the entranceway. Sections of the pre-existing building were flanked by the wings of the new buildings, making for an impressive welcome at the winery. This means that the delivery area and customer reception are completely separated by a story. The architecture of the new buildings seems to have grown out of the vineyard landscape − the design of the facade, with its steel construction and glass surfaces takes the form of the vineyards in a symbolic connection between the sloping vineyards and the winery. Inside is a light, spacious area constructed from wood and glass, while in the cellar bright colors have been employed.

The old building of the Cantina Terlano is situated in the middle of the village. It managed to cautiously expand, mainly underground, as the plot of land it sits upon is quite small. Visible above ground are the large delivery yard and the terrace above it, with the transparent tasting room. The underlying outer wall of the new cellar rooms is clad in dry stone work made from the typical porphyritic rock found in the Terlano vineyards, and the remaining underground construction is planted over with vines in order to help the new sections of building blend into the landscape. The heart of the new cellar rooms is the barrel cellar, decorated in porphyritic rock panels, which create an almost sacred atmosphere. The original parts of the building were carefully restored and a landmark tower, clad in Corten steel, and lift were added.

This cooperative winery was founded in 1960, and today its 290 members work more than 300 hectares of vineyards. The industrial buildings in which the winery was located on the outskirts of Cornaiano/Girlan, no longer matched the quality of the wines and its associated image. So the first step of remodeling the commercial building was to give it an attractive wood façade, with vertical oak floorboards and deep reveals with steel sheets for the necessary openings. A second construction phase implemented a visually light, steel structure as a roof for the delivery area, under which all-new winemaking equipment was installed. In addition, the tasting room was refurbished. Since the hillside winery is visible from afar, a steel trellis was placed on the street level of the buildings as an entryway, and the road was planted with cypresses to create an avenue.

The architects have succeeded in creating an exemplary alternative in this modern housing development: in addition to fixed adjacent row houses, they formed eight freestanding houses into a village-like group of homes, which have beautiful garden areas and are nicely integrated into the hillside. The individual structures are in fact connected to one another through the lower levels, but appear to be scattered, being lightly twisted along the wide pedestrian development, which is at the same time a play street above the underlying parking garage. The buildings are classical, with various types of houses again and again − plastered masonry with well-designed perforated facades, deep loggias and subtle colors. The housing group was developed jointly by the architects of the owners’ association, and received the 2011 South Tyrolean Architecture Award.

Belonging to the Danielhof estate, the scenically located church once belonged to the Benedictine Sonnenburg Abbey in the Puster Valley. The present structure has lancet-arch windows on the south wall and choir screens that probably date from the 14th century. In the early 15th century came fan and ribbed vaulting above wall pilasters, subsequently decorated with mural paintings. The north wall features scenes from the story of St. Daniel (including Daniel in the lion’s den), donated in 1444 by a Bozen customs official. On the north wall of the nave appear Saint Catherine and consecration crosses with the hand of blessing.

The late-Gothic winged altar from 1525 is an art-historical gem. The predella relief shows the Lamentation of Christ with, to the sides, Catharine and Barbara, Margaret and Dorothy. The central shrine shows the Madonna with Child and the Saints Daniel and Chrysanthus, with Peter and Paul in bas-relief on the inner wings. When closed, the wings show the guardians of the shrine, George and Florian, as well as scenes from the life of the church’s patron saint. Restoration work was carried out in 1991 and 2012-13.

This winery, rich of traditions, has seen many alterations over the years and the cellar area in particular was extended and reorganized in 2011. An underground concrete construction was built to form a new fermentation cellar with a pressing chamber, over which a curved roof was built in order to protect the delivery. A concrete structure was also chosen for the new storage room, the west-facing wall, which gives out onto the orchard and was covered in wire baskets filled with excavated stones. These gabions were also used along the border and, as a design feature of the building extension, are reminiscent of the terroir of the vineyards. A beautiful reception courtyard is situated between the old and new buildings, displaying a fountain sculpture and planted tree, forming the new central point in the structure of the building.

