Restaurants in Meran

The housing complex is situated north of the racetrack in a quiet residential area. The rectangular plot of land is reflected in the geometric lines of the four-story block of apartments containing sixteen flats: The outlines and facade are simple and clear, without any design effects. A large protruding attic forms a concise end to the roofline. The division of the front of the lightly plastered walls occurs through two types of window: full length balcony windows, and the windows of the rooms reaching up to the ceiling, which are placed in alternation, creating a lively structural arrangement. The colorful balcony parapets add to the visual effect. The clear design is of particular benefit inside the well laid out apartments − everything is light, friendly and easy to furnish.

Just a short walk from the old town and set against the Alpine-Mediterranean backdrop of the Merano basin, the Merano Lido has been a beloved summer retreat for over a century. In South Tyrol, “Lido” is the classic name for an open-air public pool – and Merano’s version is among the most iconic. Combining the charm of Art Nouveau with modern leisure comforts, it offers a refreshing escape for locals and visitors alike.
The Lido was already attracting bathers in the early 20th century – drawn by its central location, sporting facilities, and laid-back atmosphere. After a careful renovation in 2014/15, the pool was upgraded to a modern sports and recreation centre, while preserving its historic flair.
At the heart of the complex is a 50-metre Olympic-size pool, perfect for serious swimmers. A mid-sized leisure pool, diving tower, whirlpool area, and massage jets provide variety, while two towering waterslides – 13 metres high and nearly 100 metres long – add an element of excitement for thrill-seekers of all ages. Diving boards (1m and 3m) and starting blocks enhance the facility’s athletic profile.
The spacious sunbathing lawn is dotted with mature trees and includes a sandy beach area, comfortable loungers, and a family-friendly children’s zone with playground and paddling pool. Several cafés and bistros offer refreshments: from ice cream and snacks at the kiosk to cocktails at the stylish Zanzibar bar – ideal for a quick espresso, a gelato, or an evening aperitivo. The Lido also hosts events such as the popular “Cool Swim Meeting” – a summer highlight for competitive swimmers from across the region.
Fascinating facts & history
• Film legend Bud Spencer once trained here – a nod to the pool’s athletic roots.
• Originally built in the 1930s, it’s one of South Tyrol’s oldest outdoor pools and has long been a favourite among spa visitors and locals.
• The 2014/15 renovation preserved the Art Nouveau architecture while adding modern, accessible sports features.
• Since 2016, the “Cool Swim Meeting” has brought hundreds of swimmers to Merano each summer.

There are few places where German- and Italian-speaking cultures intersect as vividly as in Merano – and for over 70 years, the Academy of German-Italian Studies has stood at the heart of this dialogue. Founded in 1949, the Academy embodies openness, intellectual curiosity, and cultural exchange – values that reflect the spirit of Merano itself. Its mission is clear: to connect two great cultural traditions that share a rich, and at times contested, history – and to highlight the creative energy that emerges from this encounter. Through interdisciplinary events, the Academy brings together voices from literature, science, philosophy, and the arts, creating intellectual momentum that resonates far beyond the city. One of the Academy’s most compelling features is its setting: the majestic Villa San Marco, an architectural jewel nestled in a park above Merano’s historic centre. Whether attending a lecture or taking part in a literary discussion in the garden, visitors quickly sense that knowledge here is not only rigorous, but also human, engaging, and alive.

Exciting Insights:
Among the Academy’s historical inspirations is the writer and Nobel laureate Hermann Hesse, who spent time in Merano and held the city dear. His presence is still felt at the summer academies – through readings, discussions, and literary walks in his spirit. In addition to classic lectures, the Academy increasingly embraces contemporary formats that speak to younger audiences: literature workshops, philosophical salons, open-air readings, and round tables on urgent issues such as migration, identity, or climate ethics. All events are held bilingually – sometimes even playfully blending the two languages.
Yet the Academy is not reserved for academics or students. It is open to anyone with a love of language, culture, and new perspectives. This inclusivity is what makes it unique: a place where horizons expand – with curiosity, generosity, and the shared strength of two cultures. To truly understand Merano, one must experience the Academy of German-Italian Studies. It is here that the bridge between North and South is not only imagined – but lived.

