Výstavy umění v Jižním Tyrolsku

Collective exhibition of S.Erardo Art Group Bressanone

November 14, 2025 – Frei.Raum SKB ATELIERS, 3:00 PM to 8:00 PM For over a year, a group of drawing enthusiasts has been meeting every month – united by their passion for exploring the beauty and expressiveness of the human body. With lines, shapes, and colors, they have regularly drawn new models, creating a space filled with creative energy, shared inspiration, and new friendships. Now, we invite you to take a glimpse into this world: A selection of their works – to see, to feel, and to be inspired.

This exhibition is part of the interdisciplinary research project “Curating Bolzano Fascist Legacies. A Sustainable Approach to a City’s Dissonant Heritage”. The project began in 2022 and involved designers, art historians, architects and design historians. The project – which benefited from the collaboration of BAU Institute for Contemporary Art and Ecology, the Lungomare cooperative and the Department of Architectural History and Curatorial Studies at the Technical University of Munich, and was supported by the Municipality of Bolzano – was divided into two parts: on the one hand, it developed in-depth research on the traces of Fascist-era interventions still present in the urban public space, which make Bolzano a fascinating subject of study as a border city where the Fascist system is still clearly visible and where different perceptions of the past coexist, not always harmoniously. On the other hand, it explored how the results of the research could be made accessible not only to experts, but to the city as a whole and therefore to its inhabitants. The exhibition brings together the considerations that emerged during the research with a selection of archival materials and a number of artistic interventions that, over time, have seen various practitioners confront the multiple meanings of the marks left by fascism on the urban fabric. The exhibition focuses on the traces that remain in public spaces, collective memory and archives, testing their resonances and dissonances, inviting a more conscious relationship with public space, capable of opposing its possible exploitation.

At the Grieserhof in Bolzano, the St. Elisabeth Foundation presents the exhibition “Encounter with Nature”, dedicated to the artist Jette Christiansen. The initiative was born from the desire to create a space for dialogue between art, nature, and inner reflection — in line with the cultural and social commitment that has always characterized the Foundation. The exhibition brings together works from the past ten years, in which the artist explores the deep connection between human beings and landscape, between matter and perception. With courage — and perhaps a touch of provocation — Jette Christiansen describes her oil paintings as “untimely.” As long as no one can clearly define what “contemporary” truly means, the call for permanent modernity remains suspended. Unconcerned with trends or debates in the current art scene, Christiansen continues to follow her creative path with consistency — one of silence, authenticity, and attentive observation. The opening will be introduced by Christian Klotzner, President of the St. Elisabeth Foundation, with contributions from Leonhard Niedermair, Mathias Frei, and Thomas Mulser, Administrative Director of the Grieserhof. A refreshment reception will follow, offering a pleasant moment of exchange and conversation. The Grieserhof, venue of the exhibition, stands as a symbol of openness, community, and dialogue — a place where art becomes a bridge and a means of human connection.

The transformation of an inconspicuous caterpillar into a motionless chrysalis and finally into a colourful butterfly has always fascinated people. This special exhibition invites visitors to dive deep into the fascinating world of these amazing insects. As part of the special exhibition, visitors can experience the life cycle of a butterfly up close! The exhibition will be on display until 29 November 2025.

Profanter Immobilien invites you to an exhibition at ArtSpace in Seis, Schlernstraße 16: Anuschka Prossliner & Markus Gasser „TRAUMFÄNGER | ACCHIAPPASOGNI“ (Dreamcatcher) 06.2025-01.2026 "The present is merely a transit space, a void between inklings and memories—those are the true places of our experience. In these floating realms, Anuschka Prossliner weaves a delicate net of childhood fragments, fantasies, illusions, and expectations. Dreamscapes with a magical hue, where the fragile remnants of happiness and longing dangle by a silk thread—yet remain accessible to dreamwalkers. In contrast, Markus Gasser’s dream world is more grounded and earthy. He turns his gaze to matter itself, to stone, and searches for ideas, thought fragments, heads and faces, which he draws to the surface through obsessive shaping—forming them into peoples." Anuschka Prossliner (1972) consistently reveals a fondness for the fragmentary, the sketch-like, the unfinished. The dot is her constant companion: quiet, reserved, yet precise. With an introspective gaze, she presents fleeting figures, silent beings, fragments of an inner world. Markus Gasser (1970) has long been devoted to the motif of the head – heads in dialogue with each other, deeply rooted in the earth, like flowers in a field. Sculpted forms in stones of all kinds – large and small, rough and smooth – that nevertheless represent only part of the whole. by arrangement +39 0471 707248 | immobilien@agentur-profanter.com

