Ganglegg is the best-researched fortified Bronze-Age/Iron-Age Alpine settlement in the entire Alpine region.
Ganglegg is the best-researched fortified Bronze-Age/Iron-Age Alpine settlement in the entire Alpine region.
At Kaserbach, where hydroelectric power was once used, lies the former artisan zone that characterized village life back then. Our path leads past the smithy, the knitter mill and the old sawmill. At that time, the grain of the Lüsner farmers was ground in the mill. The "Stricker mill", whose historical roots reach back to the year 1645, has remained true to its original function until today.
“It is wonderful here and definitely invigorates soul and body....” so wrote Mahler during his summer stay in Toblach.
During the sommermonth between 1908-1910 Gustav Mahler composed some of his most famous works in this simple wooden cabin in the heart of the Dolomites: the 9th and 10th symphonies and the "Lied von der Erde".
“How can people forever think,” cried Mahler “that Nature lies on the surface! Of course it does, in its most superficial aspect. But those who, in the face of Nature, are not overwhelmed with awe at its infinite mystery, its divinity (we can only sense it, not comprehend or penetrate it) -- these people have not come close to it. […] And in every work of art, which should be a reflection of Nature, there must be a trace of this infinity.”
More informations about composing house
In his honour the town organises the annual Gustav Mahler Music Weeks, when the most famous and beautiful pieces by this famous composer are played.
Dobbiaco also has the Cultural Centre Euregio, where many other concerts and events take place in a historic setting.
Due to the special circumstances, the castle is usually closed.
However, the Andrian Tourist Association organizes special openings.
For more information, please contact the Andrian Tourist Association.
The Postbrücke is one of Merano’s most refined architectural statements – a bridge that embodies the elegance of floral Art Nouveau while connecting key parts of the historic centre. Constructed in 1909 at the request of local merchants, it was designed to replace an ageing wooden bridge and improve the flow of people and goods between the lively Sandplatz Square and the then still-growing districts across the Passer.
From the outset, this was more than just a practical structure – it was a symbol of modernity and urban refinement. The bridge rests on three evenly spaced piers and features two graceful, low-lying arches made of reinforced concrete – a cutting-edge material at the time. What gives the bridge its charm, however, are the decorative elements: delicately wrought white-painted railings with gilded floral details, finely modelled lanterns, and balustrades proudly engraved with the year 1909. These artistic flourishes evoke the spirit of early 20th-century craftsmanship and lend the bridge its unmistakable character.
Today, the Postbrücke is much more than a river crossing. It is a cherished meeting place for locals and visitors alike. People pause here to enjoy views of the surrounding mountains, to watch the river’s flow, or to move between the leafy Winter and Summer Promenades on one side, and the arcaded old town and Sandplatz Square on the other.
Recent restoration work has returned the Postbrücke to its original splendour: the bridge deck, railings, and embellishments now gleam once more, often adorned with fresh seasonal flowers. It stands not only as a monument to a bygone aesthetic, but as a vibrant part of Merano’s everyday life.
The bridge continues to mirror the town’s pulse – from the movement of goods in centuries past to today’s urban rhythm. For those who seek to experience Merano’s cultural and architectural soul, the Postbrücke is not just a route, but a destination.
As a place of passage over the Alps, the Upper Vinschgau has always been of military interest. Not only the Romans, the Habsburgs and Napoleon passed through here, but also the Second World War left its traces. Most of these traces, however, are not visible to the naked eye, as they are monumental underground bunkers that were planned as defensive installations and places of refuge. The hidden fortresses were part of the Alpine Wall, but were never used for military purposes.
Today, the architectural relics from the interwar period are embedded in the orchards and pastures of the surrounding area.
Admission by guided tour only!
Bunker guided tours (in German or Italian): every Thursday from June to October. Registration and information on +39 0473 831 190
Centuries ago Dobbiaco’s waters were used by craftsmen and in mills. The historic melting furnace at the Klauskofel in the Val di Landro shows how people in those days used the power of the water to melt ores.
Modern usage of hydro power is demonstrated using the example of a power station.
Further information on Dobbiaco’s Water treasures
The Castle Ehrenburg was the residence of the Sirs von Ehrenburg, who were later called von Künigl. It was built in the 12th century. During the 15th century, the castle was extended, and in the year 1512, it was extended again with the arcade yard. In the year 1732, it was converted into a baroque castle. The big hall, the bay windows, the wooden paneling, and the paintings on the ceiling, as well as the castle chapel are very remarkable. The castle is not open to visitors.
The castle is located below the church. It can only be visited from the outside.
Glurns, the smallest town in South Tyrol, works its magic on every visitor with its charming medieval atmosphere, perfectly preserved town walls and its three picturesque gate towers. Virtually unchanged since the 16th century, there are echoes of the eventful history of this former trading town around every corner. With its romantic character, rich culture and idyllic surroundings, Glurns is a real alpine jewel. It is our pleasure to invite you to our beautiful town to share with you magical moments, historic festivals and spectacular cultural events.