The Flora inn is located where the courthouse was, back in 1400. It was then turned into a restaurant, actually being the first starred one for a certain time. Placed in the upper Portici, the Flora, now a tavern, proposes Italian courses, homemade pasta, regional and Venetian top quality ingredients. There is also a wide choice of cicchetti/spuncetti, the small appetisers of the Venetian cuisine. This tavern is the perfect location for lunches, dinners and private parties with live music.

Wine tasting, purchasing, talking shop or just enjoying yourself in a relaxed setting.

The arcades of Merano are not just a piece of history but a living part of the city. Built in the 13th century by Meinhard II as a commercial route linking Piazza del Grano and Piazza Duomo, they once served as the beating heart of Merano. With over 400 metres in length, they are the longest arcades in South Tyrol, and today they blend tradition and modernity.

The arcades offer a fascinating architectural experience, taking you from Gothic to neoclassical façades. Their winding alleys, steep stairs, and shaded arches tell stories of times gone by. Beneath the arches, where lively trade once took place, you'll now find charming shops, cosy cafés, and historical buildings.

The distinction between the mountain and water arcades, combined with the perfect blend of historical and modern elements, gives the arcades a unique charm. Strolling through the Laubengasse feels like a journey into the past – yet remains vibrant and contemporary.

The upper Portici arcades are wheelchair and pushchair accessible. The path has a slight incline (rise) from piazza del Grano square towards piazza Duomo square.

There is no tactile guidance system or other aids for blind people under the arcades.

In the heart of Merano’s green oasis – nestled between the Passer River and swaying palms – stands a graceful marble figure on a pedestal: the statue of Empress Elisabeth of Austria, affectionately known as “Sisi.” Few individuals have shaped Merano’s history as profoundly as she did. Without Sisi, the town may never have blossomed into the celebrated spa destination that continues to charm visitors from around the globe.

When Empress Elisabeth first came to Merano for a health cure in 1870, the town was still a quiet and somewhat undiscovered retreat. Famous for her beauty, wanderlust, and deep affinity for nature, the Empress sought a gentle climate and healing air – and found them both in Merano. Her presence quickly made headlines. Wherever Sisi stayed, Europe’s high society followed. Soon, aristocrats, artists, and intellectuals arrived, hotels and sanatoriums flourished, and Merano entered a golden age of cultural and economic prosperity.

Elisabeth Park was created in 1903 in her honor – a serene retreat along the Passer River that still retains its romantic charm. Amidst manicured flowerbeds and shaded pathways, the statue – crafted by artist Hermann Klotz – has stood since the park’s inception. It depicts Sisi with refined elegance: draped in a delicate veil, her posture poised yet gentle, surrounded by an atmosphere that still whispers of imperial grace.

What sets this statue apart is its subtle realism. Unlike many idealized portrayals of the Empress, this depiction is tender and introspective. Sisi appears thoughtful – almost vulnerable –, a portrayal that may come closer to the woman she truly was than the glorified images found elsewhere.

Interesting Insights

• Sculptor Hermann Klotz designed the statue so that Sisi gazes toward the majestic mountains – a quiet tribute to her deep love for nature and the Alps.
• Today, Elisabeth Park offers not only historical depth but also a tranquil space to unwind: whether on a shaded bench beneath old trees or strolling the riverside promenade, visitors are accompanied by the gentle murmur of the Passer and a sense of timeless elegance.
• In spring, the park becomes especially enchanting: blooming magnolias and camellias fill the air with fragrance, making it a beloved spot for both locals and guests.

A walk through Elisabeth Park is like stepping back in time – where the refined elegance of the Belle Époque meets the relaxed rhythm of South Tyrol. Anyone visiting Merano should pause by the Sisi statue – and perhaps carry away a touch of the inspiration that once so deeply stirred the Empress herself.

