Místa zájmu v Merano

Three of the original four town gates still exist. The gates took the name oft the valleys or the towns fhey faced: Val Venosta, Bolzano, Val Passiria and Val d'Ultimo. The Ultimo Gate was situated in what is today piazza Teatro. On both sides of the Passiria Gate it is still possible to see what was once the town wall, built towards the end of the 13th century.

This Neo-Gothic Church was originally the chapel of the "Dame Inglesi" It was designed by Ferdinand Mungenast, and built in 1903. The longitudinal plan ends in an apse which is decorated with a striking mosaic of over three million pieces, in neo-Byzantine Ravenna style. It depicts Christ seated in majesty, flanked by Mary and Joseph an angels, with the hand of God, the Creator, above. In the lower part of the mosaic there is a row of six saints interspersed with palm trees.

The Lido Merano is an ideal place to cool off on hot summer days and have fun with the whole family.

Swimming pool:
Olympic pool (50 x 25 metres): Ideal for sporty swimmers and anyone who likes to swim laps.
Medium pool (30 x 15 metres): Offers plenty of space for swimming and splashing around.

Water slides:
Two 100 metre long water slides: The highest water slides of their kind in South Tyrol guarantee thrills and fun.

Further offers:
Diving towers: For the brave who want to take the plunge into the cool water.
Children's pool: A safe and entertaining area for the youngest bathers.
Sunbathing lawns: Spacious areas for sunbathing and relaxing.
Catering: A restaurant and a kiosk cater for the physical well-being of visitors.

Accessibility:
The Lido Merano is barrier-free and has special facilities for people with disabilities.

Further information:
Address: Via del Piscina 38, 39012 Merano
Telephone: +39 0473 447651
Website: https://www.meranarena.it/it/strutture-sportive/lido

The Wandelhalle was originally erected in the 1860s, to provide sheltered seating for visitors. It was meant to provide shelter and thus to enable visitors to enjoy the sunshine and the mild local climate even in winter. The Wandelhalle quickly became a popular gathering spot and was enlarged in 1891. There are busts of distinguished citizens in the middle section or Ehrenhalle (hall of honour), while the side walls are adorned with landscape depictions by such stellar artists as Franz Lenhart, Rudolf Complojer and Peter Demetz.

What was life for Franz Fromm, a merchant and collector, and his family in Merano like? How did they experience the turbulent years from 1921 to 1941? How did family members and employees live together in the typical spa town villa? What did the arts and crafts collection mean to them?

Come to our house museum and find out! Welcome to Villa Freischütz!

Admission
Adults: 10,- €
Discounts (seniors over 65, children under 18, students, disabled persons): 8,- €
2nd floor guided tour: 10,- € / 8,- €

You can visit the rooms on the first floor.You can visit the rooms on the second floor only with a guided tour. We only offer guided tours for small groups. Please book a tour in advance. Due to the construction of the villa and to protect sensitive objects you cannot visit the rooms on your own. A guided tour costs 10,- € or 8,- € per person, it lasts 1.5 hours and is in German, Italian or English.

Brunnenplatz Square is situated between the Reichenbach, Rosenstein and Rundegg manors, on a noisy street intersection that was long without an eastern border. Urban planning considerations thus played an important role in the idea of closing the square off again. This was achieved with the early positioning of the main facade, which also had to take the height of the adjacent residences into consideration and was supposed to offer a timely addition. The bank's two-story glass front was thus intended as a stone facade of travertine, with irregular openings, to match the manor walls in a way and, similar to a trompe l’oeil, make it look like a five-story structure. A shed roof marks the main entrance to the bank and to the passageway, with a store, apartments, offices on the upper floors, and a public parking garage.

The rectangular keep was once part of the imposing Ortenstein Castle, which loomed high above the town. Originally built as the residence of the Tyrolean burgrave, the castle underwent numerous alterations over the centuries and was eventually dismantled in the 16th century—except for the Gunpowder Tower. From 1626, the tower was used as a gunpowder storage to protect the city of Merano from a potentially catastrophic explosion during the Thirty Years' War. This is how it earned its name and became an important part of the town’s defensive structures.

With its two interconnected towers, the Gunpowder Tower was particularly well protected from attacks. To the north, remnants of defensive moats can still be seen, which once served as the last line of defence against invading forces.