While the beginnings of the village of Glurns probably go back to the Carolingian era, the first actual mention dates from 1163. Southeast of the clustered village on the bridge over the River Etsch, Meinhard II of Gorizia-Tirol created a city around the year 1290 in order to secure his power in the Upper Vinschgau Valley against the Bishop of Chur. This new settlement was described as a “burgum” in the year 1294. The two settlements – the village and the city of Glurns – existed for some 200 years alongside each other. After the destruction suffered during the Battle of Calven in 1499, the Habsburgs, especially Maximilian I, had Glurns fortified as a bulwark against the forces of Graubünden; the centres of the two settlements were thus connected by means of the new city walls, still in existence today. Among the oldest buildings that exist to this day are the residential and defensive towers, especially the so-called “Glurns Castle”, and the Spatzenturm tower in the southwest corner of the old town. The 16th century constructions succeed in dominating the city’s contemporary appearance.
The Thurn ruins sit on a wooded hill above the Gsieser stream, opposite Welsperg Castle. Built in the 13th century, the fortress was abandoned in the 17th century and destroyed by fire in 1765. The 22 m tower still stands in good condition today. The ruins can be reached on foot and combined with a visit to nearby Welsperg Castle.
Juval Castle, the summer residence of the world-famous mountaineer, Reinhold Messner and the Messner Mountain Museum.
Medieval Juval Castle is situated on a prehistoric place of worship at the entrance to the pristine Val Senales. The castle was built around 1278 by Hugo von Montalban. In 1540, Juval Castle changed ownership and reached its heyday in those years. In 1913, the Dutch Colonial William Rowland turned up at the dilapidated castle and had it professionally restored. Since 1983 Juval Castle has been the residence of extreme mountaineer Reinhold Messner and has turned Juval Castle into the main site of the MMM Messner Mountain Museum. The castle contains an extensive Tibetan collection as well as the Mountain Gallery and the ethnic mask collection with exhibits from five continents. Juval Castle also boasts some Renaissance-era frescoes that can be visited. Alpine fauna can sometimes be spotted wandering about in the castle grounds and there is also a farm with its own vineyards and a winery. The attached winery Unterortl, the organic farm Oberortl, and the Schlosswirt revitalize these small-scale cultural landscape in Lower Venosta Valley.
Located between the Bolzano Town Gate and the Postbrücke – once spanning the wild waters of the Passer river – Sandplatz Square marks a graceful transition into Merano’s layered past. From here, winding alleyways lead into the historic Steinach district, whose weathered façades whisper tales of centuries gone by. Once a sandy riverbank and later a lively hub for salt trade and postal routes, Sandplatz has long stood at the crossroads of commerce, culture, and everyday life.
At its centre rises one of the city’s oldest monuments: the Baroque Marian column. A symbol of protection and belonging, it has served as a place of pause and reflection for generations. Nearby, a small fountain murmurs beneath façades dating from the Wilhelminian and Art Nouveau eras. Today, Sandplatz is both a local gathering place and a popular stop for visitors entering the city via the Bolzano Town Gate – a site where shopping, strolling, and cultural curiosity converge.
One architectural gem is the former Hotel Erzherzog Johann – later renamed “Esplanade” – an elegant showcase of 19th-century hospitality that also housed Merano’s main post office until 1913. Today, the building has been carefully restored and is home to boutiques and cafés. Across the square stands the stately Ansitz Hohensaal, which later became the seat of the Institute of the English Ladies, now flanked by the neo-Gothic Sacred Heart Church consecrated in 1904 and serving as a youth church since 2017.
Sandplatz remains a place of lively exchange: every Saturday, local farmers and artisans gather here for the weekly market, offering fresh produce, specialties, and regional flair. At the same time, the square is an ideal starting point for exploring the city: the medieval arcades, the Kurhaus palace, the riverside promenades, or the paths leading to the Gardens of Rametz Castle and Trauttmansdorff.
Sandplatz Square is more than just a stop along the way – it’s a vibrant part of Merano’s identity. A place where history is alive, architecture speaks, and new stories are written every day.
The scheme to promote mountaineering villages in the Alpine regions supports environmentally-friendly, natural tourism. The network unites villages with a thriving natural and cultural landscape, which have been spared major technical innovations and where mountains and mountaineering are an integral part of the identity.
From leisurely “Waalweg” irrigation-channel trails through to the three-thousand metre climbs – enjoy all the authenticity of the Matsch Valley. The living traditions and customs offer you an insight into the active village community, and a stop-off to wander round the castle ruins at the entrance to the village brings the dreaded Matsch robber-barons back to fearsome life.