In the course of the project "Respect the mountain" the certified fountains of the municipality of Meran were collected and published. The project raises awareness for environmental friendly, respectful and responsible behaviour on the mountain. The fountains invite you to fill up reusable bottles with fresh and high-quality drinking water.

Tip: buy a 'pure' soulebottle for € 20.00 directly at the Merano Tourist Information Office, produced in a fair, sustainable and climate-neutral way.

This parish church is located in the area of Maia Bassa (Untermais), at the end of Via Piave. The present bell tower stands on a 6-metre-high Romanesque base. The old Gothic church, built between the thirteenth and fourteenth centuries, is located below the apse of the current building, which was erected between 1934 and 1936. Inside, there are some ancient Romanesque relics, a priceless Gothic altar, and a number of frescoes dating back to the fifteenth century. Masses in German: Mondays and Tuesdays: 7:00 a.m. Wednesdays from Easter to All Saints’ Day: 7:00 p.m. Wednesday from All Saints until Easter: 6:00 p.m. Thursdays and Fridays: 7:00 a.m. Saturdays - from Easter to All Saints: 7:00 a.m. & 7:00 p.m. - from All Saints until Easter Saturday: 7:00 a.m. & 6:00 p.m. Sundays: 7:30 a.m. & 10:00 a.m. Masses in Italian: Sundays and public holidays in winter: 9:00 a.m. & 11:15 a.m. Sundays and public holidays in summer: 9:00 a.m.

The horse racecourse in Maia Bassa/Untermais is one of the largest and most beautiful in Europe. It is very centrally located, but also divides the urban body sharply. In 1886, the first horserace took place for Merano’s aristocratic visitors. But the modern-day period began only in 1936, when the Fascist regime had the new racecourse built by the star architect of the day, Vietti Violi. With stepped staircases, flat roofs and clear design features, its plastered buildings are excellent examples of the Italian rationalist style, which was developed out of the classical modernism of the Bauhaus school. At two stories high, 150 meters long and 20 meters high, the main grandstand seats 15,000 spectators. After its renovation, the building received the 2011 South Tyrolean Architecture Award.

The Hospital Church of the Holy Spirit is one of Merano’s most important spiritual centers and art monuments. So it was deliberately a provocation towards the German-speaking religious population when the city’s fascist Italian-speaking government built its Casa del Fascio right next door, in order to obstruct the view of the historical church as you approach the old town. Even worse, the old hospital had to be demolished to make way for the new construction. Despite this architectural history, which is rather inglorious for the Italians, the building ranks among the masterpieces of Italian rationalism, architecturally speaking. The widely visible open tower, the horizontally layered facades, the bands of brick and loosened floor plan make this building one of the most interesting construction works of its time.

As you stroll through Merano today, you can feel it everywhere – the legacy of a spa town steeped in history. At the center of this legacy stands the Historic Thermal Baths Merano: a place where health, science, and the elegance of refined living have long come together.
By the end of the 19th century, Merano had already earned acclaim as a haven of wellness. Its mild Alpine climate, pristine mountain air, and therapeutic treatments attracted nobles, artists, and intellectuals. But it was the opening of the Historic Thermal Baths in 1906 that marked Merano’s transformation into one of Central Europe’s most progressive health destinations. The concept was visionary: combining cutting-edge medical treatments with the stylish atmosphere of a spa resort.
Designed by architect Max Langheinrich, the building still impresses with its commanding dome and harmonious symmetry. A sweeping semicircular portico, supported by stately columns, adorns the façade – now the entrance to the Civic Hall. Inside, a broad, ornately decorated marble staircase leads to the upper floor. From the beginning, the building embodied the merging of scientific progress with the art of well-being. It housed state-of- the-art bath facilities, inhalation rooms, and light therapy equipment – alongside early innovations like an electric heating system, which was groundbreaking at the time.
Interesting Insights:
- The early days of the facility focused on the celebrated Merano Grape Cure – a wellness trend embraced by the European elite.
- The Historic Thermal Baths were architecturally and medically ahead of their time. Treatments addressed respiratory conditions, circulatory issues, and nervous disorders. Drinking therapies with mineral-rich spring water were especially popular – combining health with indulgence.
- The thermal complex also served as a social hub: mornings were devoted to treatments, while afternoons were spent promenading along the Passer or enjoying concerts at the nearby Kurhaus. Merano thus became synonymous with cultured living, medical sophistication, and restorative leisure.
A walk through Merano is incomplete without pausing at the Historic Thermal Baths. The building stands as a silent witness to how a small Alpine town made its way onto the grand stage of Europe – with a singular blend of natural healing, bold innovation, and timeless elegance.

