Kerken en kloosters in de Dolomieten

The church is build in Gothic style and is dedicated to St.Nikolaus.
The church is located in Issing/Issengo.

The church contains a neo-Gothic altar. The cementery is the last home of the famous Alpinist Viktor Wolf Edler von Glanvell.

One of the oldest and nicest regional churches in Tyrol.

Holy Masses on Sundays at 8:30 a.m.

Special masses are held on all Catholic holidays. The parish church is open daily throughout the year.

The Ascension Church in Ehrenburg was first built in the year 1370. Today's building was built in the baroque period between 1698 and 1701. The mercy-painting was painted by I. A. Mölck (1755). In the crypt, there is an old statue of the Virgin Mary and other interesting paintings.

The church in Haselried was first recorded in 1436. The Church is build in a late Gothic style.

Visit only on request!

Contact: Hannes Volgger +39 340 545192

At the parish church St. Martin in Hofern the longhouse walls are romanic, the vaults, the choir and the tower were built in the year 1473. At the inside there is a sidepiece altar which dates bach to the year 1520. Church is locked, information about the key at the tourist office in Kiens/Chienes.

The Parish Church Saint Cyriak was originally a gothic building. In 1851 the church was newly build (consecration in 1854).

Gais has a cultural and historical gem: the old mortuary chapel, the so-called ‘Beinhaus’, has been converted into a small museum. The centrepiece of the museum is a cycle of frescoes from the late Gothic period depicting the Last Judgement. Next to it are the works on the redemption of the poor souls, a kind of catechism for believers who could not yet read at the time. In addition, the Sonnenburg vestments (several precious chasubles) can be admired in a glass display case and St Constantine II (a full-body skeleton) in a reliquary.

This church is one of the most coherent structures of the late baroque period in the Pustertal valley. It was built around 1770 reutilising the late Gothic walls of a previous nave. Consequently fragments of frescos by the master Simon von Taisten have remained. The interior was decorated by Franz Anton Zeiller in 1768, while the St. Erasmus chapel contains tomb stones in memory of the Counts of Welsberg who are buried here. The adjacent chapel of St. Jacob is graced with murals by Simon von Taisten.

Built in 1735, at the site of a chapel dating from 1690. It is impressive because of the numerous frescoes and the pulpit with the inlayed Panels.

Fallen heroes memorial of the war of 1809 in the Klosterwald in St. Lorenzen.

This “new chapel” was opened on November 12th 1510. It is outside the castle and you can reach it through the small inner courtyard by a wooden ladder. In 2000 this area of the castle was fastened and anchored and during these restoration works small colour strokes were discovered. In autumn 2005 an important restoration work was started and, above all, the dry paintings on the eastern wall, the ancient walled altar and, sideways, the apostolic symbols of different ages were discovered. The paintings represent Christ Crucified, on the left Mary and St. George with the dragon. On the right there are St. John the Apostle, St. Blaise (painted as a young martyr with only one candle and not as a Bishop) and St. Florian who is throwing water on a building in a blaze. On the top angles there are the two baronial coats of arms of the Welspergs. The work was painted between 1540 and 1560 at the end of the Gothic Age. The ceiling is more recent and belongs to the Baroque Age.

Paul Troger, Baroque painter, was born on 30th October 1698 the son of a sexton and dressmaker in Monguelfo. His “Troger-blue” is still mesmerizing.

The high altarpiece and the two side altarpieces in the parish church of St. Margaret were donated by Paul Troger to his home church. Paul Troger gave them as a gift to his home church, which was rebuilt from the ground up in the years 1736-1738.

The high altar painting shows the Holy Margareth with the Apostles Peter and Paul, Bishop Ulrich and St. George, the dragon slayer. The right side altar image represents a single successful composition of the adoration of the Magi, on the left side altar of St. Johannes Nepomuk shows how he distributed bread to the poor. 

Another work "St. Apostle Judas Thaddeus" by Paul Troger can be viewed at the Raiffeisen Bank, in the immediate vicinity of  S. Margereth Parish Church.

A beautifully restored Baroque church featuring an onion-domed steeple.
The original church was consecrated in 1370. Inside, the high altar displays a depiction of the Baptism of Jesus, while the side altar features a painting of St. Elisabeth by Franz Unterberger (1707–1776).

Holy Mass in Italian:
Monday, Tuesday, Wednesday, and Friday at 9:00 AM
Saturday at 6:00 PM
Sundays and ecclesiastical holidays at 6:00 PM (during July, August, and the Christmas season)

The renovated chapel hut dedicated to Our Lady of Sorrows in St. Sigmund was built in 1621 and expanded in 1644. The new construction is considered one of the most charming devotional spaces of the Baroque period. Great attention was paid to detail. The nave is covered by a dome, while the altar area is finished with a cross vault. The Stations of the Cross are copper engravings by Franz Xaver Endres from Augsburg. The miraculous image on the high altar is a Pietà set in an open landscape, flanked by Joachim and Anna, dating from the late 15th century. The ceiling paintings were created by Josef Anton Zoller. Beneath the dome, the four Evangelists are depicted, while scenes from the Book of Esther are shown in the dome itself. In the altar area, the three divine virtues—Faith, Hope, and Charity—are displayed, complemented by Courage.

Parish Church with a valuable crucifix by Michael Pacher and an organ, built in 1983 by Mathis, the biggest in South Tyrol.

Holy Mass: Mondays and Fridays at 8:00 a.m.,

Evening Holy Mass: 6:00 p.m.

Sundays and holidays at 9:00 a.m., 11:00 a.m. (in Italian) and at 6:00 p.m.