Today, the Gunpowder Tower offers a fantastic panoramic view of Merano and the Adige Valley. The steep climb is well worth the effort: from here, you can enjoy a breathtaking view of the town and the surrounding nature. The tower is not just a piece of history, but also a wonderful viewpoint that brings the city's past and its defences to life.

Whether you’re a history enthusiast or simply looking to take in the view, the Gunpowder Tower is a must-visit during your time in Merano.


The Gunpowder Tower is located on the Tappeiner Promenade, which is basically accessible and therefore well suited for wheelchairs and pushchairs, although it is paved with gravel. The best access point for families with pushchairs or wheelchair users is from Quarazze, as the entrance is level. From there, the Gunpowder Tower is about a 1-hour walk. Alternatively, you can also start from the via Galilei street or the Gilf Promenade, although these two paths have a difference in altitude of around 60 metres. Thorough planning is therefore advisable. This tour is also suitable for older people and families with children. There are various benches along the way where you can take a break.

The Gunpowder Tower is accessible only via stairs, making it unsuitable for those with limited mobility.

Please note: There are no public toilets along the Tappeiner Promenade. However, you can stop off at the various restaurants and cafés. Please enquire in advance about their opening hours.

There is no tactile guidance system or other aids for the blind on the promenades in Merano and at the Gunpowder Tower.

Tappeiner was a doctor, scientist, and champion of tourism in Merano: there is commemorative statue along the promenade that bears his name.

The "Human Shapes" project is a tribute to ten personalities from the past, who made a significant contribution to Merano’s cultural life during the course of their lives. The project embraced a wide temporal arch. It draws back to the theme of the plastic representation of the human shape, although it supports a free interpretation through contemporary art’s expressive means. The "Human Shapes" project has given life to an open-air art gallery along the Passer Promenade, between the Theater Bridge and the Iron Bridge. Every year, three to four busts of influential personalities were created.
Find out more at www.kunstmeranoarte.org

Trauttmansdorff was honored as Italy's Most Beautiful Garden in 2005. The complex comprises approximately 12 hectares of gardens, with about 5,800 species of plants and 80 different garden landscapes. The gardens are crossed by paths and waterways, and lined with pavilions. The castle – once the holiday residence of Empress Sissi – has been meticulously restored and complemented by a restaurant and visitor center. In addition to elegant stainless-steel details for bridges, railings and furniture, of particular note are the Aviary and the Viewing Platform. These two modern structures lend the gardens an architectural three-dimensionality. Both represent light yet bold architecture, made of stainless or galvanized steel, and seem to float over the gardens. Visitors access the Viewing Platform across steps that are virtually transparent. The platform towers above the treetops; meanwhile a dizzying bridge high above the gardens protrudes out of the aviary.

The arcades of Merano are not just a piece of history but a living part of the city. Built in the 13th century by Meinhard II as a commercial route linking Piazza del Grano and Piazza Duomo, they once served as the beating heart of Merano. With over 400 metres in length, they are the longest arcades in South Tyrol, and today they blend tradition and modernity.

The arcades offer a fascinating architectural experience, taking you from Gothic to neoclassical façades. Their winding alleys, steep stairs, and shaded arches tell stories of times gone by. Beneath the arches, where lively trade once took place, you'll now find charming shops, cosy cafés, and historical buildings.

The distinction between the mountain and water arcades, combined with the perfect blend of historical and modern elements, gives the arcades a unique charm. Strolling through the Laubengasse feels like a journey into the past – yet remains vibrant and contemporary.

The upper Portici arcades are wheelchair and pushchair accessible. The path has a slight incline (rise) from piazza del Grano square towards piazza Duomo square.

There is no tactile guidance system or other aids for blind people under the arcades.

This bronze statue dedicated to South Tyrol’s most important freedom fighter is located in a small park in front of the train station. It was erected in 1914 to commemorate the centennial of Tyrol’s return to Austria after years of Napoleonic rule.

In 1907 the first thermal baths were built in via Otto-Huber, to help make Merano the most famous spa town in Central Europe. The Historic thermal baths were designed by a member of the so-called “Münchner Gruppe”, the Bavarian architect Max Langheinrich. The three-story building ends in a mighty dome. An elegant, semi-circular entrance hall with columns decorates the facade of today’s Sala Civica (civic hall). Inside, a wide and richly decorated marble staircase leads to the upper floor. There an impressive lampshade hangs from the ceiling; it is adorned with several statues, dressed in Tyrolean costumes.