ONLY FOR BOLZANO BOZEN CARD UND BOLZANO BOZEN CARD MOBILITY Entry at the Mercantilemuseum of Bolzano Special price of 4,00 € for adults, free of charge for kids between 6 and 14 years of age Opening hours: from Monday to Saturday from 10 AM till 12:30 AM on Thursdays from 10 AM till 1 PM and from 2 PM till 4 PM Opening hours from 5 October to 31 October: Monday to Saturday, 10:00 a.m. to 1:00 p.m. and 2:00 p.m. to 6:00 p.m. Closed on Sundays and Holidays, also on the 16th of August and 27th of December 2025 TICKET SALES ONLY ONLINE

Curated by Frida Carazzato In collaboration with the Fondazione Bonotto and Patrizio Peterlini’s curatorial advice Exhibition and graphic design: SS16 Studio and AndreaTabocchiniArchitecture Press preview: 11.04.2025, 11:00 am Opening: 11.04.2025, 7:00 pm Museion Passage and Piccolo Museion - Cubo Garutti Museion continues to research and explore its own collection by presenting You and the Night and the Music – Francesco Conz Editions from the Museion Collection, an exhibition dedicated to art editions, especially those of Francesco Conz, one of the key figures in the promotion and artistic production of international neo-avant-gardes in Italy. Curated by Frida Carazzato with the collaboration of the Fondazione Bonotto, through the curatorial advice of Patrizio Peterlini, the exhibition uses the museum collection to explore the cultural legacy and artistic vision of Francesco Conz. This important figure, who worked with Fluxus, Visual Poetry and Concrete Poetry artists, played a decisive role in disseminating these artistic practices in Italy and abroad. The title of the exhibition is taken from a work by Gerhard Rühm, a visual artist, musician, poet and co-founder of the Wiener Gruppe, and one of the first artists with whom Francesco Conz began producing large-format editions. The “You and the Night and the Music” title stimulates reflections on the relationship between art, time and the links between artists, collectors and museum institutions. The conjunction “and” in the artwork becomes, in the title of the exhibition, a metaphor for both the network of cultural connections that has given rise to one of the main hubs in the Museion collection and the figure of Conz, whose passion bound together artistic and human experiences. A number of collectors and art critics, in fact, have played a fundamental role in the history of the museum collection. People like Paolo Della Grazia, who donated his collection to the museum in 2020, Luigi Bonotto, Henry Martin and many others, have helped to create an artistic heritage that is now an essential reference point for the study of neo-avant-gardes. Thanks to their activities, Museion has been able to enrich its collection with a body of works that bears witness to the value of publishing and screenprint production as a means of disseminating contemporary art. The exhibition is located in the central area of Museion Passage, a space designed to host dynamic installations that are open to the public. The central and corner sections – the latter can be visited until November 16 2025 – present a selection of screenprints on canvas produced by Conz and designed to be easy to transport and exhibit in various contexts. These works interact through videos, artists’ multiples and other editions to create an experience that reflects on the art of publishing both as an artistic tool and as an effective space of cross-genre exchange, in harmony with the Fluxus spirit.

This is the market where nobody will freeze! Your Christmas journey would not be complete without enjoying our traditional home-made dishes, drinks and sweets. There are multiple facilities around and in the cave where you can find our specialties and taste them while enjoying the Christmassy atmosphere. Don’t miss this truly magical experience offering a traditional, historical and fairytale-like atmosphere. The Unterground Christmas experience is freely accessible and without and entrance fee! San Candido is offering a unique Underground Christmas Market located in the Dolomythos Museum. During this time the Museum offers free entrances, which allows every visitor to enjoy and experience a complete new world of attractions. Visitors are engaging in the history of our world heritage area named ‘Dolomites’ while also experiencing the coziness and warmth only found in the mountains. Your journey will experience a complete and worth seeing harmony cooperated with the countless huts offering Christmas gifts, luxuries, local handicraft and culinary.