Discover a new charm in our historic garden. Enjoy lunch or dinner amidst nature’s beauty, beside the fireplace, and in the atmospheric castle cellar. Our offerings range from homemade cakes and coffee to fresh fruit juices and our own wines. The cuisine, blending tradition and innovation, will delight you with dishes made primarily from ingredients sourced from our castle garden. The castle also features B&B rooms, ideal for a relaxing stay, and is a popular venue for events, complete with dedicated catering services.

A very reserved building structure was created on a narrow building site between the multiform heritage-listed building of the former Grand Hotel Savoy and some simple row houses. The basic cubic shape tapers slightly at both of the lower floors, lending the solid building a floating feeling. Staggered windows in the facades, uniform in size, break up the building’s austerity. A transparent, visually light glass bridge elegantly links the new building with the facade of the old Savoy. The simple form of the new concrete structure, with flat roof, lends both buildings a contrapuntal aesthetic appeal. The cool clarity of the design is also reflected in the interior of the new building, which has a transparent and fluidly designed sequence of rooms.

Amidst palm trees and promenades, in the heart of Merano, lies a place that brings to life a nearly forgotten chapter of the city’s history: the Jewish Museum and Synagogue. Housed in an elegant Art Nouveau building from 1901, this cultural landmark preserves the memory of a small yet influential Jewish community – one that helped shape Merano’s golden age. When Empress Elisabeth of Austria chose Merano as her spa retreat, the city soon attracted not only aristocrats and artists but also prominent Jewish families from Vienna, Prague, and Budapest. They brought economic vitality, built elegant villas, hotels, and sanatoriums, and became important patrons of art, science, and culture. Many ran thriving businesses tied to the spa industry. The Jewish contribution to Merano’s development is still visible today – for those who look closely, traces remain throughout the city, including at the Jewish cemetery. At the center of this rich legacy stands the Synagogue on Schillerstraße street, still an active house of worship and home to the museum’s moving permanent exhibition. Here, visitors can explore the lives of Jewish families in Merano – their beginnings, achievements, and daily routines, but also the painful chapters of persecution during the Nazi era, the devastation of the community, and the difficult rebuilding after World War II. A special highlight of the Jewish Museum is its collection of original ritual objects: Torah scrolls, Kiddush cups, and Chanukah menorahs offer a deeply personal glimpse into the religious and social traditions  photographs, and first-hand accounts make the past tangible in profoundly human terms. The Synagogue also houses one of the few remaining Art Nouveau Torah arks in the world – an architectural rarity of exceptional beauty. For those who pause and listen, the museum speaks in quiet, intimate tones: of people who once strolled along the Passer River, stayed in refined spa hotels, and helped shape Merano’s cultural life. And of those who, even in the face of adversity, preserved their faith, their stories, and their community.
Today, the Jewish Museum is not only a place of remembrance – it is a space of dialogue and cultural exchange. Alongside guided tours, it hosts regular events that bridge the past and the present, inviting reflection and connection. For anyone seeking a deeper understanding of Merano, this quiet and remarkable place is a must. Tucked between the Passer Promenade and the Kurhaus, it reveals a chapter of history as moving as it is essential.