The Hospital Church of the Holy Spirit is one of Merano’s most important spiritual centers and art monuments. So it was deliberately a provocation towards the German-speaking religious population when the city’s fascist Italian-speaking government built its Casa del Fascio right next door, in order to obstruct the view of the historical church as you approach the old town. Even worse, the old hospital had to be demolished to make way for the new construction. Despite this architectural history, which is rather inglorious for the Italians, the building ranks among the masterpieces of Italian rationalism, architecturally speaking. The widely visible open tower, the horizontally layered facades, the bands of brick and loosened floor plan make this building one of the most interesting construction works of its time.

The Merano Town Hall or Rathaus, with its imposing clock tower, was built by architect Ettore Sott Sass between 1929 and 1932 in the architectural style typical of that era. It stands not far from the Prince’s Castle, right in the middle of Merano. The exterior reliefs and the painting found under the arch to the west facade facing the Arcades are the work of the Bolzano/Bozen artist and sculptor Albert Stolz, who lived from 1875 to 1947.

A very reserved building structure was created on a narrow building site between the multiform heritage-listed building of the former Grand Hotel Savoy and some simple row houses. The basic cubic shape tapers slightly at both of the lower floors, lending the solid building a floating feeling. Staggered windows in the facades, uniform in size, break up the building’s austerity. A transparent, visually light glass bridge elegantly links the new building with the facade of the old Savoy. The simple form of the new concrete structure, with flat roof, lends both buildings a contrapuntal aesthetic appeal. The cool clarity of the design is also reflected in the interior of the new building, which has a transparent and fluidly designed sequence of rooms.

Merano’s curative water contains a small amount of radon, and is suitable for therapeutic bathing. Thermal baths were built early on in order to expand the therapeutic offering. After 2000, this outdated facility was demolished and a beautiful urban planning solution, comprising outdoor pool with park, bathing complex and hotel, was designed by Berlin architects in a collaboration with Rüdiger Baumann, thus enhancing the promenade with a central square. Matteo Thun continued the planning in a restrained, almost severe, modern style and produced two successfully scaled buildings on the square, by now always lively; they offer a beautiful panoramic view of the landscape and city. The continuous use of natural stone in warm tones softens the rigid perpendicularity of the building, which is also loosened by rhythmically placed glass surfaces. This architecture allowed for the successful creation of a modern counterpart to the Kurhaus.

This sculpture, created by contemporary South Tyrolean artist Ulrich Egger, is made from stainless steel and cement; it measures 4 metres in height and 8 metres in length. It is set in the centre of a traffic circle on Viale Europa, near the train station. The sculpture expresses the dream of visual vertigo, and the flow of daily life, time, and collective memory in the circularity of the gaze.

Magnificent buildings were created long the Passer Promenade, intended for the noble audiences of the Hapsburg Monarchy. The architect Martin Dulfer, who was 40 years old at the time, was able to build his first theater here, which became one of the most important representatives of the Baroque-style Art Nouveau; he followed this theater with three others. The theater in Merano was built in just fourteen months, under the supervision of Wilhelm Kürschner, who would later become Bolzano’s city architect. The iron construction of the stage area came from Munich, the stage equipment from Vienna and the seats from Berlin. Important details of the original structure have been changed, but the building remains one of South Tyrol’s few preserved Art Nouveau buildings. The theater’s clear plan is functionally divided into the stage area, auditorium, and foyer; it seats 500 spectators.

The Steinerner Steg or “Roman Bridge” is the oldest bridge over the River Passer and was was built in the 17th century. It is situated where the winter and summer promenades end, and where the Gilfpromenade begins. This, and replaced a medieval wooden structure that linked Obermais to the city centre. Its original function was to carry the drinking water pipeline from one side of the river to the other. The Steinerner Steg is often also erroneously called the “Roman Bridge”, probably on account of its apparently Roman/ancient construction method.

This monument dedicated to Merano’s most illustrious guest was erected in 1903; it is located along the verdant Summer Promenade near the Post Office Bridge. The beloved Austrian empress’s frequent visits to Merano boosted the city’s prestige and contributed greatly to its reputation as a spa resort.

The housing complex is situated north of the racetrack in a quiet residential area. The rectangular plot of land is reflected in the geometric lines of the four-story block of apartments containing sixteen flats: The outlines and facade are simple and clear, without any design effects. A large protruding attic forms a concise end to the roofline. The division of the front of the lightly plastered walls occurs through two types of window: full length balcony windows, and the windows of the rooms reaching up to the ceiling, which are placed in alternation, creating a lively structural arrangement. The colorful balcony parapets add to the visual effect. The clear design is of particular benefit inside the well laid out apartments − everything is light, friendly and easy to furnish.