The vintner took over his father's 1980s estate, and built a modern tasting space in the stolid old building. The simple insertion is a piece pulled out of the facade, a covered terrace, and can be opened with a retractable glass wall. The refined and ingenious design, perfect down to the last groove, is revealed only when one comes closer. It is completely white, uncompromising paired with the wine, which plays the starring role here. The white tasting table can be adjusted upwards, so that the wine can be tasted while standing, as if at a bar. The entire back wall area is used for projections. A specially designed lighting concept completes the presentation of wines to great effect. All of the service components required for the tastings are stored in a bar niche.

A Natural Monument!
The 82 m high waterfall is fed by the Möltner Brook. The path leads past the old Vilpiano's Wasserwaal from the 17th century. The water was once used to irrigate the fields.

Accessible by foot in ten minutes from the village center of Vilpiano.

It was decided at Lake Caldaro/Kaltern, the warmest lake in the Alps, to create an outdoor swimming pool with an unusual bathing complex instead of a season-lengthening indoor pool. The architect took advantage of the downslope to the lake, leading the swimmer from the entrance between airy pavilions, with wide-spread winged roofs made of steel for shade, past the bistro, to a wooden-planked terrace reminiscent of a ship's deck. Here the swimming pools lie on an underlying free surface with rain room and whirlpool complex, which serves as a shady area in the summer. From here, swimmers in the overlying basin can be seen from below through circles of glass. The entire complex looks like a refined moving concrete sculpture that seems to float above the lawn in front of the lake.

Patronal feast: March 19th

The church of S. Giuseppe was realized around 1700. The constructional form of the low-drawn-in chancel with a straight ending frequently occurs from the middle of the 17th century onwards, and the ground plan has probably been designed by builder the master-builder Delai. Also worth to mention is the high altar, a marble structure with stone and wood sculptures.

The church is only accessible during holy masses.

Source: Parrish office Kaltern

In the center of the village, only a stone's throw from the market place, stands one of the wine village’s oldest houses, which has housed a hotel since 1742. In the back, the plot of land stretches up the mountainside and borders orchards and vineyards. At the highest point a wooden pavilion with large glass fronting stands on the roof of the new underground garage, built to be a wellness temple. The sauna provides an excellent view over Caldaro/Kaltern and into the Überetsch. The transition from the necessarily closed, dark rooms out into the garden is smooth, illuminated as it is by light shafts. An outdoors pool with a terrace is adjoined in such a way that the passages over into the vineyards seems self-evident. The old building is tastefully renovated; the old contrasts the new in the reception area, bar, wine cellar and bedrooms, all of which have an individual character to them.

The Walch Winery is housed in a former Jesuit monastery, with neighboring buildings. For the reception and tasting areas, a garden pavilion was planned at what was likely the most difficult spot in the park: it was built at the top of the junction in the village street that runs down from the town hall square. From there, one can see only the drywall of the boundary, and a curved white roof as an “extension” of the wall covering. Through three slots in the masonry, one can see the park with its huge trees. But one also sees the floor-to-ceiling glass facade of the elegant pavilions under the overhanging roof edge in the garden courtyard, contained by the wall. In the narrow interior space, wooden fixtures with a breakfast bar and a curtain wall are located in front of the side rooms. On it, the bottles are exhibited horizontally. An inviting ensemble with service in the park.

Patronal feast: 6th of December

The core building dates back to the 13th century (late Romanesque brickwork on the tower floor and on the west wall). Around 1520, a new building was built by construction workers from Como. Vault paintings have been made by Bartlmä Dill Riemenschneider, son of Tilman Riemenschneider. Since 1733 pilgrimage place.