Built in the early 13th century with three-story keeps and living areas with Gothic parlours; a rare example of a medieval castle complex largely preserved in its original state; in the possession of the Counts of Brandis for 800 years. The castle is privately owned and cannot be visited.
The Strassberg castel ruin lies on a hill near Gossensass/Colle Isarco and is a real landmark. It was first mentioned in 1280 and for a long time local seat of the regional government and court of justice. The decline started in the 17th century. The ruin is privately owned and can only be visited from the outside.
The Herbst Castle is named after the Brothers Kaspar and Christoph Herbst who built the Castle in 1500. In 1511, the Herbst Castle was used as a residence by Emperor Maximilian I.
Visits available only from the outside.
The complex was bought in 1500 by the brothers Kaspar and Christoph Herbst zu Herbstenburg and rebuilt into a fortified complex. It was the center of a fortified complex that extended through underground passages to the so-called "Red Tower" in the northwestern part of the village. In the cellars of the castle were the prisons of the Dobbiaco court.
In the years 1508 to 1511 the castle was the seat of the court quarters of Emperor Maximilian I of Habsburg. It was there that in 1511 the decision was made to wage war against the Republic of Venice.
The Wandelhalle, Merano’s iconic covered promenade, was built between 1864 and 1866 – even before the heyday of the Belle Époque. Today, it ranks among the city’s most culturally and historically significant landmarks. As one of the earliest examples of representative spa architecture in the Habsburg Monarchy, it also marks an important architectural transition: bridging the refined classicism of late Biedermeier with the emerging Jugendstil, distinguished by ornamental motifs and vivid wall paintings.
This light-filled colonnade follows the curve of the Winter Promenade along the Passer river – offering a shady retreat on warm summer days and a sun-drenched path for winter strolls. Initially met with public resistance, the project was championed by Merano’s visionary mayor, Valentin Haller, who saw in it the potential to redefine the town as a modern spa destination. He persisted – and prevailed. By 1891, the Wandelhalle had evolved into an open-air gallery, adorned with busts, commemorative plaques, and sweeping landscape paintings by local artists such as Lenhart, Complojer, and Demetz – celebrating South Tyrol’s natural beauty in painterly form.
Architecturally, the structure is a gem of 19th-century ironwork: its delicate cast-iron framework was produced by the acclaimed Viennese foundry Griedel, echoing the design language of Otto Wagner’s urban rail stations and the early Paris Métro. The arcade stretches nearly 100 metres, inviting passers-by to linger, promenade, or enjoy a concert beneath its sheltering arches.
Today, the Wandelhalle is a beloved public space in Merano: mornings begin with espresso at the adjacent café overlooking the Passer, while Saturdays bring a bustling flea market that attracts artists, collectors, and curious strollers. The venue also plays host to regular open-air concerts and cultural events, continuing the tradition of spa music that once defined Merano’s elegant leisure culture.
For younger visitors, the Wandelhalle offers a uniquely atmospheric encounter with history, nature, and art – a place where riverside flair and artistic expression come together in the open air. It also marks the start of several scenic routes: from here, the Kurpromenade leads past Art Nouveau villas, the Kurhaus, and on to the Tappeiner Promenade or the Steinerner Steg.
The Wandelhalle is also rich in anecdote: in the 19th century, it was a favourite gathering place for so-called “whey cure guests”, who would stroll here in the early morning light – fasting, breathing the fresh air, and accompanied by gentle music known as Molkenkonzerte.
At its centre stands the Hall of Honour, still bearing busts of historical figures – among them Duke Karl Theodor, brother of Empress Elisabeth and a practising ophthalmologist in Merano. The Wandelhalle thus offers not only aesthetic pleasure, but also quiet traces of the town’s storied past – captured in cast iron, paint, and sunlight.
Ansitz Heufler by Norbert Niederkofler
Ansitz Heufler, located in the picturesque Antholz Valley in South Tyrol, is a historic manor house dating back to 1580. Built by the noble family Hohenbühel zu Heufler, the estate is regarded as an outstanding example of Renaissance architecture and has been carefully preserved to maintain its historical value.
The wood-paneled rooms on the first floor are among the most atmospheric in the entire region—most notably the historic “Hearnstube”, adorned with an intricately crafted ceramic stove bearing the Heufler family coat of arms. Celebrated as one of the most beautiful parlors in all of Tyrol, it impressively blends artisan craftsmanship with living tradition.
On the door to the Hearnstube, one can see a fine engraving of the south façade of Ansitz Heufler: a square, three-story structure surrounded by four diagonally positioned corner towers with characteristic gabled roofs.
The old “Rauchkuchl”, now transformed into a stylish lounge bar, was once a traditional open kitchen where food was cooked and smoked over an open flame or in a smoke channel – a method that added rich flavor and ensured long preservation.
