Théâtre et spectacles dans le Sud-Tyrol

After having written and performed a very successful apocryphal of Ruzante, Natalino Balasso takes on Bertolt Brecht in an attempt to restore the German playwright's observational spirit in the insidious contemporary context. "Obviously we cannot imagine what Bertolt Brecht would write if he lived, today, immersed in our culture, eighty years after the end of the Nazi horrors, within a much more complex and stratified economy and finance. Yet those horrors and prevarication are wretchedly relevant today, in other forms and with more devious weapons,' writes the Venetian author and actor. "In this Joan of the Unemployed, Brecht's characters act in new contexts and with new words, but continue to be immersed in the terrain of dominance and subjection. The algorithm may seem less evil to us, but at the end of the day it is as perfidious and cruel as a master in the flesh. Multinationals continue to prevaricate, hurt and hit the weakest, in all countries. [...] And then there are the people: millions of individuals increasingly isolated, increasingly oppressed by the commercial-advertising-social world that is massacring communities. In this mass of monads emerges the economic superman, without true thought and without depth. As in Brecht's Saint Joan of the Slaughterhouses, we will see the vicissitudes of Pierpont Mauler, of his subordinates, of Cridle, of Lift, of the biggest lobbyist of the moment: the terrible Graham; a world of tycoons that is opposed by Joan Darko, with her socialist community. But perhaps an online community is not a community, but a multitude of monads telling each other the dream of the tribe. This, perhaps, is the real contemporary drama. With all humility, we are presented with this Brechtian apocrypha, as if it were written under dictation. This is only possible with the help of the immutable art of theatre which, while entertaining us, as Gramsci said, tries to throw bombs in our brains'. By and with Natalino Balasso and with Giovanni Anzaldo, Marta Cortellazzo Wiel, Roberta Lanave. Direction Andrea Collavino Scenes Anusc Castiglioni Costumes Sonia Marianni Lights Cesare Agoni Dramaturgy Natalino Balasso Musical curation Celeste Gugliandolo Production Centro Teatrale Bresciano, Teatro Stabile di Bolzano, Emilia Romagna Teatro ERT / Teatro Nazionale

Hasnain Kazim, born in 1974 in Oldenburg, is the son of Indian-Pakistani parents. Unfortunately, it is not surprising that he, as a journalist who writes about sensitive topics in media with a wide reach and has a foreign-sounding name, receives angry mail. But instead of simply clicking away the hateful, often racist or Islamophobic outpourings of "real Germans" such as "Heinz K.", "Maria gegen Scharia", "HermannThe-German" or "Siegfried Drachentöter", Kazim replied quick-wittedly and wittily. Because he did not want to leave the nonsense in his own mailbox uncommented. Again and again, enlightening dialogues resulted from this. With his comments, Kazim gained a large following on social media and became a bestselling author. Today he lives in Vienna and, in addition to books, continues to write for media such as ZEIT, Süddeutsche Zeitung or taz. Jochen Schölch has brought excerpts from Hasnain Kazim's book "Post von Karlheinz" to the stage of the Metropoltheater: Armed like an orchestra with a music stand and recorders, Thorsten Krohn, Thomas Schweiberer, Bijan Zamani and Lucca Züchner compete in the spoken opera in which razor-sharp humor defies hatred and agitation. Scenic set-up: Jochen Schölch Stage design: Thomas Flach Costumes: Cornelia Petz With: Thorsten Krohn Thomas Schweiberer Bijan Zamani Lucca Züchner Supported by: Autonomous Province of Bolzano, Dept. of German Culture / South Tyrolean Savings Bank Foundation In cooperation with: Bavaria-South Tyrol Society Supported by: Dentist Dr. Spinell

