Churches & Monasteries in the Dolomites

Teh church is from the 19th century and the tower is from the 15th century

Patronal feast: 6th of December

The core building dates back to the 13th century (late Romanesque brickwork on the tower floor and on the west wall). Around 1520, a new building was built by construction workers from Como. Vault paintings have been made by Bartlmä Dill Riemenschneider, son of Tilman Riemenschneider. Since 1733 pilgrimage place.

Source: Parrish office Kaltern

In 1924 bulit the farmer Josef Pallhuber the "Brugger" chapel next to his house. Until now it is the youngest chapel in the valley.

The sanctuary of the holy San Martino was probably built over a pagan sanctuary caveand dates from the 16th century. The San Martino statue still stands in a natural cave to day - hence the only proper name of San Martino in Monte. From San Martino you enjoy a particularly and beautiful view of the valley and in the Ortler mountains.

The church is mentioned for the first time in the year 1208. The today lategothical building was implemented by the master Benedikt Weibhauser from Brixen and inaugurated in the year 1494. On the inside a leaflet explains the building history of the church and the artistic equipement.

In commemoration of the 175th anniversary of the struggle for the Liberation of Tyrol, the Company of traditional marksmen from Schabs, built the Chapel of the Sacred Heart in 1984. The chapel is located northwest of Schabs, on the way to Viums.

The Parish church of St. Vigilius with its Romanesque church tower was mentioned for the first time in 1337. The old baptismal font inside dates from an earlier time, from 1033. At the beginning of the 16th century, the church was remodeled and a sandstone arch was added. In 1850, the late Gothic high altar was built where the baroque altarpiece showing the martyrium of Str. Vigilius was built in. A further gem inside the Cortaccia church is the legendary crying picture of the Virgin Mary which was first exhibited on July 17, 1738 and has since been the goal of many pilgrims.

Twenty minutes on Feldthurns is free on hilltop of St. George in Schnauders, a beautiful small building of the later Gothic, first attested in the 14th century. Your current form received this church partly in the 16th and partly in the 19th century. Interior and exterior renovated in 2007.

The little church of the saint Mauritius in Sauders is situated to the south of the village centre. The church was mentioned the first time in an official document in 1406. Around 1670 the little church was converted in a baroque style. However, the church and some surrounding houses were burned to ashes by the French in 1793. Nowadays, the painting at the high altar represents the patron saint of the church. The key for a visit can be received at the “Winklerhof – farm”.

Belonging to the Danielhof estate, the scenically located church once belonged to the Benedictine Sonnenburg Abbey in the Puster Valley. The present structure has lancet-arch windows on the south wall and choir screens that probably date from the 14th century. In the early 15th century came fan and ribbed vaulting above wall pilasters, subsequently decorated with mural paintings. The north wall features scenes from the story of St. Daniel (including Daniel in the lion’s den), donated in 1444 by a Bozen customs official. On the north wall of the nave appear Saint Catherine and consecration crosses with the hand of blessing.

The late-Gothic winged altar from 1525 is an art-historical gem. The predella relief shows the Lamentation of Christ with, to the sides, Catharine and Barbara, Margaret and Dorothy. The central shrine shows the Madonna with Child and the Saints Daniel and Chrysanthus, with Peter and Paul in bas-relief on the inner wings. When closed, the wings show the guardians of the shrine, George and Florian, as well as scenes from the life of the church’s patron saint. Restoration work was carried out in 1991 and 2012-13.

This parish church is located in the area of Maia Bassa (Untermais), at the end of Via Piave. The present bell tower stands on a 6-metre-high Romanesque base. The old Gothic church, built between the thirteenth and fourteenth centuries, is located below the apse of the current building, which was erected between 1934 and 1936. Inside, there are some ancient Romanesque relics, a priceless Gothic altar, and a number of frescoes dating back to the fifteenth century. Masses in German: Mondays and Tuesdays: 7:00 a.m. Wednesdays from Easter to All Saints’ Day: 7:00 p.m. Wednesday from All Saints until Easter: 6:00 p.m. Thursdays and Fridays: 7:00 a.m. Saturdays - from Easter to All Saints: 7:00 a.m. & 7:00 p.m. - from All Saints until Easter Saturday: 7:00 a.m. & 6:00 p.m. Sundays: 7:30 a.m. & 10:00 a.m. Masses in Italian: Sundays and public holidays in winter: 9:00 a.m. & 11:15 a.m. Sundays and public holidays in summer: 9:00 a.m.

