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Alpine Road of Romanesque Art - Stairways to Heaven

In the Middle Ages, a variety of cultural centres such as towns, forts, castles, churches, chapels and monasteries were built along important trade and pilgrimage routes that led across the Alps.

  1. Convent S. Floriano

    Laghetti/Laag, Neumarkt/Egna, Alto Adige Wine Road

  2. St. Veit´s Church

    Tarces/Tartsch, Mals/Malles, Vinschgau/Val Venosta

  3. St. Benedikt´s Church

    Malles/Mals, Mals/Malles, Vinschgau/Val Venosta

  4. Castle chapel "Sankt Stephan"

    Morter/Morter, Latsch/Laces, Vinschgau/Val Venosta

  5. Church of Santa Margherita

    Pavicolo/Pawigl, Lana, Meran/Merano and environs

  6. St. Kathrein church

    Santa Caterina/St. Kathrein, Hafling/Avelengo, Meran/Merano and environs

  7. Glorenza - the little medieval town in South Tyrol

    Glorenza/Glurns, Glurns/Glorenza, Vinschgau/Val Venosta

  8. St. Johannes' Parish Church, Lasa/Laas

    Lasa/Laas, Laas/Lasa, Vinschgau/Val Venosta

  9. Convent of St. John in Müstair

    Tubre/Taufers i. M., Taufers im Münstertal/Tubre, Vinschgau/Val Venosta

  10. Church "St. Karpophorus"

    Tarres/Tarsch, Latsch/Laces, Vinschgau/Val Venosta

  11. St. Proculus Church

    Naturno/Naturns, Naturns/Naturno, Meran/Merano and environs

  12. St. Peter's Parish Church

    Plars di Mezzo/Mitterplars, Tirol/Tirolo, Meran/Merano and environs

  13. Collegiate Church

    Prato alla Drava/Winnebach, Innichen/San Candido, Dolomites Region 3 Zinnen

  14. Church "Santa Maria in Colle"

    Laces/Latsch, Latsch/Laces, Vinschgau/Val Venosta

  15. S. Jakob Church in Söles near Glurns

    Glorenza/Glurns, Glurns/Glorenza, Vinschgau/Val Venosta

  16. Nikolaus church Laces

    Laces/Latsch, Latsch/Laces, Vinschgau/Val Venosta

  17. St. Sisinius' Church, Lasa/Laas

    Lasa/Laas, Laas/Lasa, Vinschgau/Val Venosta

  18. Monastery of Novacella

    Varna/Vahrn, Vahrn/Varna, Brixen/Bressanone and environs

  19. Chapel St. Katharina (Hocheppan Castle)

    Predonico/Perdonig, Eppan an der Weinstaße/Appiano sulla Strada del Vino, Alto Adige Wine Road

  20. St. Jakob Church in Kastelaz

    Tramin an der Weinstraße/Termeno sulla Strada del Vino, Alto Adige Wine Road

  21. Marienberg Monastery

    Burgusio/Burgeis, Mals/Malles, Vinschgau/Val Venosta

  22. Church of San Vigilio and Biagio

    Morter/Morter, Latsch/Laces, Vinschgau/Val Venosta

  23. St. Ägidius' Church, Corzes/Kortsch

    Corzes/Kortsch, Schlanders/Silandro, Vinschgau/Val Venosta

  24. Tyrol Castle

    Tirolo/Tirol, Tirol/Tirolo, Meran/Merano and environs

  25. Castelbello Castle

    Castelbello/Kastelbell, Kastelbell-Tschars/Castelbello-Ciardes, Vinschgau/Val Venosta

  26. St. Johann´s Church in Taufers i.M.

    Tubre/Taufers i. M., Taufers im Münstertal/Tubre, Vinschgau/Val Venosta

  27. Church of St. Nicolas, Lasa

    Lasa/Laas, Laas/Lasa, Vinschgau/Val Venosta

  28. St. Marx' Church, Lasa/Laas

    Lasa/Laas, Laas/Lasa, Vinschgau/Val Venosta

  29. St. James' Church in Grissian/Grissiano

    Grissiano/Grissian, Tisens/Tesimo, Meran/Merano and environs

By exploring 31 special sites along the Alpine Road of Romanesque Art - Stairways to Heaven between South Tyrol and the Canton of Grisons, it is still possible to discover the special features of the art and culture of that time including its characteristic symbols and building elements. Marvel at small, unknown cultural sites as well as larger, better-known places such as the Schloss Tirol castle, the Convent of St. John in Müstair and the Marienberg Benedictine abbey.  

More than a mere artistic style, the Romanesque was a spiritual idea as expressed by a building, painting or sculpture. The architecture and the cosmos of images were designed like a shrine, each inspiring the other in their monumentality. In churches, discover mythical creatures, mermaids, centaurs and column-eating demons. According to the world view of the time, these creatures populated the fringe zones of the flat disc earth and illustrated the contrast between divine order and human chaos. Marvel at frescoes by painters who were unknown craftsmen at the time. Such craftsmen laboured in service of something beyond themselves and created an illustrated theological cosmos for their employers.