Lu santo Jullare Francesco by Dario Fo is a fabulation on the life of the saint from Assisi that takes up the styles and forms of narration of the mythical Mistero Buffo in the theatrical language of grammelot. Working on popular legends, canonical texts from the 14th century and documents that have emerged in recent decades, the Nobel Prize winner constructs a powerful, playful and certainly not hagiographic narration of the “Jester of God”, as Saint Francis liked to call himself. Fo's tale is - at one and the same time - spirituality and myth, fable and satire, and sketches a Francis as a man who strips himself of all wealth to approach the dispossessed, to preach to men, wolves or birds a message of brotherhood and peace, to compose and set to music his Canticle of the Creatures. Giving voice to this tightrope walk on the eighth centenary of the death of St. Francis of Assisi will be Ugo Dighero, actor-actor, already the interpreter for years of Mistero Buffo on the ‘blessing’ and urging of Fo himself, perfect histrion and jester of today. 2026 is also a special year to remember Dario Fo: it is the anniversary of his birth and ten years since his death. It is impossible not to celebrate his extraordinary theatrical career. Bringing this marvellous jester to the stage today cannot but take into account that in 2013 the late Cardinal Bergoglio, who became Pope, chose, emblematically, politically and for the first time in history, the name of Francis: the saint of peace and smile, of the custody of creation, of the poor church for the poor. Following Fo's lesson, the performance will thus move along two parallel paths, retracing the historical reality of Francis' journey in the Christian world and at the same time recounting the reforming revolution that Pope Francis has sought to implement in the Church of our time. By Dario Fo With Ugo Dighero Adaptation and direction by Giorgio Gallione Scenes and costumes Lorenza Gioberti Lighting design Aldo Mantovani Co-production Teatro Stabile di Genova, CMC/ Nidodiragno With the collaboration of Teatro della Juta

SALTO change – SALTO’s new lab for the future Free admission Climate crisis, democracy, solidarity: the big questions of our time demand new answers. SALTO change makes change visible and connects initiatives, organizations, and engaged individuals. In a public debate, SALTO tackles one of these key topics and invites everyone to reflect and join the discussion. Follow SALTO to find out more. Event: Friday, January 30, 2026, at the Piccolo Teatro Carambolage, starting at 8:00 PM. www.salto.bz

Improtheater Carambolage: “Schuld & Bühne” What would Alfred be without Hitchcock, or Agatha without Christie? And what would a winter of improvisation be without a murder mystery! If you’re particularly intrigued by the darker motives of humanity, come to the theatre. Here, crimes aren't just committed — they're dissected down to the last detail. In the courtroom of Improtheater Carambolage, you are the jury, experiencing the verdict live: guilty or not guilty! Event: Saturday, January 31, 2026, at the Piccolo Teatro Carambolage, starting at 8:00 PM. www.impro.carambolage.org

Buono Memes: Die Südtiroler Social-Media-Sensation bringt mit seiner exklusiven Try-Out-Comedy-Show „DORFLIFE“ die Bühne zum Beben! Sei dabei, wenn Buono sein Stand-up-Comedy-Programm präsentiert, das bekannte Rollen mit persönlichen Episoden mischt – eine Show voller Überraschungen, skurriler Begegnungen und richtig guter Laune. 📅 Datum: Donnerstag, 05. Februar 2026 📍 Ort: Raiffeisensaal - Nationalparkhaus aquaprad 🎟️ Tickets nur ONLINE: VORVERKAUF ab 16.10.25 hier erhältlich! 🕒 Programm: 18:00 Uhr: Eröffnung Bar Nationalparkhaus aquaprad 19:00 Uhr: Einlass - Raiffeisensaal 19:30 Uhr: Start der Show Achtung: freie Platzwahl!! Altersempfehlung: ab 14 Jahre Buono bringt Dorfklischees und Social Media auf die Bühne – witzig, ehrlich und mit Herz. Als gelernter Bade- und Saunameister hat er während der Pandemie begonnen, Videos mit seinen Figuren Opa Walter und Oma Moidl zu drehen, in denen er alte Traditionen und das Landleben auf die Schippe nimmt. Wenn Dorfleben und digitaler Alltag aufeinanderprallen, entstehen Geschichten, die du so noch nie gehört hast – und Lacher garantiert. Viel Spaß mit Buono Memes und seinem Programm „DORF LIFE“! Wir freuen uns auf deinen Besuch, Koatlacker Tuifl