Also if the chapel in Neunhäusern / Nove Case is situated on Rasner municipality, it belongs to the parish of Olang / Valdaora.

This church was first mentioned in 861 in connection with a court hearing. It is designed in two floors and remarkable for its Romanesque architecture, as well as for its frescos by the masters Leonhard from Brixen and Simon von Taisten, the latter a pupil of Michael Pacher’s.

The parish church to the hl. Ursula was first mentioned in the 14th century. From this first church today only more fragments, such as the tower and the side walls are preserved.

The chapel was built in 1849 by the bricklayer Michael Kofler. It is dedicated to S. Maria Goretti - martyr of innocence.

Mentioned as early as 1178, in the later 17th century the church was extended and embellished with stucco. The tower with onion dome dates from this period. The four beautiful Baroque altars and pulpit were built by the Passeirer Malerschule school of painting.

The Piceplan Chapel was built in 1887 and is dedicated to the Mother of God.

Twice a year, the local people arrange a pilgrimage to the chapel.

Die den beiden Apostelführern geweihte Kirche liegt gegenüber der Kapuzinerkirche und ist
ein Anbau des Ansitz Jöchlsthurn. Sie wurde von der Familie Jöchl erbaut, welche auch nach
damaliger Zeit selbst den Kaplan auswählten. Mit Aussterben der männlichen Linie wurde die
Kirche vom Hofgericht der Stadt übertragen. Die Erben der Familie Jöchl erhielten die Empore
zugesprochen, so dass sie der Messe beiwohnen konnten ohne sich unters Volk zu mischen.
Hierfür hatten sie sogar einen eigenen Zugang über das Wohnhaus. 1787 wurde die Kirche mit
dem schönen spätgotischen Flügelaltar des Tiroler Meister Friedrich Pacher von der Familie
Enzensberg, welche inzwischen Eigentümer des Jöchlsthurn war, zurückgekauft. Sie ist bis heute
im Privatbesitz und wie der Ansitz Jöchlsthurn selbst derzeit nicht zu besichtigen.

Located on the Passer Promenade, it was built between 1883 and 1885 in a neo-Gothic style. The church belongs to the Evangelical Lutheran Church in Italy and is a true symbol. Particularly notable is the large Christ figure, blessing the faithful – a masterpiece made of Laas marble, inspired by Bertel Thorvaldsen’s statue.

The construction of the church is closely tied to the development of Merano as a spa town. As early as 1861, the first members of the Evangelical community began to organise in the city. In 1870, the first pastor was appointed, and in 1876 the Evangelical community of Merano was established as part of the Evangelical Church A.B. in Austria. This open, cosmopolitan atmosphere is still very much present in Merano today – the city has preserved its welcoming spirit over the centuries.

The building itself is steeped in a unique atmosphere. It sits amidst an idyllic garden and is crowned by a striking spire. The exterior walls are a true masterpiece of neo-Gothic architecture, with intricate flying buttresses and pointed windows. The interior is kept simple, offering plenty of space for reflection and prayer. Noteworthy are the wooden reliefs of the altar and pulpit, created by Franz Xaver Pendl, as well as the impressive crucifix.

The Christ Church is not just a place of worship but also a cultural meeting point. Regular sacred music concerts and organ performances take place here, and those strolling along the Passer Promenade can often feel as though they have been transported to another country. The atmosphere of the garden, the imposing building, and the harmony between nature and architecture make the Evangelical Christ Church a truly special destination for anyone visiting Merano.

Merano, with its cosmopolitan character, invites people to explore different cultures and religions. The Christ Church stands as an extraordinary testament to this unique heritage and is a place that reflects both the faith and the diversity of life in Merano.