All Holy Masses are held in German, except where indicated differently.

The parish church in St. Sigmund is one of the most beautiful historical monuments in South Tyrol. First mentioned in the year 1363, today's building was built between 1449 and 1489. The altar (1440) is one of the oldest and most important sidepiece altars in South Tyrol. The church “Unsere liebe Frau im Stöckl” was built in the year 1621 and enlarged in the year 1644. It was built totally new in the year 1680.

This church was first mentioned in 861 in connection with a court hearing. It is designed in two floors and remarkable for its Romanesque architecture, as well as for its frescos by the masters Leonhard from Brixen and Simon von Taisten, the latter a pupil of Michael Pacher’s.

Built in the first years of the 20th Century and consecrated in 1904. In Possession of the Hotel Lago di Braies/Pragser Wildsee.

The baroque Parish Church dates from 1738, though the tower remaining from an earlier building is Gothic. The artist Paul Troger from Welsberg was one of the most famous 18th century artists in all Austria. In 1737 he donated the three altar pictures to his home village.

The parish church St. Petrus and Paulus in Kiens was built between 1835 and 1838. Only the tower dates back to the 15th century. The paintings on the ceiling are remarkable.

This irregular building shows that the church was built in different periods, from the 13th to the 16th century. In the church stands the famous "Madonna with the infant Jesus holding grapes" by Michael Pacher. In the attached Egererkapelle, frescos from the Michael Pacher school.

The Capuchin monastery (since 1626) and the Capuchin Church are kept very simply, in line with the principles of the order. Continuing along the Dantestrasse, at the road junction to Dietenheim you will find one of the oldest and most beautiful shrines in Tyrol.

Holy Mass Sunday and ecclesiastical holidays at 08.00 am in German language and at 09.00 am in Italian language.
Mon - Fri: at 09.00 am in German language

Built in 1652. The black Mother of God with Infant Jesus is worth a visit. After the Mauren begin the stations of the Cross leading to the most popular place of pilgrimage of the middle Pustertal: Maria Saalen. The little pilgrimage church "Unsere Liebe Frau von Loreto" was built in the 17th century and once had a hermitage. The entrance has the year 1652 written on it and on the top right-hand side a modern painting of the Blessed Virgin of Loreto. The gable of the altar shows the Annunciation, and below the Black Mary with the Infant Jesus, Saints Anne and Joachim, and above the doors Saints Joseph and Sylvester.

First mentioned in 1347, elements of the Tyrolean late Gothic (1488) are still preserved in the polygonal choir end, as well as in the sound windows of the tower. Around 1840 the church was extended by one bay, regotized, the same happened again in 1952 under architect Erich Pattis and carpenter Josef Pattis. The altar-pieces are by K. Jele from Ried in the Upper Inn Valley (1814 1893) and depict on the main altar the Penitent Magdalene, and on the side altars the Bishop Sylvester with the martyr Sebastian, then Joachim and Anna with the Child in the Nazarene style in a clear position. On the main altar of St. John the Baptist, wooden sculptures by Franz Xaver Nißl. Stations of the Cross panel by Maria Delago (1953). In the apse, paintings from the life of St. Magdalene by the priest painter Johann Bapt. Oberkofler. On the east side a wrought-iron cross points to the witness of the resistance against the Nazi regime. This is the Jesuit priest Johann Steinmair (1890-1944), who became a blood witness of Christ by beheading in Berlin-Brandenburg. The chapel of the dead in the cemetery area: It serves as a memorial for the victims of the two world wars, for Reverend Peter Agreiter (1911 1948) and as a place of devotion for the Lourdes pilgrims.

The gothic Parish Church of S. Martino was mentioned for the first time in 1425. In 1778 the Church was rebuilt in baroque style with frescos from Johann Mitterwurzer. In 1906 the nave was remodeled with frescos from Heinrich Kluibenschedl.

Built 1345 and transformed into the Baroque style in 1675, has an attractive onion shaped dome and interesting coats of arms.

Built at the start of the 15th century in the Gothic style, the frescoes in the church are by Johannes of Bruneck and date from around 1420. The crypt of the Ursuline Church is the oldest part of the entire cloister building and dates from the period around 1410; the crypt space is almost empty, but hugely atmospheric - sanctified by centuries of the silence of the dead.

Holy Mass: Mondays to Fridays at 5.30 p.m., Sundays and holidays at 10.30 a.m. (in German language)

1334: First mentioned, then rebuilt several times over the centuries, from Gothic to Neo-Gothic.
1472: pointed arched sound windows in the tower.
1879: neo-Gothic forms in the interior according to plans by Josef Vonstadl.
1963: Extension by one bay and redesign by architect Erich Pattis. Preserving all the Gothic style elements, in addition sculptures in the Nazarene style: the guardian angel, St. Notburga, St. Joseph and the Sacred Heart of Jesus. They were made by the local artist Michael Hintner, the Immaculate was executed by Josef Mersa.
Stations of the Cross from a local workshop: Romanesque four-nail cross, on the high altar the wooden sculptures of St. Sebastian and the weather patrons St. John and St. Paul, on the left of the altar St. Nicholas, on the right St. Andrew. On the altar are placed alternately Mary with the Child or the Sacred Heart of Jesus.
Altars: neo-Gothic, from the workshop of Colli and Adam. On the right side altar the statues of St. Leonard, St. Mark and St. Anthony, on the left one those of Ursula, Mother Anne and St. Catherine. The patron saint of the church is St. Nicholas on December 6. Memorial to the fallen of the two world wars in the cemetery area.