The beautiful portal and the frescoes on the façade are particulary noteworthy. The interior houses interesting frescoes and paintings from the fifteenth and sixteenth centuries. Masses in German: Mondays, Tuesdays, Wednesdays: 8:30 a.m. Fridays and Saturdays in winter: 6:00 p.m. Fridays and Saturdays in summer: 7:30 p.m. Sundays: 8:30, 10:00 Kolping chapel first Thursday of the month: 19.30

Magnificent buildings were created long the Passer Promenade, intended for the noble audiences of the Hapsburg Monarchy. The architect Martin Dulfer, who was 40 years old at the time, was able to build his first theater here, which became one of the most important representatives of the Baroque-style Art Nouveau; he followed this theater with three others. The theater in Merano was built in just fourteen months, under the supervision of Wilhelm Kürschner, who would later become Bolzano’s city architect. The iron construction of the stage area came from Munich, the stage equipment from Vienna and the seats from Berlin. Important details of the original structure have been changed, but the building remains one of South Tyrol’s few preserved Art Nouveau buildings. The theater’s clear plan is functionally divided into the stage area, auditorium, and foyer; it seats 500 spectators.

The Tennis Centre in Via Piave 46 - in the middle of town with its own restaurant - has nine perfectly well kept clay courts (five of which are lighted) and two hard courts and is open from April to October. Between the end of October and the end of May you may play indoor on heated courts.

The Merano Tennis Club is well equipped with ample and comfortable locker rooms and showers.

The Tennis Centre in Via Piave 46 - in the middle of town with its own restaurant - has nine perfectly well kept clay courts (five of which are lighted) and two hard courts and is open from April to October. Between the end of October and the end of May you may play indoor on heated courts.

The Merano Tennis Club is well equipped with ample and comfortable locker rooms and showers.

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Trauttmansdorff was honored as Italy's Most Beautiful Garden in 2005. The complex comprises approximately 12 hectares of gardens, with about 5,800 species of plants and 80 different garden landscapes. The gardens are crossed by paths and waterways, and lined with pavilions. The castle – once the holiday residence of Empress Sissi – has been meticulously restored and complemented by a restaurant and visitor center. In addition to elegant stainless-steel details for bridges, railings and furniture, of particular note are the Aviary and the Viewing Platform. These two modern structures lend the gardens an architectural three-dimensionality. Both represent light yet bold architecture, made of stainless or galvanized steel, and seem to float over the gardens. Visitors access the Viewing Platform across steps that are virtually transparent. The platform towers above the treetops; meanwhile a dizzying bridge high above the gardens protrudes out of the aviary.

Moto Rent Meran – the largest motorcycle rental in South Tyrol! Experience true freedom on two wheels with our stylish Vespas, legendary Moto Guzzis, and many other brands. Whether you’re cruising through Merano or exploring the Dolomites – we have the right bike for you. Personal advice, fair rates, and guided tours from Merano guarantee an unforgettable riding experience!

In the vibrant heart of Merano, at the corner of Laubengasse and Galileistraße streets, rises the stately Merano Town Hall – a building that bridges political history and modernist design. Constructed between 1929 and 1932 based on plans by architect Ettore Sottsass Sr., the new Town Hall replaced the former municipal building, which had been demolished following Italy’s annexation of South Tyrol after the fall of the Austro-Hungarian Empire. The structure embodies the ideological and aesthetic language of the fascist era, standing in bold contrast to the medieval character of the old town.
The architecture is marked by the hallmarks of Italian Rationalism: clean, geometric lines, a restrained functionalism, and monumental clarity. Its most defining element is the clock tower, a vertical landmark that shapes Merano’s skyline and opens the view toward the nearby Prince’s Castle. The façade is embellished with sculptural reliefs by Bolzano artist Albert Stolz, illustrating historical scenes and lending the building a sense of cultural gravitas.
Inside, the building continues its architectural narrative with a grand staircase made of fine materials such as marble and terrazzo, where clarity of form and refined surfaces evoke a timeless modernity. The Town Hall maintains a visual dialogue with its historical surroundings and integrates harmoniously into the urban fabric.
More than just the administrative heart of the city, the Merano Town Hall stands as a significant example of modern architecture in South Tyrol. It exemplifies the interplay between historical legacy and forward-thinking design. For lovers of architecture and history alike, it offers a compelling stop: a place to reflect on Merano’s past while admiring the formal language of early 20th-century architecture.