Michael Mittermeier goes travelling through time.... in Merano After almost four decades of comedy tours, the popular German cabaret artist Michael Mittermeier is going where he has never been before: into the future. As long as it still exists! But how to get there? In the 80s, you still travelled there by car. Typical. But how do you get there today? Is time travel even possible? Yep, he did it! FLASHBACK - Return of the future The solution was in the cellar: ‘Michl's’ great-grandfather was an inventor, a kind of Bavarian Oppenheimer. And he built a time machine over a hundred years ago. The thing stood in his grandparents' cellar for decades and didn't work. They always said it was a prototype for solar heating. But the battery was flat. But now it's ready to go! Drive: comedy. Fuel: humour. Michl, energy! But travelling alone is less fun, so he takes the audience on a journey - together into the future! With a transition jacket, of course. And while you're there, it's best to take a look at the past. There's rumoured to have been a lot going on there too. The important thing is to laugh together. No matter what time. FLASHBACK! I know what you'll have done next summer... In german laguage

The Compagnia Artemis Danza, led by Monica Casadei, dedicates this artistic project to a contemporary exploration and interpretation of four fascinating heroines by Giacomo Puccini: Tosca, Madama Butterfly, Mimì, and Turandot. Understanding Puccini's music involves analyzing its profound connection with the feminine world. In the four acts that make up Puccini's Opera, we find Casadei's personal interpretation of the female theme, placed at the center of a choreographic, visual, and musical reinterpretation process. Tragic love, thwarted and opposed love, cruel love that annihilates, the craving for possession that leads to destruction – all these live in the faces, bodies, and gestures of the Company, and continue to make us reflect on the contemporary relevance of stories that have moved audiences worldwide. The creation is imbued with a poignant atmosphere, filled with tension and poetic suggestion. Puccini's orchestral score is juxtaposed with electronic tracks by composers Luca Vianini and Fabio Fiandrini, crafting an enveloping and at times apocalyptic soundscape. A choral dance, swelling with impulses and passions, instinctive and at times wild, making dizzying use of space and appearing, even symbolically, visually full: solos protected by frames of ensembles in a dynamic accelerated by propulsive forces, bringing to life in the body and gut the drama and passions of the protagonists. Choreography, Direction, Set Design, Lighting, and Costumes: Monica Casadei Music: Giacomo Puccini Musical Arrangement: Fabio Fiandrini Production: Compagnia Artemis Danza Co-production: Fondazione Teatro Comunale di Ferrara With the contribution of: MiC - Ministry of Culture, Emilia-Romagna Region - Department of Culture, Municipality of Parma

The 2025/26 Opera Season of the Haydn Foundation of Bolzano and Trento presents a renewed programme, combining new productions with co-productions in collaboration with major national opera houses. The stage hosts both celebrated titles from the operatic repertoire and contemporary works, entrusted to prominent directors and renowned conductors. A season that invites audiences to look beyond the boundaries of the genre, bridging tradition and new perspectives. Discover the full programme and let yourself be surprised by the new opera season.

Carnival in Colfosco: between colours, music and fun on the slopes. Come and taste the delicacies of the carnival season, such as the delicious "Faschingskrapfen", soft, fluffy donuts filled with apricot jam or cream, typical for Carnival. There's plenty of fun for the little ones with clowns and face painting. Music with lively rhythms accompanies the party.

Every 2 years the Parade on Carnival Saturday takes place in the center of Silandro. The pedestrian area is transformed into a big carnival Party.

A theatre experience for young children inspired by Verdi's Falstaff, designed to introduce little ones to the language of the stage through live music, movement and symbolic play. At the centre of the stage, a soft, transformable ball becomes everything: a belly, an animal, a funny character. The ball, an object familiar to children, stimulates physical interaction, curiosity and imagination, in a journey that combines sensory experience and cognitive growth. A poetic and entertaining adventure to be enjoyed by the whole family!