One of the three remaninig medieval town gates which can still be admired today.

The Tennis Centre in Via Piave 46 - in the middle of town with its own restaurant - has nine perfectly well kept clay courts (five of which are lighted) and two hard courts and is open from April to October. Between the end of October and the end of May you may play indoor on heated courts.

The Merano Tennis Club is well equipped with ample and comfortable locker rooms and showers.

The Academy of German-Italian Studies, founded in 1959 as German-Italian Cultural Institute, is a non-profit association, whose aim is to foster the cultural and scientific exchange between the German speaking and the Italian speaking world.

The Academy organises international conferences, symposia, research and doctoral colloquia, as well as lectures, readings, exhibitions and concerts. It carries out in-house research through its research centres and through collaborative projects with other institutions. Cooperation agreements have been signed with several universities and research centers in Italy, Germany, and Austria.

Traditionally, the Academy’s focus lies in the field of humanities; however, topics pertaining to the social sciences, law and natural sciences are also dealt with. The proceedings of conferences and symposia are published by the Academy itself or by other international scientific publishers.

The Academy does not support any political, religious or ideological direction. It is housed in magnificent Villa San Marco, a stately building erected in 1895.

The horse racecourse in Maia Bassa/Untermais is one of the largest and most beautiful in Europe. It is very centrally located, but also divides the urban body sharply. In 1886, the first horserace took place for Merano’s aristocratic visitors. But the modern-day period began only in 1936, when the Fascist regime had the new racecourse built by the star architect of the day, Vietti Violi. With stepped staircases, flat roofs and clear design features, its plastered buildings are excellent examples of the Italian rationalist style, which was developed out of the classical modernism of the Bauhaus school. At two stories high, 150 meters long and 20 meters high, the main grandstand seats 15,000 spectators. After its renovation, the building received the 2011 South Tyrolean Architecture Award.

Three of the original four town gates still exist. The gates took the name oft the valleys or the towns fhey faced: Val Venosta, Bolzano, Val Passiria and Val d'Ultimo. The Ultimo Gate was situated in what is today piazza Teatro. On both sides of the Passiria Gate it is still possible to see what was once the town wall, built towards the end of the 13th century.

Built on the Passer Promenade, the old Kurhaus wellness center is the symbol of the city of Merano as a spa town and one of the finest multi-purpose buildings on the southern side of the Alps. Its rooms regularly house cultural and social events, conferences, exhibitions, celebrations and galas. The Kurhaus was built in the second half of the nineteenth century. The original part, the Pavillon des Fleurs, was inaugurated in 1874 and has existed practically unchanged to this day. The new wing, which included the Kursaal, a huge hall designed by Vienna Successionist architect Friedrich Ohmann, was inaugurated on 31 December 1914. The access at the Kurhaus is allowed only during events.

Earlier there was a natural bend in the river between the Bozen Gate and the bank of the river Passer, where sand collected, and the square laid out later in this area was named after it. Here, next to the Bozen Gate, is the building that used to be one of Meran´s oldest inns: the former Hotel Erzherzog Johann later renamed the Hotel Esplanade. Until 1913 the post office was located in the hotel. Nowadays the renovated Esplanade houses shops, offices and a café. Opposite you will see the "Ansitz Hohensaal2 an ancient noble residence that now accommodates the college of the "Englische Fraulein" and a neo-Romanesque church, the Herz Jesu Kirche (Church of the Sacred Heart). Currently it is difficult to see the square as it is in the process of being dug up in order to build a private underground car park. The Post bridge is the finest Art Nouveau bridge in Meran. The approach to the town from Bozen and the south was very important for the Meran merchants, and there were a number of different bridges here over the centuries, linking the Heiliggeistkirche/Spitalskirche (Church of the Holy Spirit/Hospital Church) with the town. The Art Nouveau bridge, renovated a few years ago, dates from 1909 and is the most elegant of Meran´s bridges.

The theatre was designed by the Munich architect Martin Dülfer and inaugurated in 1900. It is a wonderful germ of eclectic Munich "Jugendstil" architecture. Marble and stucco decorations embellish the inside and the outside ot the theatre. It is dedicated to the Italian composer Giacomo Puccini.