The rectangular keep was once part of the imposing Ortenstein Castle, which loomed high above the town. Originally built as the residence of the Tyrolean burgrave, the castle underwent numerous alterations over the centuries and was eventually dismantled in the 16th century—except for the Gunpowder Tower. From 1626, the tower was used as a gunpowder storage to protect the city of Merano from a potentially catastrophic explosion during the Thirty Years' War. This is how it earned its name and became an important part of the town’s defensive structures.

With its two interconnected towers, the Gunpowder Tower was particularly well protected from attacks. To the north, remnants of defensive moats can still be seen, which once served as the last line of defence against invading forces.

Today, the Gunpowder Tower offers a fantastic panoramic view of Merano and the Adige Valley. The steep climb is well worth the effort: from here, you can enjoy a breathtaking view of the town and the surrounding nature. The tower is not just a piece of history, but also a wonderful viewpoint that brings the city's past and its defences to life.

Whether you’re a history enthusiast or simply looking to take in the view, the Gunpowder Tower is a must-visit during your time in Merano.


The Gunpowder Tower is located on the Tappeiner Promenade, which is basically accessible and therefore well suited for wheelchairs and pushchairs, although it is paved with gravel. The best access point for families with pushchairs or wheelchair users is from Quarazze, as the entrance is level. From there, the Gunpowder Tower is about a 1-hour walk. Alternatively, you can also start from the via Galilei street or the Gilf Promenade, although these two paths have a difference in altitude of around 60 metres. Thorough planning is therefore advisable. This tour is also suitable for older people and families with children. There are various benches along the way where you can take a break.

The Gunpowder Tower is accessible only via stairs, making it unsuitable for those with limited mobility.

Please note: There are no public toilets along the Tappeiner Promenade. However, you can stop off at the various restaurants and cafés. Please enquire in advance about their opening hours.

There is no tactile guidance system or other aids for the blind on the promenades in Merano and at the Gunpowder Tower.

Known locally as the Steinerner Steg, and erroneously referred to as Ponte Romano, this historic footbridge has long been a landmark of Merano. Built between 1616 and 1617 by the Bressanone/Brixen master builder Andrä Tanner, the bridge links the medieval old town to the verdant quarter of Maia Alta/Obermais, gracefully spanning the Passer river with two asymmetrical arches of solid quarry stone.
One of its most distinctive features is the gentle bend at the midpoint, combined with its crenellated stone parapet – details that give the structure the character of a small fortress and lend it an unmistakably historic silhouette. Constructed almost entirely from local porphyry, the bridge blends harmoniously into the Alpine landscape that frames the city.
A curious historical detail lies between the arches: a narrow, sloping ledge known as Ritsch once served as a wastewater chute, directing sewage from the town directly into the river. Beneath the current stonework, remnants of an older wooden drainage system still remain – quiet witnesses to centuries of everyday life.
Despite its evocative name, the bridge has no Roman origins. The designation Ponte Romano was introduced during the Fascist period in 1927 and has no historical basis. The current structure replaced a series of earlier wooden bridges that had repeatedly fallen victim to the river’s floods. Since its construction, the Steinerner Steg has stood firm against the elements – its most recent thorough restoration took place in 1987.
Today, this traffic-free bridge is more than just a thoroughfare. It is a beloved spot for walkers and residents, a vantage point for photographers, and a tranquil refuge within the urban fabric of Merano. From here, visitors can admire the dramatic Passer gorge, the lush promenades that run alongside it, and the sweeping views of the mountains beyond.
By day, the bridge offers a striking interplay of Alpine freshness and Mediterranean charm. By night, illuminated by gentle lanterns and accompanied by soft sounds from the nearby summer events, it transforms into a place of quiet elegance. Framed by peaks and palms, the Steinerner Steg is a living part of Merano’s cultural identity and an atmospheric link between past and present.