Exhibition Daniela Atzwanger
The works exhibited by the artist explore the connection between emotions, experiences, and their symbolic reflection in reality, illustrating how emotions themselves are perceived, processed, and artistically transformed into new forms. They also address fundamental themes of the human condition, such as fear and hope, dream and awareness, relationships and solitude. This polarity is reflected in the composition of the background, which often contrasts with the organic subject through subtle tones and geometric shapes. The clearly defined figures express a very free and at times bold chromatic concept, while various color application techniques give rise to patterns and graphic forms. The viewer’s imagination is stimulated by delicate symbols, allowing the works to resonate in reality as visual echoes.
Daniela Atzwanger, born in 1977 in Brunico, studied graphic design in Bressanone and educational sciences and politics in Innsbruck. Since 2006, she has exhibited in South Tyrol, Hangzhou (China), and Venice. She lives and works in Bolzano. Opening: Thursday, 09th of October, 6:30 PM Introduction: Dr. Lukas Plancker, President of the cultural association “Tublà da Nives”. The exhibition will be open to visitors until January 9, 2026. Opening Hours Monday - Friday: 8:00 AM – 12:00 PM Thursday: 8:00 AM – 12:00 PM & 4:00 PM – 6:30 PM

On the occasion of the Euregio Museum Year 2025, dedicated to the 500th anniversary of the Tyrolean Peasants’ Revolt of 1525 – a historic turning point that continues to raise essential questions about power structures, social justice, political participation, and the potential for societal change – the Hofburg Bressanone presents a two-part exhibition project that sets history and the present in a dialogical relationship. The two exhibitions, 1525-2025. Irruption-Subversion-Renewal (29 March – 31 August 2025) and ETÀ, ÉTATS (12 September 2025 – 11 January 2026), explore the theme of societal transformation from different perspectives. They share a central conceptual motif: rupture as a starting point for movement, encounter, and new forms of social thinking. ETÀ, ÉTATS links the father-son relationship between Robert and Johannes Bosisio to the socially relevant question of intergenerational dialogue. In the spatial and conceptual design, the two artists meet in the center of the exhibition area, while their independent positions are situated at opposite ends of the sequence of rooms. At this central point of encounter, the focus is less on comparison and more on exchange: a dialogical coexistence aimed at connecting different experiences, ways of thinking, and perspectives.

Zeitraum, the fifth exhibition in the Mamming Now series, curated by artists Valeria Ferrari and Johannes Inderst, is dedicated to the evocative power of the objects collected in the Palais Mamming depot. The focus is on collective memory and the emotional ties that everyday, often forgotten objects form with our subconscious. The artists regard the ‘understanding, naming and reordering’ of these artefacts as an act of resistance against forgetting. In this way, the objects take on a new meaning that goes far beyond their original function: they are transformed into veritable ‘fetishes of memory’ and create a space for dreams.

In his series motusBerg, Heinz Innerhofer shows spotlights of South Tyrolean landscapes, mountains, and people. The photographs, both in black-and-white and color, resemble blurred sketches that talk about our landscape, which never seems to stand still.

Franz Wanner's first Italian solo exhibition, curated by Kristina Kreutzwald and Martina Oberprantacher, traces his complex artistic research. Using photography, video, words and objects, the artist investigates the past, focusing on the war industry and the use of forced labour in the context of National Socialism, and its effects on society in the present, bringing to light omissions that have been perpetuated over time. For this exhibition, Franz Wanner has also carried out some specific research on the South Tyrolean context and the use of forced labour during the period of the ‘Zone of Operations in the Pre-Alps’, i.e. when the Province of Bolzano was annexed to Nazi Germany.