Carnival party on the slope: costume parade open to everybody with award for the best Carnival Outfit. Ski & acrobatic show with the Pirates Freestyle Team and DJ. You can also taste typical Carnival dishes. Would you like to join the parade? Dress up and register directly on the spot. The prizes will be very tasty. We are waiting for you!

Join us for an unforgettable evening as the expert instructors of the ski schools Dolomites and La Villa demonstrate their technical skills in a breathtaking show. You will also see telemark descents and impressive acrobatic jumps by the Pirates Freestyle Team, known for their daring stunts and unique style. Get ready to experience this year’s new show, titled: Milan – Cortina 2026 Olympics!

We are a community of desires, not of action. Ernaux, one of the most authoritative voices in contemporary culture, chose in 2012 to bring to light a space ignored by literature, yet a formidable mirror of social reality: the hypermarket. A diary was born in which he recorded visits to "his" Auchan for a year, noting the contradictions and rituals, but also the unexpected tenderness, of that temple of consumption. From this "free review of observations" conducted between one aisle and another - with the shopping list in hand - in contact with the glittering mountains of goods of large-scale distribution, a narrative reflection comes to life capable of showing us from an unusual angle one of the secret theaters of our collective life. Director, screenwriter and actress, Michela Cescon is a passionate reader of Ernaux's work. Together with Lorenzo Flabbi, Ernaux's historic translator for L'Orma Editore, he edited the first Italian dramaturgical adaptation of Guarda le luci, amore mio. The show is performed by Valeria Solarino and Silvia Gallerano, two charismatic personalities, two artists with very different backgrounds and careers, on stage together for the first time to give voice and body to this new journey into everyday life. Based on the book of the same name by Annie Ernaux, with Valeria Solarino, Silvia Gallerano Dramaturgical adaptation Lorenzo Flabbi, Michela Cescon Directed by Michela Cescon Sets, lights, costumes Dario Gessati Production by Teatro Stabile di Bolzano, Teatro Stabile di Torino – Teatro Nazionale In collaboration with Teatro di Dioniso, Riccione Teatro and L'Orma Editore

Years later, a man and a woman remember a time when they had a passionate relationship with each other: Every week, always in the same place, at the same hour, they met to live out their erotic fantasies. They didn't want to know each other's names or anything else in each other's lives, but they grew closer and became almost indispensable to each other. Until an event where suddenly everything was at stake. Now they are reviving this relationship in their memory. Each for themselves, but also united, they look back, with all the fuzziness and gaps in memory that time brings with it. This always makes for amusing moments, but also testifies to the tenderness and humor in their relationship that has lasted all these years. The author Philippe Blasband, who was born in Tehran in 1964 and lives in Brussels, was highly praised for his screenplay for the film "Une liaison pornographique" at the Venice Film Festival in 2000. With Katharina Stemberger and Andreas Patton, two actors also known from film and television now embody the protagonists of this unusual relationship on stage. Director: Hans-Peter Kellner Stage: Roland Ploner Costumes: Luisa Berghammer With: Katharina Stemberger Andreas Patton Supported by: Autonomous Province of Bolzano, Dept. of German Culture / South Tyrolean Savings Bank Foundation In cooperation with: South Tyrolean Cultural Institute Economy & Culture Merano Powered by: Nordwal

Experience the thrill of the Skishow in San Cassiano! Watch the instructors from the San Cassiano Ski and Snowboard School in action and be amazed by the spectacular jumps of the Pirates Freestyle Team. Pure technique and adrenaline await you!