The chapel in Kapron was built by Josef Pläs (Blaas) in 1743 and renovated in 1908 by his granddaughter Aloisia Blaas. Both can be found in the inscription in the interior above the entrance of the chapel. In the chapel are various pictures with the cartridges: the ST. Sebastian, Our Lady with Child, Evangelist Johannes and St. Joseph. In May, Mayan prayers are held in the chapel and at funerals, processions and prayers the two bells of the chapel are rung.

St. Jakob's Chapel was built in late Gothic style in 1513. On the outer wall, you can see two sundials from the 16th century. The chapel interior houses a pointed arch portal decorated with a little turret as well as two altarpieces.

St Anne's Church is part of the St Anne's building complex. From the fifteenth to the nineteenth century, St Anne's served as the residence of the priests of the Teutonic Order.
The St Anne's building complex was built in the first half of the 15th century.
The building was grouped around two Romanesque towers, which formed the original building stock. The northern tower served as living quarters, while the church was built into the southern tower. It is crowned with a ridge turret set on corbels with a high pointed roof. A heavily yellowed inscription on the west front under the ridge turret indicates the year 1458 as the possible date of construction or consecration.
The Gothic style began in France in the 13th century, in Tyrol it only began in the 14th century. The building falls into the High Gothic period.

The chapel near the court Burgfrieden on the western side of the valley is one of the youngest chapel in Rasun / Rasen. It is privately owned and belongs to the Burgfrieder farm.

Many centuries ago, when Alta Badia was still largely uninhabited, La Crusc (Holy Cross) seems to have been a pagan place of worship. It was probably the unfavourable living conditions of the area that led the first Christians to construct a sanctuary here.

Around 1010 the monks built a chapel at La Crusc where a small church was erected in the 15th century. At the end of the 17th century the church was deconsecrated by the then Austrian Emperor and was subsequently left to decay. Pilgrims and valley dwellers rescued the little church by partially rebuilding it, and some years later in the middle of the 18th century it was enlarged and embellished with a bell tower.

For a long time the existence of La Crusc as a place of pilgrimage had been established on the basis of documents from the year 1511. And then two further parchment documents emerged with evidence pointing to an earlier existence. The first mentioned a church consecration; the second contained the story of “Morellus de Caninis” who made a pilgrimage to Rome in 1500 in order to seek favours for the La Crusc church.

Numerous relics are preserved in the altar of the church, such as those of St Leonhard (to whom the parish church of San Leonardo/Badia is dedicated), St Hippolitus, St Virgilius (Bishop of Salzburg), St Mary Magdalena, St Agnes and St Barbara.

Nowadays there are several processions to the church during the summer season, and there is an important service on the first Sunday in June.

The "Stolpersteine" (stumbling stones) are a project by the Berlin artist Gunter Demnig that began in 1992. Small memorial plaques laid in the ground, these "Stolpersteine", are intended to commemorate the fate of people who were persecuted, murdered, deported, expelled or driven to suicide during the National Socialist era.

The church was consecrated in 1116 to St. Leonhard. Of interest are the neo-Gothic high altar, the baptismal font of Andreas Hofer in white marble and the precious mural above the sacristy door.

Old parish church St. Genesius.                                                         

Named after the Virgin Mary, the church and its tower date back to
Romanesque times. The church was rebuilt and re-consecrated in 1638. A
stone with a magnificent coat of arms is set above the pointed archway
and the 17th Century Cross on the west façade survived a devastating
village fire in 1876.

Consecrated to St. Oswald, this church is of particular artistic significance and was constructed in 1329. A variety of artists is responsible for the frescoes which were all painted during the 18th and 19th century. The key to the church is available by the vicarage.

The story of the Benedictine Monastry of Muri Gries Dates back to the 13th Century, commissioned by the Counts of Morit-Greifenstein. It was first inhabitated by Augustinian Monks, then pillaged during farmer's war, destroyed during the Napolenic war and discontinuing during the Bavarian government. The curch ist dedicated to St. Augustin and houses important frescoes by Martin Knoller. Access permitted only to the inner gatter.