Kunst Meran Merano Arte hosts AlpiTypes, dedicated to the contemporary reinterpretation and connection between lettering, typographic design and lettering painting. The exhibition focuses on applied graphics developed in the first half of the 20th century in the area currently corresponding to South Tyrol, Tyrol and Trentino. Curated by Antonino Benincasa, Massimo Martignoni and Anna Zinelli, AlpiTypes is based on the in-depth research conducted by Benincasa and Martignoni on local graphics. A group of students from the Free University of Bozen/Bolzano, Faculty of Design and Art, accompanied by Antonino Benincasa, reinterpreted historical typefaces from incomplete alphabets, which at the time were often made by hand, integrating the missing characters, revealing how the original typographic concept was inspired by European stylistic currents such as Bauhaus, Rationalism, the Wiener Secession, Constructivism and the Arts and Crafts movement. The project is enhanced by the involvement of international graphic designers, who use the fonts to create contemporary typographic posters. The work highlights a quality and topicality of graphic design in the area that is still almost unknown.

On October 10 at 7 pm, Museion is proud to open the first retrospective in Italy dedicated to the work of Nicola L. (b. 1932, Morocco; d. 2018, USA). From the 1960s onwards, the French artist developed an equally playful and activist practice. Blurring the boundaries between various media such as sculpture, painting, drawing, collage, performance, and film, her work is imbued with subversive wit and the ideals of equality and collectivity. As part of the new Museion research line, THE SOFTEST HARD, the exhibition celebrates art as a social and urban practice of non-violent resistance and as an invitation to connect in times of crisis.

Museion presents What We Carry, an exhibition that interweaves contemporary art with the core values of the Milano Cortina Cultural Olympiad 2026: inclusion, sustainability, and legacy. Featuring newly commissioned works and research by Sonia Leimer and Christian Kosmas Mayer, together with a landmark collection of 43 Olympic torches (1936–2024), the project explores how the design and symbolism of the torches intersect with questions of power, visibility, and cultural legacy. What We Carry evokes the way these values are passed from hand to hand—like the torches themselves—creating a living legacy where art meets sport. With the exhibition Museion joins the Autonomous Province of South Tyrol in its mission to strengthen the region’s cultural identity and role as a hub for international exchange. At the heart of the installation, Sonia Leimer’ expansive setting unveils a 50-meter infinity-shaped sculpture that refers to a running track and doubles as a pedestal for 42 of the Olympic torches, on loan from the Olympic Aid and Sport Promotion Project. This dynamic sculptural display transforms the torches into a powerful reflection on continuity and change, and the evolving values of the Olympic Games. Known for her sculptural and video work, Leimer often explores how physical spaces and everyday objects reflect shifting social narratives. In this project, she brings those concerns into the exhibition space, inviting viewers to consider how we engage with objects and how their meanings evolve over time.

Dolomythos-Museum at Innichen presents: Women scientists Many women, hardly mentioned in earlier times, made important contributions. We honour these often forgotten personalities, as well as the reserches of ordinary people from the valleys.

Temporary exhibition: A tu per tu - Ritratti dalle collezioni The allure of the portrait as a representation of a subject captured in their essence, whether inner or symbolic, has not gone unnoticed by the Museum Society since the very beginning of its activity, recurring throughout its history: from 1896, the year of its first exhibition, to 1989, with the show Bozner Porträts von 1800 bis heute (Bolzano Portraits from 1800 to Today), and up to the portraits featured in the exhibition Altes Neues. Antico Nuovo, which between 2023 and 2024 enriched the final months of cultural offerings at the Civic Museum before its necessary closure to obtain fire safety certification. With the completion of the renovation works that brought the building up to current regulations, and while awaiting further structural interventions aimed at restoring the entire building, the Civic Museum resumes this fascination by presenting a temporary exhibition featuring a selection of works—some previously exhibited, others never before shown to the public due to recent restoration or recent acquisition. In respect of the rotation principle that the new displays will follow, the works, drawn from the Museum’s collections, were selected according to the portrait type, focusing along the exhibition path on four thematic areas: family portraits, individual portraits, portraits and self-portraits of artists, and portraits of figures with important roles in the city. Whether official representatives, rulers, or simply citizens, many of the depicted individuals have a specific historical connection to Bolzano; all bear witness to a particular era of the city, spanning, through an interesting variety of styles, a time period from the 16th century to the second half of the 20th century.