With "Highlights," Balldini combines the funniest and most exciting aspects of eight cabaret programs: everything you've always wanted to know about what is supposedly the most beautiful thing in the world. She explains the dos and don'ts in the bedroom, as well as the preferences and tendencies that enrich human existence. She gives relationship tips for everyday life and shares anecdotes from her professional practice. She answers secret questions, debunks myths, or discusses the effects of pornography on our sexuality. Ticket presale: from 21/08/2024, at 10:00 AM in all Athesia bookstores. Online tickets available at: www.ticketone.it

The show, a reinterpretation of Sergei Prokofiev's famous musical fairy tale, combines acting, narration and music, with iconic sets by Emanuele Luzzat. Three bumbling actors try to tell the fairy tale... but without having studied it! Through comic gags, improvisation and the help of the audience, the children become an active part of the story, guided by the narrating voice of the “Great Narrator” – none other than Dario Fo, whose 100th birthday is being celebrated this year. In a light-hearted and playful atmosphere, the little ones discover the main instruments of the orchestra and their wonderful and unique language.

Somewhere, something incredible is waiting to be known. (Carl Sagan) Cosmos is a reflection on the beauty of the universe: planets, stars, galaxies, and the space that unites and separates them, are so mysterious that they nourish the most daring fantasies. eVolution dance theatre reinvents the famous black light theatre in which darkness and the skilful use of light and visual effects give life to enthralling and exciting performances. Cosmos, the latest work by Anthony Heinl and Nadessja Casavecchia, turns its gaze towards the universe, a place where fantastic, floating, poetic figures move within imaginative spaces. The performance is the result of a long and participatory process in which each performer contributes to the final result of the show, enriching it with her wealth of experience ranging from classical dance to urban dance, from contemporary dance to acrobatics. Like every eVolution dance theatre creation, Cosmos testifies how research in terms of technological innovation can amplify, without ever replacing, the emotional and artistic contribution of its performers. Music, a fundamental element in the construction of the narrative, accompanies and intensifies the suggestions of each individual painting. Cosmos takes the spectator on a journey through unknown places, where science and understanding give way to imagination. Thanks to the creative and at the same time “pop” approach that characterises the entire production of eVolution dance theatre, the show leaves the spectator with the feeling of having experienced an unforgettable journey, to a vast space beyond the boldest imagination. To welcome him, on his return, the fragile and beautiful Earth, a small world in the midst of the immensity of worlds. By and with eVolution dance theatre Artistic director and choreographer Anthony Heinl C-artistic director and choreographer Nadessja Casavecchia Light designer and technical director Adriano Pisi Stage managers Daniele Martini and Tommaso Contu Laser effects Simone Sparky Costumes Daniela Molinini Management Live Arts Management Duration: 100 minutes

Romeo Montague and Juliet Capulet are no longer quite so young and neither are they Lovers. Both are nesters in the comfortable home of their wealthy parents. Romeo prefers to strum his lute all day long. Julia sleeps during the day because she dances at balls at night. What is comfortable for the children who have long since grown up is slowly becoming too colorful for the parents. Both houses hope that their offspring will finally stand on their own two feet. Romeo and Juliet, who do not want to move out, forge a clever plan. But every good intrigue quickly gets out of control. While Romeo and Juliet have their hands full, something changes between the two that surprises them and catches their parents off guard. The families are also troubled by the authoritarian duke, who severely punishes anyone who causes unrest. The houses of Montague and Capulet are caught up in the maelstrom of the resistance movement, and suddenly there is much more at stake than the old, small conflicts... Kaja Dymnicki and Alexander Pschill swept the audience off their seats in the 24/25 season with "Amadeus". Now they take a fresh look at Shakespeare's classic with their usual enormous speed. "Great fun" (Der Falter). Director: Kaja Dymnicki, Alexander Pschill Stage and costume design: Kaja Dymnicki Sound: Christian Frank Composition: Stefan Lasko Dramaturgy: Lisa Kerlin With: Romeo: Stefan Lasko Julia: Julia Edtmeier Mrs. Montague: Alexander Jagsch Mr. Capulet/Deppino: Doris Hindinger Mercutio/Lorenzo/Fürst: Agnes Hausmann Supported by: Autonomous Province of Bolzano, Dept. of German Culture / South Tyrolean Savings Bank Foundation In cooperation with: Austrian Federal Ministry of Education, Science and Research / Austria South Tyrol Forum Supported by: Sparkasse