Among the most distinctive architectural features are the bay windows and the towers themselves, all topped with steep gabled roofs. The large windows on the first floor are decorated with finely wrought iron grilles, adorned with elegant floral motifs.
Today, Ansitz Heufler presents itself as a refined residence offering luxurious hospitality and culinary excellence. Guests are immersed in a unique experience where historical charm meets modern comfort – an authentic journey back in time through the preserved spirit of an ancient noble home.
Since May 2025, the estate has been led by South Tyrolean Three Michelin Star chef Norbert Niederkofler, who has breathed new life into the residence, infusing it with his signature philosophy, “Cook the Mountain”. Ansitz Heufler features 10 rooms, a public restaurant, and a bar with a scenic terrace.
A steep path starts near the "Carabinieri" training centre in Vallunga and heads up to the castle ruins. Built at the beginning of the 13th century, it collapsed in 1525 and has never been rebuilt. It has been owned by the Wolkenstein family since the 14th century. Oswald von Wolkenstein, a famous minstrel and poet born in South Tyrol between 1376 and 1387, died in Merano 1445, probably spent his summers in the castle.
Access at your own risk. Children under 14 must be accompanied by an adult.
The chapel in honor of St. Sebastian was erected in remembrance of the Plague in Tires al Catinaccio. It stands isolated in an idyllic glade, the so-called "holy ground".
The Masters of Braunsberg were first mentioned in the records in 1213; from 1492 in the possession of the Counts Trapp, latterly inherited by the Counts Strachwitz, who restored the castle; simple layout with a curtain wall, residential building, tower-like and chapel (St. Blasius).
The castle towering high above the Gaulschlucht gorge is a landmark of Lana. It was the seat of the Lords of Braunsberg mentioned in 1213, belonged to the Trapp Counts Matsch from 1492 to 1969 until Braunsberg Castle passed into the inheritance of the Counts Strachwitz in 1969.
The small and simple complex, part of which fell into the Gaulschlucht gorge in 1510, consists of a curtain wall, residential building, tower-like outbuilding and the St. Blasius Chapel. It was first mentioned in a document in 1323, but is certainly older because of its Romanesque architectural style and was originally located outside the castle walls.
Various stylistic periods can be found: The portal dates from the late Gothic period, the open pulpit from 1538, the crucifixion group and the figures of Saints Vigilius and Blasius from 1592 with frames from 1669 and the Baroque altar from 1690.
The castle is privately owned and cannot be visited.
Häuserl am Stein is one of the most fascinatingly odd buildings in all of South Tyrol. Its history, in fact, sounds a bit like a fairy tale. A long time ago, just below St. Pankraz in Ulten Valley many small farm houses were situated at the banks of the Falschauer brook. In 1882 the river was flooded and took every single house with it, apart from one. The legendary Häuserl am Stein, in fact, had been built by pure accident on a gigantic rock which only became visible after the floods.
The former water station in Welsberg, with its octagonal tower, is a remarkable technical monument from the Austro-Hungarian period. Inaugurated in 1871, it served as a “fuel stop” for steam locomotives. Together with the depot and railway houses built in 1926, it forms a rare ensemble of historical railway engineering, protected as a heritage site since 2004.
Located in the heart of Merano, the Puccini Theatre is a magnificent example of Art Nouveau architecture and a beloved venue for cultural life in South Tyrol. Designed by Munich architect Martin Dülfer and completed between 1899 and 1900, the theatre reflects the refined taste and creative spirit of an era when Merano was a celebrated spa town and meeting place for the European elite.
The façade enchants with its blend of classical proportions and Art Nouveau flourishes, while the interior reveals exquisite stucco details, elegant marble features, and a spectacular auditorium with 296 plush salmon-colored velvet seats. An elegant first-floor foyer and a terrace overlooking the surrounding townscape add to the theatre´s timeless charm – especially on warm summer evenings.
The theatre opened its doors on December 1, 1900, with a performance of Goethe’s Faust, and quickly established itself as a cultural epicenter, hosting up to 250 performances per year. In 1923, the venue was renamed Teatro Puccini in honor of the famous composer Giacomo Puccini, who visited Merano that same year.
Yet the theatre´s path was not without challenges: after serving as a cinema during and after World War II, the building fell into decline and suffered a devastating fire in the 1960s. It wasn’t until 1978 that it was lovingly restored and reopened, reclaiming its role as a premier stage for performing arts.
Today, the Puccini Theatre is run by the Merano City Theatre and Kurhaus Association and ranks among South Tyrol’s most distinguished historic theatres. With a vibrant program that ranges from classic dramas and operas to contemporary performances and concerts, it continues to inspire artists and audiences alike. A visit promises not only cultural enrichment, but also a journey into Merano’s illustrious past.
10 meditational spots are found along the side of the path until you reach the "Franziskus and Klara" chapel, the ruin from the Toblburg Castle.