Nanà is a women’s fashion store that offers Made in Italy products at reasonable prices.

Located on the Passer Promenade, it was built between 1883 and 1885 in a neo-Gothic style. The church belongs to the Evangelical Lutheran Church in Italy and is a true symbol. Particularly notable is the large Christ figure, blessing the faithful – a masterpiece made of Laas marble, inspired by Bertel Thorvaldsen’s statue.

The construction of the church is closely tied to the development of Merano as a spa town. As early as 1861, the first members of the Evangelical community began to organise in the city. In 1870, the first pastor was appointed, and in 1876 the Evangelical community of Merano was established as part of the Evangelical Church A.B. in Austria. This open, cosmopolitan atmosphere is still very much present in Merano today – the city has preserved its welcoming spirit over the centuries.

The building itself is steeped in a unique atmosphere. It sits amidst an idyllic garden and is crowned by a striking spire. The exterior walls are a true masterpiece of neo-Gothic architecture, with intricate flying buttresses and pointed windows. The interior is kept simple, offering plenty of space for reflection and prayer. Noteworthy are the wooden reliefs of the altar and pulpit, created by Franz Xaver Pendl, as well as the impressive crucifix.

The Christ Church is not just a place of worship but also a cultural meeting point. Regular sacred music concerts and organ performances take place here, and those strolling along the Passer Promenade can often feel as though they have been transported to another country. The atmosphere of the garden, the imposing building, and the harmony between nature and architecture make the Evangelical Christ Church a truly special destination for anyone visiting Merano.

Merano, with its cosmopolitan character, invites people to explore different cultures and religions. The Christ Church stands as an extraordinary testament to this unique heritage and is a place that reflects both the faith and the diversity of life in Merano.

Brunnenplatz Square is situated between the Reichenbach, Rosenstein and Rundegg manors, on a noisy street intersection that was long without an eastern border. Urban planning considerations thus played an important role in the idea of closing the square off again. This was achieved with the early positioning of the main facade, which also had to take the height of the adjacent residences into consideration and was supposed to offer a timely addition. The bank's two-story glass front was thus intended as a stone facade of travertine, with irregular openings, to match the manor walls in a way and, similar to a trompe l’oeil, make it look like a five-story structure. A shed roof marks the main entrance to the bank and to the passageway, with a store, apartments, offices on the upper floors, and a public parking garage.

Conciliar church dating back to the sixteenth century, with an adjoining monastery of the Capuchin friars. It is located adjacent to the Porta Venosta (Vinschger Tor) Gate. Masses in German: Weekdays: 6:30 a.m. Sundays and public holidays: 7:00 a.m. & 10:00 a.m. Masses in Italian: Weekdays: 7:30 a.m. Sundays and public holidays: 8:30 a.m.

Merano’s curative water contains a small amount of radon, and is suitable for therapeutic bathing. Thermal baths were built early on in order to expand the therapeutic offering. After 2000, this outdated facility was demolished and a beautiful urban planning solution, comprising outdoor pool with park, bathing complex and hotel, was designed by Berlin architects in a collaboration with Rüdiger Baumann, thus enhancing the promenade with a central square. Matteo Thun continued the planning in a restrained, almost severe, modern style and produced two successfully scaled buildings on the square, by now always lively; they offer a beautiful panoramic view of the landscape and city. The continuous use of natural stone in warm tones softens the rigid perpendicularity of the building, which is also loosened by rhythmically placed glass surfaces. This architecture allowed for the successful creation of a modern counterpart to the Kurhaus.