Source: Parrish office Kaltern

Lageder Winery is located in the center of the wine village Magrè/Margreid and next to the historical Löwengang Manor. The design concept focused on the optimal integration of the building, the sustainable use of nature as well as biological architectural, ecological, and artistic criteria. Plastered masonry, wood and glass under a protective roof with solar panels, a thermally regulated glass hall and cooling through the moist rock wall were all made into building elements. The circular cellar tower is the building’s center, and its vertical curve represents the gentle “vertical principle” of vinification: the grapes are delivered and de-stemmed under the freestanding roof; then they are pressed and fermented one floor below; the steel barrels and bottling plant, meanwhile, are located at the lowest level. The oak barrels are situated in the adjacent old building. At the level of the delivery, there are offices around an interior glass hall.

Castelfeder (from castello, the Italian word for castle) is nestled between the holiday villages on this strategically important porphyry hill. Castelfeder is a prehistoric and Roman as well as early medieval settlement characterized by the remnants of several structures and buildings on a large hilltop. It is a true place of energy and a popular destination for excursions, especially in spring. Today, sections of the encircling defensive wall with the well-known "Kuchelen" castle walls, and parts of the Barbara chapel from the 6th century can still be seen. In addition, the sunny Castelfeder hill fascinates with its unique and diverse flora. A special feature is the smoothly polished fertility chute carved in porphyry. It was a central component of an ancient cult. Rumor has it that even today sliding down it results in the arrival of a much yearned-for baby.

Architect Othmar Barth has created a pioneering South Tyrolean hotel architecture by this building, proving that in South Tyrol modern regional architecture in its own right is possible, and that it doesn't necessarily have to refer to Alpine decoration. The refined, undulating building is nestled on the edge of the Caldaro vineyards and appears, though freestanding, to be integrated into the landscape, breathing the spirit of the place. The structure is slightly removed from the shore of the lake, and its restaurant, terraces and the shaded loggias of the rooms afford clear views of the meadows, even as far as the reeds on the glittering surface of the lake. Simple materials such as copper, wood, stone and plastered masonry add to the successful scale of the building; they also determine the interior and lend the hotel a sense of timelessness.

The conversion of a formerly rustic residence near the center of the village into a modern cultural center was successful thanks to careful consideration and a soft touch as regards the historical side to the building. Visible from the outside, a new entrance with a foyer in a contemporary joining building was nevertheless added on, which is elegantly inserted next to the large old building with its steel and glass construction. A beautiful, peaceful inner courtyard was created through this merging of the buildings, which can also be used for open-air events. Inside the building modern details have been carefully connected to what was already there; the white color scheme throughout, in combination with the natural colors of the wooden materials, stone and stainless steel creates a calm background for a diverse range of events.

Between Caldaro/Kaltern and the lake lies a vineyard landscape with beautiful residences, including Manicor’s Renaissance structure. Because its new wine cellar, with a cubic capacity of 30,000 cubic meters, would have severely intruded upon this landscape, it was built underground. Only the wooden sales pavilion was added to the previously existing ensemble. The cellar appears only through the entrances and the glass “eye” of the tasting room, which affords views across to Leuchtenburg Castle. Rows of vines further cover the underground facility. A carefully formed concrete construction with building elements made of Corten steel was placed between sprayed concrete walls in the tempered ground. In this way a uniform climate for sustainable architecture has been ensured, which focuses on the gentle processing of grapes according to the tenets of biodynamic viticulture.

The Parish church of St. Vigilius with its Romanesque church tower was mentioned for the first time in 1337. The old baptismal font inside dates from an earlier time, from 1033. At the beginning of the 16th century, the church was remodeled and a sandstone arch was added. In 1850, the late Gothic high altar was built where the baroque altarpiece showing the martyrium of Str. Vigilius was built in. A further gem inside the Cortaccia church is the legendary crying picture of the Virgin Mary which was first exhibited on July 17, 1738 and has since been the goal of many pilgrims.