An exciting journey into the heart of theatre, combining music, storytelling and reflection to introduce students to the magic of the stage and the great themes of opera. Rigoletto intertwines Verdi's drama with the life of a travelling theatre company, transforming each performance into a collective ritual of emotions and truths. With few props, skilful lighting and intense performances, it reveals the boundary between reality and fiction, offering a glimpse into theatre work, stage machinery and behind the scenes. The viewing is accompanied by a reflection on the themes of the opera: the father-daughter relationship, sacrifice for love, disguise, and the desire for transformation. A reading of the female role is also central, to educate students in respect and empathy. An interdisciplinary experience designed to stimulate curiosity and critical thinking.

Deep in the desolate lands of Hell. A calm and eternal day of agonizing torture. Suddenly, a raucous barking breaks the silence it's the devils, running wildly back and forth in search of their king, the dreadful Satan. Along the banks of the Styx, countless souls have arrived, suddenly swept away by a lightning-fast, murderous, cowardly plague of boils and pox. The underworld is suddenly clogged, and Minos, the merciless judge of souls, must perform superhuman feats to assess everyone's sins. Everything grinds to a halt when Beelzebub, with great wisdom, steps in: he offers three jesters Zuan Polo, Domenico Tagliacalze, and Pietro Gonnella a reduced sentence, allowing them to return to what they did best in life: entertaining. The show draws from the ancient art of the jester the quintessential entertainer, the most devoted worshipper of satire and mockery. Since time immemorial, comedians have been both terrified of and drawn to Hell. It’s inevitable: the underworld is the final destination for those willing to do anything for a laugh. Hell and its sulfurous jailers form the foundation of folk traditions and the tales of wandering storytellers. It holds within it both the high and the low, the tragic and the grotesque. "We tried to explore, between the late Middle Ages and the Renaissance, some examples of infernal tales earthy, foul-smelling tracts," writes Stivalaccio Teatro, a company known for its unmistakable and irresistible reinterpretation of the Commedia dell’arte. "These episodes are told by three performers or rather, jesters, comedians, outcasts people willing to do anything to bring laughter. They make use of the jester's craft, that 15th-century mastery which later gave rise to the great tradition of Commedia actors. Strange characters, short tales, grotesque disguises, bizarre songs, demonic masks, and improvisations." With: Matteo Cremon, Michele Mori, Stefano Rota Original concept and direction: Marco Zoppello Set design: Matteo Pozzobon and Roberto Maria Macchi Costumes: Lauretta Salvagnin Lighting design: Matteo Pozzobon Masks and props: Stefano Perocco di Meduna and Tullia Dalle Carbonare Original music: Ilaria Fantin Footwear: Aldo Biasibetti Assistant director: Alvise Romanzini Photos and video: Serena Pea Set built at the Stivalaccio Teatro workshop by Roberto Maria Macchi and Matteo Pozzobon with artistic consultancy by Alberto Nonnato Costumes made by: Antonia Munaretti Production: Stivalaccio Teatro Special thanks to: Teatro Busnelli in Dueville and Accademia Olimpica di Vicenza Duration: 90 minutes