The combined guided tours of the entire museum and the cathedral complex (cathedral, cloister and baptistery) take place alternately in German and Italian from Tuesday to Friday (except on public holidays). Tuesdays and Thursdays: in German at 3 p.m. Wednesday and Friday in Italian at 3 p.m. Duration: approx. 1.5 hours Price: € 5,- p.p. (excluding museum entrance)

Europe’s largest monastery complex in Tirol/Tirolo. Founded in 1142 by the Bishop of Brixen/Bressanone at the intersection of two important routes - the Brenner and the route to the Pustertal valley - the Augustinian Neustift Canons Regular Monastery was recognized, among other things, as a hospice and rest area for pilgrims. Today the Monastery makes a name for itself as a place of agriculture, culture and education. From the monastery winery to the herb garden, from the electricity plant to the educational center, several businesses are united in the monastery. The Augustinian Neustift Canons Regular Monastery in Vahrn/Varna is the largest Monastery complex in Tirol/Tirolo. The Monastery has an holistic conception and was independent and versatile from its very foundation. A walk through the Monastery complex will let you understand its size and importance as a former important cultural and economic hub of the Eisacktal/Valle Isarco valley. The first thing that will catch your eye are the architectural elements: Romanesque, Gothic, Renaissance and Baroque. With the Engelsburg, the late Baroque collegiate church, the Gothic cloister, the miracle fountain, the library’s unique manuscripts and the historic Pinakothek, the Augustinian Neustift Canons Regular Monastery is one of the most remarkable sights of the Eisacktal valley.

The permanent exhibition of Walter Senn gives an overview of his rich work of 50 years. Open every Friday afternoon or by appointment Tel. +39 348 8995768, www.senn.it

Film Screening: TIAN Generation Farmfluencer On Saturday, November 15, 2025, the film TIAN – Generation Farmfluencer will be shown at the Haus der Berge. The screening starts at 7:30 p.m. and will be moderated by Thomas Schäfer. An evening offering insights into new approaches to agriculture and the lives of a young generation connecting tradition with modernity.

A whole night to spend at the museum: first an exciting treasure hunt, then our senses will help us uncover the secrets of the marine world, and finally a bedtime story will help us fall asleep at the foot of the large marine aquarium. In the morning, a tasty breakfast awaits us. For elementary school children, ages 7 to 11. Limited places! ONLINE registration required

South Tyrolean artist Elisabeth Oberrauch is well-known for her artworks made from handmade paper. In this exhibition, she displays highlights from her previous work and presents new creations inspired by pharmaceutical and medical themes. Her artistic works accompany and support the Brixen Pharmacy Museum on its journey towards a harmonious combination of architecture, art and pharmacy.

Flea market in Lana, Disco Exclusiv Club Lana, from 8.00-18.00.

Handcrafted wooden objects of unique beauty and quality. Unique pieces made of wood from the forests of South Tyrol, for nature lovers and aesthetes looking for something special.

Collective exhibition artists of S.Erardo Art Group Bressanone With Pascale Alessi, Elisabeth Amort, José Ramón Gorret, Lisa Hilpold, Margit Pittschieler, Simon Rauter, Peter Wiechenthaler, Verena Winkler, Jürgen Winkler Concerts by the Brixen Music School 12th+ 19th 5:00 pm Children's reading with Viktoria Obermarzoner 2nd, 9th, 16th, 30th december 2024 4:30 pm

The combined guided tours of the entire museum and the cathedral complex (cathedral, cloister and baptistery) take place alternately in German and Italian from Tuesday to Friday (except on public holidays). Tuesdays and Thursdays: in German at 3 p.m. Wednesday and Friday in Italian at 3 p.m. Duration: approx. 1.5 hours Price: € 5,- p.p. (excluding museum entrance)

"Stop for a few moments, then maybe you know how to move on." This is one of 18 phrases on the "Plauser Totentanz" illustration cards on the wall of the Plaus cemetery painted by artist Luis Stefan Stecher. What do these phrases mean? What do they mean to tell us? Art lover and expert Kainz Heinrich, tells you many interesting things about these paintings and his phrases. The event is only in german and italian language.