The sedate building on the village square, next to the church, is the headquarters of the winery, the barrel storage and technical rooms were extended into the space between the Gothic church tower and the old building. In order to save space, they decided on a wood-planked tower. Its wide, overhanging flat roof incorporates the first cornice of the church tower, just a few meters away, and the height of the old building’s eaves. The winery tower is thus well integrated. Because wood was chosen as the material and it has a similarly warm tone to the sandstone of the church tower, the two towers do not compete with one another. The strip of windows in the meeting space under the roof of the tower makes reference to the Gothic truss frame of the church tower. The barrel cellar is a structure with concrete supports, fitted with exposed bricks. Both the cellar and the stairwell are pervaded with artistically defined color schemes.

Baumgarten Manor was a grand estate with several buildings dating from the thirteenth century, which underwent a number of structural modifications. For renovation and remodeling for repurposing, the existing heritage-listed structure was to be preserved and modern features adjoined where needed. A three-story block was added in order to connect the individual tracts. All new components were designed as steel-and-glass structures so that they would stand out clearly from the solid, plastered original building, without being pushed to the forefront intrusively. The inner courtyard was paved, trees were planted and an illuminated guide line to the entrances was embedded into the ground. It continues at the main entrance as a gully. This guide line recurs in the interior corridors, its careful use of color conveying an atmosphere that is almost artistic.

Seeschlössl: this romantic house is situated on the west bank of the large Montiggl Lake. History: Josef von Zastrow, who came from Germany and also owned Aichberg, in 1888, built it. At this time he also owned both the lakes. In 1902 the village of Eppan took over both lakes. Architectural style: the whole building is very pleasing and blends in well with the scenery. The style is middle Aged, the windows have pointed arches and the gables have a staircase form finish. The painter Max Sparer from Tramin often painted this house. Walking: as soon as you get to know the two Montiggler Lakes, it is no problem to find this beautiful house. Walks through the Spring Valley and round the large lake take you past this house

In Eppan | Piganò, above Castel Gandegg, you find near Castel Englar the residence Moos Schulthaus. A little bit hidden, how it is usual for an insider tip, you can find a nice little museum for Middle Aged living.

Around the middle of the 13th century the dynasty of the Rottenburger built a Romanesque residential tower above the location Pigenò. Around the 14th century it was transformed and extended into a gothic residence for hunting. After the extinction of the Rottenburg in 1410, the complex ended up in the hands of the princes and later on to the Lords of Firmian and around 1500 to the Earl Spaur who expanded it even more. Until the middle of the 19th century it remained in the hands of the aristocrats of Schulthaus. With this intense change of property and the related architectural procedures caused a special fusion of connected elements, interlaced and on different levels situated premises and last but not least style characteristics of different époques. In 1958 Walther Amonn, merchant of Bozen and patron, bought the complex and had it costly restored and opened it for the public in 1985.

Well worth seeing are especially the frescos of the premises, which are a unique example of gothic mural art and give an insight in the life and philosophy of that time.

For the exploration of this historical valuable area around Castel Moss-Schulthaus, with the castles Englar and Gandegg together with the residences of Pigenò, we suggest the marked hiking and biking trails.

Strictly speaking, Kaltern Winery was built for 420 clients: winemakers, usually with very small acreage, who joined in a cooperative. In order to strengthen the mobile perception of the winery, a striking building was built in front of the village center, between the old winery building and the South Tyrolean Wine Road. The angular complex around the quiet inner courtyard forms a memorable landmark, together with the tower-like corner building. Large, flush glass areas are set into the bronzed façade cladding, in which the environment appears as in a distorting mirror. As you cross the courtyard you walk into an open interior structure that affords fascinating views from several levels. The materials are limited to glass, white wall surfaces and dark acacia wood. Wine is the star of the show here, accompanied by a sophisticated yet simple art concept.

The world of grappa, spirits and liqueurs is a long tradition of the distillery Villa Laviosa.

A guided tasting is possible on request, only with advance registration and a minimum of 4 participants. Otherwise you can go shopping in the shop or try a few products.