The funeral service for Gernot Steinfels, head of the company "Feinwäsche Steinfels", who died at the age of 94, gets completely out of hand. His successor-to-be, Horst Bohne, planned everything meticulously. The text on the ribbon for the funeral wreath "In deep mourning. Your employees" doesn't work at all, according to marketing manager Alina Bergreiter and social media expert Kevin Packert in unison. Because where are the employees? One of them is the long-time secretary Rieke Schneider, who absolutely wants to sing at the funeral service. Intern Kim Olkowski has problems with the funeral saying "Only work was your life" because it "somehow stands for a totally toxic work-life balance". And whether Horst Bohne should become managing director at all must also be put to the test. It is no wonder that even Pastor Herbert Koch loses his nerve at such a funeral service. The comedy full of twists and turns dissects the abysses, pitfalls and rhetorical tricks of the current discussion about social etiquette with relishful devotion. "Artistic director Guntbert Warns stages the evening as a great exchange of blows, which in the end arouses sympathy and understanding for both positions - without lecturing". (Berliner Zeitung) Director: Guntbert Warns Stage: Manfred Gruber Costumes: Ariane Warns Dramaturgy: Joachim Flicker With: Horst Bohne: Markus Gertken Rieke Schneider: Imogen Kogge Alina Bergreiter: Alexandra Finder Kevin Packert: Johannes Deckenbach Kim Olkowski: Leonie Krieg Herbert Koch: Felix von Manteuffel Supported by: Autonomous Province of Bolzano, Dept. of German Culture / South Tyrolean Savings Bank Foundation In cooperation with: Volkshochschule Südtirol Supported by: rothoblaas

The 12 Tenors Songs Of Eternity Tournee 12 magnificent voices, an unforgettable show, and the timeless magic of music. THE 12 TENORS are regarded as one of the most successful tenor formations in the world. For more than 15 years, they have captivated audiences with powerful voices, impressive choreography, witty entertainment, and charming hosting during their concerts in Europe, China, Japan, and South Korea. Now they’re on tour with their new show – a musical experience that transcends the boundaries of time and space! With the motto SONGS OF ETERNITY, the 12 exceptional singers take the audience on a journey into a world where music becomes an immortal companion. This extraordinary show celebrates iconic songs that have touched hearts across generations. From pop history classics to unforgettable ballads and powerful anthems from recent decades – SONGS OF ETERNITY features a carefully curated selection of songs that leave a lasting impression with their beauty and depth. Whether in quiet, reflective moments or in powerful musical climaxes – this show promises to transport audiences into another dimension where music is the only measure of time. Each performance is a tribute to the legacy of music that accompanies us throughout our lives – from the first childhood melodies to the songs that shape us as adults. An evening to remember: With a diverse cast of international singers, an outstanding live band, and an impressive stage design, every song becomes an emotional highlight and an experience that lingers beyond the moment. Information: Tel. 0473 270256 info@showtime-ticket.com

A spa town, having awakened from years of a Sleeping Beauty-like slumber, invites guests to the grand opening of a new thermal bath — an event expected to draw press representatives from across the globe. In the play The Silence of the City, this seemingly local occasion becomes a stage for world theatre, where the spotlight falls on the most pressing questions of our time. Anyone who doesn't laugh at this performance — with its historical costumes from the Belle Époque — may well have lost the ability to laugh altogether. An evening of theatre marked by rare intensity, beauty, and poetry. If you don't laugh here, you may never laugh again. The performance will be held in standard German.

A sultry summer evening. At the lake. Music that goes under the skin and rhythm that won’t let you stand still. The Lake stage performances thrill us once again with three exclusive concerts on South Tyrol’s unique lake stage. Get charmed by three exclusive concerts, international artists and a fairy-tale backdrop - The Lake Stage performances 2026 are waiting for you! Save the date Tuesday 21st of July, 2026 Tuesday 28th of July, 2026 Tuesday 4th of August, 2026 Further information and ticket reservation: Tourist Information Center Caldaro/Kaltern, T. 0039 0471 963 169, www.kaltern.com, info@kaltern.com

27 years of "Naturno laughs!" and 21 years for children! Comedians, stand-up comedians, clowns, musicians and magicians will immerse Naturno's outdoor arena in an intoxicating setting for all kinds of mischief and laughter, hilarity and subtlety. Expect the evenings of summer 2026! Aug. 4-21: Every Tuesday and Friday at 9 pm. For children every Wednesday at 5:30 pm. (in German language)